RogerDelt

Wife commits adultery and gets pregnant. Husband apologizes to wife and begs her to come back

This show is primarily a glorification of adultery by Chinese women and shows contempt for decent, hard-working Chinese men who are doing their best to take care of their families.

All Chinese dramas written by Chinese women encourage female adultery and portray such women as victims of men, and this show is no different.

Show is set against the backdrop of a team of MALE gynecologists/obstetricians and it fall into the typical trap of obsessing about the medical business and spends too much time on the medicine instead of the characters.

The male characters themselves are cheesy and are portrayed using the Chinese feminist stereotype of men who are SIMPS and cuckolds. All the men are feminized and behave like women, cry tears like women and not one has any testicles. They also follow the tired and false Chinese stereotype of getting drunk and not remembering anything the next day. Despite getting hammered with alcohol these drunk Chinese men can somehow defy the laws of biology and get an erection to make women pregnant. In real life no adult man is capable of performing (except horny teenagers overflowing with testosterone) when they are so drunk that they can't remember anything.

The female characters are the real men in this show. They aggressively scream, shout, criticize the men and treat them with contempt. And when these women are caught cheating, then they blame the men for causing the women to cheat. The men are all supposed to hide the fact that these women are committing adultery and no one is allowed to reveal the women's cheating to their husbands/boyfriends/family et. because then the women would be humiliated and suffer consequences, which is not allowed according to the rules of Chinese feminist writers.

The men are also required to apologize to their cheating wives and then beg these adulterous women to forgive the men and go back to them.

The LM is the classic Chinese SIMP - soft spoken, gentle, works hard to earn and take care of his wife, always begs his wife for affection and has his tail tucked between his legs like a scared dog. He also has no TESTOSTERONE and is essentially 100% woman in a man's body.

The LM's wife hates the fact that her husband is doing a good job of taking care of the family, so she goes out and has sex with another man and gets pregnant by him. This is discovered by her parents, sister, the LM's male and female colleagues.

But no one is ALLOWED to reveal the cheating wife's actions to the LM because the rules of Chinese feminist writers say that a cheating wife is NEVER wrong and cannot be held accountable.

The only female character who actually behaves like a real woman would have made a decent wife is ostracized and isolated because she would have made a great wife for the LM, by taking care of him and the house. She is also considered evil since she cooks for the LM and truly loves him. But she and the LM are not allowed to get together since that would humiliate the cheating wife. This female character's was portrayed by an actress who stole the spotlight from the LF by the power of her performance.

So, the LM is now supposed to be so much in love with a woman who cuckolded him and got pregnant by her lover, that the LM has to apologize to his cheating wife and beg her to take him back. Which is what happens finally when he marries the cheating wife again and the poor girl who truly loves him is thrown out.

Ultimately, this drama is a showcase for the left-over women of China who are told that all their cheating and bad behavior is not really bad and the women do not have to feel guilty or change their behaviours. These adulterous women are told that fault lies entirely with the men in their lives for causing the wife to commit adultery. So the men must beg for forgiveness and the adulterous women can then magnanimously take their poor husbands back.

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This is a Simp/Cuckold show that showcases hatred of men (misandry) by feminists

This show is a feminist wet dream and fantasy written primarily for leftover women aka "Sheng nu" (剩女), divorced women, and women who no longer have any romantic hopes in life. The female writer's purpose is to create a story that showcases hatred of men and characterizes simps/cuckolds as the only decent men

ALL the lead male characters are portrayed as the classic simps/cuckolds who run after women with their tongues hanging out and begging the lead females for scraps of romance. The male characters are highly feminized, with dialogs that only a woman would utter. There is not a single drop of testosterone in the lead males.

On the other hand, the female characters are portrayed as flirting and having seksual relationships with multiple men, having no-boundaries, no character nor any sense of morality bottom line, and as being fought over by multiple simps/cuckolds, who are willing to tolerate the women's cheating, deception, cuckolding.

