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OMG! Vampire — A Funny Concept Ruined by Its Own Writing
I'll admit it: I actually liked the premise of OMG! Vampire. A group of young vampires escaping their oppressive kingdom to live among humans already sounded more original than the average supernatural BL. The series even starts with a ridiculous place called "Thaiwilight City," making it obvious from the beginning that it isn't trying to be the next Interview with the Vampire. It wants to be a parody, and honestly, I was completely fine with that.The problem is that after a promising start, the series quickly runs out of ideas.
Being silly isn't the issue. Some of my favorite comedies are completely absurd. But absurdity still needs structure. Here, every episode throws new jokes, new couples, and new situations at the audience without ever developing any of them properly. The comedy becomes repetitive, the romance feels rushed, and the vampire mythology—which could have made the series unique—never evolves beyond a few entertaining concepts.
The biggest disappointment is the writing.
The rules of the vampire world are introduced but rarely explored. The conflict between vampires and humans never becomes truly threatening. Even the central romance often feels like something that simply happens because the script says it should, not because the characters naturally grow closer. By the middle of the series, I wasn't wondering what would happen next anymore—I was wondering whether the writers actually had a plan.
The cast deserved better.
Visually, I think the actors were well chosen. Frank Thanatsaran and Lee Long Shi certainly look the part, and many supporting actors bring good energy whenever they're on screen. But the characters themselves are so poorly written that it's almost impossible to judge the performances fairly. When motivations change from one episode to another and personalities are reduced to one or two exaggerated traits, even good actors struggle to create believable characters.
That said, one actor constantly caught my attention: Sugus Buntawit.
Every time he appeared, he brought a confidence and charisma that made me wish the camera would stay on him longer. Even many viewers commented that he had "main lead energy," despite being part of the supporting cast. I honestly agree. He has a natural screen presence that several members of the main cast simply couldn't match.
The chemistry between Frank and Lee also never fully convinced me. This wasn't their first project together, but I still struggled to believe the romance. They looked comfortable around each other, yet I rarely felt the emotional attraction that should drive a BL relationship. The friendship worked. The love story didn't.
The production quality is another mixed bag. On one hand, I appreciate that the series fully embraced its campy identity instead of pretending to be a serious gothic drama. On the other hand, some visual effects, editing choices, and comedic timing make the whole production feel much cheaper than it needed to be.
After reading reviews from both fans and critics, I realized something interesting: many people had exactly the same feeling I did. Most weren't criticizing the concept. They were criticizing the execution. Nearly everyone agreed that the idea had potential but that the writing buried it under clichés, awkward humor, and inconsistent storytelling.
That's probably the biggest frustration.
A vampire comedy doesn't have to be serious to be good. It just has to know what story it wants to tell.
OMG! Vampire never seems to figure that out.
Final Thought
OMG! Vampire isn't one of the worst BLs I've ever watched because the premise itself is actually quite entertaining. The cast has potential, there are a few genuinely funny moments, and the series isn't afraid to embrace complete absurdity. But potential only gets you so far. Weak writing, forgettable characters, inconsistent world-building, and a romance that never truly lands turn what could have been a clever vampire comedy into a missed opportunity. The actors deserved a much stronger script than the one they were given.
