For the fight your explanation is interesting but I still think they have to talk because: Wu Bi sees the headphones,…
I continue to defend the idea that there is still no love relationship between Su Yu and Wu Bi, but rather a romance in the sense of flirting, flirting, courting or flirting. It is the step prior to confessing your feelings. I don't think Su Yu was jealous when she saw Wu Bi give Aunt Zhou a gift. It would be absurd for Su Yu to be jealous of her stepmother because she thought she would be Wu Bi's special someone. The exchange of words between the two in the presence of the aunt is practically the same as they have had up to now: "It's normal for me to call you 'mom', but who are you?" “She is also my mother”, and turning to her aunt, she asks: “Right?” "I don't care, your mom is my mom." And then the two of them don't have a jealous argument. It is part of the same communication exchange and word game that has brought them to the present. Yes, they are happier than ever, the games and physical touches between them have grown, the display of affection at the airport... all this very well demonstrates the closeness between them, that living together, the daily friction, the same conflicts that they have had , the way in which they have handled these conflicts, the perennial concern for one another, is a sign of their closeness and, incidentally, to persuade us of the already near moment in which they confess their feelings.
For the fight your explanation is interesting but I still think they have to talk because: Wu Bi sees the headphones,…
My point of view is that in a couple one of its members can complain to the other party about who you were with, what you did, what you talked about, why you arrived at this time, why was such a person at home while I was not there, etc., but the fact is that Su Yu and Wu Bi are not a couple yet. They have not sworn love and loyalty. Therefore, their claims cannot be equal to those of a couple. Hence they show jealousy, show concern, but they cannot ventilate them frontally. I don't consider them to be in an intimate relationship yet for the same reason: their complaints and discussions are not those of a couple, but those of friends who love each other, but having not yet confessed their love, they need to hide or disguise their jealousy to Don't expose your feelings. If they were a couple, I highly doubt, for example, that Su Yu would accept another boy's invitation to go for a walk, his boy being absent, especially if, first of all, he would always be faithful, he would not be taking advantage of Wu Bi's absence to play him dirty, would not give room to give a bad image to others or give Mao Chong false hope or hurt feelings (neither Mao Chong nor Yu Bi) and, on the other hand, let's not forget that Su Yu knows that Wu Bi he's always been jealous and on his guard regarding Mao Chong, so I highly doubt he's willing to risk his relationship with the boy he loves for a day's outing, which can lend itself to a lot of reading. And the issue of this "censorship" in a country like China, which has produced, before Thailand, the Philippines, Taiwan, Korea and other Asian countries, hundreds of BL films, yaoi and homosexual dramas, which have represented the country in important events international cinematographic, gives for long hours of conversation.
The bromance only existed in Stay With Me as it exists and occurs in all the other BLs, as an anticipation of the gay romantic relationship, that is, while the two boys are getting to know each other, getting closer, while they are discovering their sexuality. This series has been a pure BL for a while now, one of the best that has ever been produced in the world. It is pure BL the conversation of the girls at school, worried that Mao Chong is now dating Su Yu; how these have come closer lately. “Since the sports match, everyone has paired up Mao Chong and Han Bokuang. But recently Mao Chong distanced himself from Han Bokuang,” one girl tells another. What a tender hug at the reunion of the two lovers at the airport. What a nice response from Wu Bi to Su Yu when he asks why he didn't give him a watch like the one he gave Duo: “We are together all day. We don't need the watch." The cousin arrives at the house by surprise and finds Su Yu and Wu Bi involved in a fight, as if they were a married couple in an argument, rolling on the floor, out of jealousy: Bi found Mao Chong's headphones on the nightstand at night from Yu's room, and this is enough to burst. It is not necessary to explain to each other the reason for the fight. It is not necessary for you, as the public, to expose us with more details. Su Yu understands why Wu Bi reacted this way without saying a word to him. Words are unnecessary. And Su Yu knows so much about the reason for Wu Bi's anger, that days later, when he gets his first money earned by him, he jokingly tells Wu Bi that he will use it to pay for Mao's entrance to the amusement park. Chong and thus pay him back when he bought him the tickets. And this provokes another fight, but now equally in jest. Reconciliation, like all of hers: simple, beautiful, powerful. One has nothing to explain because he has not done wrong, and the other has nothing to forgive because there is simply nothing to forgive. After the fight, Wu Bi goes to Mo Yi's house, upset, hurt, but