PeachBlossomGoddess

Sing a Song of Six Spies.

This is a lively, intriguing and exciting romp into the murky world of espionage during the Northern Song period. The various subplots of this drama delve into the counter-intelligence activities of six, young and budding Song spies as they work to undermine Song's arch enemies Liao and Xia. This under appreciated drama carries the hallmark witty dialogue, creativity and manifold twists that made Joy of Life such a huge hit, albeit with lower budget and a young cast.

Sing a Song of six spies
A pocket full of lies
Four and twenty black deeds
Faked by a Xia

Six young and promising individuals from vastly different backgrounds are recruited and undergo intensive training at a top secret spy academy. The morally ambivalent Yuan Zhongxin is cunning, cynical and diabolical; the perfect anti-hero in the high stakes world of double agents, conflicting loyalties and multiple betrayals. He is only bested by the fiery and badass Zhao Jian and together, they make a formidable pair. Although Zhao Jian comes off as arrogant and almost dislikable in the beginning, she is a rare strong female character whose desire to be relevant resonates from the get go. Along with the chivalrous Wang Kuan, who is pretty much 11th century google, Zhongxin, Zhao Jian and Wang Kuan are the brains of this outfit of six young spies. The well connected and commercial Wei Yanei alternately bullies or buys them out of trouble while the lethal Xue Ying more than pulls his weight in any skirmish. The disarmingly innocent Xiao Jing is the glue that binds this talented team together. Their goofy antics, youthful idealism, courage and sheer brilliance under pressure shines a bright light into the dark world of spooks and war hawks to whom the ends justify the means.

The rapport and camaraderie between this ensemble cast and how they grow to trust each other and learn from each other is the best thing about this drama. In each arc, one or two characters gets fleshed out and dimensioned - we get to see their home, family, who they care about. The character building is achieved via clever dialogue and suspenseful or action oriented moments that lapse unexpectedly into comedy before transitioning back seamlessly into the previous moment. The characters have unique shared experiences with each other, giving them individualized rapports and further deepening and dimensioning the team dynamics. I watched this right after Imperial Coroner and I cannot help but notice how uncannily similar Xiao Jing/Wang Kuan are to Chuchu/Prince An in terms of archetype. The big difference however is that in Young Blood, both characters grow and develop and they seem more real and fit in naturally with their team.

Most of the danger laden missions or arcs are creatively written and laced with the right mix of action, intrigue, comedy, romance, tragedy and of course betrayal. The superb subplots overflow with richly dimensioned characters - there are so many fantastic grey characters from villains, to rival spies and would be friends were it not for the different loyalties. There are few easy wins for our spy team as they are engaging with smart characters who are consummate liars that can (and do) beat them at their own game. In the last two arcs however, the writing did fall down somewhat. The writer seems unable to stop himself from overindulging in too many twists and surprise about faces. I did not appreciate how some of the smart characters got noticeably dumbed down in order to extend the plot or force additional twists. That said, the ending was good, tying up most loose ends but the end bit was a bit messy obviously to leave the door open for Season 2, which has since been announced. The strong performances, the richness in the characters and the team makes Season 2 a no brainer in terms of something I look forward to watching. Even if it doesn't materialize however, the ending can be considered satisfactory and conclusive. I give this super enjoyable watch a 9.0 although it should be between 8.5 and 9.0 or a 8.75.

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Fantastic appetizer but don't bother with the main course and desert.

This drama really wowed me at the beginning - heart stopping kungfu fight scenes, the two leads had good banter and chemistry, the set was gorgeous (obviously big budget) and the story had a good balance of intrigue, romance, action and good and evil characters. I was hooked and truly enjoyed the first 25-30 episodes of it. Then just when you are at the point of addiction, the show peaks, which is just plain cruel. And then in a truly impressive way the show crashes and burns, getting progressively worse as it advances. I kept watching in the desperate hope that it would turn itself around but sadly it did not. It was as if an entirely different production crew took over and set out to purposely destroy the show. The plot meandered down multiple mind numbingly boring and ultimately repetitive political plots to steal the thrones in 3 of the 5 kingdoms only to be foiled by Fuyao and her friends. There were lots of unnecessary side characters and multiple unanswered and non sequitor sub plots. Not to mention the many long winded and boring philosophical discussions that I strongly suggest fast forwarding through unless you have trouble falling asleep at night.

Ethan Ruan and Yang Mi were great together most of the time and especially at the beginning. However, there were long periods where Fuyao/Yang Mi was on her own and the story/actress could not really carry those moments alone, frequently coming across as reckless and annoying. I did not love the supporting cast either and I felt that Vengo Gao's role/storyline was almost as if they were trying out two potential male leads with parallel (repetitive) plots to see which was better. Obviously Yang Mi and Vengo have zero chemistry and that sub plot that went on forever should have been eliminated altogether. I guess the entire crew was being paid by the episode judging from how it ended up being all pasted together to create one big mess of a storyline. Its a shame because this could have been a terrific and memorable (much shorter) drama with some ruthless editing and tighter script/plot writing.

The only thing epic about this drama is the effort I had to put in to see it through the end. Starts with a bang and then death by a thousand cuts of boring inanity. This is one of those shows that definitely would have benefited greatly from the latest Chinese government ban on excessive budgets that lead to too many unnecessary episodes in Chinese costume dramas. To be fair, I would say the first say 30 episodes are actually worth watching. If you can endure some suffering you can even watch a few more episodes until Fuyao discovers Wu Ji's real identity. After that, do yourself a huge favor and drop it. You will just feel angry and cheated if like me, you persist until the bitter end because it then becomes just so, so much more bad than good.

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This is like a fine dining experience - to be savored and remembered. It deserves an 11/10.

Nirvana in Fire is an exceptional drama by any and all standards - nothing else I have watched comes even close to surpassing it. It truly checks all of the boxes in terms of a complex plot, an incredibly talented cast, excellent screenplay, well executed action scenes and overall movie-like visual impact and production quality.

This is the story of Lin Shu's single minded quest for justice and reform. His father, a powerful general in command of the 70,000 strong Chiyan army is framed as a traitor while away defending the Liang state. Victorious but battle worn, he is slaughtered along with his entire army before they have a chance to return to the capital. Young Lin Shu barely survives and re-emerges 12 years later as Mei Changsu, the mysterious leader of the powerful pugilist Jiangzuo Alliance. His appearance is completely altered and he is a sickly, shadow of the vigorous young warrior he used to be. He returns to the capital amidst a power struggle between the crown prince and his brother Prince Yu as the Divine Talent, a brilliant strategist regarded as an emperor maker. He plays them against each other and is on surface allied with Prince Yu while he surreptitiously advances the out of favor Prince Jing. The complexity in the plot arises in the brilliant and occasionally cruel strategies he employs to uncover the full extent of the conspiracy and all those complicit in his family's murder as well as to advance Prince Jing's position. This is not a story about revenge, it is about justice. It is also about reform as justice is worthless without reform. Making abiding changes to the court and the system that would be overseen by a just and moral ruler was an equally important outcome to Lin Shu/Mei Changsu. To achieve his mission, he had to do many things he considered despicable. Cleaning out the corruption in the court was the only thing he could do to make the senseless massacre of his family and comrades in arms mean something.