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The Love Never Sets — A Story Carried by Genuine Chemistry
The Love Never Sets is one of those BL dramas that doesn’t try to reinvent the genre but still manages to leave a strong impression because of how sincere it feels. The story itself is quite classic in its structure — relationships, misunderstandings, personal struggles, and emotional growth — but the way the characters interact with each other gives the whole drama a warmth that makes it very easy to watch. It’s the kind of series where the emotional tone matters more than shocking twists, and that’s exactly why it works so well. I’ve liked Ja Phachara since Don’t Say No, and here he proves again why he’s such an enjoyable actor to watch. He has a very particular presence on screen. He’s extremely handsome with an incredible body, yet somehow still has that boyish look that makes him seem younger than he actually is. At 27 he still looks like a kid, which is honestly impressive. What I like about him is that he brings a natural charm to his roles. Even when his character is emotional or conflicted, he never feels overly dramatic. Tae Weerapat impressed me even more because this is his first leading role, and he handled it surprisingly well. Stepping into a main role in a BL drama can be intimidating, especially when you are paired with someone who already has experience and a fanbase. But Tae managed to create a very believable character. His connection with Ja felt natural and comfortable, which is probably the most important thing in a BL. Even though Ja gives off a very straight vibe in real life, their chemistry doesn’t feel forced at all. Their scenes together feel genuine, which makes the romance easy to believe.The story itself moves at a good pace and focuses a lot on emotional moments between the characters rather than relying on dramatic plot twists. I liked that the relationships were allowed to develop through small interactions, conversations, and shared experiences. Those quieter scenes are often the ones that make the characters feel real. The drama also balances romance with family relationships and personal growth, which gives the story more depth than a simple love story. The supporting cast deserves a lot of credit as well. The GL couple is actually a really nice addition to the story. Nikita Parkin stands out because she portrays her character in a very natural way. She looks and feels like a real lesbian character rather than a stereotype created just to add diversity to the cast. Her performance is subtle but convincing, and it makes the relationship feel authentic.
Another actress who completely steals the scenes whenever she appears is Ja Molywon. She has been in the industry for about ten years now, and it clearly shows. As a more mature actress, she brings an emotional depth that enriches the entire drama. There are moments where she communicates feelings simply through her expressions, without needing dialogue. That ability to convey emotion quietly is something many actors struggle with, and she does it effortlessly.
The production itself is solid. The music fits the tone of the series even if it isn’t particularly memorable, and the overall atmosphere of the drama stays consistent from beginning to end. The emotional scenes are handled well, allowing the actors to carry the moment instead of relying on exaggerated music or overly dramatic editing.
Final Thought
The Love Never Sets may not be the most groundbreaking BL ever made, but it’s a very satisfying one because everything feels sincere. The chemistry between Ja Phachara and Tae Weerapat works beautifully, the supporting cast adds depth to the story, and the emotional moments feel genuine rather than forced. It’s a drama that understands that sometimes the simplest stories can be the most effective when the performances are strong and the emotions are real.
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Bad Guy My Boss — Steamy Chemistry Can't Save an Empty Romance
Bad Guy My Boss is one of those dramas that constantly made me think, "This should have been so much better." The original novel by anin19 already had an audience, the office romance setup is a classic for a reason, and the cast is undeniably attractive. On paper, everything was there. But somewhere between the novel and the adaptation, the emotional core disappeared.The premise is actually interesting. A secretary secretly in love with his demanding CEO isn't exactly groundbreaking, but it's a trope that can work when the relationship develops naturally. Here, however, the story relies almost entirely on toxic behavior, jealousy, and physical attraction instead of emotional growth.
One of the biggest complaints from viewers was the way Elyes was written. The series constantly asks us to forgive his controlling, possessive, and manipulative behavior simply because he's handsome and occasionally shows affection. I don't mind flawed characters—in fact, I often prefer them—but a character still needs believable development. Elyes spends too much time being a walking red flag before the script suddenly expects us to accept his redemption. It never felt earned.
Then there's the romance itself.
This is where the adaptation disappointed me the most.
James Hayward Prescott is undeniably charismatic. He has the confidence and visual presence to play an arrogant CEO, and I can understand why he was cast. Kad Ploysupa, on the other hand, has years of BL experience behind him. Yet somehow, putting them together never created the chemistry I was expecting.
It never felt like two men deeply in love.
It felt like two straight actors trying to imagine what love between two men should look like.
Their intimate scenes are frequent and visually polished, but physical intimacy alone doesn't create emotional intimacy. I never believed the connection behind the kisses or the sex. Compare that to couples like PondPhuwin, GunOff, or even Ja and Tae in The Love Never Sets, where simple eye contact often says more than an entire bedroom scene. Here, the relationship always felt performed rather than lived.
Ironically, I found myself paying more attention whenever Zax Nattapat appeared. He has an undeniable screen presence, and I genuinely think he's one of the most interesting actors in the cast. His role is relatively small, but every time he appeared, I wished the drama would spend more time with him. I would honestly love to see him leading a more mature BL in the future because he has the charisma to carry one.