Without delving too much into all the characters, here is how one of the sample scenes played out:
1. Qi Fei and Han Li are two men desperately fighting to possess the woman Ye Fan -No idea why since she has no redeeming qualities or morality.
2. Both men shower her with houses, money, expensive gifts, while she OPENLY cheats, lies and cuckolds both of them and refuses to stop her cheating. So, did the men immediately dump her into the trash can? NO..... They begged her even more.
2. Ye Fan proceeds to two-time and cuckold both men while shuttling between the houses the men provide - This is utterly unrealistic, since real men would not tolerate such a low-class woman even for a second.
3. Ye Fan is "torn" between the two men as each man begs her to dump the other man and marry them instead - Seriously!!! what kind of delusional woman would dream up this scenario?
4. Han Li's father is supposed to be a rich, successful businessman and is also a simp and actually wants to enable his son's cuckoldry by Ye Fan -Rich, successful businessmen are Alpha males who NEVER tolerate women of low character.
5. So the father finds out that his son is letting Ye Fan and her mother stay for free in one of his houses. And learns that Ye Fan is not only cheating with Qi Fei but about to fly the coop and move to Qi Fei's house.
6. So, did the father now exhibit his Alpha male characteristics to kick the cheating Ye Fan out of the house and forever prohibit his son from humiliating the family name????? NOOO!!!
7. Instead the father joins in the charade of begging Ye Fan and her mother to dump Qi Fei and marry his son. He promises. houses, gifts and all but grab the women's feet. --- A real man would rather kill himself than humiliate himself for ANY woman, ever.

This show is total feminist trash and has NO redeeming message or inspiration for any real man or woman.

So who is this show for???? It is fore all the leftover women, lonely divorcees, women who have hatred for men.

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Childish story to console left-over women of China

The show is stupid and childish. The girlfriend -played by Jiang Rui Jia -already had a boyfriend but she started living with the other man from Episode 3. And her boyfriend was so stupid that it took him until Episode 15 to catch her living with the other man. Obviously, she was cheating on her boyfriend with the other man.

But how stupid does a boyfriend - played by Huai Wen - have to be to not know where your girlfriend is living and with whom????? But in the very next episode, the boyfriend is begging the girl to forgive HIM and to come back. But being a strong/independent woman who wants to save the simps/cuckods of this world, she.....refuses.

The other man with whom the girl was cheating is the LM and is played by Lu Fang Sheng, who usually plays the roles of simps and cuckolds in most of his dramas. And he does play the same role in this show as well. So naturally, the girl dumps the LM by Episode 34 and even goes out on a date with ....guess who.....yup, the original boyfriend that she cheated on . By this time it must be obvious that ALL the men in this show are simps and cuckolds. So the next few episodes are spent with both the dumped boyfriends begging the girl to forgive them and to take them back.

Then in the final Episode 39, the first-class simp/cuckold Lu Fang Sheng runs after the girl begging her to take him back and since she is a strong/independent woman who wants to save simps and cuckolds, well, gee whiz! she takes him back. And so ends the classic wet dream for Chinese left-over women giving them the false hope that some rich billionaire CEO will also beg them and propose marriage.

Ultimately, the show is written, produced and directed by feminist women from China who think a strong, independent woman must cheat on multiple men and then be forgiven by those same men who will then beg the cheating girl to come back.

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Unrealistic drama to portray women as super leaders and angels

The problem with letting two women right your CDrama is that they will turn it into a feminist manifesto. And if these women happen to hate men, then the story becomes downright contemptuous of ALL men. And if you let these women write a show about corporate takeover shenanigans then the entire production team comes across as fools and morons.

The LM actor Feng Shao Feng is an excellent actor, but is always typecast as a Cuckold/Simp. He performs that same role in this show repeating the same actions from other shows - crying his heart out in tears multiple times, begging for forgiveness, giving all his property/company/money to his cheating wife, etc. It was especially jarring and incongruent since his character was actually supposed to be tough as nails, Type A personality business owner.

The LF Cai Wen Jing plays the standard feminist wife who hates her husband and labels everything he does as evil while benefitting from HIS money. Her performance was nothing exceptional. BTW, almost every woman in the world would have happily lived her role of a housewife whose every wish and whim are taken care of by her husband.

