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Yes, Uju's uncle wasn't his legal guardian. Meanwhile, when he began living with the woman in her home, they entered into an agreement under which he would assume responsibility for Uju's care. Or do you believe that an agreement between relatives is less significant than an agreement with the authorities? And if she hadn't become the child's legal guardian, the uncle would have had no chance of being involved in Uju's life at all. He abandoned the orphaned Uju, acting exactly like his father and brother. Why aren't you outraged by the uncle's behavior? Are you sure that if the woman, being unemployed, had spent all her time with Uju, the uncle (who had locked himself in his room) would have had a chance to love and bond with Uju?

And another time, when uncle was going through a "self-esteem crisis" because of the problems his father had caused. What did he do? Right! He packed his things and left. "Oh, I can't protect anyone, so I'll just leave." Was that a decent thing to do? Why do you forgive him for that? He didn't just leave a woman. He left Uju, too. You understand that, right? He acted exactly like his father and brother had done to him. Do you think that such an act toward Uju can be justified by the lack of custody papers?

I get the feeling some viewers haven't figured out who the main character of the series really is. Let's think about it. Which characters are present in almost every scene? Who is the focus of the entire plot? That's right, the main character is a woman.

If you skip the synopsis and just look at the plot, it's clear there's only one main character in this series—a woman who finds herself in a situation of major change in her life. Everyone else (the child, the child's uncle, and the boss) are secondary characters. Her sister has died, leaving her with an orphaned nephew just as she's looking for a new stable job (and then trying to hold down that job). It is at this moment that two men appear in her life who like her, and she tries to sort out her feelings for these men.

If we exercise a flexible perspective and analyze the series in the context of a female protagonist, no dissonance arises. We then see that the series raises the following questions: How can a woman with a child balance her time between work and childcare? Is it even possible to strike the "perfect" balance between childcare and career development? How can a woman with a child and a career navigate relationships with a potential partner?

You can, of course, throw a fit, wave your slippers in front of the TV screen, and accuse the screenwriter, director, and actors of every mortal sin, but you can also look at the series from a different angle, and you'll be surprised at how your point of view can change.

I see a lot of criticism from viewers about the female character. She's accused of childishness and illogical behavior. Why is she portrayed this way in the series? This series has one unique twist: Uju, his aunt and uncle, and even boss are orphans. The film depicts the woman as essentially raised by her sister, who isn't much older than her. How mature was her sister when she had to take on the responsibility of raising her? When a teenager raises a teenager, what will the outcome be? Think back to your early youth. Would you have been able to handle raising a younger sister? The woman's childish traits (or rather, childlike innocence) are linked precisely to these moments in her life.

Meanwhile, her sister gave her so much warmth and care that they transformed into fundamentally important values—"faith in people" and "unconditional faith in family members." This is a deep, unconditional conviction in the worth, integrity, and good intentions of family members. Her conviction is not tied to "correct" behavior: for her, a person is valuable not because they fulfill expectations, but because they are part of the family. This is why she allows all relatives into her home (her life) without considering the possible consequences. For example, she allows Grandpa Uju into the house and trusts him to care for him, even though she has no idea what kind of person he is.

Incidentally, when she lets Uncle into her home and entrusts him with Uju's care, she also knows nothing about him. He's literally a stranger to her and the child. At that point, she only knew that he didn't consider Uju a family member and didn't want to take responsibility for him. But this isn't irresponsible behavior on the part of the woman (as it might seem from the outside) – it's her deep-seated belief that family members can't intentionally harm each other. This is close to the idea of ​​unconditional acceptance in psychology. For a child, unconditional acceptance from parents is the foundation for developing "basic trust in the world," the foundation of a sense of security and healthy self-esteem. For example, Uncle was left in an orphanage (instead of accepting the child, they abandoned him), "basic trust in the world" wasn't formed. This is precisely why his personality developed with a strong vulnerability to external circumstances.

When you try to "lynch" a woman for every action you deem illogical, you must consider that you are "lynching" an orphan (raised by a teenager) with an unstable financial situation who has taken on an orphan. Aren't you being too cruel to her?

I get the feeling some viewers haven't figured out who the main character of the series really is. Let's think about it. Which characters are present in almost every scene? Who is the focus of the entire plot? That's right, the main character is a woman.