This is an impossible show to binge watch - I can at best get through two episodes in one sitting. We learn from the get go that Lin Shu is living on borrowed time. That imbues the drama with an omnipresent sense of sorrow and inevitability that grows as it steadily progresses towards the end. Whenever the mood gets unbearably heavy, there are welcome moments of brilliantly timed comic relief. The first episode is probably the most difficult to follow as most of the key characters are introduced all at once .Thankfully there are many excellent character guides online that are super helpful in the beginning. There are no unnecessary characters in this show; each one was brilliantly cast and has an important role in the unfolding storyline.

The role of Lin Shu/Mei Changsu is a complex one and not at all easy to play. This was without a doubt Hu Ge's defining role and he just killed it. Time and again he was able to subtly convey a multitude of intense emotions behind a superficially stoic expression. As Mei Changsu the strategist, he was brilliant, ruthless, calculating, Machiavelli and breathtakingly cruel when necessary while battling his self-loathing for the person he was forced to become. He is filled with longing, regret and fear of discovery as he re-encounters his former love, friends and relatives under this new identity. He masterfully portrays a callous indifference that masks unbearable hurt as his actions and morals are misunderstood by his best loved friend. As they inevitably begin to recognize his old mannerisms and think the unthinkable, he cannot help but tease them with the truth before skillfully evading their suspicions. The chemistry between Lin Shu/Mei Changsu and the rest of the cast and in particular Prince Jing (Wang Kai) is mesmerizing. Twelve years later Prince Jing still misses Lin Shu, his boyhood friend and cousin and was never quite convinced the Lin family could be guilty of treason. Despite his contempt for Mei Changsu's lack of moral scruple, the principled Prince Jing's soul knows him and he is eventually drawn into a strong and touching bromance with him . Equally moving were the rare smiles, flashes of humor and fatherly affection that emerges when Lin Shu/Mei Changsu teases Fei Liu, his lethally skilled and fiercely loyal boy protector. Despite his crushing physical weakness, he desperately lies to shield his loved ones from the extent of his suffering and true condition. I found myself grieving for not only the lost friendships and love affair that could have been but for the Lin Shu that Mei Changsu can never become again.

The character development in this drama is so sophisticated and multi-layered that even the worst villains of the piece are to evoke a sense of pity for their human failings and have some redeeming aspects. The story builds towards an epic climax that sees Lin Shu/Mei Changsu confront the person ultimately responsible for this terrible and unforgiveable betrayal. Both actors in this final showdown were phenomenal but I think the tyrant's rant from rage,to hubris, to denial, to defeat , to defiance and then finally to almost but not quite remorse truly blew me away. It is in this encounter that Lin Shu delivers his most excoriating, most tragic and and most damning indictment -"If you knew your son you would never believe he could betray you. If your son knew you, he would not have refused to believe you betrayed him." The script writing is powerful and we are treated to many emotionallly loaded lines but for me, this one was the one that summed up the root of the tragedy and made me weep for both of them. But Lin Shu/Mei Changsu was beyond tears. It is this ability to convey bottomless sorrow without shedding a tear that made this Hu Ge's unparalleled performance.

{Warning - Spoiler ahead]

I love it that this show pretty much ends after the climatic peak with most of the loose ends tied up well ahead. Even though we know from the very beginning that Lin Shu/Mei Changsu dies, it still broke my heart. Nonetheless, the drama comes to a very fitting and satisfying end. While this was an enthralling, immersive journey from start to finish, I think I need to take a break with something less intense. I suspect this will remain the very best drama I have ever seen for a long time although I still love Ten Miles of Peach Blossoms best.

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Just Say No.

This is not an easy drama to watch. It shines an unflinching spotlight on the unchecked, oppressive soft power of the uber rich and how society and by extension the legal system holds victims to an impossible standard of perfection. The narrative opens with a married, high powered CEO Cheng Gong caught in flagrante delicto with his assistant Zhao Xun, after an inebriated night of corporate entertainment. The media is at the scene and a full blown scandal ensues with dire consequences for both parties. Cheng Gong's team of fixers led by his relentless public relations executive Li Yi and a sharp lawyer Lin Kan swoop in immediately to understand and contain the situation.

As the facts emerge, it becomes clear that Cheng Gong and Zhao Xun remember the night very differently and the situation devolves quickly into "he said she said". Zhao Xun is a mass of contradictions who struggles to understand her own version of the truth, which obviously does not square with Cheng Gong's. Both parties are victims that are damaged by the fallout and they each believe in their own version of the truth, which the drama explores in a very balanced way. The key question is does silence mean consent? This should be straightforward - she can just say no. She could have and should have done just that. Lin Yun delivers a heartbreakingly convincing articulation of just how difficult, near impossible it is for someone in Zhao Xun's position to do that in the face of the massively uneven power dynamics between herself and Cheng Gong. Her downfall was foreshadowed long before her failure to speak up at the point of no return. She was doomed from the moment he saw her, wanted her and tempted her with fast advancement, the material trappings of wealth and the heady mix of the power of the executive suite. She was complicit and she loathed herself for it. Yet I felt real sorry for her and I understood why she felt wronged. While most praise Zhou Xun's portrayal of Lin Kan, for me Lin Yun as Zhao Xun was the outstanding performance. She made me deeply empathise with this young, flawed, inconsistent, movingly vulnerable and imperfectly human character that struggles to find her voice.

Even though Liu Yijun always delivers, he takes it to the next level with his mesmerising portrayal of a sociopathic like Cheng Gong who believes that everyone has a price and how ruthlessly and manipulatively he wields his power to get his way. His sense of entitlement, utter lack of self awareness and inability to grasp how disconnected he is from common humanity and decency is scary and pathetic. As for Zhou Xun, her Lin Kan is a shark with a bottom line. Her skilled probing questions delivered with a sharp, liquid and searching gaze and her calm, dispassionate and and incisive legal analysis enunciated in her deep, rich and deliberate voice is superb. Her mature, confident beauty and elegant and nuanced empathic line delivery has taken viewers by storm. Only a phenomenal veteran cast like this can deliver such convincing, multi-faceted and realistic portrayals.