above all for not having reconciled with Su Yu after the fight interrupted by his cousin. But soon it's coming back. The explanation for his sudden change of heart is in his reply to Mo Yi: "He is looking for me." On the computer you can see how the intelligent Su Yu, knowing that Bi is stalking him on digital networks, subtly manages to make Wu Bi return. The kiss scene in the classroom is understandable. They love each other, but have not confessed their feelings. They face the same fears and insecurities as the rest of the BL romantic partners. They still don't feel ready to take the plunge and declare their love for each other. That is why Wu Bi takes advantage of the momentary blackout to move to Su Yu's seat and kiss a shy and happy boy who corresponds to her. Although he may not have seen Wu Bi well in the dark and in the rush, Su Yu knows perfectly well who kissed him. She knows the smell of the young man who has slept next to her so many times. He knows who is the only one who would dare to steal a kiss from him. He sees how Wu Bi walks away and returns to his seat after kissing him, and smiles as he watches him leave, with full enjoyment, but concealed from the others. That is why, as soon as the power returns, his face, radiant with happiness, briefly bows in the direction of Wu Bi's seat. Everyone in the classroom heard the kiss, but the only one besides our two heroes who knows what happened is Zhang Yao, the fujoshi, who laughs mischievously as she looks at Su Yu.
I still like the leads in Wedding Plan and the chemistry between the two. I find Pak convincing conveying Nuea's attraction to Lom. Likewise, I find his way of showing the conflicts, both internal and external, that he has with him convincing. It is necessary that, as an audience, they show us more the family dynamics of both Lom and Yiwa. We know a little more about the first, for being the co-star of the series. Knowing these details, we could better understand what is happening, by having a total or, at least more general, vision of the conflict. I hear some talk about the "false marriage." I do not believe there is a false marriage. It is a real marriage between two people who do not love each other as a couple, but feel the need to unite to avoid family and/or social conflicts. The fact that Lom met and fell in love with Nuea at a wedding organized by him, caused the turn of events. That was the breaking point. If I hadn't met and fallen in love with him, there's nothing to tell me that the wedding wouldn't take place. It is true, the wedding could serve as an alibi" for Yiwa to continue seeing his girlfriend, but there is nothing to tell us that Lom could also take advantage of his marriage to lead a double life in the eyes of others, since we were not told He has said if he has had other relationships, etc. From a wedding in which initially only Lom and Yiwa would decide what the ceremony and the future of both would be like, it came to be controlled by their respective mothers-in-law. Two rich, conservative families, fearful of seeing "their reputation and prestige damaged" by having a gay son in their midst, that instead of one wedding the bride and groom organize two weddings (I think that instead of one, there will be two weddings). , one of each member of what would be that marriage union, with their true loves, and that the sexuality of their children be publicly revealed, is something that is not in their plans. It is evident that if their lives would be controlled in this way in the prelude to married life, after marriage both would continue to control their children's life as a couple, unless they put the necessary brake on it. I guess this, like the consolidation of Nuea and Lom as a couple and their romance, whatever they tell us from now on. I have no doubt about Yiwa and Marine, their story and relationship will continue to flow as it has until now. I don't think Lom has been lying to Nuea and playing with her feelings. The family, especially her mother, who has now increased the pressure not only for the wedding, but also for controlling her son, arranging where they will live, the rooms for the grandchildren that she has already planned for her son, etc., it stops Lom from deciding his path and choosing the life he wants and with whom he wants. But I do think it has taken him a long time to decide to take the step, especially because of the misunderstandings and confusion he has created in Nuea. At times, it seems that he is already at the maximum of his resistance and is determined to have the conversation with Nuea so many times promised to Yiwa and, above all, to himself, but it does not materialize for one reason or another. Now, to add insult to injury, he introduced a new trigger that offers Nuea further confusion: now he will help him not as a wedding planner, but, at least for that night, as friends. And after a night of love, Nuea disappears. Nuea may very well think that Lom has been playing with him and now he only asks to be his friend. We see in the previews of the next chapter that he returned to his maternal home, surely swept away by this new course of events. Finally, it seems to me very appropriate to include a GL story within this BL series, those being so stigmatized in Thailand or other Asian countries, even more than male gay relationships.
