This review may contain spoilers
A muddled missed opportunity
My, where to begin?
With better direction, this drama probably could have been more watchable - there appears to be at times a certain lack of attention made to guiding the performances and to creating a sense of a cohesive work of art.
But the real problem lies with the script. It tries to combine various elements that are common in idol period dramas these days but not always with good storytelling results. As a rebirth drama, not enough time is spent on establishing the "previous life" upfront. One spends most of the drama simply not understanding Jiang Si's relationship to Yu Jin or why we should care about Nanwu. Nevertheless, I still enjoyed the drama's first half - when the story focuses on the domestic struggles of our female lead. Seeing her save her father, brother and sister from the previous fates was somewhat satisfying and had some emotional weight. But by the second half, as the semi-political plot takes hold, everything is a bit of a mess. The villainous mother-daughter duo of Grand Princess and her whiny Mingyue simply are not well-developed enough to carry my attention, and the rebellion plot was wildly unrealistic.
As a romance story, this too could have worked for me better with a director experienced enough in helping the actors to shape their performances for the better. Jing Tian and Zhang Wanyi are both capable of delivering far more layered and convincing performances, so it is truly baffling and frustrating to me what happened in this show. With so many other period dramas out there, I would probably skip this one unless one is an uber fan of any of the cast.
With better direction, this drama probably could have been more watchable - there appears to be at times a certain lack of attention made to guiding the performances and to creating a sense of a cohesive work of art.
But the real problem lies with the script. It tries to combine various elements that are common in idol period dramas these days but not always with good storytelling results. As a rebirth drama, not enough time is spent on establishing the "previous life" upfront. One spends most of the drama simply not understanding Jiang Si's relationship to Yu Jin or why we should care about Nanwu. Nevertheless, I still enjoyed the drama's first half - when the story focuses on the domestic struggles of our female lead. Seeing her save her father, brother and sister from the previous fates was somewhat satisfying and had some emotional weight. But by the second half, as the semi-political plot takes hold, everything is a bit of a mess. The villainous mother-daughter duo of Grand Princess and her whiny Mingyue simply are not well-developed enough to carry my attention, and the rebellion plot was wildly unrealistic.
As a romance story, this too could have worked for me better with a director experienced enough in helping the actors to shape their performances for the better. Jing Tian and Zhang Wanyi are both capable of delivering far more layered and convincing performances, so it is truly baffling and frustrating to me what happened in this show. With so many other period dramas out there, I would probably skip this one unless one is an uber fan of any of the cast.
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