The drama's strongest arc is the opening - it made me very sad and very, very angry at pretty much every main character. This kind of story however is difficult to end in a good and realistic way. I think this would be a better if it were shorter as the drama's core message that women need to find their voice and that an imperfect victim is still a victim hits home early on. I didn't think Lin Kan's "Me Too" arc is necessary and it doesn't quite come off the right way how a stronger character succumbs to the same temptations yet manages to emerge largely unscathed albeit scarred nonetheless. I also don't like how Lin Kan is written overall notwithstanding Zhou Xun's charismatic acting. It would have been better if Lin Kan chose sides early in the game and was pitted against Li Yi or her mentor early on rather than making her all things to all people. This results in too many conflicts of interest that are just glossed over. Despite her alleged bottom line, Lin Kan appears unscrupulous in how close she gets to Zhao Xun. It is also not realistic that Zhao Xun never seeks her own legal advice. Finally, the way Lin Kan prevails using information she obtained while acting for the other side is just plain wrong and practically impossible.

The drama literally and figuratively goes off a cliff in a way that makes the last third of it a less convincing watch. It doesn't make sense that a smart and manipulative character like Cheng Gong continues to go persecute Zhao Xun after she becomes so wretched and pitiful. It is just a contrived way to force an ending message that in China, even imperfect victims can find their voice via the justice system. My biggest issue with the story however is that the worst, most vile character is a woman who enabled Cheng Gong and victimised Zhao Xun just as much if not more. She shows no remorse and there are no true consequences for her. This aspect of the ending deeply disappointed me; I needed to see her confronted and at least punched in the face! Despite her superb visual composition style, storytelling wise Yang Yang proves once again her inability to wrap up the narrative while she is ahead. Nonetheless, the first half or so of this drama tackles some heartbreaking and controversial issues masterfully and is worthy of an 8.5. Unfortunately the writing doesn't hold up and it nosedives into an 8.0 towards the end and that is my overall rating. It is still worth watching when you are in the mood for a thought provoking drama that closely resembles a recent real case with all around amazing acting.

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在下晴明 - Qingming is in the house.

在下晴明
Yes! Yes! YES!!!
Qingming is in the house!!!

That is THE most striking difference between Yin Yang Master and Dream of Eternity, where I was like - Huh?...what??? Detective Dee?? Where is Qingming??? Where oh where is my yin yang master? THE Yin Yang Master? And in this Chen Kun just delivers the wickedly enigmatic and alluring essence of Qingming, a diabolically powerful, magical, misunderstood half human half demon that walks the world in between.

This version of Yin Yang Master's plot is much simpler and thus, better executed. It hones in on the life and death bond between a demon familiar shi shen/侍神 and their master zhu ren/住人. Falsely accused, half human, half demon Qingming is estranged from his zhu ren Baini and the Yin Yang Bureau. They reunite in a desperate attempt to recover an artefact that can set a powerful demon free; a quest that tests and lays bare their true loyalties and exposes past betrayals. Chen Kun and Zhao Xun's chemistry never fails to thrill, captivate and move me and they effortlessly convince me of their life and death bond. What I also love is that Qingming is not just uselessly waving his hands in the air reciting incomprehensible incantations. He really jumps into the thick of the fray in a way that leaves no doubt that he is in it to win it. In every life endangering encounter there is that nail biting sense of urgency, intensity and imminent peril. This fantasy world with its human and demon yao/妖 inhabitants has a very adorable, young adult and enthrallingly magical feel to it. In many ways, it captures the essence of Disney in that it speaks to two audiences both kids and adults with its clear message that both humans and demons can be monsters.

The only thing I really did not enjoy in this movie were the second leads - both actors were juvenile and did not deserve the screen time that they got. The animated characters like the Evil Red Ghost and side characters like the Peach Blossom Fairy were far more compelling and managed to capture my heart over those two jokers.

Overall this was a very entertaining movie - Chen Kun fans like myself will obviously be able to find many things to like and I can see kids just absolutely loving it. I rate it 7.5.

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Demon in red.

Zhao Yao is a fun fantasy love xanxia drama where both leads belong to the dark or demon sect. The unconventional "good vs evil" plot challenges the idea of what is "good" and what is "evil" as the good guys are really the bad guys in this drama. The best thing about this drama is the sizzling chemistry between the two leads. What totally really drags it down is that it is littered with fillers - it should at best a 30-40 episode drama. That made me grumpy and is the main reason for the less high rating.

Zhaoyao (Bai Lu) the female lead is an unapologetic bad-ass she devil who falls for the Demon King's son Moqing/Li Chenlan (Xu Kai). Li Chenlan is imprisoned by his father until he can free him from the powerful evil demon force within him. Zhaoyao is raised in solitude by her grandfather; it is their sacred duty to guard Chenlan until the Demon King returns. Led by the powerful immortal Luo Mingxuan, the righteous sects decide to preemptively kill Chenlan before he can wreak devastation on the world. Instead, they accidentally free Chenlan and an injured Mingxuan is rescued by Zhaoyao, who becomes infatuated by his chivalry and righteousness. She is outraged when she discovers his plans to kill Chenlan and boldly rescues him, earning his undying love in the process. She is captured and tortured by the thwarted Mingxuan and her freedom comes at a devastating personal price. Enraged and disillusioned, Zhaoyao forms and builds up her own formidable Wanlu Sect that wreaks havoc on Mingxuan and his "righteous" sects and protects those persecuted by them.

While recovering a legendary sword, Chenlan accidentally releases a deadly force that kills Zhaoyao. Boy is she pissed!!! She returns as an angry, vengeful but much weakened spirit that is hell bent on killing Chenlan dead. By then, Chenlan is practically invincible and it further incenses her to discover he has taken over as the leader of the Wanlu sect. This man enjoys living dangerously - he is so besotted with Zhaoyao that he is amused by and even welcomes her efforts to alternately kill and/or seduce him. The best moments are all centered around their occasionally funny and wholly adorable interactions. He is totally putty in her hands and cannot deny even her most dangerous requests. The sparks literally fly between them and their body language and obvious affection for each other is mesmerizing. All the early to middle episodes of them falling in love were the best and totally re-watchable. Bai Lu's Zhaoyao is just simply phenomenal - she is fiery, fearless, impetuous, occasionally wicked and completely bewitching. She also really brings out the best in all of her co-stars. However, outside of Bai Lu and Xu Kai, the cast is rather dull and didn't to engage me. Two of the other main female characters have a tendency to wail, which always has me scrambling for the fast forward/mute button. Sigh! When will they get it that wailing, whiny and noisy female characters are a nuisance?