Of the classes Chemistry!? No, there is no Chemistry in Dino and in Rak. But something keeps telling me that there is something between the two of us related to the classes we receive at school. Physics, perhaps? If opposite poles attract, they must be poles alike, if it seemed like they wanted to be hundreds of miles away from each other. Poetry? Do they inspire anyone? History? Literature, perhaps? If “cowardly loves do not reach loves or stories, they stay there. Not even the memory can save them. Not even the best speaker can conjugate”, said the poet. Anatomy? The kisses that have been given or will not be given... do they taste of anything? Geography, perhaps? If a deplorable script, a mediocre direction and their lousy performances have led them to anything, except to want to examine the North of their waistlines, wander to the South of these, or explore the cold, temperate and warm areas of their bodies. Math? I knew it. I knew that between Dino and Rak there is something to do with classes: Mathematics: Dino=0 and Rak=0 Dino x Rak=ZERO Each chapter confirms my need to eat white rice with tortilla.
In the final conversation of chapter 4, when they kiss, Joke tells Zo that: “Expressing your feelings does not make you weak. In fact, I think it shows bravery…” Joke has not yet expressed any feelings for Zo at this time. Yes, his looks, his gestures, his words, his constant concern for Zo's well-being, the desire to be close to him at all times, perfectly suggest that he feels for Zo something more than just friends, but he hasn't expressed it yet. made. If they kissed it was because Zo asked him: “If your heart races every time you are near someone, does that mean that you have feelings for that person?” With these words and then going up and kissing Joke, Zo is letting Joke know that she has feelings for him. His heart beats like a “runaway horse” only when he is next to Joke, only when he looks at Joke and Joke looks at him. Zo knows that he feels, according to Pok, a kind of gravitational pull between himself and Joke. At this point Joke might as well have touched Zo's heart, as he did, and then touched hers and said what he said: "If there were no feelings, your heart wouldn't react." In this way both would have expressed their feelings, but it was not like that. I would understand that Zo may be in denial, that she may be going through a phase of confusion, but bringing Nita in as "unfinished business" and "to be determined," in the midst of the conversation that is practically defining the future of the two boys, asking Joke to give him time to "figure out" what he's feeling; and then, in the final scene of the episode, saying "I can't understand why I kissed you", mentioning Nita again when moments before she didn't even sit next to him and when she offered him help in the debate, he didn't accept it and preferred to be with her. Joke, all this after Zo having expressed her feelings for Joke in the final scene of the fourth chapter, is childish to say the least. By the way, Zo's laptop that Jeng dashed off to find to use, was it for this “discussion” or the one for next week?
I still like Wedding Plan, although there are aspects that are not clear to me. Lom at times seems to play with Nuea's feelings. He approaches him, looks at him, kisses him, takes his hand, but then he retracts and justifies his actions: "It's because I'm cold." I would only understand because Lom's parents are controlling, so he has preferred to continue pretending about his wedding and his girlfriend. Yiwa and Lom have said that Nuea should not take into account the opinion of their parents in planning the wedding, they decide the wedding, but we see the parents, especially their mother, who want to impose the wedding to their liking , and above all, the lives of their children to their liking. The series at times show us Lom sure of his love for Nuea, and the next minute this emotion disappears. I would only understand it because he is not, until now, sure of his feelings, but this clashes with reality: Lom's feelings were clear from the beginning and that is why he sought out Nuea to plan the wedding and thus facilitate the necessary rapprochement between the two. two. This approach has made it possible for feelings to grow in both one and the other. The kiss given at the end of the episode tells us that Lom is ready to be honest with Nuea and, above all, be honest with himself. This is also revealed to us by the progress of the next one. Nuea already knows that Lom loves him, and knows that Yiwa and another girl live their GL. The path is clearer for these two couples to finally achieve happiness, once Lom stops pretending his love for Yiwa in front of everyone and starts to "pursue", as he himself put it, Nuea. Although this “chasing is evident from the beginning, the series promises us that flirting or conquest will intensify even more, terms that I like more than persecution. Very successful the incorporation of the couple of Payu and Rain and that of Prapai and Sky. They will continue dating, because after the engagement will come the wedding and, of course, Nuea will be the one who plans it.
