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Sexual awakening, coming of age, toxic loves and first romantic relationships
Sexual awakening, coming of age, toxic loves, a student's infatuation with his teacher and the first romantic relationships are the center of the plot of 'Heart Stain', a South Korean series directed by Ha Na and written by Yoon I Na, which presents a plot that we have already seen on many other occasions, even much better achieved.
Woo-hyun (Kim Ji Oh), a high school senior, has a one-sided crush on Jeong-min (Kang Yeon Jae), his teacher and basketball club advisor. And in this sense, the series explores how hormonal changes, the issue of appearance, the lack of experience, the idealization of scenarios and characters become part of the cocktail of students falling in love with teachers, something that, although it is not well regarded socially, especially when the student is a minor, occurs with some frequency in that phase in which the teenager is looking for love and prefers to date older boys or girls.
However, in the series this infatuation remains platonic.
As part of this stage in a teenager's life of beginning to know himself and explore his sexuality, Woo-hyun one day hints to Jeong-min that he likes a boy, but without offering other details as he has no plans to confess until after graduation, when the teacher-student bond no longer exists between them.
The kind teacher, who is unaware of Woo-hyun's feelings for him, assumes his words as if a student came out of the closet, and supports him.
For his part, Park Do-ha (Ha Min) is secretly in love with Woo-huyn. When Do-ha discovers his secret, Woo-hyun fears that his best friend and classmate will judge him for liking men. Surprisingly, Do-ha responds with an unexpected proposal: the two of them start a romance until graduation: If Woo-hyun ends up in love with him, Do-ha wins. If Woo-hyun hasn't developed feelings for him after high school, Woo-hyun would be the winner.
Eager to forget Jeongmin, and with nothing to lose, Woo-hyun accepts the offer, believing that this relationship will help him overcome his unrequited love. Little by little, their friendship changes, and the two must determine the complicated feelings they have for each other.
To represent these dynamics, the series uses stereotypical characters. Do-Ha is shy, naive and tends to redeem himself from everything Woo-hyun does, despite suffering from love for being in love with the boy who is in love with someone else. Woo-hyun is the boy who also suffers, but for the love of someone other than Do-ha. But with the bet they both begin a relationship, cold, without substance, without passion, without romanticism.
The power relationship between them is clearly seen from the beginning of the series: Do-Ha chases Woo-hyun, while he sighs in love for his teacher. Do-Ha doesn't make the decisions about their relationship; he suffers for love; he waits for Woo-hyun to change and fall in love with him…
This selection of characters is tailor-made to represent certain dynamics: the boy who initially has no feelings for the boy who is dying of love is the one who gets all the attention; while the boy who is in love with the co-star, the one who cares about the other's happiness and well-being, does not receive corresponding love. In other words: Woo-hyun's character functions as the "bad boy" who has little or no interest in the feelings of others; while Do-Ha would be the "good boy" who loves and suffers from not being reciprocated.
These characters are joined by Sori (Shin Si Ye) and Taemin (Yoo Ho Soo), the two supportive friends and also classmates of the protagonists; while we will soon see how the love triangle gives way to a rectangle (also called quadrangle) when Junsu (Kim Yi Geon) admits to being in love with Do-Ha. And this last one is the third one-sided crush, ironically marked by the coordinates that Woo-Hyun, who does not love Do-Ha, will make a "long face" every time Junsun flirts with Do-Ha.
Woo-Hyun needs to hurt Do-Ha, cause the breakup of the weak relationship between the two, stimulate a forced departure of the person who loves him to a European country with the excuse of continuing his university studies, to finally realize the feelings he has developed for him.
'Heart Stain' is one of those series that teaches us with these ideals of romantic love to experience or desire a practically toxic love. I would have liked the narrative to be focused on working to banish this idea that love is suffering, to begin to build a beautiful, tender, egalitarian love, so that young people learn to love in a positive way.
Changing these stereotypes in the representation of BL series is vital so that the dynamics on which romantic love is based also change.