The second female lead in this drama plays Qin Zhiyan (Yan Xiao), whose body Zhaoyao shares in the first half of the show while she tries to reclaim her own. The two are polar opposites yet form a strong and cute friendship. I wasn't wowed by Yan Xiao's overall performance, she got too much airtime in the first 20+ episodes that her cuteness turned into boring/whiny. The editing is sloppy - it jumps ahead, flashes back and in some cases explains what happens much later. I would rewind thinking I missed something that gets explained much later on - like how Mingxuan was out of the blue in a sealed state by Zhaoyao. I have FOMO so I hate fast forwarding but there were too many flashbacks and boring conversations between the righteous sects. Both the female and male love rivals were total cliches - they each sought to win Chenlan/Zhaoyao's love by killing off their rival. Wow -such a time tested losing and deranged strategy. The other main antagonist Jiangwu was an immature and swaggering pest until he redeemed himself slightly at the end. There are also a bunch of forgettable side love stories. The pace overall is painfully slow.

This drama went downhill toward the end. It didn't help that they randomly (and unnecessarily) killed off secondary characters. The ending was a bit rushed, garbled, messily executed and a bit wishy-washy when it could have and should have finished very strong. What is truly baffling is the countless wasted filler moments that could have been cut so that the ending could have been done properly.

I still recommend this but wouldn't bother to watch the whole thing. It wouldn't be a bad idea to drop it after Zhaoyao and Chenlan get together somewhere in the early 40s. Fast forward with impunity every time one of the two excellent main leads is not on. I will be looking out for more dramas with them (together would be great) and especially Bai Lu.

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Identity Theft.

Here we go again - yet another ill-fated master disciple relationship! This starts predictably with a jinxed mortal Wei Zhi barely squeaking through into the prestigious Egret Academy. There her astounding lack of talent catches the attention and empathy of her master, Yan Yue. He is an immortal sent to discover and vanquish the remnant of the phoenix bloodline that is a threat to the Three Realms. You would never guess who the hidden phoenix is or that this cold faced inheritor of the realms falls in love with his enemy?!?

Within a tired and tropey premise, the plot design of Beauty of Resilience is actually pretty good with some interesting and innovative takes. I found the Egret Academy's challenge arc to be very enjoyable in a way reminiscent of the Triwizard competition in Harry Potter and the Goblet of Fire. And I was intrigued by the mysterious Zihua Book Pavilion and its Shylock like master who extracts his pound of flesh. I also like that the Heavenly Empress is not just a decorative vase but has a rather important function as the mistress of time. Even the concept of Hua Rong is fresh and mysterious. Yet these ideas just don't quite come together in a good way in terms of plot and character progression.

Indifferent character blueprints, mis-cast roles and uninspired portrayals are this drama's weakest features. While Guo Junchen's portrayals of multiple roles is technically faultless, he is not given much to work with. Yan Yue is just a cardboard xianxia archetype. He only gets to shine briefly as the morally conflicted Chen Yan and in his darker personas but enough to impress as a diverse young actor. He and Ju Jingyi look fantastic together and they actually have decent chemistry. While her acting here is more nuanced, Ju Jingyi, once again delivers the same old vapid, completely indistinguishable portrayal that is her comfort zone. This is compounded by her default styling with atrocious Persian princess head gear and heavy handed and unflattering eye makeup that makes her look like she just waltzes from one set to another. She actually has excellent comedic timing which sadly this humourless script gives her no chance to showcase. Mu Nan is the only engaging and empathetic character but is sadly matched up with the most tedious and mis-cast role. And that is just the tip of the ice berg in terms of how shabbily the writers treat him.

The supporting roles are one dimensional and the cast lacks experience, chemistry and rapport. Everyone is obviously acting and their relationships and interactions are so forced I couldn't engage with or care for any of them. There were way too many identity thefts going on where even the lead actors in the swapped roles are unconvincing as the characters whose identities they stepped into. It was so bad at times it was kind of funny. The villains are quite obvious from the beginning and they weren't satisfactorily dealt with. One of them perished so quickly I literally blinked and missed it. I went episodes thinking they were lurking for the right moment to pop out again. My hope for a satisfyingly long, painful and drawn out demise was never met.

This drama's strongest arcs are the early ones that take place in the mortal realm. After that the drama loses momentum and gets more ridiculous as it progresses. The ending however is quite original and quite cool but was so rushed and poorly executed that it took awhile for what actually happened to sink in. I would say this is something that you could watch up until the wedding in the second arc, skip all the messy and time wasting latter arcs and you'd still end up in the same place. The early arcs were a watchable 7.0/7.5 for me but I'd at most rate the latter arcs 5.0 for an overall rating of 6.0. Watch at your own risk.

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Agent Provocateur.

Jiang Ying, a bewitching songbird catches the eye of both Du Xunyu and his father, shipping magnate Du Jingchuan. The way she lures and provokes both men with her innocent wiles and wraps them around her finger is riveting. She is clearly up to no good but Du Xunyu has his own agenda and is willing to play along with her. This short drama starts strongly with a predictable but well executed revenge plot. Masterful and nuanced portrayals by the main actors and searing chemistry and palpable tension between the leads elevates the simple plot with well-drawn and resonating characterizations. Li Muchen (as Jiang Ying)in particular delivers a captivating performance as a seductive and manipulative agent provocateur that sows the seeds of discord in the Du household.

This short drama is compelling up to the final five episodes and then it manages to turn into a banal, draggy and somewhat sappy love story. The drama never delivers on the early promise of a very intense and passionate romance; lapsing into a very sweet one instead. The latter part of this drama is an example of how bad things happen when these short dramas end up with more budget and screen time. The ending was the worst - bafflingly attempting unnecessary melodrama when it should have and could have ended with a flourish after all the secrets are revealed. Although I still recommend this as a good short drama to pass time with, I can only rate this 7.5 because of the ending sag.

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We are back!!! 铁甲依然在 (tie jia yi ran zai).

Novoland Eagle Flag is about a time in fantasy world Novoland's history where the outlawed Tianqu warriors are revived for an epic showdown with growing evil forces of the supernatural Chenyue cult.

