This review may contain spoilers
Ahead of the times
Adapted from the novel of the same name (大生意人), this drama ambitiously tries to cover a lot of ground and time in only 40 episodes. Having not read the novel, I can judge the drama on its merits alone. And there is certainly a lot to admire about this lavishly produced period drama set from the Taiping Rebellion during the Qing dynasty all the way to the early days of revolution before the Republic of China. Shot on location for the most part with a generally naturalistic and accurate-to-history approach to costumes, makeup and styling, Legend of the Magnate is a welcome break from the manicured and somewhat derivative idol period dramas coming out of Chinese drama land these days. Performances are also more raw (everyone is using their own voice here too as far as I can tell) and real, with some very moving sections of the story.
The story starts off with a bang in the frigid cold of Ningguta as Gu Pingyuan makes a thrilling escape from exile. From there, the story slowly begins to lose focus as more and more strands of storylines are introduced, making it harder on the audience to connect emotionally with every strand. Some storylines were more effective for me than others. Whether you agree or not with the romance, the Li Cheng and Bai Yimei storyline was striking for me. Serving tea to Empress Dowager Cixi - while completely farfetched - was also thrilling. Unfortunately, the latter part of the drama had some of the weaker storylines. The British characters were not developed enough to make me feel much by the time the last couple episodes came along. Female characters that were so impactful and gripping to watch (Ms. Su and Chang Yu'er) in the first half have less to do in the latter half.
All in all, this is worthy period drama to catch if one appreciates a more grounded production with a generally more well-written script (with better dialogue and performances than the usual idol dramas of today). But this story could have either been expanded to allow for better development of certain storylines or eliminated sections that did not elaborate on the core characters - some of whom I feel were underused by the latter third of the story.
The story starts off with a bang in the frigid cold of Ningguta as Gu Pingyuan makes a thrilling escape from exile. From there, the story slowly begins to lose focus as more and more strands of storylines are introduced, making it harder on the audience to connect emotionally with every strand. Some storylines were more effective for me than others. Whether you agree or not with the romance, the Li Cheng and Bai Yimei storyline was striking for me. Serving tea to Empress Dowager Cixi - while completely farfetched - was also thrilling. Unfortunately, the latter part of the drama had some of the weaker storylines. The British characters were not developed enough to make me feel much by the time the last couple episodes came along. Female characters that were so impactful and gripping to watch (Ms. Su and Chang Yu'er) in the first half have less to do in the latter half.
All in all, this is worthy period drama to catch if one appreciates a more grounded production with a generally more well-written script (with better dialogue and performances than the usual idol dramas of today). But this story could have either been expanded to allow for better development of certain storylines or eliminated sections that did not elaborate on the core characters - some of whom I feel were underused by the latter third of the story.
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