Hello. I asked myself the same questions, and I answered the following, after watching each episode several times:…
Hello. From your name, I assume you are Spanish speaking. If so, we could communicate in that language if it would be better for you. How good my comment has been useful to you. You can read my review, where I hope I have managed to argue other details. It is logical that the honeymoon did not last three months. That is the time between the accident and Shen Nam's return to the past before the accident occurs. Shen Nam travels back to the past three months before the tragedy, but he is still unaware of his trip. When he arrives he bumps into a girl on the street. She drops her wristwatch, and he picks it up from the floor and manages to see that the watch reads June 5, 2024. After apologizing for breaking the watch, he tells her that the time is wrong. Later at home, he looks at the date again on a cell phone placed on a small table, and that's when he realizes that he has traveled back in time.
I've just finished watching the second episode and I have questions. In the first episode, he arrived in that…
Hello. I asked myself the same questions, and I answered the following, after watching each episode several times: On the second occasion, Shen Nan returns to the past three months before the accident. His “justification” is to return to change the future and do everything possible so that Shi Wen does not die. He is aware that his father is going to marry Shi Wen's mother in the future (that is, three months later), but he must also know that the father is most likely not at home. In the first episode, when son and father meet again on the eve of the wedding, the son reproaches the father for not having been in his life longer, and the father responds that he must travel a lot to be able to pay for his son's education. received by this. Upon his return having arrived and met the father, the father would wonder what his son is doing there when it is assumed that Shen Nam is unaware at that time of the wedding, of the existence of Shi Wen and the mother. Anyway, no one has yet invited him to travel to that place. So, to make the story believable, it is preferable to force it a little and have the father not be at home at those times. I suppose that in the following episodes he appears and some explanation is given, but whatever happens, the father, upon seeing his son, should ask himself those questions: “son, what are you doing here? How do you know where I live?, and others like that. Another thing that can happen is that someone, probably Shi Wen, his mother or his friends, will explain that the father is traveling or something like that. We will see what happens to justify this issue dramaturgically. The truth is that at some point they must find everything, I suppose it is during the wedding and when Shen Nam is sure that the circumstances that led to the accident will not be repeated. As for the mother, we don't know where she is. But when Shen Nam returned to the house the first night, in the rain, and is surprised by Shi Wen and his friends, Shen Nam argues that he is in the house not to steal, but to ask for a job at the cafeteria. Shi Wen hesitates, suspects, but finally declares to his two friends: “My mother is not here and I cannot manage alone. Free labor…” In this way, Shen Nam stays to live with his stepbrother.
I'm a Priest novels addict,but haven't found a way to read DaGe.. Loved the series, blew my eyes out bingewatchingand…
Hello. Thank you for your words about the review. The series is good. I've seen her several times. Da Ge is published on the Internet. You can read it, download it on various sites. You can search for it. Look here: https://www.fanmtl.com/novel/dage-big-brother.html
The fact that the public, its intended audience, is still wondering if the hashtag is "PoomSaint" or "SaintPoom" puts a big doubt on the series. For me, we will have the first Thai BL story starring a hashtag "UkeUke".
I am a lover of Chinese film and television productions with LGBT+ themes. I don't know how many times I've seen 'River Knows Fish Heart', 'East Palace, West Palace', 'Spring Fever' (Chun feng chen zui de ye wan), 'For Love, We Can', 'Looking for Rohmer', ' Wu Yan – Speechless', 'Shangai Panic', 'Kinematic Theory', 'The Ambiguous Focus', 'Boss, I Love You', 'Find You in the Crowd' 2', 'Find You in the Crowd', 'Find You in the Dream', 'Blue Canvas of Youthful Days', 'The Raccoon', 'Nan She Nan Fen' ('Hard to Give Up'), and so many others Chinese films and television series. Likewise, I am a regular spectator of the proposals of the LGBT+ themed film festivals that are held every year in China, such as the Beijing Queer Film Festival (BJQFF - 北京酷儿影展), the first LGBT film festival that was established. in China, founded in 2001 by Chinese LGBT author and film director Cui Zi'en, a professor at the Beijing Film Academy. Has anyone seen Cui Zi'en (or Zi'en Cui) his films Zhi tongzhi, a documentary from 2009, Jiu yue, from 2001, Feeding Boys, Ayaya, from 2003, Chou jue deng chang (Enter the Clowns), 2001, Nannan nünü - Nan Nan Nü Nü (Men and Women), 1999, Queer China, Comrade China, from 2008, or any of your other LGBT+-themed works? I also enjoy offerings from other Chinese-language LGBT film festivals in the region, such as the Hong Kong Gay and Lesbian Film Festival (CINEMQ), the Shanghai PRIDE Film Festival, and the Taiwan International Queer Film Festival, all with the objectives of helping to facilitate and promote the work of filmmakers of Chinese and other Asian origins.