These are tumultous times in Novoland, where the ruling Yin Empire only has a tenuous grip on its power over its vassal kingdoms. The emperor and the ruling nobles of the various kingdoms are protected by their own armies led by skilled generals. By coalition and mutual self interest, an unstable balance of power is maintained. Internal politics and power struggles within the empire and the kingdoms complicate the plot. These sub threads are quite well written but can be ignored or followed loosely without losing track of the story-line. This inherent instability is manipulated by the Chenyue cult who preys on the superstitions, insecurities and ambitions of the ruling elite. As war breaks out when a powerful warlord seizes power, the might of the Chenyue's undead Redteeth army grows surreptitiously with the death count. This sets the stage for the return of the formidable Tianqu warriors, historical protectors of the realm until banished for killing a despot. Only the Tianqu warriors, lead by their chief suzerain with a legendary sword, had been able to suppress the Chenyue.

Our three main characters are destined to play a critical role in Tianqu's return. They are bound together by a touching friendship as they come of age during these troubled times. Asule is crown prince of the nomadic Qingyang tribe who are fierce warriors in the harsh wintry North. He is sent at young age to Eastland as a political hostage. Yuran is an orphan from the elite of the Winged Tribe who is a princess in name at the Xiatang court. Ji Ye is the unfavored elder son of a nobleman whese mother was a concubine. They were lonely children whose paths crossed in Xiatang and essentially become each others' families. Yet they are pawns in this ruthless world where their friendship is constantly tested by ambitious and powerful actors who use them to achieve their own agendas. Asule is an idealist who wants to use his power to save the world. Ji Ye wants to prove himself, he is a conqueror who wants to rule the world. Yuran doesn't care about the world or the future, she just lives in the moment for herself and her friends. The relationship between the three leads was one of the best parts of this drama and well written. They balance each other out perfectly. Asule is a gentle soul who cannot bear to kill even when it is the only way to achieve the greater good. Ji Ye has no such reservations but his ruthless ambition is checked by Asule's goodness. And Yuran is the glue that binds them together and keeps them grounded on what is truly important - their friendship and the importance living for oneself.

The cast was very strong as this big budget production spared no expense with veteran actors. Many did not like the actress Song Zuer but I thought she was the perfect Yuran, which is not a deep character, just a very vehement one. While Liu Haoran did a good job portraying Asule, the character was poorly written and waffled in the back half. Don't hold it against him that the scriptwriter turned him into a brainless incredible hulk-like killing machine whenever he is angry. And while Chen Ruoxuan overdid the petulant youth in the beginning, Ji Ye's character is a strong one that showed tremendous growth towards the end.

The script-writing which was fantastic and gripping in the first half turned into an epic disappointment in the back half. It became repetitive, deviated into half heart-ed ill fated romantic tropes and took odd and messy turns with several core characters including Asule. I realized too late that this is the same dastardly Linmon Pictures that similarly destroyed the back half of Legend of Fuyao. It is their signature gimmick of replacing the production team with Team B so that Team A gets to move onto new projects. At that point you are so invested that you end up watching the rest of it anyway. The only thing that helped Novoland is that it is backed by the substance of a real book whereas Fuyao descended into 100 pct script-writer induced train-wreck. Given the record budget, the popularity of the novel, serious hype and the veteren cast this should have been a 9 or 10, one of the best of the year. What an epic let down - despite some truly superb battle scenes and cinematography, it ended up as just an OK overall production due to the messy writing.

The ending is controversial and felt rushed. Unlike most, I believe the Eagle Flag chapter of Novoland ended where it should have. One of the biggest misconceptions of this drama is that the story is character driven. It is not. The three leads may have their own subplots but all of the plot threads converge in the final conflict between Tianqu and Chenyue. The characters are relevant only as far as their roles in the build up to an epic climatic clash between good and evil. What happens to the characters after that is not important since the story is not really about them. A sequel or season 2 seems unlikely in this context although there could be spin offs that once again touch upon some of their subsequent paths - someone who read the books will know better than I.

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Catch me if you can!

Thirteen Years of Dust is the best Light On/Mist Theatre suspense thriller iQiyi has released since The Bad Kids and The Long Night in 2020. This tightly written mystery cum police procedural is gripping from the start. An eerily staged crime scene reminds Lu Xingzhi of a serial killer that had terrorised Nandu thirteen years ago, when he was just a rookie detective. Starting with his mentor Wei Zhengrong, he gets the old investigative team that had profiled and hunted the killer back together again. They have unfinished business to get down to. Thus begins a thrilling chase for the long hidden killer who seems to be taunting them, "Catch me if you can!"

The way the narrative unfolds in parallel between the present and the past is mesmerising and immediately made me invested in the main characters, including potential antagonists. In the present, the characters are older yet wear unmistakeable vestiges of the past that make them seem still touchingly familiar. We see what they were like juxtaposed against what they have become. This invokes a haunting sense of nostalgia over what was lost and what could have been. This captures the essence of what made CBS's Cold Case one of my favorite police procedural series. Wei Zhengrong seems the most markedly affected. In sharp contrast to the rather rough, dismissive, and bitingly cynical cop in his prime, he becomes a muted, wiser and oddly broken shadow of his former self. Lu Xingzhi on the other hand has delivered on his early promise and come into his own but his family life is disrupted.

Chen Jianbin and Chen Xiao anchor the stellar cast in this production. Both are charismatic and convincing actors with such incredible chemistry that it evolves to reflect the passage of time. They each subtly take on some of the other's traits thirteen years later, indicating how deeply they influenced one another. It is not easy to play characters that have aged and changed over thirteen years, yet remain essentially that character. Beyond both leads, every main character in each of the many cases delivers riveting portrayals of both their younger and older selves. This brought the victims to life through the eyes of people who knew them, loved them, feared them, envied them and may very well have killed them! The side story that moved me most was that of the gangster and the dancer.

The plot is very well designed and is a lot more whodunit than howdunit. It is set in a time when use of forensic technology was nascent and primitive. So the cases had to be approached the good old fashioned way of narrowing down suspects to who had motive, means and opportunity. The evidence and clues are all presented in an even handed manner; there is no attempt to hide anything from the viewer. From early on, the audience has enough clues to credibly build a case around at least two suspects at any given time. While the solution is not a huge surprise as the killer is well concealed but far from invisible, it still comes with a decent twist. It is a surprisingly dark story with a chilling ending for a c-drama. The production maintains an unsettling tension of a disturbing and menacing presence throughout. If I have to criticise, the staged crime scenes are a bit pretentious and the explanation of the painting and its significance is on the weak side although it just passes muster.

Overall, this is a well written and nicely executed crime thriller that will satisfy exacting crime buffs. A highly recommended watch that I rate 8.5/10.0.

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The enemy of my enemy is my friend.

