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(They put some thought into crafting the perfect look in line with their characterisations)
That said, they really aren't holding back. I particularly like how different the portrayal of gay sex is, some are versatile some aren't. Then there are ways of getting off without going into the do. Storyline is non-existent but I'm waiting for the drama to blow up 🥂
Nonkul is, as always, giving his all to his acting. Blown away by his acting in the heartbreak scenes.
Perth as Kanghan has a more "mafia feel" to him than the actual mafia dramas like Never let me go and Kinnporsche
He was like a child with a gun in episode 2 (as pointed out by the other goons), but there's something intense about him that it makes one think thrice before messing with him, especially if he has a gun.
Also, the "show don't tell" approach is amazing. So many hate to love dramas and books out here with the "i fell for her cause he/she's soft" or a "i like to hate him cause he's interesting" but these aren't gritty enough to capture the vibe as fully as Dangerous Romance has in just 2 eps.
Kanghan had never given a second glance to him but now Sailom has his full attention. Sailom truly gets under his skin in ways no one else has.
Perth and Chimon nailed it here. There are so many "unexpected pairings" gmmtv made recently like Krist and Gawin, Khao and First,, who are doing really well (and in my honest opinion, and i'm not saying this to drag favs, better than some other popular shipped actors). Just goes to show that its about the magic two great actors can make
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But gay people don't really look a certain way, you really should change that outlook
I've been a fan of this but looking back, and even right now, I'm just not feeling it anymore
And i love how they're condensing the whole drama and repeating entire key scenes but they're changing a lot of things so it can't get boring
But the show is suddenly pushing this closeness with Beam, and I could understand that too but why does Beam look like he's forcing happiness and stare at her with subtle longing. And the damn camera is so focussed on HIM when Ae was telling Khanun on the phone...
It's seems one-sided but it's still sudden and simply unnecessary
The real horror is the cyclical oppression of the third world nations by first world nations, (an oppression that its government is cognizant of and equally has a hand in, but that isn't the focus of the movie). The story becomes evident pretty early on and nothing much truly happens in the mid third (yet I wouldn't say the movie could do without it) , but still the ending and overall message is explosive and hits hard.
When the child and woman stare at each other and scream, you do wonder who is the real horror here.