This review may contain spoilers
Simple, elegant staging in natural settings and historical costumes that aren't necessarily very exciting. Some beautiful, aesthetic shots, but too few and far between. The music remains rough and stripped down, even discreet. Except when it emphasises the humour of a scene, which, in my opinion, detracts from the overall tone of the series. Many K-dramas brilliantly mix registers, but not this one. What remains is a narrative that takes the time necessary to advance its pawns in this game of massacre.
Alas ! It is difficult to feel concerned by these stories, as the protagonists, including the hero himself, are so unsympathetic. The latter shows disgust at the way his fellow workers are treated and does nothing about it. He could. He has the ability to change things, we know that perfectly well, and he chooses to suffer for a long time. He sides with the bastard who mistreated him and his comrades before. He doesn't try to help them ; he supports one tyrant against another. Since the power struggles are never questioned, and the ending celebrates sovereign individualism, these script choices leave a bitter taste.
At first, we think that morality means : when you exploit people, have the decency to pay them. Personally, I would prefer that no one be exploited. If your thing is loading rice onto boats and making a profit from it, then load it yourself, you bloody exploiter.
In the same vein, one character protests that bandits collect taxes, but that's how regimes worked at the time. Soldiers in wartime, bandits in peacetime, they are the same people. Aristocrats earn their titles of nobility in bloodbaths ; they have no innate nobility. There is no difference between a nobleman and a godfather of the underworld, between the state and the mafia. That was my awkward anarchist, or Christian, take. (delete as appropriate)
Shin Ye-eun is underemployed. Scandalously underemployed ! An actress of this calibre and a character with so much potential should not be relegated to the background. What a waste, seriously.
Alas ! It is difficult to feel concerned by these stories, as the protagonists, including the hero himself, are so unsympathetic. The latter shows disgust at the way his fellow workers are treated and does nothing about it. He could. He has the ability to change things, we know that perfectly well, and he chooses to suffer for a long time. He sides with the bastard who mistreated him and his comrades before. He doesn't try to help them ; he supports one tyrant against another. Since the power struggles are never questioned, and the ending celebrates sovereign individualism, these script choices leave a bitter taste.
At first, we think that morality means : when you exploit people, have the decency to pay them. Personally, I would prefer that no one be exploited. If your thing is loading rice onto boats and making a profit from it, then load it yourself, you bloody exploiter.
In the same vein, one character protests that bandits collect taxes, but that's how regimes worked at the time. Soldiers in wartime, bandits in peacetime, they are the same people. Aristocrats earn their titles of nobility in bloodbaths ; they have no innate nobility. There is no difference between a nobleman and a godfather of the underworld, between the state and the mafia. That was my awkward anarchist, or Christian, take. (delete as appropriate)
Shin Ye-eun is underemployed. Scandalously underemployed ! An actress of this calibre and a character with so much potential should not be relegated to the background. What a waste, seriously.
Was this review helpful to you?