This is the spy thriller that I will compare all other Republican period spy thrillers to going forward. It is that good. Each of the engrossing 61 episodes just flew by and I haven't been able to watch anything else since. I put this off for a long time due to poor reviews of the female lead's performance, which unfortunately is beyond dreadful. The rest of the cast however, is so phenomenal that they more than make up for it, to the point that the rating simply does not do justice to this drama.

Set in 1940s Shanghai during the Wang Regime (Japanese puppet government), Chen Shen works for his best friend Bi Zhongliang who heads up the Special Operations Division. At surface, he is an indolent playboy, an aspiring barber until he was propelled into a position of favor and authority for saving Bi Zhongliang's life. In reality, he is a double agent loyal to the CPC. Things get complicated when his former student and true love Xu Bicheng and her husband Tang Shanhai are assigned to the Special Operations Division. The paranoid Bi Zhongliang eyes them with suspicion because Bicheng is his superior and rival Li Moqun's niece. He is already under growing pressure from both Li Moqun and their ultimate superiors, the Japanese for failing to capture the notorious communist spy Sparrow.

The overarching plot of this drama is rather simple and clean. The main communist and nationalist protagonists have just one mission; to steal the Return to Zero plan hidden within the Special Operations Division. The antagonists are aware of this and use this knowledge to try to trap them into revealing themselves and to capture Sparrow.  The subplots and unpredictable way the storyline unravels with many twists along the way are largely driven by the characters as they react to stressful life and death situations that force perilous split second decisions. One of the weaknesses in storytelling is that the writers resort to coincidences and sheer luck a little bit too often to facilitate twists or bail the main protagonists out of tricky situations. Nonetheless it all comes together to deliver an intense aura of suspense that builds towards the thrill of unexpected victories, shocking betrayals, blindsiding plot twists and sudden death.

Chen Shen is the perfect spook - he is on the one hand an innocuous ladies man; a charming, stylish teetotaler who can't even bring himself to fire a gun. Yet he manipulates Bi Zhongliang masterfully; ruthlessly stoking and soothing his insecurities at the same time. This is by far the most fascinating relationship in the drama. Although he mistrusts Chen Shen, Bi Zhongliang is also touchingly sincere and protective of him. Chen Shen's feelings towards him are complex; they have an unusual bromance that pulls them together regardless of the fact they are on opposite sides. Chen Shen is not only the most intriguing character in the drama, he is also considerably more ruthless and manipulative than the main antagonists. This is by far Li Yifeng's most memorable role to date, well complemented by Zhang Luyi's disarming portrayal of Bi Zhongliang. The dialogue is sophisticated, pointed, witty and laced with sarcasm and dark humor that often relieves suspenseful tension with laugh out loud moments and encapsulates the complex character dynamics.

Even though I am a huge sucker for morally ambiguous characters like Chen Shen, there are almost too many moments where Zhang Ruoyan's Tang Shanhai eclipses him. And it is not just because he looks so incredibly scrumptious in a suit. Too often the second male lead is dumbed down to elevate the male lead. While it is true that Tang Shanhai is not quite the consummate spy that Chen Shen is, Zhang Ruoyun pulls this off without portraying Tang Shanhai as less intelligent; just a tad less ruthless, a tad less composed and a lot more heart. He is thrust into many parallel situations with Chen Shen but the way he processes and reacts to the situation, how he is clumsier at manipulation, how his remorse is more visible; makes it clear that he is a less hardened spy. His relationship with Chen Shen evolves from rivalry and distrust into mutual respect and a grudging friendship that compels the two to work together when their interests align. The enemy of my enemy is my friend is a recurring motivator in this drama that pits multiple characters alternately with and against each other.

The female lead, Xu Bicheng is by far the drama's weakest link. Unlike many, I don't think the writing is the problem; on the contrary I find the character to be one of the best written, most complex female roles out there. Bicheng is a flawed character; stubborn to the point of recklessness with a bleeding heart for lost causes who wears her heart on her sleeve. She is also often underestimated, can be very cunning, is a fantastic liar when cornered and is able to manipulate both Chen Shen, Tang Shanhai and Tao Dachun into doing what she wants and her character undergoes tremendous growth. None of these positive aspects are conveyed by the acting because Zhou Dongyu is a very limited actress who just lazily recycles the same four boring, mopey, terrified and pitiful expressions throughout the drama. The only things she does well is child ugly cry and child uninhibited smile from the heart. Which is wonderful... if she were playing a child. In this role, it is at odds with the role of a woman in her mid twenties, a spy and a married woman for crying out loud. It is also obvious no one ever told her it does not suit her naturally rather mature facial features and incredibly grown up styling in this drama. She fails so badly at projecting that je ne said quoi that has every man fall in love with her that its not even fitting to call her a Mary Sue even though she does need constant rescuing. I could not empathize with her at all and couldn't care less what happens to her.

Kan Qingzi was robbed - her Li Xiaonan stole the show and she really deserves top billing as female lead in this show. Her performance puts Zhou Dongyu's to shame even though the character is at surface, less complex and interesting. I normally loathe ditzy, lame characters like Li Xiaonan who are capable of loving wholeheartedly even when it is not reciprocated. But wow, she made me laugh, she made me cry, she made me respect her single-mindedness, I was 100 percent behind her. And that is what a good actor does, it is what every actor in this exceptional cast other than Zhou Dongyu managed to do - impress me with their acting and make me empathize with them even when they play dark or weak characters. Geez even Yin Zheng or especially Yin Zheng managed to make me empathize with his portrayal of the rabid, vicious, cruel and dangerous Su Sanxing.

A criticism of this drama is that love seems to have overshadowed the spy story; that the unrequited love trope is perhaps overused in this drama. While there is some truth to that, this is still very much a spy thriller that is chock full of excellent twists and turns. And the bigger point is that the unrequited love trope is used brilliantly to explore how each of the main characters bestows and responds to unrequited love in completely different ways. I normally approach Republican dramas with a stone cold heart - I go in pretty much expecting everyone to die it is just par for the course. In this one, too many characters still managed to steal my heart and made me bawl my eyes out. That said, the drama ends very fittingly after the final showdown.

My favorite line in the drama is Chen Shen's heartfelt "Please... don't tell anyone you were my student." This is by far the best Chinese spy thriller I have seen to date (August 2021). This is a 9.0 for me but I could easily rate it 9.5 were it not for the appalling execution of the female lead role.

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The Dark Side of the Moon.

This drama is about how a power couple that is well matched in terms of cunning, ambition and capability scale the upper echelons of banking and finance during 1930s Shanghai. The narrative vividly captures the wild, morally ambiguous, highly speculative, wheeling and dealing nature of the mafia dominated banking and finance industries during that early period of industrialisation.