Visually, the production is actually quite good. The cinematography is polished, the lighting is attractive, and the office setting feels modern and believable. Director Term Rungradit clearly knows how to make his actors look good on screen. The problem is that style constantly takes priority over substance. Instead of developing the characters, the drama keeps moving from one romantic or intimate scene to another, hoping the audience will emotionally fill the gaps themselves.
Reading the novel afterwards only reinforced my disappointment. The relationship feels stronger there because you spend much more time understanding the characters' thoughts, fears, and motivations. The adaptation simplifies too much, turning a complicated emotional relationship into a sequence of misunderstandings, jealousy, and sex scenes.
That's why I never became emotionally invested.
I watched because I wanted to see where the story was going, not because I truly cared about the couple.
Final Thought
Bad Guy My Boss isn't terrible—it simply never reaches the potential of its source material. The cast is attractive, the production looks good, and there are moments where you can see glimpses of a much stronger story. But attractive actors and explicit scenes can't replace believable emotional development. In the end, I finished the drama feeling exactly the same way I started it: admiring the visuals while waiting for a romance that never truly convinced me.
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Mr. Sahara & Toki-kun — Cute Casting Isn’t Always Enough
Mr. Sahara & Toki-kun is one of those dramas that feels pleasant while you’re watching it, but leaves almost no real impact once it ends. It’s not terrible, but it never becomes memorable either. The story follows a familiar structure for Japanese BL: a delinquent student with a complicated reputation and the teacher who slowly tries to understand him. On paper, that dynamic could have created something intense or emotionally messy. Instead, the drama keeps things very light and safe, almost like it doesn’t want to push the tension too far.The casting is probably the biggest reason the show works at all. Kizu Takumi stands out immediately. He has a very strong screen presence and a kind of quiet sensuality that makes him impossible not to notice. Even when the story slows down, he still holds your attention. It’s the kind of performance where you can understand why viewers keep watching even if the plot itself doesn’t fully deliver. But the character of Toki feels very different from what the original image suggests. In the manga, Toki Kanade has white hair and a much rougher presence — someone who genuinely feels like a delinquent. In the drama, with the blond hair and softer styling, that edge disappears. Instead of feeling like a dangerous troublemaker, he looks more like a cute rebellious student who might skip class occasionally. That change removes a lot of the tension that should exist between him and Sahara.
And that touches on something that Japanese BL adaptations have done for a while now: pairing very cute actors together even when the story originally relies on contrast. It’s visually appealing, but it sometimes weakens the dynamic. When both characters feel soft and harmless, the emotional push-and-pull disappears. The relationship becomes sweet, but not particularly exciting. To be fair, the acting overall isn’t bad. The cast does what they can with the material, and there are moments where the chemistry works. But the story itself never reaches the emotional intensity it hints at. It stays comfortable, almost predictable, and by the end you realize the drama never really took a risk.
Final thought
Mr. Sahara & Toki-kun is easy to watch and has a few charming moments, especially thanks to Kizu Takumi’s presence. But it’s also another example of a BL that feels visually cute rather than emotionally powerful. And in the end, “cute” alone isn’t always enough to make a story unforgettable.
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Head 2 Head — Carried by Chemistry, Not by the Weight of Its Own Story
Going into Head 2 Head, I already knew one thing: Keen and Sea together just work. And this drama basically confirms it. They have that rare kind of screen connection that you don’t have to “believe” — you just feel it. You could already catch glimpses of it back in Only Boo! (2024), like they genuinely enjoyed acting opposite each other, and here it evolves into something warmer, more natural, more grounded.They’re honestly adorable together, but not in an artificial fanservice way. It feels relaxed. Comfortable. Like two people who understand each other’s rhythm. And when a story is emotionally lighter than it maybe should be, that kind of chemistry ends up carrying everything.
Because if I’m being completely honest, the story itself is good… but it plays things very safe emotionally. When you compare it to something like I Saw You in My Dream (2024), which leaned harder into the supernatural emotional weight, Head 2 Head feels almost too soft for themes like grief and losing someone you love. Death is treated more like a narrative background than something that truly reshapes the characters’ emotional world. And that’s where I felt the biggest gap. Not bad writing — just… not as deep as it could have been.