The most remarkable and noteworthy character was the husband's mistress, played by Jia Nai Na. This tragic character stood by her man to fight all his tormentors and was the only honorable women in the whole show. Of course, feminists hate honorable women and so she too was destroyed by the writers/directors

Without going too much into the story, I will focus on the unrealistic aspect of the characters:
1. Husband is a tough, pull-yourself-up-by-your bootstraps man who built his own BIG corporation. So, we expect someone who is not a fool, simp or cuckold. Essentially, a Type A personality who can COMMAND people, expect obedience and break heads and get things done. Such men are highly capable of setting clear expectations from their staff, communicate clearly his requirements and then ENFORCE them with consequences for failure. Think of men like Elon Musk, Bill Gates and similar Chinese equivalents
2. Husband wants a wife who will stay at home and takes care of the kid and doesn't want her to have a career etc. Perfectly normal expectation and legitimate for this type of man.
3. As is typical of this type of men, the husband also has a few women on the side to play with, but wife at home is where his life is. Again perfectly normal for men of this caliber
4. So, naturally the wife gives up her career and stays home for a few years, but then suddenly decides she wants to go out and play with the big boys and have her own career. So far so good and this is not unusual with wives.
5. Now wife forces her husband to let her work. This is not possbile with a tough husband like hers. Either he would have given her permission to work or he would have ordered her to stay home. But compelling a type A man is impossible.
6. A tough man would have ordered his wife to stay home. Her tough husband would not just rollover and let his wife do something that he doesn’t agree with. But in this show, he overnight turns into a SIMP and reluctantly lets her work, while trying to sabotage her career on the sly. This is out of character for a man who can communicate clearly and enforce his decision.
7. The wife then proceeds to hang out with other men without telling her “tough husband” and even spends nights with them in hotel rooms, again without permission from her husband. NO normal man in the world would ever tolerate such slutty and adulterous behavior from their wife. But the “tough husband” just rolls over and plays dead instead.
8. When husband finds out his wife is sleeping in hotel rooms with other men, he doesn’t order her to stop working and to stop meeting other men. Instead, he begs her for forgiveness. Yup, suddenly the tough corporate husband not only becomes a simp he also becomes a cuckold. And the husband happily let’s his wife humiliate and degrade him with her depravity
9. The wife conspires with outsiders including her boyfriend to steal husband's company and to send the husband to prison on a trumped up fake charge and eventually divorces the husband. The scene of husband confronting his tormenters who are his wife's shady gang was written by retarded children. Here a normal corporate boss would have brought in an army of lawyers to drown the wife's childish contract and gang conspirators and bury them forever. But for the feminist writers they had to invent a contract provision that is actually invalid under Chinese law. So, the wife's conspiratorial contract trump card was actually not even a real thing. This is not too surprising, since Chinese (and Korean) shows have invented the imaginary Contract Marriages which don't exist under the law in China (or Korea) or anywhere else in the world.
10 . The wife then divorces the husband and forces him to make her the CEO of HIS company that he built with his own hands. There are ZERO men in the world who would allow a traitor slut wife to do this. Any self-respecting man would rather cut his own throat than become his wife’s slave in this degrading fashion. But knowing male characters is not exactly possible for the Chinese female feminists. The corporate takeover shenanigans they wrote are not even legal in China.
10. Wife then stabs the husband in the back even more and sends him to prison on fictitious charge. The husband eventually gets out of prison but doesn’t take his company back. Cuckold and simp is now permanent personality feature.
11. His mistress/aka girlfriend, is the only loyal person to him throughout his troubles. She arranges for him to get back his company, but he never TELLS or COMMUNICATES to her clearly his intentions. And the mistress suddenly turns into an idiot and makes assumptions that she can continue with the corporate take over for the husband.
12. So at the attempted corporate takeover, the husband leaves his idiot mistress holding the bag and gives his company to his EX-Wife. Yup, the man suddenly decided without telling anybody that he will give his life’s biggest achievement to an ex-wife who stabbed him in the back, cheated on him with other men and helped put him in prison. Clearly the authors, directors, producers of this show never dealt with humans, especially men who are type A leaders. So, they created a husband character who cries tears, begs his cheating wife, forgives her treasons and depravity and finally degrades himself by giving his company to her for no reason.
13. The cheating wife now lives happily ever after with her paramour with whom she had committed adultery in the hotel room. Her ex-husband is reduced to giving blow jobs to the boyfriend of his traitorous and cheating ex-wife (only a slight exaggeration 😂.

Ultimately only one thing was correctly portrayed in this show - A woman is incapable of building her own business corporation. Instead she uses paramours and outside men who hate her husband to destroy and steals the money and such companies from her foolish husband who trusted her.

As is now obvious to everyone, female Chinese screenwriters/producers are retarded and have lost their minds. In their hatred of men, these women showmakers have given up all attempts to tell a plausible good story.

