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Unrequited affection, transformative friendship, the mystery of hidden love
Adolescence is fertile ground for fiction. It's that time in our lives when emotions run high. Every obstacle is the end of the world. Every sexual or romantic attraction leads to hours and hours of thinking in bed. Every photo or comment on social media saves us or plunges us into the abyss of life. Insecurities bring out the worst in us. Waking up in the morning means facing the existential crisis of understanding one's place in the world. And, at the same time, anything is possible.
If we consider that it is scientifically proven that childhood is that key stage for every person, where the intellectual and emotional foundations on which their success or failure as an adult depend are formed, it is clear that Lee Hee Su, the young protagonist of 'Hee Su in Class 2', has all the makings of a rather happy future.
Someone who is aware that, as small, fleeting beings in a universe we don't understand and will probably never understand, we will also be unable to know what the future holds, tells us that we are in the presence of an awake, curious, and thoughtful teenager who seems to have his ideas very clear.
Offering sound love advice to his classmates, even though he doesn't dare apply it to his own love life; talking about crushes when he doesn't even know what to do with his own; being part of an almost utopian universe (that of youth and school) where those who had never paid attention to him begin to seek him out for love advice, where Hee Su himself is the first to be surprised when he realizes that "his special talent" can solve relationship problems, and where love entails not knowing that we won't find love with the person we think we love, but with someone we would never have imagined, this was the best thing that could happen to a boy who keeps the secret of being in love with Joo Chan Young, his best friend. If we add to this the fact that his heterosexual crush, unaware of the feelings he awakens in Hee Su, takes every opportunity to talk to him about girls, including Ji Yu (Park Yoo Hyun), his favorite singer and schoolmate whom he likes so much, it could very well be a trigger for the deepening frustration of having to hide his crush.
And although at times it seems as if his world could collapse with a complex family environment, with absent parents and three single sisters, one of them suffering from heartbreak, everything will change when an unexpected person enters his life.
South Korean female director Park Kyung Min makes her television debut with a coming-of-age story, a youth drama that raises questions about unrequited affection, transformative friendship, the mystery of hidden love, self-discovery, unexpected relationships, and the search for acceptance in a school environment with the freshness of student life.
Far from being just another of the hundreds of LGBT+-themed productions that are increasingly appearing on television channels and digital media, 'Heesu in Class 2' surprises with a complexity and attention to detail that transcends its genre, with its fresh and emotional take on what it means to find one's own path in the midst of adolescence. Ahn Ji Ho, after winning critical and popular acclaim for his roles in the series "Nobody Knows" (2020), "Night Has Come" (2023), and "Begins Youth" (2024), and the films "Along with the Gods: The Last 49 Days" (2018) and "Rebound" (2023), once again showcases his artistic talent in his portrayal of Hee Su, a dreamy, clever, but socially awkward young man whose identity at school has been reduced to being "Chan Young's friend". Kim Seung Won is a destabilizing element in his life. Unlike Chan Young, the neighbor and class president is reserved, shy, studious, and somewhat clumsy, especially around the main character.
Lee Sang Jun, known for his performance as a soldier in the second season of 'Squid Game' (2024) and his appearance in television productions such as 'Beauty and Mr. Romantic' (2024) and 'Blue Birthday' (2021), plays a character whose serious demeanor and intense glances, interpreted as signs of rejection, initially confuse Hee Su. However, he manages to draw him out of Chan Young's shadow when the two meet in the School Guidance Club and begin to interact more. In addition to sharing activities at school, Hee Su discovers that Seung Won is her neighbor, and on more than one occasion, they end up talking through their bedroom windows. This unexpected bond brings them closer, showing Hee Su a different perspective on affection and companionship, something she had never considered outside of her devotion to Chan Young.