But again, this is where Keen and Sea save the whole thing. They sell emotions that the script sometimes only sketches. That says a lot about their acting level, even if they’re not technically perfect yet. They have presence. They make you root for them. And sometimes that matters more than flawless technique.
The parents storyline honestly surprised me in the best way. Mam and Nui were incredible — not just as mothers, but as women, as friends, as emotional anchors to the story. Their dynamic felt lived-in and real, and sometimes I caught myself more invested in their scenes than I expected. Lift and Mos might not be central, but they complete the emotional ecosystem of the parents’ relationship. Nothing feels random. Everyone adds texture.
And yes, I need to say it: New Thitipoom showing up, even briefly, is one of those “oh wow” moments. He’s aging really well, and there’s something about seeing BL actors grow into more mature screen presence that makes me both proud and a little sad. Because realistically, many of them will transition more into mainstream roles as they age. And I get it — industry logic. But at the same time, I genuinely think BL with older characters, older bodies, older emotional baggage is something the industry is still missing. Love doesn’t stop existing after your twenties. And actors like him prove there is space for that if the industry ever wants to explore it.
Final feeling
Head 2 Head is one of those dramas where you remember the people more than the plot. And sometimes that’s okay. Because at the end of the day, what stayed with me wasn’t the story structure — it was the warmth, the chemistry, the feeling that these characters could exist outside the screen. And honestly, sometimes that’s enough to make a drama worth watching.
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My Secret of Seer — Good Concept, Weak Execution, and a Lot of Wasted Potential
This one is honestly frustrating for me, because there was something here.On paper, My Secret of Seer had everything to work. A fortune teller cursed by fate, forced to work with a skeptical ghost-show host, supernatural elements, destiny vs free will, slow-burn romance… it sounds like the perfect emotional and fantasy mix. And sometimes, you can actually see the version of this drama that could have been amazing.
But watching it, I kept feeling like the story and the performances were not living at the same level.
Tar Jirayu is genuinely adorable on screen, and you can see why he was cast. He has that natural softness that works well for Win — someone spiritual, fragile, and constantly carrying fear under the surface. But the problem is that most of the cast feels very new. And you can feel it in emotional scenes. Only Fluke Pusit really feels like he understands how to live inside a character instead of just reciting lines. Every time he was on screen, the acting suddenly felt grounded.
Then there is Aof Akekarin… and this is where it gets hard to watch. His performance often feels forced, especially in scenes where attraction is supposed to grow naturally. Instead of tension, it sometimes feels like the script is shouting “LOOK, ROMANCE IS HAPPENING.” And that kills immersion.
The story itself is not bad. Actually, the base concept is really interesting. A cursed seer forced to find someone with spiritual merit before time runs out is a strong emotional and fantasy hook. The mix of superstition, media world, and supernatural rules is genuinely cool. But the execution feels messy. Scenes sometimes jump too fast, emotional beats don’t always connect, and the romance ends up feeling like a subplot instead of the heart of the story. Even the love confession only really lands near the end, which makes the emotional payoff feel late. And that is what hurts the most.
Because the series could have been scary, emotional, mystical, romantic… all at once. But it never fully commits to any of those directions. The “seer senses” and fear elements should have been intense, psychological, unsettling. Instead, they often feel surface-level. You understand what Win is supposed to feel. But you don’t always feel it with him.
I also get why some people still liked it. The visuals are nice. The concept is original for a BL. And there is heart in the story. But it feels like a first draft of something that needed more time, more direction, and more experienced performances to truly land.
Final feeling :
This is not a disaster. It’s just disappointing. Because you can see the better version of this story hiding behind what we got. And that’s always harder to watch than something that was just bad from the start.
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Chosen Home (2025) — When Love Is Just… Normal, and That’s the Whole Point
Chosen Home is one of those dramas that made me stop asking “is this BL?” and instead ask “why do we still need to label love at all?” And honestly, I think that’s exactly what the drama is trying to say.Going in, I expected something closer to a typical BL romance. Two men fall in love, conflict happens, feelings explode, happy ending, done. But this isn’t built like that at all. The romance exists, yes, but it never feels like the center of the universe. It just… exists. Quietly. Naturally. Like it would if it was a man and a woman. And that’s what hit me the most emotionally.
