RogerDelt

A woman of low character uses men for their money and dumps them when they are no longer useful

As usual, this story is written by a woman and has all the standard clichés about the so-called strong woman. The LF is a woman from the countryside who is ignorant of the ways of the city that she is now living in.

Now in the city, she manages to snag men by becoming their girlfriend so that they are compelled to help her with money, housing, jobs, etc. With each man she uses them, deceives them, cheats on them and moves on to the next guy in line.

All the men in her life, young or old, are the classic, stereotypical simps and beta men who have no standards or boundaries. Essentially, the LF deceives these simps, lies to them, cheats on them, and then the simps beg her to forgive them and take them back. Nothing surprising about this since ALL female Chinese writers cannot come up with a plot where there are actual real, strong men with boundaries that cannot be violated.

The intent of this show is to get views and ratings from the growing ranks of divorced and left-over women in China whom no one wants. These women have ample time every evening to watch these unreal shows where deceptive, adulterous women are always forgiven and always have multiple rich men wanting them even when a normal would be repulsed by their character and behavior.

This show was eventually killed when it could no longer sustains its dwindling ratings and even left-over women thought the plot was too ridiculous. So, the director and screenwriter quickly contrived a nonsensical ending to finally kill the show.

This show was written by Chinese female scriptwriters who are idiots and it was especially written for divorced or left-over women who believe their extreme feminist beliefs are normal.

The story itself was totally incoherent and has no plot to speak of and no rational continuity between scenes.

But there are cultural and moral contexts from different eras that are badly mixed up. In other words, a cultural moral situation from the 1920s is treated as if it is the morality of 2000s and beyond, and at other times the duties of husbands/wives are treated as if they are in the 18th century. And sometimes behaviors from wives, husbands, etc. which would not be tolerated in the 1920s are excused as if the characters are in 21st century with its loose morals and laws.

Here are some observations and these are definitely spoilers:
1. The FL is compelled to marry the ML while she prefers ML2.
2. FL frequently meets the ML2 while deceiving her husband ML.
3. So, from ML husband's perspective she is cheating, committing adultery, lying, deceiving multiple times with ML2. And the ML husband is AWARE of it all.
4. So #3 is ridiculous in the 1920s. At that time husbands would have immediately killed such a wife. But in this ridiculous show, the husband not only tolerates adultery but keeps letting his wife go out freely to meet the ML2.
5. Despite being married, the ML and FL don't have sex. Seriously??? Which idiot wrote this scene? Eventually, husband ML makes his wife have sex with him.
6. But #5 is treated as rape in the show even though such a concept did not exist at all in the 1920s. At that time ALL WIVES were expected to absolutely have sex with their husbands on demand and husbands had the full authority to override wife's objections and compel them to have sex anyway.
7. The FL frequently visits her paramour ML2 but returns to husband she is betraying after each visit because of her duty to her family and her husband.
8. But FL had no shame in betraying her duty to her husband by meeting her paramour and giving him valuables including a Jade object despite her husband wanting to see it.

He is not a silly man. He is actually fully justified in knowing whether she was a slut before. She should have fully disclosed her past to him so that he could have made a decision on whether he could accept a slut wife.

That man is entitled to his preference to NOT marry a slut, just as YOU are entitled not to marry a homeless man.

This is a show where two simp cuckolds fight each other to win over an old woman.

Almost all the female-written CDramas exhibit intense hatred and misandry against tough, real men. That is because real men don't want to be cuckolded, nor do they indulge in women who are passed around between men and most certainly they never pine for a left over woman or divorced older women. This show shows intense hatred of Chinese men and portrays them in extremely negative light as essentially simps who cannot live without an old, used-up immoral woman.

This show, written by a woman, has little to no plot or characters. But it does have two rich simps chasing a divorced woman, who keeps shuttling between the two. This is the ideal show that all the lonely woman in China, who are divorced or left over consume in the evenings with alcohol. Those women imagine that boatloads of rich men would soon be fighting for them, just like the simps did in the show. Unfortunately for these feminists, that day will never come - according to most statistics.

The CDramas written by women are all full of this feminist wet dream and hatred of normal, real Chinese men and uses the following formula in almost all the CDramas:-
1. Simp 1 pisses off wife/girlfriend for reasons that are often trivial
2. Simp 2 who "loved" the wife of Simp 1 then seduces her and spends time in bed with her learning calculus and geometry
3. Wife/girlfriend then divorces or dumps Simp 1 and moves in with Simp2
4. Simp 1 gets pissed, claims he is deeply in love with wife and tries to get her back
5. Wife/girlfriend then shuttles back and forth between Simp 1 and Simp2 cuckolding each in turn.
6. Despite the cuckolding that no normal man would ever accept, one of the simps wins eventually
7. Wife and Simp live happily ever after.