Because even despite having a happy ending after a jump in time, the two boys will have to separate once again..., despite Woo-hyun's feelings for Do-Ha seem sincere, their relationship still does not convince me.
'Heart Stain' is a showcase for teenagers to assimilate that relationships have to be full of suffering and pain, and even that happiness is achieved with thousands of kilometers of distance involved, and with a brief and frugal meeting of two or three weeks a year.
Despite its thoughtful writing that follows the struggle of the main protagonist, it has the perfect ingredients to succeed among young audiences in general and BL lovers in particular: a high school plot, teenage love, first dates... in the 8 episodes of about 24 minutes in length, the main myth of romantic love is represented: if love doesn't hurt, it's not love.
Just as it represents the clichés of what teenagers do on a daily basis, it also reproduces many dynamics of toxic relationships from a young age: love is suffering, love is pain and both hurt each other and distance themselves. All seen through the exploration of pain and the protagonist's internal conflict between desire and disappointment.
'Heart Stain' could have been the opportunity to dismantle and banish the myths about toxic teenage loves, just as it could have been an opportunity to teach teenagers what healthy relationships are. However, its slow pace, lack of chemistry, insufficiently strong feelings to convince me of the romantic relationship, a relationship that exudes one-sidedness and the lack of development of the characters, that is, our lack of knowledge of their personalities, their backgrounds, make it a boring series.
And the series, like all cultural products, represents and tells us in some way what the behaviors and dynamics in a relationship should be like. We as the public indirectly absorb these values and adopt them in our daily lives. That is why it is so important that cultural products reproduce situations in which healthy relationships occur, and if they present toxic relationships, narratives full of pain and suffering, they also show reflection and learning. This is not the case. It is not achieved due to the poverty of the script and direction in this sense.
They sell you this series as a love story, but at no point is that "love" really shown.
If we must rescue something, it is the photography, and since it is a South Korean production, one could not expect less, the shots are precise and it has that touch of a youthful atmosphere and a student setting. The performances are good, especially those of the protagonists; I think they knew how to exploit it, but sadly the series alone fails to hook me, much less suggest it to others to watch.
Woo-hyun (Kim Ji Oh), a high school senior, has a one-sided crush on Jeong-min (Kang Yeon Jae), his teacher and basketball club advisor. And in this sense, the series explores how hormonal changes, the issue of appearance, the lack of experience, the idealization of scenarios and characters become part of the cocktail of students falling in love with teachers, something that, although it is not well regarded socially, especially when the student is a minor, occurs with some frequency in that phase in which the teenager is looking for love and prefers to date older boys or girls.
However, in the series this infatuation remains platonic.
As part of this stage in a teenager's life of beginning to know himself and explore his sexuality, Woo-hyun one day hints to Jeong-min that he likes a boy, but without offering other details as he has no plans to confess until after graduation, when the teacher-student bond no longer exists between them.
The kind teacher, who is unaware of Woo-hyun's feelings for him, assumes his words as if a student came out of the closet, and supports him.
For his part, Park Do-ha (Ha Min) is secretly in love with Woo-huyn. When Do-ha discovers his secret, Woo-hyun fears that his best friend and classmate will judge him for liking men. Surprisingly, Do-ha responds with an unexpected proposal: the two of them start a romance until graduation: If Woo-hyun ends up in love with him, Do-ha wins. If Woo-hyun hasn't developed feelings for him after high school, Woo-hyun would be the winner.
Eager to forget Jeongmin, and with nothing to lose, Woo-hyun accepts the offer, believing that this relationship will help him overcome his unrequited love. Little by little, their friendship changes, and the two must determine the complicated feelings they have for each other.
To represent these dynamics, the series uses stereotypical characters. Do-Ha is shy, naive and tends to redeem himself from everything Woo-hyun does, despite suffering from love for being in love with the boy who is in love with someone else. Woo-hyun is the boy who also suffers, but for the love of someone other than Do-ha. But with the bet they both begin a relationship, cold, without substance, without passion, without romanticism.
