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The thaumaturgic power of rain and electronic messages
The tetrad made up of a man who lives a life without intimacy with his girlfriend, a man unilaterally in love with his childhood friend, the development of a romance through words and rain as a symbol of renewal and growth is totally for me new in the film and television world.
Such a simple premise is served in 'Futtara Doshaburi' ('When It Rains It Pours') by Japanese directors Takahashi Natsuki, Tomita Miki and the team behind 'Jack O' Frost', 'My Personal Weatherman' and 'Takara no Vidro', with enormous tranquility and serenity, taking its time, simmering a dramatic crescendo that does not squeak in a single moment, to tell a complicated story that explores the complexities of unrequited love, stagnant relationships, and adult sexuality.
Based on the novel of the same name by Michiho Michi and scripted by Hiraki Mari, the starting point is stated by Hagiwara Kazuaki in the first minutes of the pilot episode, when he tells his girlfriend Mizutani Kaori (Akita Shiori): "I sent an email restaurant list for the coworkers meeting. I was going to email it to myself, but I sent it to the wrong email address".
The plot immediately introduces us to the personal history of each protagonist: Hagiwara Kazuaki has a two-year relationship with his girlfriend, but they have grown apart. The magic disappeared long ago and commitment has replaced love. He wants to have sex with her, but she subtly rejects him without saying a single word. It looks like a marriage headed for divorce. First separate beds, then separate rooms.
If Hagiwara Kazuaki and his girlfriend's relationship died a long time ago, why haven't they done anything about it, when they are both painfully aware of it? Haven't they broken up for good because they both know they can't fix it anymore, but they also don't want to move on and break up? Do they choose to stay tied in a relationship that is no longer working for either of them because they are afraid of being alone afterwards and afraid of starting over with someone else? Are they waiting for a push to break up? These are questions that run through my head.
Sei, the person who mistakenly receives the email, shares a flat with his platonic love Fujisawa Kazuaki (Matsumoto Hiroki), who, despite knowing that his roommate is in love with him, ignores his intentions and has declared that he will always be there for him his side to take care of him, but despising a romantic relationship.
Is Fujisawa Kazuaki asexual and aromantic? Is he in love with Sei but not able to admit it, or does the deal he proposed somehow work for him while not satisfying Sei, who wants a real connection and needs to feel physically loved to be happy? Isn't his accepting such an agreement a sign of how much Fujisawa Kazuaki means to him and how much he should love himself more? These and other questions I ask myself as the images pass before my eyes.
Despite working in the same company, Hagiwara Kazuaki and Nakarai Sei are two strangers who regularly have a conversation at their workplace about work issues.
Since the mistake with the email, both continue to have a strange relationship in which they confide their concerns by email, without knowing the other's true identities. At first, the two meet secretly in that dangerous and romantic place, such as an electronic message, to get to know each other better, but without intentions of any kind.
The friendship between both protagonists is built little by little. They match at a work party where the two drink alcohol and chat pleasantly, and then share an umbrella in the rain. Finally, they visit a museum where they observe, ecstatic, a female statue, seeing it reminds them of their own lives, realizing that people can never escape sexual frustration.
And what begins as a simple message quickly becomes an open and liberating connection between two people who want love, sex and living a passion. A passion of two people wondering if it is okay to continue with one of them with their partner and the other tied to their platonic love, or to let themselves be carried away by what they feel for each other.
The first thing that strikes you when watching 'Futtara Doshaburi' is its complete lack of pretensions. The directors have a great asset in their leading couple, the immense Muto Jun, known for being a member of Genin wa Jibun ni Aru and for participating in the series 'Given', and Ito Asahi, popular among lovers of the genre for giving life to Kikuchi in 'Zettai BL ni Naru Sekai VS Zettai BL ni Naritakunai Otoko'), as Hagiwara Kazuaki and Sei, respectively, who as great actors, set aside all the possible divism, appearing on screen as what they really intend: two characters faced with the great doubt of their lives.
Over time, their relationship becomes a romantic love story that will take them away from their routine lives and end up forcing them to make the decision to stop seeing each other or break up, one with his girlfriend and the other with the boy he has been in love with for some time.
The simplicity - a term that fits the series perfectly - with which both performers bring their characters to life is perfectly combined with the staging of Takahashi Natsuki and Tomita Miki, who use many extremely subtle resources to tell a story outlined to showcase the two charismatic and popular actors, and also demonstrate on screen the enormous rapport they have.
