This review may contain spoilers
Second Time Around - Still 10/10
I watched Shine (Orchestrated) twice - big screen and small – hoping that I would be able to write a review that could show the excellence of this drama, as a straight-out drama, and not just a BL drama.
I did not succeed. Shine will go down, in the annals of Thai tv drama, as the best script, acting, cinematography, OST (who else listens to the OST on Spotify) and authenticity of the era in which it was shot. I was 10yo (in Australia) when the Americans landed on the moon, so the whole hippie era was all around me.
Let’s look at the BL side of this show, as that is the overriding theme–
Miles and Apo had their roles reversed from those in KinnPorche, and how amazing were they? There was a real depth to their characters that was only hinted at in KP. Miles, as the free-wheeling hippie, was both attractive and funny, but later on showed his deep side. Apo, as the clean freak, buttoned-up academic made the viewer want to call out to the screen “take off your tie”. In fact, that first scene in the back yard of ‘Tanwa’s’ shop, where ‘Tanwa’ got him down to rolled up trousers and shirt, was ‘Trin’s’ awakening. In contrast with KP, they only had one sex scene, and a cheeky skinny dip, but, even as a Yaoi, I didn’t find that a problem. The scene was so tastefully done, that it was worth the wait.
SonEuro – wow! Just Wow! They were so well-suited to their roles -so different, yet perfectly-matched. How explosive were their sex scenes?! The piano scene, where they switched roles! I hated the ending of this pair, and the character that instigated their separation – ‘Dhevi’! Someone else, who hated the ending, an amateur BL writer, Esther Down, has written an alternate story of ‘Krailert’ and ‘Naran’, but changed the names, and most of the background – although the era is the same. (You can find her story on Wattpad, under Esther Down, “Ballan and the Colonel”)
The script writing – I am in awe of the writers – Ning, Pond, Den, and Bua – their collaboration alone on this complex script is legendary. The way they wove storylines together – Tanwa’s mother’s novel, the letters between Sarasawadee and Krai lung, the student protest content and Trin’s diary – was perfect. Who wrote the humourous lines and scenes? – so funny! However, it was the poignant, heart-wrenching lines that really made this show the epic tale that it is.
I held off watching ep8 again for as long as possible – it still had me in floods of tears, though! Why did ‘Dhevi’ have to be so cruel?! The wrenching scene where ‘Trin’ gives his uncle the letter from ‘Sarasawadee’, and after, when ‘Lert’ cries uncontrollably! ‘Tanwa’ in the depths of despair, in a continual drug-induced fog, being brought back to life by his father, whom we all thought was a cold-hearted man. ‘Lert’ writing a beautiful song to his beloved, who is miles away from him, and probably never to return. ‘Tiva’ kneeling down to ‘Victor’s’ parents, blaming himself for his death!
This show also had three brilliant – and beautiful - actresses!
‘Moira’ (Nok Sinjai Plengpanich) who could believe that this amazing woman is 60 years old?! She *was* Moira – a strong, independent woman of her time.
‘Dhevi’ – as much as I hated the vindictive person that she became – I mean, how can you say you “love” someone, when you treat them like that? – I found her acting magnificent. Didn’t we all want her to hook up with the sweet ‘Veera’, at least once?
And ‘Dao’ ("Punpun" Sutatta Udomsilp) – she owned that shoe “bitch slap” in the café after ‘Naran’ told her he loved a man! (seems the actress has bounced back from a bit of controversy, perhaps with maturity?– so, good on her)
I have only one thing to point out to the Production Designer - "Tum" Pawas Sawatchaiyamet, - who did a phenomenal job in reproducing 1969 Bangkok – the type of plastic bags (“freezer” bags) that ‘Victor’ used to bring ‘Trin’ his meal, were not around at that time. An absolutely miniscule error, that this pedant picked up on – sorry.
This is a 10/10 show, that I will probably revisit in years to come.
I did not succeed. Shine will go down, in the annals of Thai tv drama, as the best script, acting, cinematography, OST (who else listens to the OST on Spotify) and authenticity of the era in which it was shot. I was 10yo (in Australia) when the Americans landed on the moon, so the whole hippie era was all around me.
Let’s look at the BL side of this show, as that is the overriding theme–
Miles and Apo had their roles reversed from those in KinnPorche, and how amazing were they? There was a real depth to their characters that was only hinted at in KP. Miles, as the free-wheeling hippie, was both attractive and funny, but later on showed his deep side. Apo, as the clean freak, buttoned-up academic made the viewer want to call out to the screen “take off your tie”. In fact, that first scene in the back yard of ‘Tanwa’s’ shop, where ‘Tanwa’ got him down to rolled up trousers and shirt, was ‘Trin’s’ awakening. In contrast with KP, they only had one sex scene, and a cheeky skinny dip, but, even as a Yaoi, I didn’t find that a problem. The scene was so tastefully done, that it was worth the wait.
SonEuro – wow! Just Wow! They were so well-suited to their roles -so different, yet perfectly-matched. How explosive were their sex scenes?! The piano scene, where they switched roles! I hated the ending of this pair, and the character that instigated their separation – ‘Dhevi’! Someone else, who hated the ending, an amateur BL writer, Esther Down, has written an alternate story of ‘Krailert’ and ‘Naran’, but changed the names, and most of the background – although the era is the same. (You can find her story on Wattpad, under Esther Down, “Ballan and the Colonel”)
The script writing – I am in awe of the writers – Ning, Pond, Den, and Bua – their collaboration alone on this complex script is legendary. The way they wove storylines together – Tanwa’s mother’s novel, the letters between Sarasawadee and Krai lung, the student protest content and Trin’s diary – was perfect. Who wrote the humourous lines and scenes? – so funny! However, it was the poignant, heart-wrenching lines that really made this show the epic tale that it is.
I held off watching ep8 again for as long as possible – it still had me in floods of tears, though! Why did ‘Dhevi’ have to be so cruel?! The wrenching scene where ‘Trin’ gives his uncle the letter from ‘Sarasawadee’, and after, when ‘Lert’ cries uncontrollably! ‘Tanwa’ in the depths of despair, in a continual drug-induced fog, being brought back to life by his father, whom we all thought was a cold-hearted man. ‘Lert’ writing a beautiful song to his beloved, who is miles away from him, and probably never to return. ‘Tiva’ kneeling down to ‘Victor’s’ parents, blaming himself for his death!
This show also had three brilliant – and beautiful - actresses!
‘Moira’ (Nok Sinjai Plengpanich) who could believe that this amazing woman is 60 years old?! She *was* Moira – a strong, independent woman of her time.
‘Dhevi’ – as much as I hated the vindictive person that she became – I mean, how can you say you “love” someone, when you treat them like that? – I found her acting magnificent. Didn’t we all want her to hook up with the sweet ‘Veera’, at least once?
And ‘Dao’ ("Punpun" Sutatta Udomsilp) – she owned that shoe “bitch slap” in the café after ‘Naran’ told her he loved a man! (seems the actress has bounced back from a bit of controversy, perhaps with maturity?– so, good on her)
I have only one thing to point out to the Production Designer - "Tum" Pawas Sawatchaiyamet, - who did a phenomenal job in reproducing 1969 Bangkok – the type of plastic bags (“freezer” bags) that ‘Victor’ used to bring ‘Trin’ his meal, were not around at that time. An absolutely miniscule error, that this pedant picked up on – sorry.
This is a 10/10 show, that I will probably revisit in years to come.
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