If you skip the synopsis and just look at the plot, it's clear there's only one main character in this series—a woman who finds herself in a situation of major change in her life. Everyone else (the child, the child's uncle, and the boss) are secondary characters. Her sister has died, leaving her with an orphaned nephew just as she's looking for a new stable job (and then trying to hold down that job). It is at this moment that two men appear in her life who like her, and she tries to sort out her feelings for these men.

If we exercise a flexible perspective and analyze the series in the context of a female protagonist, no dissonance arises. We then see that the series raises the following questions: How can a woman with a child balance her time between work and childcare? Is it even possible to strike the "perfect" balance between childcare and career development? How can a woman with a child and a career navigate relationships with a potential partner?

You can, of course, throw a fit, wave your slippers in front of the TV screen, and accuse the screenwriter, director, and actors of every mortal sin, but you can also look at the series from a different angle, and you'll be surprised at how your point of view can change.

I get the feeling some viewers haven't figured out who the main character of the series really is. Let's think about it. Which characters are present in almost every scene? Who is the focus of the entire plot? That's right, the main character is a woman.

If you skip the synopsis and just look at the plot, it's clear there's only one main character in this series—a woman who finds herself in a situation of major change in her life. Everyone else (the child, the child's uncle, and the boss) are secondary characters. Her sister has died, leaving her with an orphaned nephew just as she's looking for a new stable job (and then trying to hold down that job). It is at this moment that two men appear in her life who like her, and she tries to sort out her feelings for these men.

If we exercise a flexible perspective and analyze the series in the context of a female protagonist, no dissonance arises. We then see that the series raises the following questions: How can a woman with a child balance her time between work and childcare? Is it even possible to strike the "perfect" balance between childcare and career development? How can a woman with a child and a career navigate relationships with a potential partner?

You can, of course, throw a fit, wave your slippers in front of the TV screen, and accuse the screenwriter, director, and actors of every mortal sin, but you can also look at the series from a different angle, and you'll be surprised at how your point of view can change.

I see a lot of criticism from viewers about the female character. She's accused of childishness and illogical behavior. Why is she portrayed this way in the series? This series has one unique twist: Uju, his aunt and uncle, and even boss are orphans. The film depicts the woman as essentially raised by her sister, who isn't much older than her. How mature was her sister when she had to take on the responsibility of raising her? When a teenager raises a teenager, what will the outcome be? Think back to your early youth. Would you have been able to handle raising a younger sister? The woman's childish traits (or rather, childlike innocence) are linked precisely to these moments in her life.

Meanwhile, her sister gave her so much warmth and care that they transformed into fundamentally important values—"faith in people" and "unconditional faith in family members." This is a deep, unconditional conviction in the worth, integrity, and good intentions of family members. Her conviction is not tied to "correct" behavior: for her, a person is valuable not because they fulfill expectations, but because they are part of the family. This is why she allows all relatives into her home (her life) without considering the possible consequences. For example, she allows Grandpa Uju into the house and trusts him to care for him, even though she has no idea what kind of person he is.

Incidentally, when she lets Uncle into her home and entrusts him with Uju's care, she also knows nothing about him. He's literally a stranger to her and the child. At that point, she only knew that he didn't consider Uju a family member and didn't want to take responsibility for him. But this isn't irresponsible behavior on the part of the woman (as it might seem from the outside) – it's her deep-seated belief that family members can't intentionally harm each other. This is close to the idea of ​​unconditional acceptance in psychology. For a child, unconditional acceptance from parents is the foundation for developing "basic trust in the world," the foundation of a sense of security and healthy self-esteem. For example, Uncle was left in an orphanage (instead of accepting the child, they abandoned him), "basic trust in the world" wasn't formed. This is precisely why his personality developed with a strong vulnerability to external circumstances.

When you try to "lynch" a woman for every action you deem illogical, you must consider that you are "lynching" an orphan (raised by a teenager) with an unstable financial situation who has taken on an orphan. Aren't you being too cruel to her?

Yes, Uju's uncle wasn't his legal guardian. Meanwhile, when he began living with the woman in her home, they entered into an agreement under which he would assume responsibility for Uju's care. Or do you believe that an agreement between relatives is less significant than an agreement with the authorities? And if she hadn't become the child's legal guardian, the uncle would have had no chance of being involved in Uju's life at all. He abandoned the orphaned Uju, acting exactly like his father and brother. Why aren't you outraged by the uncle's behavior? Are you sure that if the woman, being unemployed, had spent all her time with Uju, the uncle (who had locked himself in his room) would have had a chance to love and bond with Uju?