Cheng Yizhi is a scrappy, enterprising, self educated young orphan with a knack for numbers and finance who is raised by a kindly shopkeeper. He starts out in a lowly position at a bank but his talent propels his rapid advancement to become the protege of banking magnate Huang Ruhong. Wu Lizi is the pampered daughter of a distinguished banker whose world falls apart when her father is framed and commits suicide. Hell bent on revenge, she marries Yizhi and ruthlessly uses his access to banking circles to investigate her father's downfall. Mutual lack of communication and a terrible, irreversible decision by Lizi ruins their marriage but leads to a very rewarding business partnership where they build a bank together.

Wu Lizi is one of the most selfish, devious, manipulative, ruthless and utterly charming female protagonists I have come across. It is such a treat to get complex and fascinating female characters like Lizi. That is why I kept watching this even though at one point I was enraged and disappointed to the point of almost dropping. I still don't like how they wrote Lizi to lash out so viciously and vindictively with such heavy consequences but I am glad I kept going because she really moved me with her stoic remorse and acceptance later on. Even though there were some rough edges to Cai Weijing's performance, overall she is tough, willful, curiously vulnerable and so charismatic that I could literally see how she tied Yizhi, Charlie and Xu Du up into knots emotionally.

Zhang Xincheng delivered a most excellent performance in this drama as Cheng Yizhi, a cynical character that well understands the dark side of the moon due to his upbringing on the rough side of town. So he is the ultimate nemesis of dark characters like Huang Ruhong because he can get into their heads and narrowly manages to stay one step head of them. In sharp contrast, he seeks the light in all of his dealings and finances some of the most promising industrialists of the day. At the onset Yizhi goes toe to toe with crooked businessmen and corrupt politicians with equally scheming and wily tactics. But as the story advances and his dark secrets are revealed, the character is whitewashed and becomes too perfect, so understanding with such shiny plated plot armor that I had to roll my eyes. I needed more flaws or to see him be a little bit petty or selfish and to play dirty sometimes. Instead Charlie, a far more interesting and lovable character rises to the occasion to do all the slightly shady things that need to be done in order to stymie their unscrupulous rivals. Nonetheless the lead couple has superb chemistry and the way their relationship blossoms from mistrust and suspicion into an incredible partnership on multiple levels is one of the drama's strengths.

The business subplots are quite interesting, well written and the financial concepts are kept at a simple enough level for laymen. The characters however are less well written and notably Lizi, is not consistently written. For such a smart character she does some retarded things that can only be put down to sloppy writing. Huang Ruhong's somewhat creepy and unfathomable hard on for Yizhe is also unconvincing and not in character for the leader of the criminal underworld. Indeed the true love triangle in this drama is the one between Ruhong, Yizhe and Lizi. This was such a promising antagonist at the start but gets sidelined as the ending arc digresses into yet another patriotic fight the Japanese invaders plot. I would have preferred to see a more satisfying cat and mouse takedown of this smart antagonist play out properly. Towards the later episodes, many key characters are gratuitously killed off to squeeze out the obligatory tears expected of a Republican period drama. This backfires as I only felt very sad for two of the deaths which only highlights that the other characters were two dimensional ones that I never got invested in.

There are many enjoyable and unique aspects to this drama that make it worth watching even though it falls down on messy plot, sloppy character writing and a lame ending arc. Charlie was my favorite character and his wit, style and wisdom saved the show. Overall this is just a 7.5 for me despite strong acting by the leads. And MVP Charlie (Wang Zijian).

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Sleeping with the enemy.

This drama weaves some of the most prominent historical figures of China's Three Kingdoms period into a fabulous and exciting tale of intrigue, adventure, and romance reminiscent of a Dumas plot. This is a highly fictionalized yet disarmingly convincing exploration of the motives and relationships of the key figures of the day that manages to stay broadly true to history.

The last Han emperor has a secret that could shake the foundations of the empire and shatter his tenuous hold on power. Aided by a small intimate circle that includes the empress, his boyhood friend Sima Yi and a dwindling number of old Han ministers, he embarks on a desperate quest to escape the clutches of Cao Cao and restore the glory and power of the Han empire. But the cruel strategies and sacrifices needed are at odds with his benevolent nature and inclination to show mercy to his enemies. Ma Tianyu impressively pulls off a complex portrayal of this seemingly weak and powerless emperor who frustratingly sticks to his guns against all odds to ultimately succeed in winning the hearts and minds of his enemies with his enlightenment and magnanimity. It is very clear that the emperor and the notorious Cao Cao have very similar world visions and goals but their methods are extreme opposites - one rules by fear and sheer brute force while the other kills you with his kindness. Both are pragmatic and when the rubber meets the road, have little choice but to sleep with the enemy in order to achieve the outcomes they are after. We get to decide for ourselves who was more effective, who really won their epic struggle for power and whether it was worth it.

There are no real villains in this drama - even the emperor's enemies are portrayed in a very balanced manner though it is fair to say that the so called villains out-acted the heroes. Guo Jia is my favorite character in the drama - I often found myself rooting for him and oddly moved by his and Cao Cao's loyalty and affection for each other. And Tse Kwanho's Cao Cao must be by far the best Cao Cao I have ever seen - so cunning, powerful and menacing I was actually scared of him. Some of the most gripping and intense scenes in this drama are when Cao Cao and the emperor go toe to toe. My one big criticism of this drama is Han Dongjun's Sima Yi is shallow, boastful and unemphatic. For a highly rated actor to miss the mark on such a key character is just not acceptable. While some of the bromance moments with the emperor are decent, most of the time he is not in character and does not convincingly pull off the legendary strategist. Cao Pi is also extremely well acted but overshadowed by all the other outstanding performances. There is quite a bit of sizzling romance this drama, notably that of the emperor and empress as well as Guo Jia's but Sima Yi's was just kind of flat.

This drama is full of suspenseful moments and action as danger lurks around every corner. The second arc however is a bit draggy and requires some suspension of disbelief but that is also where the awesome Guo Jia emerges so don't abandon it there.

I will stop here and keep this short as it would be a crying shame to spoil this one. I highly recommend this very enjoyable and under appreciated drama that I would rate higher if not for Sima Yi

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Sizzles while it fizzles.

A massive fire devastates Qingzhou on the night Dayan's Weibei army triumphantly reclaims the city from Xiyan. Suspected of razing the city to the ground, the Weibei army is disbanded in shame while their leader, Prince Murong Jinghe is sent to his fief. To Mei Lin whose world collapsed that day, that was not justice; far from it! Rising from the flames, she transforms herself into an elite assassin for the Shadow Works. Her first assignment is to infiltrate Dayan as a Xiyan beauty bride to assassinate the "Butcher General" Murong Jinghe. She must complete her mission with all due haste to obtain the antidote to the deadly toxin the mysterious master of the Shadow Works uses to control her.

