This review may contain spoilers
This Sweet Tooth Needs Some Filling...
THINGS I LOVE!!!!The Cast, Characters and Chemistry:
I love me some View, Poon, and Jimmy, and honestly, they nailed their roles. Each scene felt good because of their sincerity thanks to them.
But the stars of this series, Mark and Ohm?! Their on‑screen chemistry was otherworldly. Episodes 11 and 12 alone felt like a fever dream; have you seen those kissing scenes? It was sizzling yet so sweet, it literally was tooth-aching, cheek-blushing kind of fluff. That kind of spark felt too precious to waste—and this series was made for that, unfortunately.
The anticipated time‑skip, although it felt lazy and rushed, they pieced it together quite well and I liked it along with a “close‑to‑perfection” finale.
Classic Rom-Com Charm:
The show opens with a caricatured, rom-com style in overdrive and honestly, I lived for it. This is the kind of template that most rom-com series have been following—which made me smile mainly because of two things; it was seriously fluffy and funny or it was full of silly antics and nonsensical banter that I can't help but chuckle. Although, it can be cringey at times, it doesn't bother me as much.
Character portrayals and personalities are delightfully quirky; they bring flavor even when the plot flounders.
Cinematography & Setting:
The opening episodes did well in pacing, scene composition, and editing—it’s classic GMMTV rom-com territory done right.
The countryside aesthetic is nice, cozy and nostalgic. Have we seen this on other series before? Yes, but when used sparingly, it adds warm, airy space from the usual angst and plot-heavy set‑ups which this series needed.
Soundtrack:
The music isn’t groundbreaking, but it’s upbeat and poppy, which gives that teenage‑love‑feels which was enough to lighten up the mood. Also, Ohm sung that "Make Me Smile" song?! I needed to confirm it beforehand because I wasn't that sure, he sounded nice.
THINGS THAT COULD'VE BEEN BETTER:
Over‑the‑Top & Filler Scenes:
Despite the sizzling chemistry, wonderful cast lineup and good character portrayals, some scenes feel niche, tacky or exaggerated.
The entirety of that "who liked who first" thing was dragged on and on, not only they really stretched out this narrative but also some scenes doesn't sit well with me. Like how Sant feeds off to the kindness Jway has been showing and still finds a way to be kind of a jerk.
Character Arcs Falling Flat:
Sant promises Jway all of many things only to be left in the mud, and poor Jway just smiles and shakes it off, not expressing any bit of frustration nor talking it out with Sant, which came out as a forced positivity rather than authentic understanding which doesn't emotionally resonate with me.
Jway’s backstory has real emotional weight but isn’t handled with the taste and nuance it deserves. Honestly, could've made it all work—if this series isn't so plot heavy. There's a right balance between fluff, comedy, substance and story that could pull it off beautifully.
Underdeveloped Side Stories:
As much as I love View and Mim, the Yada–Baipor arc doesn’t leave an impression. Mainly because it added no substance nor narrative to the series itself. Also, Gugg’s romantic side‑quest felt like filler. Don't get me wrong, Gugg and View did engage in some meaningful conversations to each other and with the main characters, but those arc just falters because of the writing.
Inconsistencies in Editorial Precision:
It started fine as I said earlier, clean editing and crisp pacing. Somewhere along the way, editing becomes sloppy with patchy cuts—which is a recipe for inconsistent, incoherent and hard to follow scenes.
WHAT RUBS ME THE WRONG WAY:
The major issue here isn't the actors themselves, but because of how some of the scenes were written. The writing around Sant’s reconciliation with his mother feels hollow—she does nothing but look pitiful, while others gaslight Sant. I didn't even feel that his mother does any steps to reconcile or even approach his son. Instead of genuine empathy, it felt like emotional manipulation. What makes it even more infuriating is his grandmother, she seizes a time of vulnerability to make his grandson do as she says.
The ultimate pain here is that the dialogue was all over the place: too vague, too ambiguous. The viewers were also bombarded with arc after arc, but no real substance. The clarity was diminished as the series goes on, and a lot of emotional resonance gets lost in the clutter. Character motivations become fuzzy, and the viewer ends up more confused than moved.
OVERALL:
Sweet Tooth, Good Dentist is a sweet, silly, wholesome series—elevated by adorable antics and MarkOhm’s sweet chemistry—but constrained by a messy plot and murky writing. It brought plenty of laughs and blushes, but also felt rough around the edges—sometimes even clipping the cast’s full potential.
If you love cute, lighthearted BL with a healthy dose of rom-com flair, this will likely be your cup of tea. But I can’t help wishing it had leaned a bit more into clarity, refinement, and emotional depth—so its delightful sparks wouldn’t be dimmed by sloppy storytelling and showcase the full potential of its great actors.
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Sweet services was done to my heart!!!
Strongberry is so back!!! and this time, they’re serving heart-fluttering visuals, sweet chemistry, and a intriguing premise that’s already pulling the heartstrings. The same company behind Choco Milk Shake and Happy Ending, I was kinda expecting this same same but different vibe.Based on the first few episode, Sweetheart Services charms with its good cinematography, pastel-tinted aesthetic, and a soft, comfy tone that’s perfect for fans of romantic slow-burns. The casting feels polished as every character has a likeable quality, even in their quirks, and there’s a familiar comfort in their company. I found myself immediately drawn to the main leads, whose clashing personalities are quite appealing to me.
However, some scenes felt too tacky or too niché to me, and i think it's mainly because of some scenes/storyline felt it had been stretched out a bit too long. I just hope that this won't bother the overall experience and the other episodes can pull this one out of the mud.
So far, this series is off to a serviceable sweet and heartfelt start. With a charming cast, dreamy visuals, and the clean shots, it’s shaping up to be a cozy, satisfying watch. It’s not perfect, but it knows what it is—and it gives what it need to give.
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You better shoot your shot!!!
Update: (Episode 4)After 4 episodes Kwon Jeong U (Choi Jae Hyok) has scored points on my scoreboard, while Han Ji Won (Yeon Min Hyeok) elegantly yet unprofofoundly captured me—like someone who's trying to be a gymnast someday. The chemistry between these two actors is electrifying and I hope that they can immerse us more with each characters' story and personality.
The visuals and cinematography remains impeccable—clean, polished, and striking. It can falter at times but still feels thought about and tastefully executed, enhancing the story with progressive and relevant narrative. The pacing is also done and everything feels like it falls perfect into its place.
The musical score and sound design is good, nothing too fancy. It gives adequate effort in matching the mood and tone of each.
Things I Liked:
1. Chemistry & Romance – Their interactions remain the show’s standout joy.
2. Production Quality – From visuals to sound, everything feels carefully crafted
3. Pacing and Emotional - The couple's and narrative progression is beautifully executed.
Things that Could be Better:
1. Gymnastics Focus – Want to see more of Ji Won in action—less implied, more shown tapping onto the characters' strength.
2. Narrative Flow – Episode transitions need smoothing to maintain momentum without confusion.
I am still thoroughly invested in Ji Won and Jung‑Woo’s blossoming romance. If the show continues on dribbling the ball to the right court and balance their emotional journey with sports aspect—they could be the MVP (Most Valuable Partners)! Hopefully, the next episodes give us both the heart and the athletic ‘slam dunk’ we yearn for!
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