This review may contain spoilers
First of all, it's incredibly beautiful to look at.
The costumes and sets are sumptuous. No surprise there. Everything is white, red and black, or in pastel shades (fading jade and orange, washed-out blue and yellow). There's a scene with a lateral tracking shot where a character walks past transparent coloured screens in red and green, and pink and blue ; absolutely stunning ! And there are plenty of moments like that. For example, the heroine drinking her tea at night with burgundy curtains matching her dark red and black outfit and soft lantern light... there was no point in creating such a sophisticated set for just a few seconds, but they clearly wanted to do it. Well done, set designers. Well done, cinematographers.
The scenes in the snow-capped mountains, the frozen lake. The red mountains covered in powder snow that they climbed while dressed in olive and burgundy fabrics (Ep. 34)... Cold weather must be the trend this year in Chinese productions. Most of it was shot on location, in harsh weather conditions, below freezing. It must have been torture. It breaks my heart to see them breathing out mist when they speak.
The elliptical storytelling works well. It introduces the numerous characters only when it serves the plot, so I never felt overwhelmed. And yet the first few episodes bombard us with information and plot twists. It gets off to a strong, fast-paced start, and then the writing simply becomes excellent... provided, of course, that you're a fan of period costume dramas.
It never stops. There's always something happening in every episode. These writers are brilliant. The only downside : it s a bit over the top. I loved following all the twists and turns, the mysteries and the conspiracies. They probably overuse and overdo the cataclysmic situations and tragic endings for each character. However, the multiple conflicts intertwine well and their resolution comes at just the right moment. It does, unfortunately, get rather complicated in the final stretch, though. (Watch it as intended: two episodes a day, no more. Beware of the overdose)
Massive spoiler : The final episode cranks everything up to the max ; everyone has to face the inevitability of war. That's too harsh to do this to us. We believed in change ! But apparently, trying to change the system inevitably leads to death… I'm not sure I'm thrilled by that message. It's the complete opposite of the series Princess Agents, of which this is a sequel. It's the opposite of what Rebirth was trying to tell us throughout its first thirty episodes. But it's a huge middle finger to censorship. Certainly.
Does this adaptation of the books differ so much from their source material (The Legend of Chu Qiao) because of the plagiarism the author was guilty of ? I don't know if that's why.
"I Always thought the people here needed me. But I finally realized the truth. It's not that they need me, but rather, I need them. All along, I've wanted to build a world of true equality, a place that people like me could finally call home."
A great cast in which women and men are equally important, with one generation clashing with the next.
_The lead actress, Huangyang Tian Tian, on whose shoulders the entire story rests, is very young but already a seasoned performer. Born in 2007, she has been acting nonstop since she was 9. She plays Chu Qiao with dedication ; her role is certainly complex, but... she's still just a child ! And it shows when she's surrounded by all her co-stars, who are all taller and older than her. A 17-year-old playing an adult and commanding armies. And for good reason : she played the same character as a child in the series Princess Agents, of which Rebirth is a sequel set nine years later. (You can watch it without seeing the first one, but it's better if you have, of course)
There was talk of replacing her because she posted a photo of herself wearing extremely expensive earrings, which caused a backlash in China. It turns out they were counterfeits that her father was selling illegally. Well, irresponsible fathers, what a pain !
But she's definitely there. And she nails her action scenes (all of which are well choreographed). Her deadpan comedy scenes work just as well. As for the emotion… Her love for the ML takes a lot of effort to believe. It feels more like the friendship between an older brother and his little sister. To be honest, Zhuge Yue has more chemistry with his brother-in-arms, touching his hand in episode 21, or in his fights with Yan Xun of Great Yan, plucking a purple petal from his hair, or when he runs hand-in-hand with Li Ce to escape the soldiers. The latter ends up in his arms, like a princess. Haha, come to think of it, he really does have a looooot of affectionate scenes with other men. That’s perfectly fine by me. He's entitled to love. And I'd rather avoid a romance between a schoolgirl who should be at school and a thirty-something grown-ass, if possible. (For goodness sake ! Thankfully, they managed to avoid that)
_Zhuge Yue, the male lead, I didn't really like his drastic change in personality. After all those trials and tribulations, to end up like that ? No. I appreciate seeing characters develop, but come on, let's take it slowly.
