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Pursuit of Jade chinese drama review
Completed
Pursuit of Jade
1 people found this review helpful
by Ophanin
2 days ago
40 of 40 episodes seen
Completed
Overall 10
Story 9.5
Acting/Cast 10.0
Music 9.5
Rewatch Value 9.5
This review may contain spoilers

still on cloud nine

As I always say, you shouldn't mess with a female butcher. I always say that. Always.

Warning : I've got nothing constructive to say. (as usual) I finished this series a few days ago, and I'm still on cloud nine.

How BEAUTIFUL ! The production is simply epic. Everything is so magnificent, the costumes, the sets, the direction, the lighting, the fight scenes, the music, the wig budget... hmm. A success across the board. A wonderful world where it snows all the time and no one ever feels cold. It's just too beautiful. The homes (even the most modest ones) are adorned with sumptuous wooden furniture and delicate fabrics fluttering everywhere. Teapots and incense blend their delicate scents with the wax of the carved woodwork. I can smell it.

Fan is incredible. Truly phenomenal ! Both the character and the actress, Tian Xiwei. Protect this woman at all costs. That charisma, that presence, that otherworldly beauty when she makes those tender expressions. She masterfully plays on the cliché of the seemingly fragile woman who becomes menacing and a deadly enemy in the blink of an eye. Her character is meant to be a tribute to a real-life female general, as in about half of all Chinese series. (Legend of a Female General, a very good C-drama)
You can feel all the despair that overtakes her midway through the series, during the turning point, when her village is ravaged and all her loved ones are massacred... those scenes… such sadness. We've been made to love these characters. We enjoyed life in that village, but now we must bury them and abandon it. And then we move on to war. Then to palace intrigues. What a journey.

As a result, the Marquis of Wu'an, the male lead, becomes first and foremost a supporting character ; he's the knight in shining armour. He's supposed to be the hero, but the story constantly reminds us that he takes a back seat. I love it.
They're so lovely, the two of them. They're completely devoted to one another. Their love is pure. I feel silly writing such nonsense ! I want them to be happy together. True love is killing your enemies together with the same weapon and checking if your wife's wrists are sore. And taking a bath… my goodness, the bath scene. It was daring. I didn't see anything, I swear I looked away.

They love each other so much that they get married twice, under two different identities. [stands up, banging both hands on the table] Now that's what I call Love ! He knows her secret, he supports her, and he doesn't tell her until she's ready to reveal it to him. [points at an imaginary listener] And he takes a hundred lashes rather than betray her !

Pardon. Je me suis emporté.

The attention to detail, my goodness ! There's so much going on, all the time. Like the characters who've been struck by an arrow and who, at last ! don't pull the arrow out. A whole gallery of characters unfolds before us, and they're all believable and interesting.
There are so many endearing ones. The little sister, the villagers, the Pig Butcher Squad, the old man carrying stones, Marquis Wu'an's generals, the Emperor's sister and her maid. We care about every single one of them. That's rare in productions like this.

The only downside : why this "what if" ending ?!? What if nothing at all. It's over. We can't imagine things from 17 years ago now.
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Episode 17, TW : forced kissing.
It's portrayed for what it is, without any romanticisation. The woman cuts ties with the man. But to be perfectly honest, she, in turn, drugs him without his knowledge to take his place on the battlefield. It's all square, back to square one. (No idea what that means. I'm learning new expressions : to be on cloud nine, success across the board and this square thing)
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