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There is no relationship of abuse of power...if it has been reversed
In the world there are certain types of taboo around romantic relationships, because the influence of "what they will say" and how they will be seen in society has a lot of weight when making a decision as a couple.
In film and television, love is fertile ground for telling stories that transcend the barriers of time, distance and even the age difference. Relationships between characters that have been going on for several years tend to be a somewhat controversial topic. On some occasions this is evident and criticized while on other occasions the distance does not draw as much attention.
Fortunately, with the passage of time the rejection of this issue has decreased and there are more and more cases of couples who have been together for many years. In fact, some directors have wanted to portray the age difference through romantic and dramatic films and series that show that age is just a number.
The script of the Japanese BL series 'Minato Shouji Coin Laundry', also written by its directors, Kanai Junichi, Eda Yuuka and Hiroaki Yuasa, tells the love story between Minato Akira, the heir to his grandfather's coin laundry, and high school student, Katsuki Shintaro, who despite the age difference, quickly become friends.
The romance between these two young people raises doubts about the appropriateness of their age difference (one of them being a minor), at a time, also, that of Me Too, in which many classics were being questioned by the intergenerational relationships between mature men and young women. With 'Lolita', 'The Idea of You' (2024), 'Sunset Boulevard' (1950), 'Water for Elephants' (2011), 'Magic in the Moonlight' (2014), 'Lost in Translation' (2003), 'Crazy Heart' (2009), 'All That Heaven Allows' (1955), 'The Graduate' (1967), 'Harold and Maude' (1971), 'Bull Durham' (1988), 'Thelma & Louise' (1991), 'How Stella Got Her Groove Back' (1998), 'Notes on a Scandal' (2006), 'Don Jon' (2013), 'Film Stars Don't Die in Liverpool' (2017), 'Good Luck to You, Leo Grande' (2022), 'May December' (2023), as the most mentioned examples.
As I explore the 12 episodes of the first season, I wonder: Is there a relationship of abuse of power between Minato and Shin?
I don't believe it. I understand that this is a concern for many people, but that is not the story being told here. Katsuki Shintaro (from now on Shin) is a young boy who is very mature for his age (he is 17 years old), he is the best student in his class.
How should you act if from the age of 7 you fell in love with a 17-year-old teenager, whom you never saw again and whose name you did not even know until they met again when one returned to his hometown to inherit a laundry and the other is on the verge of entering medical school?
That is to say, for 10 years the underage boy in the story has kept a deep love for Minato in his heart when he saved him from drowning on the beach. Shin is a character who knows what he wants and does not hesitate before anything or anyone to get it. He never seems to be in a vulnerable position. Quite the opposite. The "aggressive" Shin is the pursuer, while the timid Minato is the pursued. The dominance and audacity shown by Shin when courting Minato, added to the way he did not hesitate to reject Asuka, his classmate, clearly demonstrates that he is not easy prey for any sexual predator.
Minato is not even his teacher, nor is he stationed like a predator at the school gates looking for easy prey.
Very cleverly, the creators use Shin's direct and bold personality to generate humor, romantic moments, and to lessen the power imbalance in their relationship.
The series gains followers by showing the viewer how there is a genuine attraction and chemistry between our two protagonists in a very natural way through the tension generated by their age difference.
The series quickly eliminates many reasons that will make people worry that Shin is in a vulnerable position as a minor in this relationship dynamic, as the character states that he never feels alone and lives with a large family that supports him in his relationship with Minato. The early appearance of his sister at the laundry in episode 2, the invitation to Minato to come to the family home to celebrate Shin's 18th birthday (in episode 7) and letters sent by the teenager's mother to Minato in support of the existing relationship between the two, confirms that Shin is supported by his family.
On other occasions we can see that Shin is very popular, pursued by the girls whom he kindly rejects, because he is clear about who he loves. Both examples tell us that Shin is not pursuing Minato out of desperation and loneliness.
For his part, Minato, who recognizes the age difference, does not ignore this reality and is scared of Shin's intentions; he did not want any romantic connection, much less sexual at first, he did not even want to talk about it. Shin is the one who goes to his laundry room and basically pushes him over and over to start a romance. Minato could be a predator but I don't think he is at all. This is a consensual relationship between two adult-thinking men who know what they want.
Minato acts like a respectable person who knows how to reject his crush and has never intentionally induced Shin's feelings.
It is suggestive how the series establishes an interesting parallel between the blossoming romantic relationship between the two main characters and Minato's infatuation with Sakuma Takayuki (Fukushi Seiji), his teacher during his high school years. Unlike his teacher, Minato is not in a position of power in his relationship with Shin.
In the same way that Minato invaded Sakuma's space in the past to demand attention, it is Shin who acts in the same way to flirt with Minato and ask him to start a romantic relationship with him.
On the other hand, Akira and Shin's is not an intergenerational relationship, because they both belong to the same generation.