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Gimmicks and chronological shenanigans ruin the show completely

This show is big on useless and complicated chronological gimmicks which only ruin and destroy the focus and impact of the story

The wife finds out her husband is not capable of making her pregnant, so she has sex with his office worker and becomes pregnant with him in episode 31 and 32 (chronology is bad). Then she realizes that her husband previously has a child with another girl, so she tries to commit suicide in EPISODE 1 (just unjustified, random, stupid decision by screenwriter/director). Then the husband finds out that wife is pregnant and he thinking the child is his promises to take care of them.

The explanation for why she cheated is in Episodes 42 and 43 (stupid chronological order). Why does it take 10 episodes after the event in episodes 31, 32 and 33? That is why this show is childish and made by idiots who think gimmicks like this make them look like famous Hollywood directors. There is no obvious chronological order that one can find. Scenes are randomly taken from one place and inserted in another completely unrelated place. The director/editors should have kept it simple and just focused on telling the story, instead they completely destroyed the show.

But wife knows the baby is actually the co-workers even though the husband thinks it is his baby. She goes to co-worker to break up but has sex with him again. The co-worker texts the husband to come to his room where he sees his wife in shower naked and realizes that she had been cheating on him. And because of this shame, he then gives his company to his co-worker - this is totally unbelievable and stupid scenario. No businessman will ever give up his company just because his wife fucked an employee. He would have kicked both his wife and the employee out of his life instead. But the screenwriters/directors are that stupid in China. This story is clearly written by a left-over women who have infected the Chinese TV and movie industry like parasites.

So, then the wife kills herself and the husband gets drunk and becomes homeless. This is also unbelievable.

The characters in this show are generally implausible and unbelievable. Businessmen are Type-A alpha personalities. They don't tolerate their wives running around all day and all night outside and not telling them what they did. But all the lead men in this show are supposedly alpha personalities but behave like simps and cuckolds instead. Simps/cuckolds don't become CEOs and successful businessman. And wives always know that they cannot behave like that, which is why when they cheat they don't make it obvious and take care to hide their tracks.

Yet, in this show the wife openly disappears in the day and night and the husband doesn't even ask a single question about it. NOBODY loves a woman like that....absolutely nobody. A wife who is so out of control would not be tolerated by ANY CEO/businessman. And even if they are humiliated by their wives cheating, they take decisive actions to terminate the relationship and kick such sluts out of the house immediately. That is what a CEO personality does. Instead, the businessmen in this show act like lovesick puppies, constant crying in tears and chasing the tails of their slutty wives begging for their forgiveness, when they should have behaved like decisive strong men that they are actually supposed to be.

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Incoherent storyline and ridiculous acting

First, the characters of the lead male actors are more feminine than the female characters. Why do Chinese dramas/movies portray all men as cooks at home who come from work and then cook for their wives and families, and all women as masculine?

The fact that this show had no reviews or details anywhere on the internet made it obvious that this was a total flop that no one even bothered to market or subtitle for the overseas Chinese audience.

The plot is set in a corporate drama with characters vying to take over and lead companies. The lead actors who were all less than 30 years old, and just do not have the acting skills to convincingly portray corporate sharks.

The romantic story arcs are highly tedious. The "love" cliché is used as a trump card to make characters behave in ways that are just not relatable. For example, one wife repeatedly cheats on her CEO husband by repeatedly pursuing a rival CEO, takes pictures in bed with the rival, leaks critical information about her husband's business plans to the rival CEO in order to destroy her own husband. And the husband finds out about all these betrayals, repeatedly, and does nothing. Yup, a supposedly ruthless business CEO tolerates his wife's betrayal and attempts to destroy him. But why?????? Answer - "Love" of course. It was utterly revolting to watch supposedly strong men behave like teenage lovesick puppies and mental retards.

Another strong business CEO makes decisions about companies based on "love" even though it was going bankrupt. The plot device of "love" is essentially a trick used by lazy screenwriters/directors so they don't have to do the hard work of writing plausible characters and scenarios. With "LOVE" you will accept murder, theft, betrayal and everything under the sun and hell, even fly like Superman, in CDramas.

The first lead male - Qiao Ren Liang - was badly miscast. He just could not elicit any sympathy for his character and after four episodes it became necessary to skip his story arc. His acting was subpar and he just did not have the gravitas to portray an intelligent business shark who could play the corporate takeover game.