The series, which at times reminds me of 'Sex Education' (Laurie Nunn), becomes a kind of healing sanctuary and an unprejudiced adolescent audiovisual. While in the 2019 Netflix series, Otis (Asa Butterfield) decides to use the sexual knowledge acquired through his mother, a renowned sex therapist, to help students and transform their environment, here Lee Hee Su achieves the same results, but resorts to repeating some of the love clichés contributed by her sister, who has also failed to find happiness in love.
This approach is simple and daring, but it results in a series with a completely natural tone, very funny, very well developed, and unfolding quite realistically. It's a reflection of life that normalizes the normalization of certain topics, discussing human and adolescent psychology, and often drawing on the main character's knowledge of astronomy and the cosmic universe.
I have to admit it. I've rarely seen two actors like Ahn Ji Ho and Lee Sang Jun so accurately portray the emotions, awkwardness, and emotional intensity of those first loves and relationships.
Their performances are very genuine in capturing personal growth and self-discovery. As the characters get to know each other, a maturation process occurs through their romantic experiences, centered more on silences, secrets, glances, restrained gestures, unspoken words...
The series beautifully portrays the school as a social center. The school environment created is the perfect setting for adding drama and tension to the characters' romantic adventures. It's also beautiful in depicting the drama of friendship, how friends influence romantic decisions and add complexity to the story with loyalty, jealousy, and support.
Another element we shouldn't overlook is the family dynamic. Lee Hee Su lives with three sisters. Much of the action takes place in their home, while these four characters share experiences and conversations. The series is exquisite in showing how family influence can influence the way the characters approach love. The relationships between Hee Su and her sisters, Lee Hui Jae (Park Kyung Hye), Lee Hui Jeong (Kim Han Na), and Lee Hui Sin (Jung Ye Nok), generate tension and push the protagonist to make important decisions. Other issues we shouldn't forget are how conflicts and dramas inform the romantic stories of Hee Su and Kim Seung Won, on the one hand, and Joo Chan Young and Choi Ji Yu (Kim Do Yeon), on the other. Love triangles, misunderstandings, rivalries, and breakups keep these two stories captivating and full of emotional twists and turns.
Shin Ho Sik (Jeon Yeong In), Hee Su's friend and classmate, is another character audiences will enjoy, as they empathize with a boy who discovers love in a classmate after the girl he's been in love with rejects him.
Ahn Ji Ho's performance is superb. His character struggles with his insecurities, his sexual identity, self-esteem issues, and emotional ups and downs (whether joy, heartbreak, or confusion) as he tries to figure out who he is. Through his insecurities, viewers can understand how this boy deals with love and relationships with everyone around him.
Some vilify the series for not being faithful to the original. I haven't read the eponymous webtoon by Lily Zuzu, published in 2018 by Lezhin Comics, on which it is based, so I can't speak to its virtues or defects as an adaptation, but the creators have the freedom to discard the so-called Literal Adaptation and Condensed Adaptation, to avail themselves of the Interpretive Adaptation, which allows greater creative freedom when adapting the original work.
The truth is, I have no doubt that those who can't do anything, teach. And those who have never experienced love begin to give advice about love. That's the essential premise of the series.
A work with a wonderful rhythm, with perfect and magnificent performances, with a well-written plot that works to create a dynamic that moves the work forward with enormous doses of fun, profound discourses, and brilliant acting. It takes advantage of its themes and has a refreshing perspective on the world and art, with wholesome messages and great naturalness, but above all, it is a very funny series with 45-minute episodes, something unusual in South Korean BL series, which amaze us and make us enjoy the entire length of the series, without the typical filler. A work that gets to the point with what it wants to show and how it wants to entertain us for a few hours.
Along the way, Hee Su resolves the sentimental doubts of both his schoolmates and himself. 'Hee Su in Class 2' has managed to break the prevailing heteronormativity, allowing the visibility of sexual orientations and their expression in young characters, which represents a breakthrough in a country as conservative and patriarchal as South Korea. It offers one of the best scenes of support between a queer character and another queer character ever on television: the moment when Hee Su overhears a girl talk about her feelings for another woman. And, while it vindicates friendship in all its forms (between boys and girls, between gays and straights, from equality and difference), it offers a valuable deconstruction of toxic masculinity. This, I would say, is its most stimulating legacy.