And another time, when my uncle was going through a "self-esteem crisis" because of the problems his father had caused. What did he do? Right! He packed his things and left. "Oh, I can't protect anyone, so I'll just leave." Was that a decent thing to do? Why do you forgive him for that? He didn't just leave a woman. He left Uju, too. You understand that, right? He acted exactly like his father and brother had done to him. Do you think that such an act toward Uju can be justified by the lack of custody papers?

I see a lot of criticism from viewers about the female character. She's accused of childishness and illogical behavior. Why is she portrayed this way in the series? This series has one unique twist: Uju, his aunt and uncle, and even boss are orphans. The film depicts the woman as essentially raised by her sister, who isn't much older than her. How mature was her sister when she had to take on the responsibility of raising her? When a teenager raises a teenager, what will the outcome be? Think back to your early youth. Would you have been able to handle raising a younger sister? The woman's childish traits (or rather, childlike innocence) are linked precisely to these moments in her life.

Meanwhile, her sister gave her so much warmth and care that they transformed into fundamentally important values—"faith in people" and "unconditional faith in family members." This is a deep, unconditional conviction in the worth, integrity, and good intentions of family members. Her conviction is not tied to "correct" behavior: for her, a person is valuable not because they fulfill expectations, but because they are part of the family. This is why she allows all relatives into her home (her life) without considering the possible consequences. For example, she allows Grandpa Uju into the house and trusts him to care for him, even though she has no idea what kind of person he is.

Incidentally, when she lets Uncle into her home and entrusts him with Uju's care, she also knows nothing about him. He's literally a stranger to her and the child. At that point, she only knew that he didn't consider Uju a family member and didn't want to take responsibility for him. But this isn't irresponsible behavior on the part of the woman (as it might seem from the outside) – it's her deep-seated belief that family members can't intentionally harm each other. This is close to the idea of ​​unconditional acceptance in psychology. For a child, unconditional acceptance from parents is the foundation for developing "basic trust in the world," the foundation of a sense of security and healthy self-esteem. For example, Uncle was left in an orphanage (instead of accepting the child, they abandoned him), "basic trust in the world" wasn't formed. This is precisely why his personality developed with a strong vulnerability to external circumstances.

When you try to "lynch" a woman for every action you deem illogical, you must consider that you are "lynching" an orphan (raised by a teenager) with an unstable financial situation who has taken on an orphan. Aren't you being too cruel to her?

If you skip the synopsis and just look at the plot, it's clear there's only one main character in this series—a woman who finds herself in a situation of major change in her life. Everyone else (the child, the child's uncle, and the boss) are secondary characters. Her sister has died, leaving her with an orphaned nephew just as she's looking for a new stable job (and then trying to hold down that job). It is at this moment that two men appear in her life who like her, and she tries to sort out her feelings for these men.

If we exercise a flexible perspective and analyze the series in the context of a female protagonist, no dissonance arises. We then see that the series raises the following questions: How can a woman with a child balance her time between work and childcare? Is it even possible to strike the "perfect" balance between childcare and career development? How can a woman with a child and a career navigate relationships with a potential partner?

You can, of course, throw a fit, wave your slippers in front of the TV screen, and accuse the screenwriter, director, and actors of every mortal sin, but you can also look at the series from a different angle, and you'll be surprised at how your point of view can change.

I get the feeling some viewers haven't figured out who the main character of the series really is. Let's think about it. Which characters are present in almost every scene? Who is the focus of the entire plot? That's right, the main character is a woman.

If you skip the synopsis and just look at the plot, it's clear there's only one main character in this series—a woman who finds herself in a situation of major change in her life. Everyone else (the child, the child's uncle, and the boss) are secondary characters. Her sister has died, leaving her with an orphaned nephew just as she's looking for a new stable job (and then trying to hold down that job). It is at this moment that two men appear in her life who like her, and she tries to sort out her feelings for these men.

If we exercise a flexible perspective and analyze the series in the context of a female protagonist, no dissonance arises. We then see that the series raises the following questions: How can a woman with a child balance her time between work and childcare? Is it even possible to strike the "perfect" balance between childcare and career development? How can a woman with a child and a career navigate relationships with a potential partner?