The second male lead - Yuan Wen Kang - had the most interesting story arc and this was what kept me from abandoning the show. However, his acting skills were juvenile. His constant shrill screaming in order to show "anger" made one think he would deliver some consequences to his enemies. But no, he would then walk away and his enemies would continue their bad behavior including his wife.

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Can Chinese rescue captain and soldier NOT be castrated by man-hating feminist screenwriter?

Short answer - Not in a million years!!!

Read on for the long answer.

The screenwriter of this abomination is a Chinese feminist - Weng Qing Ru. Weng is a screenwriter and by her sharp literary blades errr.... pen, even the most accomplished and masculine men from Chinese special forces would be emasculated in short order.

The LF is a captain of the rescue squad and has been a counter terrorism operator, a la British SAS or the famous Navy Seals. In the first episode he does come across a man's man but that was only an illusion. Against him the Chinese feminists then deployed their highly trained destroyer of men - Weng Qing Ru. With a few short strokes of her pen, she proceeded to castrate the poor captain like he was nothing.

Within the first five episodes, Weng Qing used her deadly pen on the manly captain , who was then reduced to a groveling fool, constantly apologizing to LF and begging for her forgiveness. This despite the LF's arrogance and constant desire to spend lot of time with her ex-boyfriend. A real man, if one had existed in the show, would have punished the LF for her violation of relationship boundaries and norms. But no real man can ever match a female Chinese feminist screenwriter and her hatred for real men.

The whole show was extremely difficult to watch. The entire rescue squad was turned into a gang of doddering, simping cuckolds who kept sniffing and sucking up to every woman who showed up on screen. We were constantly expecting all the men to be handcuffed, gagged and whipped by the females in the show.

The men were all portrayed as doormats without the slightest backbone. The women were essentially the real men, in a female body.

Speaking of bodies, the LF has a body that is flat as a plywood front and back. She does have an attractive face but her acting skills are rudimentary. The male lead looked very manly but portrayed his character as if it was a woman, courtesy of screenwriter Weng Qing Ru.

Overall, the show is excruciating given how unrealistically men were portrayed and how the women could get away with murder (figure of speech).

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A woman of low character uses men for their money and dumps them when they are not convenient

As usual, this story is written by a woman and has all the standard clichés about the so-called strong woman. The LF is a woman from the countryside who is ignorant of the ways of the city that she is now living in.

Now in the city, she manages to snag men by becoming their girlfriend so that they are compelled to help her with money, housing, jobs, etc. With each man she uses them, deceives them, cheats on them and moves on to the next guy in line.

All the men in her life, young or old, are the classic, stereotypical simps and beta men who have no standards or boundaries. Essentially, the LF deceives these simps, lies to them, cheats on them, and then the simps beg her to forgive them and take them back. Nothing surprising about this since ALL female Chinese writers cannot come up with a plot where there are actual real, strong men with boundaries that cannot be violated.

The intent of this show is to get views and ratings from the growing ranks of divorced and left-over women in China whom no one wants. These women have ample time every evening to watch these unreal shows where deceptive, adulterous women are always forgiven and always have multiple rich men wanting them even when a normal would be repulsed by their character and behavior.

This show was eventually killed when it could no longer sustains its dwindling ratings and even left-over women thought the plot was too ridiculous. So, the director and screenwriter quickly contrived a nonsensical ending to finally kill the show.

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Adulterous wife betrays husband but thinks she is virtuous and dutiful

This show was written by Chinese female scriptwriters who are idiots and it was especially written for divorced or left-over women who believe their extreme feminist beliefs are normal.

The story itself was totally incoherent and has no plot to speak of and no rational continuity between scenes.

But there are cultural and moral contexts from different eras that are badly mixed up. In other words, a cultural moral situation from the 1920s is treated as if it is the morality of 2000s and beyond, and at other times the duties of husbands/wives are treated as if they are in the 18th century. And sometimes behaviors from wives, husbands, etc. which would not be tolerated in the 1920s are excused as if the characters are in 21st century with its loose morals and laws.