His fight with Chu Qiao at the end, all blue, purple and grey, what drama ! It's so sad that someone has to die for peace to reign. Such a pain when that happens.
_The Empress plays a central role in the first half and exerts a certain influence on the rest of the story. She wears cream, emerald and saffron gowns in her luxurious bright-red apartments with dark wood panelling. Such beauty ! One of the cruelest characters, or so we believe, until we see the Emperor in action. A profoundly tragic role from start to finish, and a character who, in her misfortune, hurts everyone around her. We detest her for her actions, yet we feel sympathy for what she has endured.
_The motley crew of criminals surrounding the heroine brings a touch of light-heartedness and humour, as well as some elaborate action scenes. Their camaraderie is always a joy to watch. Too bad we don't see them more often. But, for them too, what a tragic end...
_Li Ce, the unfortunate boy, watches his mother die before his very eyes ; even after burying her, he still longs for a sign of her affection. It's hard to grow up without love. Yet he is kind and wise in his choices. A wonderful character with a truly tragic ending.
_King Ximei of Ximeng, who sends his double in his place to dine with the emperor. Well done.
This bloke is the polar opposite of the heroine, Chu Qiao. He, too, is a former slave, but he takes the place of his masters and becomes the new tyrant. His death is only just. All power to the Soviets.
_General Huan Huan and Princess Helian of Yanbei (a woman of otherworldly beauty with a aquiline nose) make a lovely couple. May they live happily ever after. Brave, courageous women stripped of their free will. Their scenes are pure queer baiting.
_Princess Helian's marriage to Xun Yan, so intense, it feels like we're right in the middle of a soap opera. The two marry out of obligation and give up on their soulmates.
"All because I believe there should be a place in this world where people are not divided by rank or class, where justice exists. Only such a place can truly be called my homeland." The Grapes of Wrath, Part 2.
Right. I don't really understand the negative reviews I've seen about the direction or the acting. Especially since this barrage of complaints started right from the very first episodes : so before the plot twist in the final episodes. Princess Agents was far less well made and was torn to shreds by critics and the public when it aired. Suddenly, it's become the best series in the universe ? Strange. It reeks of gatekeeping. Because Rebirth is aimed at a wider audience, I think. I hope I'm wrong.
As for me, I'm not going to deny myself the pleasure. That lighting, the entire artistic presentation, all designed to delight the eye. Those splashes of scarlet blood on the pale rice-paper doors. (Ep. 22) The comfort these C-dramas bring. The focus on entertainment. It's my safe place !
Always pushing the boundaries of censorship to tackle truly serious issues. Because, in reality, it's about women fighting to survive in a man's world. And about power that offers nothing but an obsession with keeping it all to oneself. It's the old chivalric tale of heroes who deserve to rule because they don't want to and because they care about the people. Here, the powerful are cruel and uncompromising, without merit, ready to kill or let die, ready to commit infanticide.
The heroine, by contrast, is a former slave who rises to the highest echelons of power yet never forgets her roots. She abolishes slavery (I particularly enjoyed seeing those delicate nobles explode with rage when it was taken away from them without compensation. And, oddly enough, they don't give a damn about the country anymore), she stops the wars, she spares the peasants and the thieves. (Are we talking about Jesus or what ?)
But. Whatever the social status of these women, they are always slaves to something: power, alcohol, their husbands, cults. That doesn't make them saints. The empress literally groomed her lover and right-hand man, and she has maids killed for her own pleasure.
"Men will never risk everything for women. They can only be seduiced by power."
Once again, I've written a proper novel ; pointless, too long and uninteresting. (Oh ! I've found a title for my autobiography)
---------------------
When I, too, am in a melancholy mood, I stand tall on the ramparts of my domain, my face lashed by winter gales, gazing at the night and the snow that blankets even my painful past. When suddenly ! I find myself stabbed by the one who was meant to be me.
The end credits of the last episode were awesome, with all that behind-the-scenes footage! Way better than that whole "43 years later" segment.