Something I will never understand: the lack of relatives of the protagonists, something very recurring in the BL series, and also present in Sing My Crush. It's like a facility of the writers so that the characters do not have to inform them that they are gay and thus avoid any family dispute or disagreement about it. Our protagonists are noble, ethical, kind people, they know how to differentiate between good and evil. That is, they have been educated in values. Who raised them? If their relatives are often not named or spoken of, in many cases there is not even a weak parent-child bond, or because they died, or are abroad, or have no interest in your son. Of course I like the independence of the characters. Parents can and should influence them while they are teenagers, young people, but not when they are adults. At this stage they can advise, suggest, give them their point of view, but not prohibit them, because young people are already independent, they cannot be blackmailed with "I'm not going to give you one more peso." They must be given the freedom to choose their future, to choose their love. And if this freedom is not complete even at this stage, at least tell us how the conflict develops and your son's homosexuality is finally accepted, because in the end love has to win. They do not have to dedicate hours to this, taking into account that they are short series and the objective of it is another. In a single paragraph the protagonist can tell how it happened. We all want it that way. Im got your mother. This comes out three or four times in the series. They live in a luxurious house, their good economic position is evident. The mother knows that her son lives with Ba Ram, she asks about him, if he returned home, she asks if it was because he fought with Ba Ram. They know each other. But Im never tells his mother that he is in love with Ba Ram, the mother never hints that she is sad or upset because she has feelings for Ba Ram. And on the other hand, Im never tells Ba Ram “let's go home to introduce you to my mother as my boyfriend now”. And Ba Ram has no relatives. It is not explained how he can live well, have very good classical guitars and unaffordable for many children, how he has an expensive bicycle, who pays for school, who pays for music practices, who feeds and clothes him, or how they feel about life. , success, the future of your child. Neither of them even have a friend. His only two friends are the other two members of the band. In the end, you don't have to explain yourself to anyone. Nor is it necessary. They do not have to be waiting for the applause or approval of others, but are our protagonists antisocial? If Im has his mother to whom at some point he tells about his love affair with Ba Ram, he does not have to explain himself to anyone, especially in the sense that he does not have to tell anyone that he is happy and found the right place. happiness in Im. Why is this pattern repeated in most series?
I made a previous comment, but there are many things that do not add up to me. How did Thaenthai and the congressman find out about the doll and that something incriminating is kept in it that they must recover as soon as possible to avoid greater evils? Who kept the evidence, if any, in the wrist? The girl in her escape from the market when she witnessed the crime? If so, why didn't Thaenthai or the driver of the car get hold of the doll after running over the girl? Was the doll part of the crime scene? Why doesn't the Police have it then as part of the objects related to the case? Where is the wrist?
As in To Sir, With Love, Laws of Attraction focuses more on the story in true lakorn style, rather than the love story between the two protagonists, in this case Charn and Tin. They continue looking for the doll of Tin's niece, because they believe that the proof of the girl's death is stored in it. I don't know what explanation they will give to the girl's death and the relationship with the doll. The congressman's son continues to prove cruel, unscrupulous and criminal. The most logical reason I find for her death is having witnessed a crime committed by Thaenthai in the market, and that is why he ran over her when she was returning home. But it could have been the congressman who ran over the girl. It could have been him who committed the crime the girl witnessed. But when the police and witnesses arrived at the scene of the crime, it was Thaenthai who got out of the car, so they took him as the driver and, therefore, the person responsible for the accident, since he is involved in an electoral campaign and does not want to see sullied his political career. The father could have convinced the son to be the accused and he, with his political and economic influences, would easily and quickly free him from jail or a trial, buying off or bribing the complainants, threatening and harassing the relatives of the girl to give up and not carry out the criminal case, and manipulating or siding with the Police and Justice. And all those actions we know were done. Each chapter is better than the last. If in the first episode I was a little unsure whether or not I would continue watching the series, the dynamic, the chemistry, the growing relationship between Charn and Tin got me. The two personify, on the one hand, evil (Charn) for being twisted and with a devilish smile (his reasons may have, they have not yet been said, but they have let us glimpse that it is related to the first case won by him in court - in the third chapter we see the party that is made to Charn in honor of this victory- and the death of his mother), and on the other hand, the good (Tin). It would be the eternal struggle between good and evil, but with the difference that now good and evil are on the same side, fighting against something wickedly superior. Good and evil fighting for the same cause, convinced that they have to join forces to defeat an evil that surpasses them if they do not fight from the same trenches. Now they are each trying to overthrow the enemy based on their values and characteristics that identify them. That is why their points of view, their strategies as to how to advance in that fight, collide. I believe that Tin's way, because it is more attached to justice and not to revenge, will prevail. Tin must guide Charn to seek and obtain justice in a cruel and unfair world, a world where the powerful trample the weak. Charn, for his part, will understand that he is no longer alone, that he finally has a partner by his side to fight alongside him.