The story is really about connection and chosen family more than romance itself. At its core, it follows two gay men who end up building a life together in a very unconventional way, eventually forming a household that also includes a troubled young girl. It’s messy, warm, awkward, funny sometimes, and painfully real in others. It’s not about proving their love to the world. It’s about building a life that feels safe and meaningful, even if it doesn’t look “normal” from the outside.
What really worked for me is that the drama treats their relationship like just another relationship. No dramatic “BL framing”, no over-romanticizing, no fetishized tension. Just two adults trying to figure out life, love, and responsibility while carrying their own emotional baggage. Some reviewers even described it more as a queer found-family story than a pure BL, and honestly… I get that.
Emotionally, this hit me in a very quiet way. Not the kind of drama that makes you scream or throw pillows, but the kind that sits in your chest and makes you think about what “home” actually means. Loving your partner. Loving your family. Loving yourself. Loving your work. Loving the life you built even if it’s not what society expected from you. That theme is everywhere here, and it feels very mature, almost healing in some moments.
The cast really sells that natural feeling. The chemistry isn’t loud or flashy, but it feels lived-in. Like people who learned to exist around each other instead of performing love for the camera. That kind of acting is actually harder to do, and I respected it a lot.
That said, I do understand why my score isn’t higher. The story sometimes feels like it could have pushed emotional conflicts further. Some plot points feel like they stop right before becoming devastating. And maybe that’s intentional — maybe the drama wanted to stay grounded instead of dramatic — but part of me wanted just a little more emotional punch in some arcs.
Rewatch value is lower for me, not because it’s bad, but because once you understand the message, you kind of get it. It’s not a comfort watch. It’s more like a quiet life lesson disguised as a drama.
At the end of the day, Chosen Home isn’t trying to scream “this is a BL love story.” It’s trying to whisper “this is just love.” And honestly, that made it feel more powerful than a lot of louder romances.
If you want butterflies and dramatic declarations, this might feel slow. But if you want something that feels emotionally honest and very human, this is absolutely worth watching at least once.
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Goddess Bless You From Death — When a BL Becomes Something Bigger Than Romance
I went into this expecting a BL. What I got was something way more interesting — a dark fantasy / crime mystery that just happens to have a queer romance inside it. And honestly? That’s why it worked so well for me.This drama doesn’t feel like it’s trying to sell you a couple. It feels like it’s trying to tell a story first. The romance is there, but it breathes naturally inside the plot instead of being forced into every scene. The world is heavy, spiritual, violent sometimes, and deeply emotional. The story follows a murder investigation mixed with supernatural elements, with Thup — a man who can see ghosts — and Singha — a police inspector tied to fate and protection — pulled into something way bigger than themselves.
And that tone matters. Because this isn’t soft romance fantasy. It’s closer to horror-mystery with emotional tension sitting under everything. That constant feeling that something is wrong, something is watching, something is inevitable… it stays with you. And when the emotional beats hit, they hit harder because the world already feels dangerous.
What really made this work is the chemistry between Pooh and Pavel. Not “fanservice chemistry”. Real, quiet, grounded connection. The kind where you don’t need big declarations because you can feel it in how they look at each other, how they move around each other, how the tension just sits there in silence.
And I think that’s why this drama feels like “a normal drama with queer characters” instead of “a BL trying to be serious”. The relationship isn’t sanitized. The tension is physical, sometimes messy, sometimes very direct — which honestly feels closer to real adult gay relationships than the super slow, innocent fantasy style we often get.
If I’m being honest about why I didn’t give it a perfect score, it’s because I could see where the story could have gone further. Some mythology threads could have been pushed deeper. Some emotional reveals could have hit harder if they were tied back into earlier plot points more tightly. But that might also just be me being used to heavy fantasy world-building and wanting everything to connect perfectly.
Emotionally though? It worked. The story feels haunting in that quiet way — not loud tragedy, but the kind that sits in your chest after you finish. And that’s why the rewatch value is weirdly lower than the quality. Because once you know the truth, once you understand the emotional core and the mystery, the shock is gone. And this story lives a lot in that discovery.