The costumes and sets are sumptuous. No surprise there. Everything is white, red and black, or in pastel shades (fading jade and orange, washed-out blue and yellow). There's a scene with a lateral tracking shot where a character walks past transparent coloured screens in red and green, and pink and blue ; absolutely stunning ! And there are plenty of moments like that. For example, the heroine drinking her tea at night with burgundy curtains matching her dark red and black outfit and soft lantern light... there was no point in creating such a sophisticated set for just a few seconds, but they clearly wanted to do it. Well done, set designers. Well done, cinematographers.
The scenes in the snow-capped mountains, the frozen lake. The red mountains covered in powder snow that they climbed while dressed in olive and burgundy fabrics (Ep. 34)... Cold weather must be the trend this year in Chinese productions. Most of it was shot on location, in harsh weather conditions, below freezing. It must have been torture. It breaks my heart to see them breathing out mist when they speak.
The elliptical storytelling works well. It introduces the numerous characters only when it serves the plot, so I never felt overwhelmed. And yet the first few episodes bombard us with information and plot twists. It gets off to a strong, fast-paced start, and then the writing simply becomes excellent... provided, of course, that you're a fan of period costume dramas.
It never stops. There's always something happening in every episode. These writers are brilliant. The only downside : it s a bit over the top. I loved following all the twists and turns, the mysteries and the conspiracies. They probably overuse and overdo the cataclysmic situations and tragic endings for each character. However, the multiple conflicts intertwine well and their resolution comes at just the right moment. It does, unfortunately, get rather complicated in the final stretch, though. (Watch it as intended: two episodes a day, no more. Beware of the overdose)
Massive spoiler : The final episode cranks everything up to the max ; everyone has to face the inevitability of war. That's too harsh to do this to us. We believed in change ! But apparently, trying to change the system inevitably leads to death… I'm not sure I'm thrilled by that message. It's the complete opposite of the series Princess Agents, of which this is a sequel. It's the opposite of what Rebirth was trying to tell us throughout its first thirty episodes. But it's a huge middle finger to censorship. Certainly.
Does this adaptation of the books differ so much from their source material (The Legend of Chu Qiao) because of the plagiarism the author was guilty of ? I don't know if that's why.
"I Always thought the people here needed me. But I finally realized the truth. It's not that they need me, but rather, I need them. All along, I've wanted to build a world of true equality, a place that people like me could finally call home."
A great cast in which women and men are equally important, with one generation clashing with the next.
_The lead actress, Huangyang Tian Tian, on whose shoulders the entire story rests, is very young but already a seasoned performer. Born in 2007, she has been acting nonstop since she was 9. She plays Chu Qiao with dedication ; her role is certainly complex, but... she's still just a child ! And it shows when she's surrounded by all her co-stars, who are all taller and older than her. A 17-year-old playing an adult and commanding armies. And for good reason : she played the same character as a child in the series Princess Agents, of which Rebirth is a sequel set nine years later. (You can watch it without seeing the first one, but it's better if you have, of course)
There was talk of replacing her because she posted a photo of herself wearing extremely expensive earrings, which caused a backlash in China. It turns out they were counterfeits that her father was selling illegally. Well, irresponsible fathers, what a pain !
But she's definitely there. And she nails her action scenes (all of which are well choreographed). Her deadpan comedy scenes work just as well. As for the emotion… Her love for the ML takes a lot of effort to believe. It feels more like the friendship between an older brother and his little sister. To be honest, Zhuge Yue has more chemistry with his brother-in-arms, touching his hand in episode 21, or in his fights with Yan Xun of Great Yan, plucking a purple petal from his hair, or when he runs hand-in-hand with Li Ce to escape the soldiers. The latter ends up in his arms, like a princess. Haha, come to think of it, he really does have a looooot of affectionate scenes with other men. That’s perfectly fine by me. He's entitled to love. And I'd rather avoid a romance between a schoolgirl who should be at school and a thirty-something grown-ass, if possible. (For goodness sake ! Thankfully, they managed to avoid that)
_Zhuge Yue, the male lead, I didn't really like his drastic change in personality. After all those trials and tribulations, to end up like that ? No. I appreciate seeing characters develop, but come on, let's take it slowly.
