128
268
17
4
3
4
1
7
1
2
9
2
2
1
2
4
1
2
7
13
16
3
This review may contain spoilers
Worth your time
(Minor spoilers)
What got me to start this was knowing the ML from another drama and enjoying his performance as well as the absolutely gorgeous poster. I went in with average expectations, and I was not disappointed. It was even better than I imagined.
Watching Kieta Hatsukoi and this back to back was an interesting experience. This featured a fairly masochistic character, some unhealthy relationship dynamics, and ominous music and shots. It's also somewhat dark but honest about it, with characters who are at times morally grey. But, believe it or not, you can enjoy this and Kieta Hatsukoi.
This was an addictive drama that always made me curious enough to go back and rewatch the recently released episode about six times before the next one was released. I had to pay attention to see what I may have missed. And there are quite a few small details that can be missed.
It was also wonderfully shot, had moments that promised something dangerous, and the music in particular really lended to the eerie/uncomfortable atmosphere at times. The light masochism was also quite interesting to watch. Not to mention they did a great job at building tension between Hira and Kiyoi. You feel those stares.
The way this was shot in particular really lended itself to the idea that Hira views Kiyoi as a King/God. They did an amazing job of making us see him the way he did too. On a pedestal. Above him. Some untouchable ethereal person. He comes into the classroom and a light shines on him while petals fall gracefully around him. He turns to the camera and gives us one smile and our heart stops. Or with symbolic moments such as Hira getting down on one knee to kiss his hand and even that small touch is so precious and he feels unworthy for receiving it from his King.
One last compliment:
The ending shot literally looks like a painting based on ancient times. They literally look like art pieces. I want to capture it and frame it on my wall. Just... Hats off to the person who directed this and the people who filmed it.
What got me to start this was knowing the ML from another drama and enjoying his performance as well as the absolutely gorgeous poster. I went in with average expectations, and I was not disappointed. It was even better than I imagined.
Watching Kieta Hatsukoi and this back to back was an interesting experience. This featured a fairly masochistic character, some unhealthy relationship dynamics, and ominous music and shots. It's also somewhat dark but honest about it, with characters who are at times morally grey. But, believe it or not, you can enjoy this and Kieta Hatsukoi.
This was an addictive drama that always made me curious enough to go back and rewatch the recently released episode about six times before the next one was released. I had to pay attention to see what I may have missed. And there are quite a few small details that can be missed.
It was also wonderfully shot, had moments that promised something dangerous, and the music in particular really lended to the eerie/uncomfortable atmosphere at times. The light masochism was also quite interesting to watch. Not to mention they did a great job at building tension between Hira and Kiyoi. You feel those stares.
The way this was shot in particular really lended itself to the idea that Hira views Kiyoi as a King/God. They did an amazing job of making us see him the way he did too. On a pedestal. Above him. Some untouchable ethereal person. He comes into the classroom and a light shines on him while petals fall gracefully around him. He turns to the camera and gives us one smile and our heart stops. Or with symbolic moments such as Hira getting down on one knee to kiss his hand and even that small touch is so precious and he feels unworthy for receiving it from his King.
One last compliment:
The ending shot literally looks like a painting based on ancient times. They literally look like art pieces. I want to capture it and frame it on my wall. Just... Hats off to the person who directed this and the people who filmed it.
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