Lol, above the drama? And most qualifying project of Youku? Are you sure.The Vendetta of Ann, Spying and Unveil:…
Based on Youku’s current decision-making matrix, recommendations are less a function of audience demand and more a product of investment portfolios aligned during quarterly cross-departmental steering meetings. Are you new here? You didn’t know? In practice, this means dramas like The Vendetta of Ann, Spying, and Unveil: Jadewind secure visibility because they each represent multi-stakeholder ventures with layered capital injections. For example, The Vendetta of Ann isn’t just a drama, it’s a shareholder PowerPoint presentation of investments wrapped in historical robes, backed by production companies including Youku, Xi’an Qiyao, Zhongnan Culture, Ye Hua Film & Television, Xiao Lan Hua Entertainment, Kukai Media, and Guangdian Investment. To ensure recommendations align with capital injections and profitability boosters, Youku, as a subsidiary of Alibaba, has been experimenting with PURS (Personalized Unexpected Recommender System), an AI-driven model originally tested across Alibaba’s platforms. This task was assigned to Youku Information Technology (Beijing) Co., Ltd. The aim? Enhance joint capital ventures and subtly nudge them as user expectations. You should know this, it's big topic among AI developers. In conclusion, what looks like algorithmic neutrality is, in fact, a highly optimized, boardroom-calibrated investment plan. At the latest board meeting, held on July 4th, it was unanimously decided that recommendations are reserved for titles with at least three investment companies, two cross-platform synergies, and one executive nephew coming from a government body, tasked with ensuring public taste isn’t completely ignored and given a deciding voice. According to highly trusted inside sources, at the next board meeting, this vote is expected to nominate Veil of Shadow as a highly anticipated drama for 2026 and beyond. Tom, why don't you check things?
I’ve seen it… don’t know how others missed it, but honestly, it’s the best trailer I’ve seen in years.…
Naaah..had to wake up… because the last scene? Shorty appeared, wearing fox ears and claws, and letting out his feral, unhinged laughter .... always laughing at us for summoning him just to give us a trailer...scary 🦊🤣
I’ve seen it… don’t know how others missed it, but honestly, it’s the best trailer I’ve seen in years. GjM really outdid himself… pure cinematic masterpiece. From the music to the colors, the suspense, and omg the fighting scenes, all wrapped up in this surreal ..stunning fantasy world, I didn’t even know where to look first ..I was completely overwhelmed. And then I woke up…
Everything to me sounds like pain and suffering. 🤣
Hahaha, if I ever got a message like that, I’d reply like ...please don’t come and send someone more optimistic, maybe with a scenario where neither of us dies 😆
And now all that’s left is sound design and dubbing,....and adding the soundtrack, then color grading and visual…
Yeah, I feel guilty if true😔 but I’m not letting him get off the hook so easily. As the director, he has to decide on the final cut, and if a producer to approve it..but that’s one thing. Thinking his editing skills aren’t top notch is another..😳😞
And now all that’s left is sound design and dubbing,....and adding the soundtrack, then color grading and visual…
He’s done projects as both director and screenwriter, but we thought he was editing too, so him saying this was his first time came out of nowhere. Maybe it’s the first time he’s doing the whole editing himself. Editing has s'times been under criticism before, so this is interesting if he hadn’t actually been doing it entirely.. And 4 months to the final cut is pretty fast, that's what i said, so not long at all.
And now all that’s left is sound design and dubbing,....and adding the soundtrack, then color grading and visual…
Yeah, just four months.😵💫 How scary complex this project looks like, idk if it's good or bad that he locked errything in just 4 months...but yeah, now others can speed things up...and then we still get to the youku problem
And now all that’s left is sound design and dubbing,....and adding the soundtrack, then color grading and visual…
Eeh, maybe not bad gjm..he started in April right? For bigger and more complex projects it usually takes some 6 months to get to the final cut so he locked it in just 4 months, idk if this is good or bad, hope it's good, and idk what he meant by this was his first time editing, thought this was his thing..
Now he is scaring me.. why is he being so poetic?? 😵💫😂😂Yue Lin Qi Ji finalized the editing. This…
And now all that’s left is sound design and dubbing,....and adding the soundtrack, then color grading and visual effects...then subtitles and translations, and mastering… soooo just a few "days" to go, and then Youku will shove it on some shelf and let the tarot cards figure out when we gonna watch it 😆
Are you new here? You didn’t know?
In practice, this means dramas like The Vendetta of Ann, Spying, and Unveil: Jadewind secure visibility because they each represent multi-stakeholder ventures with layered capital injections.
For example, The Vendetta of Ann isn’t just a drama, it’s a shareholder PowerPoint presentation of investments wrapped in historical robes, backed by production companies including Youku, Xi’an Qiyao, Zhongnan Culture, Ye Hua Film & Television, Xiao Lan Hua Entertainment, Kukai Media, and Guangdian Investment.
To ensure recommendations align with capital injections and profitability boosters, Youku, as a subsidiary of Alibaba, has been experimenting with PURS (Personalized Unexpected Recommender System), an AI-driven model originally tested across Alibaba’s platforms. This task was assigned to Youku Information Technology (Beijing) Co., Ltd. The aim? Enhance joint capital ventures and subtly nudge them as user expectations. You should know this, it's big topic among AI developers.
In conclusion, what looks like algorithmic neutrality is, in fact, a highly optimized, boardroom-calibrated investment plan. At the latest board meeting, held on July 4th, it was unanimously decided that recommendations are reserved for titles with at least three investment companies, two cross-platform synergies, and one executive nephew coming from a government body, tasked with ensuring public taste isn’t completely ignored and given a deciding voice. According to highly trusted inside sources, at the next board meeting, this vote is expected to nominate Veil of Shadow as a highly anticipated drama for 2026 and beyond. Tom, why don't you check things?