Stay With Me (that title says a lot). I laughed and cried with Bi asking Mao Chong to give up his seat next to Yu. He asks why, and he imagines taking Yu by the chin, lifting his head until their eyes meet, holding their loving, reciprocating gazes, as he says to Yu in a soft, sweet voice, “Because he is my man You can only answer my questions,” and then they bump into each other and rub foreheads. Zhang Yao first had a crush on Yu. Then she was interested in Bi. He takes photos of both of them separately, then of the two together. Now it has become a Fujoshi. The two boys run in several separate events at an inter-high school sports tournament. She is the one who cheers them on the most from the stands and says to herself: "How handsome they are when they are together." Now, in the classroom, Bi and Yu return with their prizes and the best place for the school and the classroom, and she shouts in the middle of the classroom at the top of her lungs that they dance, that they act together. And the group of students second their requests. At the end they sing together "Goodbye, lonely heart". And Duo Duo also became a fujoshi. Children's Day is coming up, and she wants her two older brothers to dance at her school and thus comply with the requirement that the school requests, that each parent (family) collaborate with the realization of an event to present that day. "Dance? Can't we just sing?” Yu suggests, and she replies that singing isn't exciting enough. "I want to be the queen of Children's Day so that my classmates envy me for having such handsome brothers," the girl concludes. I read somewhere that the director of the series assured in an interview that in chapter 20 there was a kiss. But I repeat, I'm not interested in remaining solely as a bromance, that is, as the series was originally conceived. The series, with its excellent script, performances, direction, the good chemistry between the protagonists; with Bi and Yu arguing now and in the next scene one supporting the other, the intimacy recreated between the two new actors, far surpasses all those series with NC scenes of a stereotypical BL with crude, crude, poorly written, repetitive scripts. the same scenes to which many times they don't even change actors since they are the same actors doing different characters in another series. Very intelligently, the series shows us the feelings that the two boys have been developing, the relationship that they have been weaving, and although it does not explicitly show us the romance, it does give us the freedom to interpret as we want or what we want. These guys with their power to break our hearts in today's episode and repair it and leave it like new in the next one, not many BL of the many we've seen. The current relationship between the two boys is enough for me (I think many too) even if the obvious is not shown. Bi and Duo watch TV. “Do you like Ring or Yue Ru better?” Bi asks. The girl replies that the second. "Because?". "The feeling of loving someone, but not being able to have them." What complicity of Bi and Duo Duo! They do understand each other!
I look forward to these chapters. Bi can't tell the cousin about Ye Wanying's game. The cousin tells him that he is not interested in the girl, but anyone who dares to be with her can only await death. Of course, to keep Yu out of trouble, Bi doesn't confess that she is playing him. It remains to wait just a few hours.
I don't think Su Yu was jealous when she saw Wu Bi give Aunt Zhou a gift. It would be absurd for Su Yu to be jealous of her stepmother because she thought she would be Wu Bi's special someone. The exchange of words between the two in the presence of the aunt is practically the same as they have had up to now: "It's normal for me to call you 'mom', but who are you?" “She is also my mother”, and turning to her aunt, she asks: “Right?” "I don't care, your mom is my mom." And then the two of them don't have a jealous argument. It is part of the same communication exchange and word game that has brought them to the present.