The stage is set and Murong Jinghe's entrance made my my jaw drop and my mouth go dry! Sinister and unspeakably handsome, insolent, casually malevolent and utterly unforgettable. When his cold cynical gaze collides with Mei Lin's wild, ferocious one, the screen explodes into flames. I was seated for what promised to be the ultimate revenge drama, a dark, passionate and twisted enemies to lovers story. I can't remember the last time a drama hooked me so completely from the get go. So I hushed my inner voice that protested the fact that they seemed to reveal the entire plot by episode 3. All too soon after, their thrilling dark, combative chemistry and one-upwomanship tit-for-tat turned into a moving unbreakable alliance that made them both so vulnerable I feared for them. Even though the plot falls apart around them, I enjoyed every moment of the torrid, ardent, connection between Jinghe and Mei Lin that was so effortlessly conveyed by Liu Xueyi and Wu Jinyan. They captivated me with their intense screen presence and the way their chemistry still sizzles while it fizzles through every silly, illogical, emotionally harrowing arc the script made them jump through.

This drama was by a wide margin, my biggest disappointment this year. As someone who read and more or less forgot the novel 春花厌 or Spring Flower Disgusted, I should have known that you can't make a symphony out of one note. There simply was not enough plot to do justice to the exciting concept and delicious character designs. Unfortunately Murong Jinghe, who was a ruthless scumbag for most of the novel, got whitewashed so early in the drama I thought he was body swapped into his adorable little white dog. Nonetheless, I enjoyed watching the enemies become allies and then lovers. Exceptional visuals and the couple's chemistry got me through the boring digression into the romantic filler arc that saw both leads regress into lovey dovey country bumpkins. The all-important revenge arc however disappointed me deeply as Mei Lin was unforgivably short changed of her vengeance so we never really get to see her slay as an assassin nonpareil. The drama should have ended at that arc instead of soldiering on for another mind numbingly boring eight episodes. The entire final Xiyan arc was ridiculously melodramatic and Zigu's love story was yet another filler arc, one that was in poor taste. Jinghe turns into a noble idiot who entrusts a well-meaning but incompetent young idiot with a task that was way over his pay grade. After all the blood and tears, I almost laughed out loud that they were ultimately foiled by a flower chomping, superstitious old fool. The drama comes to a full circle with the novel in that no one gets an ending that they deserve.

I won't lie - even Liu Xueyi and Wu Jinyan's phenomenal acting and charisma could not save this drama, it just made it barely tolerable. None of the other characters are interesting or well written enough to make me invested in their stories. Baron Chen's Murong Xuanlie is quite well portrayed but is too archetypal and his story and motivations quickly becomes repetitive and boring. Luo Mei's moral code is too mismatched with that of Xuanlie that as a couple, they are completely implausible. And Yue Qin was written to be such a lame character that there really was no room for Bi Wenjun to shine. What promised to be a dark and riveting story about love, revenge and justice turned out to be a sober warning about the ravages of war. Everyone from the common man to the king in the high castle is not safe and lives regretfully ever after.

This was a story that was written by four different writers and it shows. I can easily rate the first 3 episodes of this drama 8.5-9.0. After that, it barely holds an 8.0 for me and after episode 24, it is barely a 6.0. I think a fair rating overall is 7.0 but I throw in 0.5 more for Liu Xueyi and Wu Jinyan's acting to call it a 7.5. Watch at your own risk and use the FF button liberally.

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Gangsta's Paradise

I bounced off walls with joy and excitement when I came across this movie. It has been too long since we have seen a hard core Hong Kong style triad martial arts movie like this. Not to mention the cast - Louis Koo, Sammo Hung, Raymond Lam; literally a Who's Who of veteran Hong Kong action super stars. Adapted from Andy Seto's manhua "City of Darkness," this movie is set in the 1980s in the Kowloon Walled City, or Hak Nam/黑暗 as it was known to locals. Dismantled in 1993, this was once the most crowded place on earth, packing 35,000 people within 6.4 acres. This infamous den of iniquity was a gangsta's paradise; a dystopian, lawless enclave of mostly refugees where crime proliferated and triads kept the peace with their own brand of street justice. The replica of the Walled City is viscerally authentic down to the chaotic claustrophobia of structure piled precariously upon structure and the stench of overflowing humanity permeating the dank, narrow corridors.

This fast-paced action-packed movie that pays tribute to the golden age of Hong Kong cinema exploits tried and true themes of loyalty, brotherhood and vigilante justice. Chan Lok-Kwun (Raymond Lam) is a mainland refugee that sneaks into HK in the 1980s. He runs afoul of triad boss Mr Big (Sammo Hung) and in a thrilling chase, jumps from the frying pan into the fire of the Walled City. Through blood, sweat and bone-crunching fights, he earns the grudging respect of Typhoon and his underlings, who keep the peace within the Walled City. The narrative rushes through not that well fleshed out subplots involving past grudges and shady business deals but who cares? They are simply excuses to stage one innovative, physics defying action scene after another featuring fighters dressed to kill at 1980s comic-con. While Typhoon and his rival Mr Big anchor the narrative, the younger crew really hold their own up against the intimidating cast. I laughed out loud at their moments of dark humor and brash camaraderie.

One of this movie's top highlights is the the gritty, awe-inspiring recreation of the dystopian underworld within the Walled City; a place that spawned countless video games and works of fiction. The action scenes pay tribute to the manhua with outlandish cartoon-like combatants and the death proof brawls featuring wildly exaggerated superpowers. The fight scenes got more fantastical as the movie progresses and climaxes in a crazy, all-out extended take down of an almost invincible villain. I was on the edge of my seat with excitement and anxiety the entire time; thinking more than once that the bad guy was gonna win. Nonetheless I felt the best fights were early on, where despite the astounding athleticism, they were still grounded in some semblance of reality. I had my heart in my mouth watching Chan Lok-Kwun's opening shattered glass skirmish, the way he fights his way out of tight spaces on the bus and his parkour like first foray into the Walled City. This is how real martial arts action scenes should be choreographed and filmed. Later on, while still inventive and gripping, the action strays a bit too far into the realm of the fantastical.

This movie is a must watch and not just for old times' sake; preferably in Cantonese and on the big screen. It shows that Hong Kong cinema is still alive and well and stands the test of time. I am only rating this an 8.0/10.0 because the plot could have been better but the overall entertainment value vastly exceeds this rating.

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