This is one of those dramas that proves BL doesn’t have to feel like BL to be meaningful. It can be horror. It can be fantasy. It can be crime. And the romance can exist naturally inside that world instead of being the whole point.
And honestly, that’s why it stayed with me. Not because it was perfect. But because it felt real inside something unreal.
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21 Days Theory — When a Short Time Changes Everything
There is something strangely beautiful about a story that knows it is temporary.21 Days Theory doesn’t pretend to be a grand romance or a forever kind of love. It tells you from the start: this is limited, fragile, and possibly unfinished. And that honesty is what makes it hit harder than you expect.
The idea itself is simple — two people meet for only twenty-one days. No promises, no future plans, just a short space in time where feelings grow faster than they should. It feels like summer, like borrowed time, like something you already know will end even while you are still inside it.
The story carries that emotion surprisingly well. It understands that some connections exist only to teach you something about yourself, not to stay forever. There is a quiet sadness under every scene, even when the characters are smiling, because the clock is always ticking. And when it ends, you don’t feel closure — you feel that soft ache of something that mattered, even if it was brief.
The acting, however, doesn’t always match the weight of the story. Some moments feel flat, some emotions don’t fully land, and you can sense that the cast struggles to reach the depth the script is asking for. The feelings are there in theory, but not always in the eyes.
The music is gentle but forgettable. It supports the mood, but it never becomes part of the memory of the show. And once you finish it, you probably won’t rush to watch it again — not because it’s bad, but because its power lies in the first experience, in that initial emotional hit.
What stays with me is not the romance itself, but the idea behind it: that even a short connection can change the way you see love, time, and yourself.
Final Thought
21 Days Theory is not about forever.
It is about moments.
And sometimes, that is enough.
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2 Moons — The Beginning That Couldn’t Carry Its Own Shadow
I don’t hate 2 Moons.But I also can’t pretend it aged well.
When I first watched it, it felt like something important. Soft, innocent, shy — a beginning. But watching it again now, after everything BL has become, it feels more like a sketch than a story. A promise that didn’t know how to fulfill itself yet.
The idea is simple: a quiet boy still carrying his high-school crush, finally meeting him again at university. It should feel emotional, nostalgic, intimate. But instead of depth, the drama keeps circling the same moments without letting them grow. The story repeats itself, stretching scenes that should feel tender into something strangely empty.
There is a sweetness in the atmosphere, yes. A kind of old-school innocence. But it never becomes intense, never truly vulnerable. It stays on the surface, like it’s afraid of its own emotions.
The acting doesn’t help. Not because it’s bad, but because it’s uncertain. Some moments feel genuine, others feel staged, like the actors themselves are not fully convinced by what they’re playing. You can feel the hesitation, the lack of emotional weight. The chemistry is there in theory, but it never ignites.
And the music… it exists. But it never elevates a scene, never makes your heart ache, never lingers after the episode ends. It’s background noise, not memory.
What makes this more painful is knowing what came after. The later seasons, the recasts, the constant reboots of the same story, trying again and again to fix what was missing. It’s like watching the same love story reincarnate without ever finding peace. The universe keeps asking, What if this time it works? But the soul of the original remains incomplete.
There are moments of charm, of course. Little glances, awkward smiles, soft touches that remind you why BL started this way. But they are fragments, not foundations.
By the end, you don’t feel heartbreak.
You don’t feel fulfillment.
You just feel… finished.
Not because the story is resolved, but because it never truly began.
Final Thought
2 Moons is not terrible.
But it is no longer enough.
It is a relic of a time when BL was still learning how to speak.
And while I respect its place in history, I can’t pretend it still knows how to make me feel.
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Caged Again — Cute Premise, Strange Execution, Sweet Enough to Finish
So I just finished Caged Again, and honestly… it was weird. Like, conceptually adorable in the promo – a penguin turning into a human? That’s bonkers! But watching the whole thing made me feel like I was in a sitcom mash-up of fantasy school life and random filler scenes that never quite understood what it wanted to be. It FEELS cute at first, but by episode 3 you start going… what even is this?The story starts with Junior, who literally used to be a penguin in a zoo and somehow becomes human and enrolls in school without explosion or trauma. That premise keeps it interesting for the first few episodes, and some moments are genuinely funny, even delightfully absurd. There’s creative worldbuilding hints too — like spirits, animal instincts, and strange supernatural threads — but 80% of the time the script just meanders. It never commits to tension or emotional depth, just floats around side plots and school antics that could have been so much more.