Yes, they are happier than ever, the games and physical touches between them have grown, the display of affection at the airport... all this very well demonstrates the closeness between them, that living together, the daily friction, the same conflicts that they have had , the way in which they have handled these conflicts, the perennial concern for one another, is a sign of their closeness and, incidentally, to persuade us of the already near moment in which they confess their feelings.
I don't consider them to be in an intimate relationship yet for the same reason: their complaints and discussions are not those of a couple, but those of friends who love each other, but having not yet confessed their love, they need to hide or disguise their jealousy to Don't expose your feelings. If they were a couple, I highly doubt, for example, that Su Yu would accept another boy's invitation to go for a walk, his boy being absent, especially if, first of all, he would always be faithful, he would not be taking advantage of Wu Bi's absence to play him dirty, would not give room to give a bad image to others or give Mao Chong false hope or hurt feelings (neither Mao Chong nor Yu Bi) and, on the other hand, let's not forget that Su Yu knows that Wu Bi he's always been jealous and on his guard regarding Mao Chong, so I highly doubt he's willing to risk his relationship with the boy he loves for a day's outing, which can lend itself to a lot of reading.
And the issue of this "censorship" in a country like China, which has produced, before Thailand, the Philippines, Taiwan, Korea and other Asian countries, hundreds of BL films, yaoi and homosexual dramas, which have represented the country in important events international cinematographic, gives for long hours of conversation.
It is pure BL the conversation of the girls at school, worried that Mao Chong is now dating Su Yu; how these have come closer lately. “Since the sports match, everyone has paired up Mao Chong and Han Bokuang. But recently Mao Chong distanced himself from Han Bokuang,” one girl tells another.
What a tender hug at the reunion of the two lovers at the airport.
What a nice response from Wu Bi to Su Yu when he asks why he didn't give him a watch like the one he gave Duo: “We are together all day. We don't need the watch."
The cousin arrives at the house by surprise and finds Su Yu and Wu Bi involved in a fight, as if they were a married couple in an argument, rolling on the floor, out of jealousy: Bi found Mao Chong's headphones on the nightstand at night from Yu's room, and this is enough to burst. It is not necessary to explain to each other the reason for the fight. It is not necessary for you, as the public, to expose us with more details. Su Yu understands why Wu Bi reacted this way without saying a word to him. Words are unnecessary. And Su Yu knows so much about the reason for Wu Bi's anger, that days later, when he gets his first money earned by him, he jokingly tells Wu Bi that he will use it to pay for Mao's entrance to the amusement park. Chong and thus pay him back when he bought him the tickets. And this provokes another fight, but now equally in jest. Reconciliation, like all of hers: simple, beautiful, powerful. One has nothing to explain because he has not done wrong, and the other has nothing to forgive because there is simply nothing to forgive.
After the fight, Wu Bi goes to Mo Yi's house, upset, hurt, but above all for not having reconciled with Su Yu after the fight interrupted by his cousin. But soon it's coming back. The explanation for his sudden change of heart is in his reply to Mo Yi: "He is looking for me." On the computer you can see how the intelligent Su Yu, knowing that Bi is stalking him on digital networks, subtly manages to make Wu Bi return.
The kiss scene in the classroom is understandable. They love each other, but have not confessed their feelings. They face the same fears and insecurities as the rest of the BL romantic partners. They still don't feel ready to take the plunge and declare their love for each other. That is why Wu Bi takes advantage of the momentary blackout to move to Su Yu's seat and kiss a shy and happy boy who corresponds to her. Although he may not have seen Wu Bi well in the dark and in the rush, Su Yu knows perfectly well who kissed him. She knows the smell of the young man who has slept next to her so many times. He knows who is the only one who would dare to steal a kiss from him. He sees how Wu Bi walks away and returns to his seat after kissing him, and smiles as he watches him leave, with full enjoyment, but concealed from the others. That is why, as soon as the power returns, his face, radiant with happiness, briefly bows in the direction of Wu Bi's seat.
Everyone in the classroom heard the kiss, but the only one besides our two heroes who knows what happened is Zhang Yao, the fujoshi, who laughs mischievously as she looks at Su Yu.