If we consider that it is scientifically proven that childhood is that key stage for every person, where the intellectual and emotional foundations on which their success or failure as an adult depend are formed, it is clear that Lee Hee Su, the young protagonist of 'Hee Su in Class 2', has all the makings of a rather happy future.
Someone who is aware that, as small, fleeting beings in a universe we don't understand and will probably never understand, we will also be unable to know what the future holds, tells us that we are in the presence of an awake, curious, and thoughtful teenager who seems to have his ideas very clear.
Offering sound love advice to his classmates, even though he doesn't dare apply it to his own love life; talking about crushes when he doesn't even know what to do with his own; being part of an almost utopian universe (that of youth and school) where those who had never paid attention to him begin to seek him out for love advice, where Hee Su himself is the first to be surprised when he realizes that "his special talent" can solve relationship problems, and where love entails not knowing that we won't find love with the person we think we love, but with someone we would never have imagined, this was the best thing that could happen to a boy who keeps the secret of being in love with Joo Chan Young, his best friend. If we add to this the fact that his heterosexual crush, unaware of the feelings he awakens in Hee Su, takes every opportunity to talk to him about girls, including Ji Yu (Park Yoo Hyun), his favorite singer and schoolmate whom he likes so much, it could very well be a trigger for the deepening frustration of having to hide his crush.
And although at times it seems as if his world could collapse with a complex family environment, with absent parents and three single sisters, one of them suffering from heartbreak, everything will change when an unexpected person enters his life.
South Korean female director Park Kyung Min makes her television debut with a coming-of-age story, a youth drama that raises questions about unrequited affection, transformative friendship, the mystery of hidden love, self-discovery, unexpected relationships, and the search for acceptance in a school environment with the freshness of student life.
Far from being just another of the hundreds of LGBT+-themed productions that are increasingly appearing on television channels and digital media, 'Heesu in Class 2' surprises with a complexity and attention to detail that transcends its genre, with its fresh and emotional take on what it means to find one's own path in the midst of adolescence. Ahn Ji Ho, after winning critical and popular acclaim for his roles in the series "Nobody Knows" (2020), "Night Has Come" (2023), and "Begins Youth" (2024), and the films "Along with the Gods: The Last 49 Days" (2018) and "Rebound" (2023), once again showcases his artistic talent in his portrayal of Hee Su, a dreamy, clever, but socially awkward young man whose identity at school has been reduced to being "Chan Young's friend". Kim Seung Won is a destabilizing element in his life. Unlike Chan Young, the neighbor and class president is reserved, shy, studious, and somewhat clumsy, especially around the main character.
Lee Sang Jun, known for his performance as a soldier in the second season of 'Squid Game' (2024) and his appearance in television productions such as 'Beauty and Mr. Romantic' (2024) and 'Blue Birthday' (2021), plays a character whose serious demeanor and intense glances, interpreted as signs of rejection, initially confuse Hee Su. However, he manages to draw him out of Chan Young's shadow when the two meet in the School Guidance Club and begin to interact more. In addition to sharing activities at school, Hee Su discovers that Seung Won is her neighbor, and on more than one occasion, they end up talking through their bedroom windows. This unexpected bond brings them closer, showing Hee Su a different perspective on affection and companionship, something she had never considered outside of her devotion to Chan Young.
The series, which at times reminds me of 'Sex Education' (Laurie Nunn), becomes a kind of healing sanctuary and an unprejudiced adolescent audiovisual. While in the 2019 Netflix series, Otis (Asa Butterfield) decides to use the sexual knowledge acquired through his mother, a renowned sex therapist, to help students and transform their environment, here Lee Hee Su achieves the same results, but resorts to repeating some of the love clichés contributed by her sister, who has also failed to find happiness in love.