The power relationship between them is clearly seen from the beginning of the series: Do-Ha chases Woo-hyun, while he sighs in love for his teacher. Do-Ha doesn't make the decisions about their relationship; he suffers for love; he waits for Woo-hyun to change and fall in love with him…
This selection of characters is tailor-made to represent certain dynamics: the boy who initially has no feelings for the boy who is dying of love is the one who gets all the attention; while the boy who is in love with the co-star, the one who cares about the other's happiness and well-being, does not receive corresponding love. In other words: Woo-hyun's character functions as the "bad boy" who has little or no interest in the feelings of others; while Do-Ha would be the "good boy" who loves and suffers from not being reciprocated.
These characters are joined by Sori (Shin Si Ye) and Taemin (Yoo Ho Soo), the two supportive friends and also classmates of the protagonists; while we will soon see how the love triangle gives way to a rectangle (also called quadrangle) when Junsu (Kim Yi Geon) admits to being in love with Do-Ha. And this last one is the third one-sided crush, ironically marked by the coordinates that Woo-Hyun, who does not love Do-Ha, will make a "long face" every time Junsun flirts with Do-Ha.
Woo-Hyun needs to hurt Do-Ha, cause the breakup of the weak relationship between the two, stimulate a forced departure of the person who loves him to a European country with the excuse of continuing his university studies, to finally realize the feelings he has developed for him.
'Heart Stain' is one of those series that teaches us with these ideals of romantic love to experience or desire a practically toxic love. I would have liked the narrative to be focused on working to banish this idea that love is suffering, to begin to build a beautiful, tender, egalitarian love, so that young people learn to love in a positive way.
Changing these stereotypes in the representation of BL series is vital so that the dynamics on which romantic love is based also change.
Because even despite having a happy ending after a jump in time, the two boys will have to separate once again..., despite Woo-hyun's feelings for Do-Ha seem sincere, their relationship still does not convince me.
'Heart Stain' is a showcase for teenagers to assimilate that relationships have to be full of suffering and pain, and even that happiness is achieved with thousands of kilometers of distance involved, and with a brief and frugal meeting of two or three weeks a year.
Despite its thoughtful writing that follows the struggle of the main protagonist, it has the perfect ingredients to succeed among young audiences in general and BL lovers in particular: a high school plot, teenage love, first dates... in the 8 episodes of about 24 minutes in length, the main myth of romantic love is represented: if love doesn't hurt, it's not love.
Just as it represents the clichés of what teenagers do on a daily basis, it also reproduces many dynamics of toxic relationships from a young age: love is suffering, love is pain and both hurt each other and distance themselves. All seen through the exploration of pain and the protagonist's internal conflict between desire and disappointment.
'Heart Stain' could have been the opportunity to dismantle and banish the myths about toxic teenage loves, just as it could have been an opportunity to teach teenagers what healthy relationships are. However, its slow pace, lack of chemistry, insufficiently strong feelings to convince me of the romantic relationship, a relationship that exudes one-sidedness and the lack of development of the characters, that is, our lack of knowledge of their personalities, their backgrounds, make it a boring series.
And the series, like all cultural products, represents and tells us in some way what the behaviors and dynamics in a relationship should be like. We as the public indirectly absorb these values and adopt them in our daily lives. That is why it is so important that cultural products reproduce situations in which healthy relationships occur, and if they present toxic relationships, narratives full of pain and suffering, they also show reflection and learning. This is not the case. It is not achieved due to the poverty of the script and direction in this sense.
They sell you this series as a love story, but at no point is that "love" really shown.
If we must rescue something, it is the photography, and since it is a South Korean production, one could not expect less, the shots are precise and it has that touch of a youthful atmosphere and a student setting. The performances are good, especially those of the protagonists; I think they knew how to exploit it, but sadly the series alone fails to hook me, much less suggest it to others to watch.
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