The respective personal lives of the protagonists with the person they have tied to their side are shown, at first, with each of the couples within two different planes. However, after the first approach between the two, the directors show you again in their lives, and separate them from their partners, with a simple cut to the shot. Subtle and clear way to show the beginning of the breakdown of relationships.
Ito Asahi and Muto Jun achieve such a degree of chemistry and complicity in the series that it is impossible not to see the love that exists between them. Both create a couple of ordinary human beings in all the complexity of their character, without us viewers knowing, even in general terms, significant details of their pasts.
It is in the way they listen to each other, speak, laugh, move, look at each other, and surprise each other when they discover each other as the person with whom they have been having a relationship by email when they send each other a message while both are close, where we see the whole person and the conflicts they face, which are something as close as what to do when love appears in a life established in the comfortable routine, and how to deal with feelings once they have altered our existence.
Matching the lives of the two protagonists, the series talks about clouds (Kumo, 雲), which in Japan symbolize the impermanence and transience of life, reflecting the Buddhist concept that everything changes constantly, and rain does not change only as a symbol, but also for its ritual and acting character.
The creators have taken a very Japanese concept about the power of rain to capture it in the series: the two main characters need to renew their worn-out relationships, green their meaningless lives.
And rain, due to its incessant repetition, has a purifying effect that washes away human miseries.
'Futtara Doshaburi' is a perfect example of portraying a story about loving relationships in which social conventions—one of the great enemies of what we call love—are ruthlessly questioned.
The series talks about how great love is when it comes, at the least expected moment, into the lives of two people. The Japanese directors idealize the feeling, almost in a transcendental way, as the greatest thing that the two characters experience in their routine lives.
Knowing that these two will end up in a romance, I would only like to ask for true peace of mind when the two previous relationships end, without going into unnecessary moral or ethical pamphlets. If things ended differently than Hagiwara Kazuaki and Nakarai Sei initially planned, it is because they were both not just looking for sex, but also love, connection, validation and acceptance.
It is well known that love does not understand ages, marital statuses or social conventions and everything seems to indicate that 'Futtara Doshaburi' corroborates this for the umpteenth time.
An excellent romantic series in which the thaumaturgic power of rain and electronic messages contributes to two people with their respective responsibilities within a failed relationship, one, and the other without even starting, ending up madly in love with each other and facing the eternal dilemma of deciding whether to end their courtship or their platonic relationship, because third ways are usually deeply unsatisfactory.
Such a simple premise is served in 'Futtara Doshaburi' ('When It Rains It Pours') by Japanese directors Takahashi Natsuki, Tomita Miki and the team behind 'Jack O' Frost', 'My Personal Weatherman' and 'Takara no Vidro', with enormous tranquility and serenity, taking its time, simmering a dramatic crescendo that does not squeak in a single moment, to tell a complicated story that explores the complexities of unrequited love, stagnant relationships, and adult sexuality.
Based on the novel of the same name by Michiho Michi and scripted by Hiraki Mari, the starting point is stated by Hagiwara Kazuaki in the first minutes of the pilot episode, when he tells his girlfriend Mizutani Kaori (Akita Shiori): "I sent an email restaurant list for the coworkers meeting. I was going to email it to myself, but I sent it to the wrong email address".
The plot immediately introduces us to the personal history of each protagonist: Hagiwara Kazuaki has a two-year relationship with his girlfriend, but they have grown apart. The magic disappeared long ago and commitment has replaced love. He wants to have sex with her, but she subtly rejects him without saying a single word. It looks like a marriage headed for divorce. First separate beds, then separate rooms.
If Hagiwara Kazuaki and his girlfriend's relationship died a long time ago, why haven't they done anything about it, when they are both painfully aware of it? Haven't they broken up for good because they both know they can't fix it anymore, but they also don't want to move on and break up? Do they choose to stay tied in a relationship that is no longer working for either of them because they are afraid of being alone afterwards and afraid of starting over with someone else? Are they waiting for a push to break up? These are questions that run through my head.
Sei, the person who mistakenly receives the email, shares a flat with his platonic love Fujisawa Kazuaki (Matsumoto Hiroki), who, despite knowing that his roommate is in love with him, ignores his intentions and has declared that he will always be there for him his side to take care of him, but despising a romantic relationship.
Is Fujisawa Kazuaki asexual and aromantic? Is he in love with Sei but not able to admit it, or does the deal he proposed somehow work for him while not satisfying Sei, who wants a real connection and needs to feel physically loved to be happy? Isn't his accepting such an agreement a sign of how much Fujisawa Kazuaki means to him and how much he should love himself more? These and other questions I ask myself as the images pass before my eyes.
