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The real star of this drama is screenwriter Park Hae Young
What a wonderful, heartfelt drama. Park Hae Young has to be one of the best screenwriters currently working. She has a very distinctive style that gives the actors room to create/inhabit their characters through her thought-provoking dialogue. She weaves incredibly clever subplots through the story that make it so much richer. In her previous script for My Liberation Notes, you can see it starting to come together. With We Are All Trying Here she is in full control.
That Dong-man's oafish, morose brother is also a celebrated poet feels incongruous, but his appearance throughout serves to shock us, elicit anguish for him, scare us, and rejoice with him. When a loan shark appears, the trope is turned completely on its head with a very clever twist. In anyone else's hands, a plot device like the "emotion watch" would be a cheap gimmick, but Writer Park uses it to help us connect with the depth of the two leads’ suffering and at one point uses it to wrench a cry of desperation out of them that is absolutely heart-breaking ("Help me...").
The cast is terrific. Koo Kyo Hwan is exasperatingly delightful as Hwang Dong-Man, and Go Youn Jung is heart wrenchingly soulful as Byeon Eun A. In one of the most touching (and controversial) scenes, Eun A loops her cardigan over Dong-Man as if to bring him into her womb to protect and nurture him. If that was in the script, it is pure genius. If it was something the actors ad-libbed, then kudos to Writer Park for creating the space for it.
Once again, Oh Jung Se is absolutely perfect as the antagonist Park Gyeong Se. (Is there a better character actor?) And Park Hae Joon's role as Dong-man's brother Hwang Jin-man is a delightful contrast to his recent role as IU's father in “When Life Gives You Tangerines”.
The cast was so good that I couldn't help but feel that the actors loved this work as much as the viewers did. This drama will be on everyone's “Best Of” list for 2026, and rightfully so. But let no one forget, the real star of this drama is screenwriter Park Hae Young.
That Dong-man's oafish, morose brother is also a celebrated poet feels incongruous, but his appearance throughout serves to shock us, elicit anguish for him, scare us, and rejoice with him. When a loan shark appears, the trope is turned completely on its head with a very clever twist. In anyone else's hands, a plot device like the "emotion watch" would be a cheap gimmick, but Writer Park uses it to help us connect with the depth of the two leads’ suffering and at one point uses it to wrench a cry of desperation out of them that is absolutely heart-breaking ("Help me...").
The cast is terrific. Koo Kyo Hwan is exasperatingly delightful as Hwang Dong-Man, and Go Youn Jung is heart wrenchingly soulful as Byeon Eun A. In one of the most touching (and controversial) scenes, Eun A loops her cardigan over Dong-Man as if to bring him into her womb to protect and nurture him. If that was in the script, it is pure genius. If it was something the actors ad-libbed, then kudos to Writer Park for creating the space for it.
Once again, Oh Jung Se is absolutely perfect as the antagonist Park Gyeong Se. (Is there a better character actor?) And Park Hae Joon's role as Dong-man's brother Hwang Jin-man is a delightful contrast to his recent role as IU's father in “When Life Gives You Tangerines”.
The cast was so good that I couldn't help but feel that the actors loved this work as much as the viewers did. This drama will be on everyone's “Best Of” list for 2026, and rightfully so. But let no one forget, the real star of this drama is screenwriter Park Hae Young.
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