3
3
A mix of really good and confusingly bad.
This was a difficult to rate drama, because it was both impressively good and also confusingly bad. I would divide it into first two thirds good, last third missed the mark. What really worked in this drama were the central characters and their relationships. Throughout the scenes which were set outside Tanqi, there was a compelling story which involved the building of their relationships. It was the heart of the drama and provided an anchor for the whole narrative.
As a viewer I needed this anchor because the raft of characters that were introduced was extremely confusing. I found that I could just about keep up with which sect they belonged to, and the costuming helped here, but really lost it at times in terms of who was allied to whom and the history of the various characters’ interactions. As a result, I felt like I was tossed on the waves and in danger of drowning some of the time.
However, when the focus of the story moved to Tanqi, about two thirds through, the anchor was also set adrift. The intrigue plot simply felt like it got out of hand and was a force on its own, dragging the writer and the characters along with it. Somewhat like the effect of too much power in the hands of someone not big enough to contain it. The interactions between the main characters were disrupted and their appearances seemed to be reduced to matters of convenience, destroying the strength of the drama in the process. In fact one character was parked up in a weird sub-plot for virtually the whole of the last third.
There’s a lot that could be said about many other things, but there are also a lot of great reviews already written that discuss them, so I’ll keep this short. Just two points; when my favourite character was lost in the tea house, I was just gutted. I couldn’t go on for quite a while and I’m never going to forgive the writer. RIP. And secondly, did anyone else think that the romance interest was set up wrongly and they should have just swapped partners? I couldn’t find any reason to pair them up in that way. It made no sense and very little chemistry.
As a viewer I needed this anchor because the raft of characters that were introduced was extremely confusing. I found that I could just about keep up with which sect they belonged to, and the costuming helped here, but really lost it at times in terms of who was allied to whom and the history of the various characters’ interactions. As a result, I felt like I was tossed on the waves and in danger of drowning some of the time.
However, when the focus of the story moved to Tanqi, about two thirds through, the anchor was also set adrift. The intrigue plot simply felt like it got out of hand and was a force on its own, dragging the writer and the characters along with it. Somewhat like the effect of too much power in the hands of someone not big enough to contain it. The interactions between the main characters were disrupted and their appearances seemed to be reduced to matters of convenience, destroying the strength of the drama in the process. In fact one character was parked up in a weird sub-plot for virtually the whole of the last third.
There’s a lot that could be said about many other things, but there are also a lot of great reviews already written that discuss them, so I’ll keep this short. Just two points; when my favourite character was lost in the tea house, I was just gutted. I couldn’t go on for quite a while and I’m never going to forgive the writer. RIP. And secondly, did anyone else think that the romance interest was set up wrongly and they should have just swapped partners? I couldn’t find any reason to pair them up in that way. It made no sense and very little chemistry.
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