This approach is simple and daring, but it results in a series with a completely natural tone, very funny, very well developed, and unfolding quite realistically. It's a reflection of life that normalizes the normalization of certain topics, discussing human and adolescent psychology, and often drawing on the main character's knowledge of astronomy and the cosmic universe.
I have to admit it. I've rarely seen two actors like Ahn Ji Ho and Lee Sang Jun so accurately portray the emotions, awkwardness, and emotional intensity of those first loves and relationships.
Their performances are very genuine in capturing personal growth and self-discovery. As the characters get to know each other, a maturation process occurs through their romantic experiences, centered more on silences, secrets, glances, restrained gestures, unspoken words...
The series beautifully portrays the school as a social center. The school environment created is the perfect setting for adding drama and tension to the characters' romantic adventures. It's also beautiful in depicting the drama of friendship, how friends influence romantic decisions and add complexity to the story with loyalty, jealousy, and support.
Another element we shouldn't overlook is the family dynamic. Lee Hee Su lives with three sisters. Much of the action takes place in their home, while these four characters share experiences and conversations. The series is exquisite in showing how family influence can influence the way the characters approach love. The relationships between Hee Su and her sisters, Lee Hui Jae (Park Kyung Hye), Lee Hui Jeong (Kim Han Na), and Lee Hui Sin (Jung Ye Nok), generate tension and push the protagonist to make important decisions. Other issues we shouldn't forget are how conflicts and dramas inform the romantic stories of Hee Su and Kim Seung Won, on the one hand, and Joo Chan Young and Choi Ji Yu (Kim Do Yeon), on the other. Love triangles, misunderstandings, rivalries, and breakups keep these two stories captivating and full of emotional twists and turns.
Shin Ho Sik (Jeon Yeong In), Hee Su's friend and classmate, is another character audiences will enjoy, as they empathize with a boy who discovers love in a classmate after the girl he's been in love with rejects him.
Ahn Ji Ho's performance is superb. His character struggles with his insecurities, his sexual identity, self-esteem issues, and emotional ups and downs (whether joy, heartbreak, or confusion) as he tries to figure out who he is. Through his insecurities, viewers can understand how this boy deals with love and relationships with everyone around him.
Some vilify the series for not being faithful to the original. I haven't read the eponymous webtoon by Lily Zuzu, published in 2018 by Lezhin Comics, on which it is based, so I can't speak to its virtues or defects as an adaptation, but the creators have the freedom to discard the so-called Literal Adaptation and Condensed Adaptation, to avail themselves of the Interpretive Adaptation, which allows greater creative freedom when adapting the original work.
The truth is, I have no doubt that those who can't do anything, teach. And those who have never experienced love begin to give advice about love. That's the essential premise of the series.
A work with a wonderful rhythm, with perfect and magnificent performances, with a well-written plot that works to create a dynamic that moves the work forward with enormous doses of fun, profound discourses, and brilliant acting. It takes advantage of its themes and has a refreshing perspective on the world and art, with wholesome messages and great naturalness, but above all, it is a very funny series with 45-minute episodes, something unusual in South Korean BL series, which amaze us and make us enjoy the entire length of the series, without the typical filler. A work that gets to the point with what it wants to show and how it wants to entertain us for a few hours.
Along the way, Hee Su resolves the sentimental doubts of both his schoolmates and himself. 'Hee Su in Class 2' has managed to break the prevailing heteronormativity, allowing the visibility of sexual orientations and their expression in young characters, which represents a breakthrough in a country as conservative and patriarchal as South Korea. It offers one of the best scenes of support between a queer character and another queer character ever on television: the moment when Hee Su overhears a girl talk about her feelings for another woman. And, while it vindicates friendship in all its forms (between boys and girls, between gays and straights, from equality and difference), it offers a valuable deconstruction of toxic masculinity. This, I would say, is its most stimulating legacy.
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