Despite working in the same company, Hagiwara Kazuaki and Nakarai Sei are two strangers who regularly have a conversation at their workplace about work issues.
Since the mistake with the email, both continue to have a strange relationship in which they confide their concerns by email, without knowing the other's true identities. At first, the two meet secretly in that dangerous and romantic place, such as an electronic message, to get to know each other better, but without intentions of any kind.
The friendship between both protagonists is built little by little. They match at a work party where the two drink alcohol and chat pleasantly, and then share an umbrella in the rain. Finally, they visit a museum where they observe, ecstatic, a female statue, seeing it reminds them of their own lives, realizing that people can never escape sexual frustration.
And what begins as a simple message quickly becomes an open and liberating connection between two people who want love, sex and living a passion. A passion of two people wondering if it is okay to continue with one of them with their partner and the other tied to their platonic love, or to let themselves be carried away by what they feel for each other.
The first thing that strikes you when watching 'Futtara Doshaburi' is its complete lack of pretensions. The directors have a great asset in their leading couple, the immense Muto Jun, known for being a member of Genin wa Jibun ni Aru and for participating in the series 'Given', and Ito Asahi, popular among lovers of the genre for giving life to Kikuchi in 'Zettai BL ni Naru Sekai VS Zettai BL ni Naritakunai Otoko'), as Hagiwara Kazuaki and Sei, respectively, who as great actors, set aside all the possible divism, appearing on screen as what they really intend: two characters faced with the great doubt of their lives.
Over time, their relationship becomes a romantic love story that will take them away from their routine lives and end up forcing them to make the decision to stop seeing each other or break up, one with his girlfriend and the other with the boy he has been in love with for some time.
The simplicity - a term that fits the series perfectly - with which both performers bring their characters to life is perfectly combined with the staging of Takahashi Natsuki and Tomita Miki, who use many extremely subtle resources to tell a story outlined to showcase the two charismatic and popular actors, and also demonstrate on screen the enormous rapport they have.
The respective personal lives of the protagonists with the person they have tied to their side are shown, at first, with each of the couples within two different planes. However, after the first approach between the two, the directors show you again in their lives, and separate them from their partners, with a simple cut to the shot. Subtle and clear way to show the beginning of the breakdown of relationships.
Ito Asahi and Muto Jun achieve such a degree of chemistry and complicity in the series that it is impossible not to see the love that exists between them. Both create a couple of ordinary human beings in all the complexity of their character, without us viewers knowing, even in general terms, significant details of their pasts.
It is in the way they listen to each other, speak, laugh, move, look at each other, and surprise each other when they discover each other as the person with whom they have been having a relationship by email when they send each other a message while both are close, where we see the whole person and the conflicts they face, which are something as close as what to do when love appears in a life established in the comfortable routine, and how to deal with feelings once they have altered our existence.
Matching the lives of the two protagonists, the series talks about clouds (Kumo, 雲), which in Japan symbolize the impermanence and transience of life, reflecting the Buddhist concept that everything changes constantly, and rain does not change only as a symbol, but also for its ritual and acting character.
The creators have taken a very Japanese concept about the power of rain to capture it in the series: the two main characters need to renew their worn-out relationships, green their meaningless lives.
And rain, due to its incessant repetition, has a purifying effect that washes away human miseries.
'Futtara Doshaburi' is a perfect example of portraying a story about loving relationships in which social conventions—one of the great enemies of what we call love—are ruthlessly questioned.
The series talks about how great love is when it comes, at the least expected moment, into the lives of two people. The Japanese directors idealize the feeling, almost in a transcendental way, as the greatest thing that the two characters experience in their routine lives.
Knowing that these two will end up in a romance, I would only like to ask for true peace of mind when the two previous relationships end, without going into unnecessary moral or ethical pamphlets. If things ended differently than Hagiwara Kazuaki and Nakarai Sei initially planned, it is because they were both not just looking for sex, but also love, connection, validation and acceptance.
It is well known that love does not understand ages, marital statuses or social conventions and everything seems to indicate that 'Futtara Doshaburi' corroborates this for the umpteenth time.
An excellent romantic series in which the thaumaturgic power of rain and electronic messages contributes to two people with their respective responsibilities within a failed relationship, one, and the other without even starting, ending up madly in love with each other and facing the eternal dilemma of deciding whether to end their courtship or their platonic relationship, because third ways are usually deeply unsatisfactory.
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