You can, of course, throw a fit, wave your slippers in front of the TV screen, and accuse the screenwriter, director, and actors of every mortal sin, but you can also look at the series from a different angle, and you'll be surprised at how your point of view can change.

When you cannot formulate your thoughts in a coherent and logical way, there is an irresistible need to devalue someone else’s abilities? Isn’t that right? Are you really sure that your IQ is the limit of development?

I get the feeling some viewers haven't figured out who the main character of the series really is. Let's think about it. Which characters are present in almost every scene? Who is the focus of the entire plot? That's right, the main character is a woman.

If you skip the synopsis and just look at the plot, it's clear there's only one main character in this series—a woman who finds herself in a situation of major change in her life. Everyone else (the child, the child's uncle, and the boss) are secondary characters. Her sister has died, leaving her with an orphaned nephew just as she's looking for a new stable job (and then trying to hold down that job). It is at this moment that two men appear in her life who like her, and she tries to sort out her feelings for these men.

Your thoughts on the series are worthy of respect. Many people here act as if they have the right to be an inquisitor in someone else's value system.

I see tolerance isn't your strong suit. Are you sure you have the right to be an inquisitor in someone else's value system?

I see tolerance isn't your strong suit. Are you sure you have the right to be an inquisitor in someone else's value system?

I see tolerance isn't your strong suit. Are you sure you have the right to be an inquisitor in someone else's value system?

And one more thing about the funeral. The woman had been through the most traumatic experience of her life, but she didn't abandon Uju. And when uncle was going through a "self-esteem crisis" because of the problems his father had caused, what did he do? That's right! He packed his things and left. "Oh, I can't protect anyone, so I'll just leave." Was that a decent thing to do? Why do you forgive him for that? He didn't just leave the woman. He left Uju too. You understand that, right? He acted exactly like his father and brother had done to him. Do you think such an act towards Uju can be justified by the lack of custody papers?

2. Funeral. The death of a loved one is one of the most difficult experiences in life, especially if the loss was sudden, unfair, or the person didn't have time to say a proper goodbye. The initial state is shock and denial, when the psyche isn't yet ready to accept the fact of what has happened. In the initial moment of shock, a person may scream, cry, disbelieve, deny, or disagree. At a funeral, a person may break into laughter instead of mourning. This isn't because the person doesn't care, but because the psyche is protecting the person from too much pain. This, too, is a state of shock and denial.



Or there might be another reaction: feeling nothing, not understanding what's happening—stupor. The person acts as if on autopilot. People literally don't remember funerals, or remember them only in fragments.



You're probably lucky and haven't experienced anything like this. Otherwise, you're unlikely to have used a judgmental approach to the grieving person's behavior to strengthen your argument.

1. The struggle for love isn't aggressive actions, but rather active efforts aimed at establishing, restoring, maintaining, or strengthening mutual feelings with a partner (or potential partner) with the goal of a long-term relationship. It's about creating a space where your loved one wants to stay. Typically, this is expressed through caring, attention, and support. It's important that your willingness to overcome emerging difficulties, conflicts, or obstacles doesn't turn into excessive effort on your part and ruin your loved one's life. "Struggling" is worthwhile if the desire to become the best version of yourself in order to be with your loved one isn't perceived/experienced as a sacrifice or the price of rebuilding your personality, but rather unlocks your potential and hidden abilities/possibilities.



If you truly love someone, accept them as they are (without trying to change them to suit your needs), and see the potential for a long-term and happy relationship, this is a compelling argument for making the effort. Does the way you get closer to someone you like to create a relationship/family depend on your mentality? Yes, absolutely. Where I live, a man's initiative is considered normal and is seen as a sign of a strong desire to be in a relationship with his partner.



Meanwhile, it's important to recognize when further "fighting" becomes pointless and stop. If your efforts aren't yielding results and are only draining you emotionally and physically, if the person you love doesn't see you as a partner and asks you to stop courting them, then you need to stop and let them go.

The woman didn't abandon her nephew. She worked (you don't think she should have quit, do you?). And she only went on three dates with her boss (one of which involved the child). And why not? She didn't have a partner, and she didn't fall in love with the child's uncle at first sight. She was simply trying to sort out her feelings for men. I don't understand your complaints about her. What did she do wrong?