And that’s where my rating reflects the weird dissonance. The acting is good, genuinely. Jay and Ben infuse Junior and Sun with sweetness and awkward charm. Online communities were actually surprised by how strong the chemistry is between them, even if the plot struggles to support it — people on Reddit praised the pairing and said the chemistry was “on point” with moments that made them laugh or feel strangely invested. Their dynamic is easily the best part; the actors bring heart where the story sometimes forgets to.
But the story itself? It feels like someone took eight hours of random school comedy, some supernatural elements, and threw it all together without a destination. Scenes drag, subplots stall, and the romance between Junior and Sun barely goes beyond pleasant “aww” moments. People online who actually loved the show call it “adorable,” “fun,” and “unique,” but I also saw plenty of reactions saying the script feels shallow and the final episodes feel rushed compared to the earlier promise.
The music does its job — atmospheric, gentle, nothing ground-shaking — and the production values are polished, but honestly the soundtrack left me shrugging. Not bad, just not memorable either.
My big issue is this: the story could have been interesting if it went deeper into the fantasy aspects, into the emotional identity of Junior and Sun rather than side tangent after side tangent. There are moments where the show touches on something deeper – identity, belonging, confusion about love – but it never fully explores any of them. That’s why the rewatch value is so low for me; there’s nothing layered enough under the surface to discover a second time.
So yeah, it’s not terrible. I don’t hate it. It’s cute, and watching it in one sitting definitely helps you stay connected. But it feels like a concept without enough follow-through. I finished it more amused than invested, and that’s not enough for me to want to rewatch it.
If you like weird fantasy BL that’s more fluffy than emotionally deep, and you don’t mind silliness mixed with sweetness, it’s worth a try. But don’t expect something that will sit in your head for weeks after.
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This review may contain spoilers
Everything was fine, until...
Yes, I did enjoy the drama then, and I re-watched it today and decided that it was time for a review.If you look at the story, it is not the first time traveling drama but it's usually in the past, here it's in the future.
It is cute as its about sexual discovery for a boy born in the 80s and a teenager, Kiao, of the 90s (at the end, we're from the same generation), so is reluctance to accept loving a boy is understandable. Yet, it's 2022 (in the drama), in Thailand and it's more acceptable (again, in the drama). So he fall in love with his best friend's son Bamee who had died years ago. At first, he just want to take care of him like a nephew, but his feelings towards him grew deeper. Some people may think it's creepy, but you need to remember that at the end, he's still a teenager and they're the same age. Plus, even if his real friends are now older, he is still young with no experience . However, he grow during the drama. He want to go back in time, not only to save his own mother, but also to save his best friend (Bamee's dad).
The trouble comes when Kiao tried to go back but got sucked back into the future and Bamee forgets him. To me, this is when Kiao should have tried to change his lover's future as he knew he had to go back soon. He should have make Bamee love someone else. THAT would have been the highlight of the drama. I would have loved for exemple that in the past, Bamees dad would have been in love with Kiao, and that why he got divorce instead of dying and they could have been together. Kioa not remembering his love for Bamee also would have been more logical as he changed the future. He would have been better if he only remembered missing is mother and his best friend.
So, by not doing something more mature and logical, the have chosen to make Bamee (20) meet the OLD Kiao (40) and remember him then AND KISS !!! Yep, that was what many people thought nope, that's wrong!!! First because Bamee has his dad back, second, what would he kiss a guy twice his age, and his dad's friend? And why is Kiao, who was very cute, still single and waiting for his best friend's son? So this was what made us think the ending was so wrong!
If they wanted to make it simpler, they could have chosen to send Bamee in the past and live with Kiao and his mum and make everyone forget about them! After all, his step-mum wasn't his mum and could have had his parents closer to him while growing close to them while loving the man of his dream!
