Worst storyline and acting
This south korean drama is very poor script writting and film direction. Poor actor and actress choosing. This drama dialogues are very bad.One of the biggest problems is the **weak and inconsistent storyline**. The show introduces interesting ideas about fame, control, and the music industry, but it never explores them properly. Scenes feel disconnected, as if they exist only to provoke reactions rather than move the plot forward. Instead of building tension or emotional investment, the narrative jumps around and leaves the audience confused or bored.
Another major issue is **poor character development**. Characters lack clear motivations and emotional growth. The protagonist is presented as complex, but the writing rarely shows her inner struggles in a meaningful way. Side characters feel underused and shallow, making it hard to care about their actions or outcomes. When characters don’t feel real, even dramatic moments lose their impact.
The drama is also heavily criticized for its **overuse of explicit content**. Mature themes can be powerful when they serve the story, but in *The Idol*, they often feel unnecessary and excessive. Many scenes appear included purely for shock value, not to deepen characters or themes. This distracts from the message and makes the show feel exploitative rather than artistic.
Additionally, the **tone of the drama is unbalanced**. It tries to be a psychological thriller, a critique of fame, and an erotic drama all at once, but it doesn’t blend these elements smoothly. As a result, the show lacks focus and emotional clarity. Viewers are left wondering what the drama actually wants to say.
Lastly, the **dialogue and pacing** are major weaknesses. Conversations often feel unnatural, and episodes drag without meaningful progression. Even strong visuals and music cannot save a story that lacks substance.
In the end, many people consider *The Idol* a bad drama because it prioritizes style and controversy over storytelling, character depth, and emotional honesty. Without a strong narrative core, shock alone is never enough to create a truly good drama.
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