THOUGHTS… DIVAGATIONS
Abuse of power can occur in all relationships. It doesn't necessarily have to do with age. It seems important to me to see what position each member of the couple is in and what type of power game, seduction and even avoidance takes place. You have to see if there is an asymmetry in the relationship and how it is managed, if it is denied, if it is compensated...
It strikes me that many who propose the existence of a relationship of abuse of power in a gay relationship solely due to the fact that one of the members of the couple is a minor, do not show a single symptom of alarm when in other film and television productions an age difference appears when the couple is heterosexual.
What if we made a comparison of all these themes with the classic imaginary between the older man and the young woman? In the heterosexual couples there would be a double asymmetry, one of age and another of power. On the other hand, in an intergenerational gay relationship there would only be an asymmetry, although hypothetical, because it does not always occur.
In any case, gay couples are also plagued by gender stereotypes and myths of romantic love, constructions that society gives us as molds for living love. Until very recently there was no social model of how to be or how to experience love in a gay couple, and it is something that is being built. This makes an important issue such as intragender violence remain invisible. As we see, it is a debate with more questions than answers, but they all point to the same thing: relating better within the gay community.
BACK TO THE SERIES
Luckily for them, there aren't many social prejudices to face. Shin and Minato do not have to manage the challenges of social pressure and other people's gaze. They are not required to normalize any type of external situation that may arise nor do they have to turn a deaf ear to hurtful comments.
The series also shows how both characters seek to have things in common, share joint projects, goals and life expectations.
Although both have different life plans, as one dreams of studying medicine, while the other maintains his interest in working in the laundry, the series offers us details about how Minato and Shin are willing to accompany the other in their respective interests.
Love has no age, they say, and Minato and Shin don't care about the difference between them to let the feelings flow.
Ironically, the age difference between the two lead actors is only four and a half years.
In my opinion, when taking stock of the positive and negative issues that each member of a couple has in a situation like the one Minato and Shin are experiencing, age does not have to be a limitation to continue a bond.
The constructive factors and traits, as well as the virtues that make the person, should have greater weight than the age difference when betting on the couple.
It is known that there are no couples who agree on all aspects of life. However, finding balance in how discrepancies are faced, whether it is the way in which free time is used or the way in which each person expresses themselves, will be essential to overcome any obstacle.
I enjoy the series, and age differences neither in fiction nor in real life bother me, unless there is a clear power imbalance, which in this case, if anything, the power imbalance is reversed.
ONE LAST QUESTION BY WAY OF CONCLUSION
Finishing writing the review, there is a question that floats in my head: Is Shin and Minato's romance comparable to others in popular culture, if we take into account that there are different nuances in the relationships between men and women?
In film and television, love is fertile ground for telling stories that transcend the barriers of time, distance and even the age difference. Relationships between characters that have been going on for several years tend to be a somewhat controversial topic. On some occasions this is evident and criticized while on other occasions the distance does not draw as much attention.
Fortunately, with the passage of time the rejection of this issue has decreased and there are more and more cases of couples who have been together for many years. In fact, some directors have wanted to portray the age difference through romantic and dramatic films and series that show that age is just a number.
The script of the Japanese BL series 'Minato Shouji Coin Laundry', also written by its directors, Kanai Junichi, Eda Yuuka and Hiroaki Yuasa, tells the love story between Minato Akira, the heir to his grandfather's coin laundry, and high school student, Katsuki Shintaro, who despite the age difference, quickly become friends.
The romance between these two young people raises doubts about the appropriateness of their age difference (one of them being a minor), at a time, also, that of Me Too, in which many classics were being questioned by the intergenerational relationships between mature men and young women. With 'Lolita', 'The Idea of You' (2024), 'Sunset Boulevard' (1950), 'Water for Elephants' (2011), 'Magic in the Moonlight' (2014), 'Lost in Translation' (2003), 'Crazy Heart' (2009), 'All That Heaven Allows' (1955), 'The Graduate' (1967), 'Harold and Maude' (1971), 'Bull Durham' (1988), 'Thelma & Louise' (1991), 'How Stella Got Her Groove Back' (1998), 'Notes on a Scandal' (2006), 'Don Jon' (2013), 'Film Stars Don't Die in Liverpool' (2017), 'Good Luck to You, Leo Grande' (2022), 'May December' (2023), as the most mentioned examples.
As I explore the 12 episodes of the first season, I wonder: Is there a relationship of abuse of power between Minato and Shin?
I don't believe it. I understand that this is a concern for many people, but that is not the story being told here. Katsuki Shintaro (from now on Shin) is a young boy who is very mature for his age (he is 17 years old), he is the best student in his class.
How should you act if from the age of 7 you fell in love with a 17-year-old teenager, whom you never saw again and whose name you did not even know until they met again when one returned to his hometown to inherit a laundry and the other is on the verge of entering medical school?