But hey, they didn't ask us what we thought if they choose this ending, or if they should have done something else. For the reviews, they really f.cked up!!!
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This review may contain spoilers
Missed the plot
I agree with a lot of reviews about this drama. I expected so much from the first episodes and BIM... NothingThey put a lot of effort to build the vilain in the drama, and the back story was great. The fact that Him had PTSD, the fact that Nail was Blue doppelganger, the ex who cheated with a girl... all that could have made a great storyline. But the just denied everything. One episode they fight at the end, the next they already made up from the start, so it's confusing.
And all building the story to have absolutely no tension at the end.... Where was the drama????
Nothing was used and you feel watching episode 11 and 12 that it can't be IT. And you realize you lost your time.
Now, the side stories with Pie, who is doing what Him did to Blue to his new s.x buddy Chao. He tries to become his boyfriend, but he is still close to his ex who wanted to use Pie to make a s. tape for money. That could have been more dramatic, like the violence in "Love in the Air" r.ape scene, but nothing? Chao just caught the conversation, and saw the Instagram and that was all.
It was the first movie made by Wayu Pattharawut, CEO of Y entertainment and director for this drama. But it's not a good start. We had similar problems with "Unforgotten Night" who had great unused potential. Maybe the CEO should focus on making his YouTube Channel and social media clearer and employ scenarists that can actually make a novel better on screen!!!
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Rak Diao — When Sitcom Energy Meets BL Heart
I just finished this series, and honestly… it did not deserve to end. Rak Diao feels like a Thai BL sitcom: light, warm, playful and yet emotionally sincere in a way that surprised me. It reminded me of an early, fun version of Roommates of Poongduck 304, but with something that drama lacked: a real world around the couple.A BL That Feels Like a Sitcom
The show uses a classic laugh-track format that instantly brings back memories of old American sitcoms like Friends or The Nanny. But instead of feeling cheesy or mocking, the humor stays gentle and inclusive. It never turns LGBTQ+ love into a joke. That balance is rare.
More Than Just the Main Couple
What truly works is that the story does not revolve only around the two leads. There are friendships, family tensions, workplace misunderstandings; small conflicts that make the world feel alive. Yes, the side stories could have been developed more deeply, but their presence gives the series warmth and rhythm.
Dreamlike, But Still Comforting
The ending is exactly what you expect from a BL, maybe not realistic, but hopeful. Sometimes, we need stories that let us believe love can win, even when real life is harder. And this series gives you that feeling without pretending to be something it’s not.
The Leads Deserve More
Earth Thanakrit and Win Songsin have natural chemistry, confidence, and charm — and yes, incredible screen presence.
They deserve many more leading roles.
Final Thought
Rak Diao is not trying to be deep. It is trying to make you smile. And sometimes, that is exactly what a love story should do.
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This review may contain spoilers
After Sundown — When Chemistry and Horror Both Fail to Appear
I wanted to love this movie. On paper, it had everything: BL leads who are a real-life couple, a supernatural revenge story, and gothic romance. And yet… none of it truly worked.Where the Emotion Was Supposed to Be
When you cast two actors who are a real couple, you naturally expect intensity, tension, vulnerability, something real. But here, I felt nothing. Even after the characters become physically intimate, there is no emotional shift. No sense that something has changed between them. They remain distant, as if the connection exists only because the script says so. Love is never shown. Only implied.
A Horror Story Without Fear
The ghost’s story should have been tragic and terrifying: a woman betrayed, trapped in the past, seeking revenge in a world that mirrors her suffering. But the film never commits to its own darkness. The ghost is not frightening. The revenge lacks urgency. The mythology is barely explored. So many powerful directions were possible: a parallel woman living the same fate, a reincarnation cycle, a generational curse, but none of them are fully developed.
Too Much Focus, Not Enough Story
The film centers so heavily on the two male leads that it forgets to build the world around them. The supernatural plot becomes background noise instead of the driving force. This is not balance. It is neglect.
Final Thought
After Sundown is not terrible. But it is a story that promises much more than it delivers. I rarely rate BL projects this low, which shows how much I expected from this film. I truly hope the production team learns from this and brings more depth, emotion, and ambition to their next project.
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