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Too much ToDai promotion?
Comparing this drama to its predecessor from 16 years earlier is unavoidable. But since my memory of the first season is vague, the memory of my impression of it will probably be biased. That being said, there are a few angles to analyze as to what worked and didn't work for me in this season.I'll start with the setting. In the first season, my impression throughout the whole drama was Sakuragi saying it doesn't take a genius to into Tokyo University, just the right tools and tricks to study. ToDai was never presented as this "solve-all" solution. That is the impression I was given in the current season. While students were encouraged to choose their own paths in the end, until they got there all Sakuragi was saying was something along the lines of "if you don't give your all to enter ToDai you will remain a loser. It felt like the whole drama was promoting the university.
Next, while the setting was annoying, I liked how the school was presented. It did not exaggerate it to be all teens rebelling and playing around. It was a normal school. That did make me realize how colourful people were in the early 2ks and how visually dull it is nowadays. I did like how the students were gathered and their individual stories. Some stories were stronger than others. My favourite was Fujii's and the growth he goes through. Suzuka Ouji was great at performing a vulnerable character hiding behind a know-it-all bully.
If anything did annoy me about some of the student backstories, it would be the condoning of all sorts of abuse and not taking any actions whatsoever about it. Some things can be forgiven away, but some require getting people accountable for their actions. While there was more than 1 character abused in the drama, Iwasaki's was the most irrational and ridiculous to not address.
Finally, the biggest detractor of this drama in my opinion is the conspiracy surrounding the school. While it did give the story an interesting angle of not necessarily wanting the special class to succeed, it did consume a lot of time in the drama and was generally written badly. Hayashi Kento was so wasted here, that he barely said anything and spent the whole drama just giving mischievous laughs while his friend and he were too obvious. The characters taking part in the conspiracy were all caricature-like it wasn't even funny.
Overall worth the watch for nostalgia's sake!
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Will 2.5 households become the norm in reality?
It's an enjoyable and relaxing watch of a lovely family in their sweetness and flaws. As Masaharu takes small steps to move forward in life, we see the family adjusting to the new situation. It sounds great on paper, but adjusting or readjusting yourself to live with others isn’t easy. But with rising inflation and recession felt worldwide, probably more and more people will look into living with family as an option like they used to in the past. Therefore the situation presented here will have an increasing number of viewers identifying with it, myself included.The characters feel very mundane, everyday people which makes it easy to connect with the characters. The focus here is on the choice to live together or on our own. Both have their challenges and rewards, and one must choose which challenge they are willing to face.
There is the grandpa who is used to being served and not pushing himself to help out. He can’t stand being criticized for it by his daughter because he’s always been told it’s okay. Grandma is always here robe of help to everyone, never vocally complaining but her health can’t help it and internally judges. She loves her kids so much that she does too much for their good. The daughter and her husband struggle with wanting support but not wanting to lose their place in their children’s lives. Saori in particular is typical of every working mom, trying to do her best everywhere, an impossible feat, and constantly feeling guilty that she’s unable to attain such expectations. It comes out as frustration and being ungrateful. Ema is a sweet teen whose introverted self makes her resistant to change and moody about it. As for Red, not only is he adorable, but rarely do we see children on TV present it authentically. That morning resistance to go somewhere where he’ll essentially play all day is oh so very real.
Then, there Masaharu. Unlike stereotypical Hikikomori, he’s actually a very normal guy in the way he lives his life immersing himself online in ways he can’t in the real world. It’s not online when we immerse ourselves in sites like MDL and others but maybe gone to the extreme. It’s not like he refuses to live normally, he just doesn’t have the courage. Taking the step for it needed a little motivation from the outside and a GENTLE push from within. I love his connection with the convenience store clerk. But you can tell one of his more important reasons for change was to improve his relationship with his niece. That development went smoothly and felt authentic.
The point here isn’t for the protagonist to become independent and work. It’s made clear that it’s okay to stay, accept help and receive support, as long as an active role is taken at home, to do things together while also pursuing things alone. That’s the difference between being reclusive and being home.
The only part of the drama I might be critical of is Saori’s workplace. It was shown as if we know the characters and are just returning to them, as Saori is. The failure is, that we never get the chance to connect with them or even be interested in them. The cut to their scenes always felt off place and sometimes I’d just skip it.
I have to say, I love the way the new house was presented and the camera filming the family’s movements. The directing makes viewers feel as if they’re peaking into the lives of everyday people. It made the scenes at home that much more interesting and intimate. The actors never felt like they were acting but just going through life, which in itself shows their talent.
The drama is rounded up with fitting music with many quiet moments for contemplation.
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