This review may contain spoilers
Rage, Revenge, and Women
2025 really feels like the year of female rage in K-dramas. Between Nine Puzzles, Karma, Queen Mantis, As You Stood By, and now The Price of Confession, we’re getting stories centered on complex women, anger, revenge, and survival. The Price of Confession is a worthy addition and truly does the genre justice.
I loved how unwavering the focus was on the two women. The show never drifted. Everything, the narrative, the tension, the emotional core, was rooted in them, and it made the entire drama feel intimate and purposeful.
The story opens with a wedding and immediately cuts to a death, a brilliant contrast that sets the tone. The first half of the drama was especially strong. Kim Go-Eun as the psychopath and Jeon Do-Yeon as the potential husband-killer? Absolutely gripping. The writing kept the mystery alive well past the halfway mark. Even then, you’re still wondering who actually killed the husband. The uncertainty between the two leads was deliciously suspenseful.
What I also loved was how the women start off as nothing to each other and somehow become each other’s protector. They aren’t perfect, far from it. They’re just human, flawed, emotional, hurting, surviving.
The acting was incredible. Jeon Do-Yeon nails that quirky, eccentric, naïve-but-bold vibe. But for me, the drama belongs to Kim Go-Eun. The actress she is. She is exceptional here, cruel, calculating, intelligent, but also strangely empathetic. Completely believable as a psychopath, and equally believable as a grieving sister who has lost everything she ever loved. Her presence had a quiet intensity that shaped every scene she was in.
And the men? They were essentially decorative, and I loved that. They assist, they interfere, they try to fix things, but the narrative never stops being about the women. Not even for a second. Not gonna deny that Park Hae-Soo was amazing in his role, but at the end of the day, it’s the women I’ll remember this show for.
The drama does have its flaws. The reveal of the lawyer being behind the killings fell flat for me. We’re not invested enough in him for the twist to really land. The grandfather’s revenge arc also felt unnecessary, and several side characters, like the FL’s friends and parts of the police team, did not add much to the story.
The first half was just so strong that the drop in intensity in the second half becomes noticeable.
I honestly thought at one point that Jeon Do-Yeon’s character was going to be revealed as the mastermind behind everything. They didn’t go that route, but the ending we got felt fitting and satisfying.
Mo Eun killing the lawyer and then herself was the perfect conclusion for her arc. A woman who once had so much life and love, who lost everything, who became a murderer, who destroyed herself along the way, it felt like the only ending where she could finally have peace. Even though she killed truly evil people, the show does not let her escape the consequences of her actions.
And Yun-su in Thailand, starting fresh while still honouring Mo-Eun, was the right emotional closing note. It felt like the show was letting us close the book too.
A flawed but powerful drama, carried by phenomenal performances and anchored by two unforgettable women.
I loved how unwavering the focus was on the two women. The show never drifted. Everything, the narrative, the tension, the emotional core, was rooted in them, and it made the entire drama feel intimate and purposeful.
The story opens with a wedding and immediately cuts to a death, a brilliant contrast that sets the tone. The first half of the drama was especially strong. Kim Go-Eun as the psychopath and Jeon Do-Yeon as the potential husband-killer? Absolutely gripping. The writing kept the mystery alive well past the halfway mark. Even then, you’re still wondering who actually killed the husband. The uncertainty between the two leads was deliciously suspenseful.
What I also loved was how the women start off as nothing to each other and somehow become each other’s protector. They aren’t perfect, far from it. They’re just human, flawed, emotional, hurting, surviving.
The acting was incredible. Jeon Do-Yeon nails that quirky, eccentric, naïve-but-bold vibe. But for me, the drama belongs to Kim Go-Eun. The actress she is. She is exceptional here, cruel, calculating, intelligent, but also strangely empathetic. Completely believable as a psychopath, and equally believable as a grieving sister who has lost everything she ever loved. Her presence had a quiet intensity that shaped every scene she was in.
And the men? They were essentially decorative, and I loved that. They assist, they interfere, they try to fix things, but the narrative never stops being about the women. Not even for a second. Not gonna deny that Park Hae-Soo was amazing in his role, but at the end of the day, it’s the women I’ll remember this show for.
The drama does have its flaws. The reveal of the lawyer being behind the killings fell flat for me. We’re not invested enough in him for the twist to really land. The grandfather’s revenge arc also felt unnecessary, and several side characters, like the FL’s friends and parts of the police team, did not add much to the story.
The first half was just so strong that the drop in intensity in the second half becomes noticeable.
I honestly thought at one point that Jeon Do-Yeon’s character was going to be revealed as the mastermind behind everything. They didn’t go that route, but the ending we got felt fitting and satisfying.
Mo Eun killing the lawyer and then herself was the perfect conclusion for her arc. A woman who once had so much life and love, who lost everything, who became a murderer, who destroyed herself along the way, it felt like the only ending where she could finally have peace. Even though she killed truly evil people, the show does not let her escape the consequences of her actions.
And Yun-su in Thailand, starting fresh while still honouring Mo-Eun, was the right emotional closing note. It felt like the show was letting us close the book too.
A flawed but powerful drama, carried by phenomenal performances and anchored by two unforgettable women.
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