Only a guy would not see any blatant misogyny in that movie. Appreciating a masterpiece or condoning glorification…
I don't know anything about the director personal life, but I interpreted the film as critique on many aspects of "social realities", including many forms of violence against women. Would you share with us why you call him "Korean Harvey Weinstein"?
I haven't watched many Korean films, but this is one of my favorites. To me it's the representation of the people in society "without a voice" and how they have to learn to "adapt" and twist "reality" to their advantage so they can survive and, to some extend, thrive.
Would you share with us why you call him "Korean Harvey Weinstein"?