That is to say, for 10 years the underage boy in the story has kept a deep love for Minato in his heart when he saved him from drowning on the beach. Shin is a character who knows what he wants and does not hesitate before anything or anyone to get it. He never seems to be in a vulnerable position. Quite the opposite. The "aggressive" Shin is the pursuer, while the timid Minato is the pursued. The dominance and audacity shown by Shin when courting Minato, added to the way he did not hesitate to reject Asuka, his classmate, clearly demonstrates that he is not easy prey for any sexual predator.
Minato is not even his teacher, nor is he stationed like a predator at the school gates looking for easy prey.
Very cleverly, the creators use Shin's direct and bold personality to generate humor, romantic moments, and to lessen the power imbalance in their relationship.
The series gains followers by showing the viewer how there is a genuine attraction and chemistry between our two protagonists in a very natural way through the tension generated by their age difference.
The series quickly eliminates many reasons that will make people worry that Shin is in a vulnerable position as a minor in this relationship dynamic, as the character states that he never feels alone and lives with a large family that supports him in his relationship with Minato. The early appearance of his sister at the laundry in episode 2, the invitation to Minato to come to the family home to celebrate Shin's 18th birthday (in episode 7) and letters sent by the teenager's mother to Minato in support of the existing relationship between the two, confirms that Shin is supported by his family.
On other occasions we can see that Shin is very popular, pursued by the girls whom he kindly rejects, because he is clear about who he loves. Both examples tell us that Shin is not pursuing Minato out of desperation and loneliness.
For his part, Minato, who recognizes the age difference, does not ignore this reality and is scared of Shin's intentions; he did not want any romantic connection, much less sexual at first, he did not even want to talk about it. Shin is the one who goes to his laundry room and basically pushes him over and over to start a romance. Minato could be a predator but I don't think he is at all. This is a consensual relationship between two adult-thinking men who know what they want.
Minato acts like a respectable person who knows how to reject his crush and has never intentionally induced Shin's feelings.
It is suggestive how the series establishes an interesting parallel between the blossoming romantic relationship between the two main characters and Minato's infatuation with Sakuma Takayuki (Fukushi Seiji), his teacher during his high school years. Unlike his teacher, Minato is not in a position of power in his relationship with Shin.
In the same way that Minato invaded Sakuma's space in the past to demand attention, it is Shin who acts in the same way to flirt with Minato and ask him to start a romantic relationship with him.
On the other hand, Akira and Shin's is not an intergenerational relationship, because they both belong to the same generation.
THOUGHTS… DIVAGATIONS
Abuse of power can occur in all relationships. It doesn't necessarily have to do with age. It seems important to me to see what position each member of the couple is in and what type of power game, seduction and even avoidance takes place. You have to see if there is an asymmetry in the relationship and how it is managed, if it is denied, if it is compensated...
It strikes me that many who propose the existence of a relationship of abuse of power in a gay relationship solely due to the fact that one of the members of the couple is a minor, do not show a single symptom of alarm when in other film and television productions an age difference appears when the couple is heterosexual.
What if we made a comparison of all these themes with the classic imaginary between the older man and the young woman? In the heterosexual couples there would be a double asymmetry, one of age and another of power. On the other hand, in an intergenerational gay relationship there would only be an asymmetry, although hypothetical, because it does not always occur.
In any case, gay couples are also plagued by gender stereotypes and myths of romantic love, constructions that society gives us as molds for living love. Until very recently there was no social model of how to be or how to experience love in a gay couple, and it is something that is being built. This makes an important issue such as intragender violence remain invisible. As we see, it is a debate with more questions than answers, but they all point to the same thing: relating better within the gay community.
BACK TO THE SERIES
Luckily for them, there aren't many social prejudices to face. Shin and Minato do not have to manage the challenges of social pressure and other people's gaze. They are not required to normalize any type of external situation that may arise nor do they have to turn a deaf ear to hurtful comments.
The series also shows how both characters seek to have things in common, share joint projects, goals and life expectations.
Although both have different life plans, as one dreams of studying medicine, while the other maintains his interest in working in the laundry, the series offers us details about how Minato and Shin are willing to accompany the other in their respective interests.
Love has no age, they say, and Minato and Shin don't care about the difference between them to let the feelings flow.
Ironically, the age difference between the two lead actors is only four and a half years.
In my opinion, when taking stock of the positive and negative issues that each member of a couple has in a situation like the one Minato and Shin are experiencing, age does not have to be a limitation to continue a bond.
The constructive factors and traits, as well as the virtues that make the person, should have greater weight than the age difference when betting on the couple.
It is known that there are no couples who agree on all aspects of life. However, finding balance in how discrepancies are faced, whether it is the way in which free time is used or the way in which each person expresses themselves, will be essential to overcome any obstacle.
I enjoy the series, and age differences neither in fiction nor in real life bother me, unless there is a clear power imbalance, which in this case, if anything, the power imbalance is reversed.
ONE LAST QUESTION BY WAY OF CONCLUSION
Finishing writing the review, there is a question that floats in my head: Is Shin and Minato's romance comparable to others in popular culture, if we take into account that there are different nuances in the relationships between men and women?
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