It is necessary that, as an audience, they show us more the family dynamics of both Lom and Yiwa. We know a little more about the first, for being the co-star of the series. Knowing these details, we could better understand what is happening, by having a total or, at least more general, vision of the conflict. I hear some talk about the "false marriage." I do not believe there is a false marriage. It is a real marriage between two people who do not love each other as a couple, but feel the need to unite to avoid family and/or social conflicts. The fact that Lom met and fell in love with Nuea at a wedding organized by him, caused the turn of events. That was the breaking point. If I hadn't met and fallen in love with him, there's nothing to tell me that the wedding wouldn't take place. It is true, the wedding could serve as an alibi" for Yiwa to continue seeing his girlfriend, but there is nothing to tell us that Lom could also take advantage of his marriage to lead a double life in the eyes of others, since we were not told He has said if he has had other relationships, etc.
From a wedding in which initially only Lom and Yiwa would decide what the ceremony and the future of both would be like, it came to be controlled by their respective mothers-in-law. Two rich, conservative families, fearful of seeing "their reputation and prestige damaged" by having a gay son in their midst, that instead of one wedding the bride and groom organize two weddings (I think that instead of one, there will be two weddings). , one of each member of what would be that marriage union, with their true loves, and that the sexuality of their children be publicly revealed, is something that is not in their plans.
It is evident that if their lives would be controlled in this way in the prelude to married life, after marriage both would continue to control their children's life as a couple, unless they put the necessary brake on it. I guess this, like the consolidation of Nuea and Lom as a couple and their romance, whatever they tell us from now on. I have no doubt about Yiwa and Marine, their story and relationship will continue to flow as it has until now.
I don't think Lom has been lying to Nuea and playing with her feelings. The family, especially her mother, who has now increased the pressure not only for the wedding, but also for controlling her son, arranging where they will live, the rooms for the grandchildren that she has already planned for her son, etc., it stops Lom from deciding his path and choosing the life he wants and with whom he wants. But I do think it has taken him a long time to decide to take the step, especially because of the misunderstandings and confusion he has created in Nuea. At times, it seems that he is already at the maximum of his resistance and is determined to have the conversation with Nuea so many times promised to Yiwa and, above all, to himself, but it does not materialize for one reason or another. Now, to add insult to injury, he introduced a new trigger that offers Nuea further confusion: now he will help him not as a wedding planner, but, at least for that night, as friends. And after a night of love, Nuea disappears. Nuea may very well think that Lom has been playing with him and now he only asks to be his friend. We see in the previews of the next chapter that he returned to his maternal home, surely swept away by this new course of events.
Finally, it seems to me very appropriate to include a GL story within this BL series, those being so stigmatized in Thailand or other Asian countries, even more than male gay relationships.
Chemistry!? No, there is no Chemistry in Dino and in Rak. But something keeps telling me that there is something between the two of us related to the classes we receive at school. Physics, perhaps? If opposite poles attract, they must be poles alike, if it seemed like they wanted to be hundreds of miles away from each other. Poetry? Do they inspire anyone? History? Literature, perhaps? If “cowardly loves do not reach loves or stories, they stay there. Not even the memory can save them. Not even the best speaker can conjugate”, said the poet.
Anatomy? The kisses that have been given or will not be given... do they taste of anything?
Geography, perhaps? If a deplorable script, a mediocre direction and their lousy performances have led them to anything, except to want to examine the North of their waistlines, wander to the South of these, or explore the cold, temperate and warm areas of their bodies.
Math? I knew it. I knew that between Dino and Rak there is something to do with classes: Mathematics: Dino=0 and Rak=0
Dino x Rak=ZERO
Each chapter confirms my need to eat white rice with tortilla.
I would understand that Zo may be in denial, that she may be going through a phase of confusion, but bringing Nita in as "unfinished business" and "to be determined," in the midst of the conversation that is practically defining the future of the two boys, asking Joke to give him time to "figure out" what he's feeling; and then, in the final scene of the episode, saying "I can't understand why I kissed you", mentioning Nita again when moments before she didn't even sit next to him and when she offered him help in the debate, he didn't accept it and preferred to be with her. Joke, all this after Zo having expressed her feelings for Joke in the final scene of the fourth chapter, is childish to say the least.
By the way, Zo's laptop that Jeng dashed off to find to use, was it for this “discussion” or the one for next week?