Hello. I agree with you about the despicable crime committed by Dr. Ishino Teiichiro, but he does not commit a single crime: it is also a crime to not be a witness or to refuse to serve as an alibi when an innocent person is being unjustly accused. Murdering her lover was a crime of passion and in the midst of a fit of anger, jealousy. I consider that his wife Sachiko's crime is equally or more despicable. Hers is premeditated. She was evaluating it while listening to her husband's confession. She is motivated by other reasons to commit her crime, such as not accepting her husband's homosexuality (this is the supreme objective of the Special) due to the fear that everyone will know the truth that she and her family have experienced. In this sense, the work functions as social criticism, as a denunciation against a homophobic society, internalized homophobia, patriarchy and heteronormativity.
Here's my theory on BDSM scenes: P likes to write. Dream of being a published writer. He has an open and agile…
In another comment that I inadvertently deleted, I told you that I am not opposed to being presented with BSDM scenes, as long as they are well filmed, dramaturgically justified, and the two characters involved enjoy that experience. Everything indicates that behind the confusion, P enjoyed BSDM sex.
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It is logical that the honeymoon did not last three months. That is the time between the accident and Shen Nam's return to the past before the accident occurs.
Shen Nam travels back to the past three months before the tragedy, but he is still unaware of his trip. When he arrives he bumps into a girl on the street. She drops her wristwatch, and he picks it up from the floor and manages to see that the watch reads June 5, 2024. After apologizing for breaking the watch, he tells her that the time is wrong. Later at home, he looks at the date again on a cell phone placed on a small table, and that's when he realizes that he has traveled back in time.
He is aware that his father is going to marry Shi Wen's mother in the future (that is, three months later), but he must also know that the father is most likely not at home. In the first episode, when son and father meet again on the eve of the wedding, the son reproaches the father for not having been in his life longer, and the father responds that he must travel a lot to be able to pay for his son's education. received by this.
Upon his return having arrived and met the father, the father would wonder what his son is doing there when it is assumed that Shen Nam is unaware at that time of the wedding, of the existence of Shi Wen and the mother. Anyway, no one has yet invited him to travel to that place.
So, to make the story believable, it is preferable to force it a little and have the father not be at home at those times. I suppose that in the following episodes he appears and some explanation is given, but whatever happens, the father, upon seeing his son, should ask himself those questions: “son, what are you doing here? How do you know where I live?, and others like that. Another thing that can happen is that someone, probably Shi Wen, his mother or his friends, will explain that the father is traveling or something like that. We will see what happens to justify this issue dramaturgically. The truth is that at some point they must find everything, I suppose it is during the wedding and when Shen Nam is sure that the circumstances that led to the accident will not be repeated.
As for the mother, we don't know where she is. But when Shen Nam returned to the house the first night, in the rain, and is surprised by Shi Wen and his friends, Shen Nam argues that he is in the house not to steal, but to ask for a job at the cafeteria. Shi Wen hesitates, suspects, but finally declares to his two friends: “My mother is not here and I cannot manage alone. Free labor…” In this way, Shen Nam stays to live with his stepbrother.
Likewise, I am a regular spectator of the proposals of the LGBT+ themed film festivals that are held every year in China, such as the Beijing Queer Film Festival (BJQFF - 北京酷儿影展), the first LGBT film festival that was established. in China, founded in 2001 by Chinese LGBT author and film director Cui Zi'en, a professor at the Beijing Film Academy.
Has anyone seen Cui Zi'en (or Zi'en Cui) his films Zhi tongzhi, a documentary from 2009, Jiu yue, from 2001, Feeding Boys, Ayaya, from 2003, Chou jue deng chang (Enter the Clowns), 2001, Nannan nünü - Nan Nan Nü Nü (Men and Women), 1999, Queer China, Comrade China, from 2008, or any of your other LGBT+-themed works?
I also enjoy offerings from other Chinese-language LGBT film festivals in the region, such as the Hong Kong Gay and Lesbian Film Festival (CINEMQ), the Shanghai PRIDE Film Festival, and the Taiwan International Queer Film Festival, all with the objectives of helping to facilitate and promote the work of filmmakers of Chinese and other Asian origins.
I consider that his wife Sachiko's crime is equally or more despicable. Hers is premeditated. She was evaluating it while listening to her husband's confession. She is motivated by other reasons to commit her crime, such as not accepting her husband's homosexuality (this is the supreme objective of the Special) due to the fear that everyone will know the truth that she and her family have experienced. In this sense, the work functions as social criticism, as a denunciation against a homophobic society, internalized homophobia, patriarchy and heteronormativity.