His fight with Chu Qiao at the end, all blue, purple and grey, what drama ! It's so sad that someone has to die for peace to reign. Such a pain when that happens.
_The Empress plays a central role in the first half and exerts a certain influence on the rest of the story. She wears cream, emerald and saffron gowns in her luxurious bright-red apartments with dark wood panelling. Such beauty ! One of the cruelest characters, or so we believe, until we see the Emperor in action. A profoundly tragic role from start to finish, and a character who, in her misfortune, hurts everyone around her. We detest her for her actions, yet we feel sympathy for what she has endured.
_The motley crew of criminals surrounding the heroine brings a touch of light-heartedness and humour, as well as some elaborate action scenes. Their camaraderie is always a joy to watch. Too bad we don't see them more often. But, for them too, what a tragic end...
_Li Ce, the unfortunate boy, watches his mother die before his very eyes ; even after burying her, he still longs for a sign of her affection. It's hard to grow up without love. Yet he is kind and wise in his choices. A wonderful character with a truly tragic ending.
_King Ximei of Ximeng, who sends his double in his place to dine with the emperor. Well done.
This bloke is the polar opposite of the heroine, Chu Qiao. He, too, is a former slave, but he takes the place of his masters and becomes the new tyrant. His death is only just. All power to the Soviets.
_General Huan Huan and Princess Helian of Yanbei (a woman of otherworldly beauty with a aquiline nose) make a lovely couple. May they live happily ever after. Brave, courageous women stripped of their free will. Their scenes are pure queer baiting.
_Princess Helian's marriage to Xun Yan, so intense, it feels like we're right in the middle of a soap opera. The two marry out of obligation and give up on their soulmates.
"All because I believe there should be a place in this world where people are not divided by rank or class, where justice exists. Only such a place can truly be called my homeland." The Grapes of Wrath, Part 2.
Right. I don't really understand the negative reviews I've seen about the direction or the acting. Especially since this barrage of complaints started right from the very first episodes : so before the plot twist in the final episodes. Princess Agents was far less well made and was torn to shreds by critics and the public when it aired. Suddenly, it's become the best series in the universe ? Strange. It reeks of gatekeeping. Because Rebirth is aimed at a wider audience, I think. I hope I'm wrong.
As for me, I'm not going to deny myself the pleasure. That lighting, the entire artistic presentation, all designed to delight the eye. Those splashes of scarlet blood on the pale rice-paper doors. (Ep. 22) The comfort these C-dramas bring. The focus on entertainment. It's my safe place !
Always pushing the boundaries of censorship to tackle truly serious issues. Because, in reality, it's about women fighting to survive in a man's world. And about power that offers nothing but an obsession with keeping it all to oneself. It's the old chivalric tale of heroes who deserve to rule because they don't want to and because they care about the people. Here, the powerful are cruel and uncompromising, without merit, ready to kill or let die, ready to commit infanticide.
The heroine, by contrast, is a former slave who rises to the highest echelons of power yet never forgets her roots. She abolishes slavery (I particularly enjoyed seeing those delicate nobles explode with rage when it was taken away from them without compensation. And, oddly enough, they don't give a damn about the country anymore), she stops the wars, she spares the peasants and the thieves. (Are we talking about Jesus or what ?)
But. Whatever the social status of these women, they are always slaves to something: power, alcohol, their husbands, cults. That doesn't make them saints. The empress literally groomed her lover and right-hand man, and she has maids killed for her own pleasure.
"Men will never risk everything for women. They can only be seduiced by power."
Once again, I've written a proper novel ; pointless, too long and uninteresting. (Oh ! I've found a title for my autobiography)
---------------------
When I, too, am in a melancholy mood, I stand tall on the ramparts of my domain, my face lashed by winter gales, gazing at the night and the snow that blankets even my painful past. When suddenly ! I find myself stabbed by the one who was meant to be me.
The end credits of the last episode were awesome, with all that behind-the-scenes footage! Way better than that whole "43 years later" segment.
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