They continue looking for the doll of Tin's niece, because they believe that the proof of the girl's death is stored in it. I don't know what explanation they will give to the girl's death and the relationship with the doll. The congressman's son continues to prove cruel, unscrupulous and criminal. The most logical reason I find for her death is having witnessed a crime committed by Thaenthai in the market, and that is why he ran over her when she was returning home. But it could have been the congressman who ran over the girl. It could have been him who committed the crime the girl witnessed. But when the police and witnesses arrived at the scene of the crime, it was Thaenthai who got out of the car, so they took him as the driver and, therefore, the person responsible for the accident, since he is involved in an electoral campaign and does not want to see sullied his political career. The father could have convinced the son to be the accused and he, with his political and economic influences, would easily and quickly free him from jail or a trial, buying off or bribing the complainants, threatening and harassing the relatives of the girl to give up and not carry out the criminal case, and manipulating or siding with the Police and Justice. And all those actions we know were done. Each chapter is better than the last. If in the first episode I was a little unsure whether or not I would continue watching the series, the dynamic, the chemistry, the growing relationship between Charn and Tin got me. The two personify, on the one hand, evil (Charn) for being twisted and with a devilish smile (his reasons may have, they have not yet been said, but they have let us glimpse that it is related to the first case won by him in court - in the third chapter we see the party that is made to Charn in honor of this victory- and the death of his mother), and on the other hand, the good (Tin). It would be the eternal struggle between good and evil, but with the difference that now good and evil are on the same side, fighting against something wickedly superior. Good and evil fighting for the same cause, convinced that they have to join forces to defeat an evil that surpasses them if they do not fight from the same trenches. Now they are each trying to overthrow the enemy based on their values and characteristics that identify them. That is why their points of view, their strategies as to how to advance in that fight, collide. I believe that Tin's way, because it is more attached to justice and not to revenge, will prevail. Tin must guide Charn to seek and obtain justice in a cruel and unfair world, a world where the powerful trample the weak. Charn, for his part, will understand that he is no longer alone, that he finally has a partner by his side to fight alongside him.
Zhang Yao first had a crush on Yu. Then she was interested in Bi. He takes photos of both of them separately, then of the two together. Now it has become a Fujoshi. The two boys run in several separate events at an inter-high school sports tournament. She is the one who cheers them on the most from the stands and says to herself: "How handsome they are when they are together." Now, in the classroom, Bi and Yu return with their prizes and the best place for the school and the classroom, and she shouts in the middle of the classroom at the top of her lungs that they dance, that they act together. And the group of students second their requests. At the end they sing together "Goodbye, lonely heart".
And Duo Duo also became a fujoshi. Children's Day is coming up, and she wants her two older brothers to dance at her school and thus comply with the requirement that the school requests, that each parent (family) collaborate with the realization of an event to present that day. "Dance? Can't we just sing?” Yu suggests, and she replies that singing isn't exciting enough. "I want to be the queen of Children's Day so that my classmates envy me for having such handsome brothers," the girl concludes.
I read somewhere that the director of the series assured in an interview that in chapter 20 there was a kiss. But I repeat, I'm not interested in remaining solely as a bromance, that is, as the series was originally conceived. The series, with its excellent script, performances, direction, the good chemistry between the protagonists; with Bi and Yu arguing now and in the next scene one supporting the other, the intimacy recreated between the two new actors, far surpasses all those series with NC scenes of a stereotypical BL with crude, crude, poorly written, repetitive scripts. the same scenes to which many times they don't even change actors since they are the same actors doing different characters in another series.
Very intelligently, the series shows us the feelings that the two boys have been developing, the relationship that they have been weaving, and although it does not explicitly show us the romance, it does give us the freedom to interpret as we want or what we want. These guys with their power to break our hearts in today's episode and repair it and leave it like new in the next one, not many BL of the many we've seen. The current relationship between the two boys is enough for me (I think many too) even if the obvious is not shown.
Bi and Duo watch TV. “Do you like Ring or Yue Ru better?” Bi asks. The girl replies that the second. "Because?". "The feeling of loving someone, but not being able to have them." What complicity of Bi and Duo Duo! They do understand each other!