Here are some observations and these are definitely spoilers:
1. The FL is compelled to marry the ML while she prefers ML2.
2. FL frequently meets the ML2 while deceiving her husband ML.
3. So, from ML husband's perspective she is cheating, committing adultery, lying, deceiving multiple times with ML2. And the ML husband is AWARE of it all.
4. So #3 is ridiculous in the 1920s. At that time husbands would have immediately killed such a wife. But in this ridiculous show, the husband not only tolerates adultery but keeps letting his wife go out freely to meet the ML2.
5. Despite being married, the ML and FL don't have sex. Seriously??? Which idiot wrote this scene? Eventually, husband ML makes his wife have sex with him.
6. But #5 is treated as rape in the show even though such a concept did not exist at all in the 1920s. At that time ALL WIVES were expected to absolutely have sex with their husbands on demand and husbands had the full authority to override wife's objections and compel them to have sex anyway.
7. The FL frequently visits her paramour ML2 but returns to husband she is betraying after each visit because of her duty to her family and her husband.
8. But FL had no shame in betraying her duty to her husband by meeting her paramour and giving him valuables including a Jade object despite her husband wanting to see it.

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Long live SIMPS of China - a story about feminized men and masculine women

This show is the stereotypical Chinese feminist story where all male characters are actually women, and all female characters are more manly than Arnold Schwarznegger/Sylvester Stallone. Every single man in this show behaves, talks, cries, weeps, begs, cooks and takes care of house like a real woman. And every woman in this show behave like very manly men and expect the male characters to kowtow to them and take care of their needs.

Except one. The character Lu Wei Bin (played by Tong Yue) is the only REAL MAN in this show. And he commands the screen in the few scenes he gets as a supporting character. But his character is portrayed negatively as required under the rules of Chinese feminism. Still he shines in the way he conducts his life and wins against his opponents. The opponents also include his wife in the show - Jiang Jing (played very well by Cao Xi Wen). Tong Yue succeeds in overcoming the negative bias of his character and manages to command sympathy and support for his character despite the attempts by the screenwriter and director to turn him into a villain.


The other characters and their story arcs are just NOT interesting and can be safely skipped. Tong Da Wei is the star of this show and plays his character as a female to perfection. Tong hasn't had to play a real man in decades and his acting skills have atrophied so he is strictly confined to playing simps, cuckolds and feminized men.

Ultimately, this show is just not worth watching since it parrots the Chinese feminist delusion that ALL real men are evil and ALL women are angels.

The ending of the show was meaningless - all the men turn into women and praise the female characters, and all women become more manly and praise the (FE)male characters, i.e men who behave like women.

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Cheating girlfriend in an excruciatingly boring story

Chinese drama makers usually portray female cheating in positive light and male cheating in negatively. And usually the male characters are presented as feminized versions of the ideal woman or one-dimensional villains, who suddenly get religion and in tears, beg the cheating women for forgiveness (or change their ways)

This is one such story. And it crawls. Excruciatingly! This show is not worth watching.

The LF (played by Sun Yi) has a 10 year relationship with her rich boyfriend and they live separately. Seriously???? What does the word relationship mean in Chinese context? Does it mean the two never got together in 10 years of "relationship"?

She is getting tired of him, so instead of breaking up with him, she starts an affair with the veterinarian LM. For a few episodes she two-times her original boyfriend while lying to him, and meeting the vet on the sly.

There is not much romance or even good performances. The cheating LF is portrayed by the director/story writers as a neo-feminist who is justified in cheating even though there was no context provided to audience. And the original boyfriend was portrayed as a devious and evil man whom no decent woman would ever want.

Actually, the original boyfriend (played by Zhang Wan Yi) was a very decent man who would be considered a huge catch for most normal girls in China, Korea and pretty much anywhere in the world. He is rich, successful in business and wants to marry his girlfriend (instead of just having "relationship"), wants to help her parents in their business. A man like that would have girls lining up on the Great Wall. But the story writers and director considered him to be the anti-thesis of a good man and turned him into a unidimensional caricature of a bad man. The performance by this actor was easily the worst in the entire show.

The LM (played by Zhang Wan Yi) is the typical androgynous, effeminate man that Chinese Dramas (and K-dramas) are infested with but loved obsessively by Chinese girls and teens. His performance is nothing to write home about, but his nonchalant, stoic demeanor came across perfectly for a man who wants to seduce a woman who is already taken. If only this character had been played with an older more manly actor, the show might have been saved.

The LF was pretty but unimpressive. There was little to know chemistry with the two men she was two timing. But here relationship with her bestie did turn out be the highlight of her performance. Less said the better

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