This review may contain spoilers
Wanted to Love It but Couldn’t
I genuinely wanted to love Last Summer. I’ve adored Choi Sung-eun since Beyond Evil. Plus, with its small-town setting, I expected the warm, healing atmosphere of shows like Summer Strike, Hometown Cha-Cha-Cha, or Welcome to Samdalri. But despite being built in the same vein, this drama never captured that feeling.
The first few episodes were decent, and although the characters’ actions felt exaggerated, I gave it a chance. But the story never finds its footing. The writing is messy, and the plot feels shaky from beginning to end. Characters behave irrationally; not emotionally complex, just excessive.
The FL’s reaction to the ML hiding his twin’s death (and pretending to be him to spare her while she cared for her dying mother) was understandable to a point, but her anger eventually became disproportionate, as if he had directly caused the tragedy. Her grief, guilt, and abandonment issues are real, but the way they were written felt imprudent rather than compelling.
The ML isn’t much better. A single honest conversation could have solved most of the conflict. But he, too, is buried under guilt and indecision, allowing misunderstandings to fester until both leads become miserable.
Small-town dramas work when the supporting characters feel human and heartfelt; people who fill the emotional spaces the leads cannot. Here, there isn’t a single memorable one. Even the side couple with the differently abled boyfriend and caring girlfriend had the potential for something touching, but the writing never lets their story land. The second male lead and the love triangle were completely unnecessary, neither added anything. With such hollow supporting characters, the show often feels empty.
Choi Sung-eun does her best. She pours emotion into her role, but the writing doesn’t give her enough to shine. Lee Jae-wook, usually solid, feels disconnected here. His character and his performance never quite align, and at this point he deserves better scripts; The Impossible Heir, Dear Hongrang, and now this. He needs another project like Alchemy of Souls where he fits naturally.
Still, the drama has moments of brilliance. The episode by episode narrations from each lead are beautifully done. They express emotions the script itself fails to convey. Some lines and introspective moments genuinely land. Episode 5 has a particularly lovely scene: the FL mentions her hands are always cold in the summer stemming from her long-standing feeling of being abandoned, and by the end of the episode, without knowing what she’s thinking, the ML gently holds her hand. It’s the kind of subtle emotional moment the show desperately needed more of.
And visually, the drama is stunning; the sea, skies, buildings, and small-town scenery are all captured beautifully.
Last Summer had the makings of a heartfelt healing drama but never found balance. It gestures at depth but settles for surface-level drama, relying on emotions without the narrative clarity or character grounding needed to make them resonate.
The first few episodes were decent, and although the characters’ actions felt exaggerated, I gave it a chance. But the story never finds its footing. The writing is messy, and the plot feels shaky from beginning to end. Characters behave irrationally; not emotionally complex, just excessive.
The FL’s reaction to the ML hiding his twin’s death (and pretending to be him to spare her while she cared for her dying mother) was understandable to a point, but her anger eventually became disproportionate, as if he had directly caused the tragedy. Her grief, guilt, and abandonment issues are real, but the way they were written felt imprudent rather than compelling.
The ML isn’t much better. A single honest conversation could have solved most of the conflict. But he, too, is buried under guilt and indecision, allowing misunderstandings to fester until both leads become miserable.
Small-town dramas work when the supporting characters feel human and heartfelt; people who fill the emotional spaces the leads cannot. Here, there isn’t a single memorable one. Even the side couple with the differently abled boyfriend and caring girlfriend had the potential for something touching, but the writing never lets their story land. The second male lead and the love triangle were completely unnecessary, neither added anything. With such hollow supporting characters, the show often feels empty.
Choi Sung-eun does her best. She pours emotion into her role, but the writing doesn’t give her enough to shine. Lee Jae-wook, usually solid, feels disconnected here. His character and his performance never quite align, and at this point he deserves better scripts; The Impossible Heir, Dear Hongrang, and now this. He needs another project like Alchemy of Souls where he fits naturally.
Still, the drama has moments of brilliance. The episode by episode narrations from each lead are beautifully done. They express emotions the script itself fails to convey. Some lines and introspective moments genuinely land. Episode 5 has a particularly lovely scene: the FL mentions her hands are always cold in the summer stemming from her long-standing feeling of being abandoned, and by the end of the episode, without knowing what she’s thinking, the ML gently holds her hand. It’s the kind of subtle emotional moment the show desperately needed more of.
And visually, the drama is stunning; the sea, skies, buildings, and small-town scenery are all captured beautifully.
Last Summer had the makings of a heartfelt healing drama but never found balance. It gestures at depth but settles for surface-level drama, relying on emotions without the narrative clarity or character grounding needed to make them resonate.
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