Beatrice

Immediately the photography of the show really stood out, it's very cinematic and would look good even theaters. The space and breadth within the shots is so nice, it honestly doesn't look like a gmmtv show if I didn't know what channel it's on. The cinematographer also previously worked on F4:Thailand which was also very good. The color grading is on the digital muddy side a bit, but it's not too distracting, because the beautiful photography and lighting makes up for it. The direction, pacing, writing, and acting are generally solid as well. One of the things the show does really well is showing a scene or situation in a certain way and showing a different point of view of what happened later. I also love how they let the romantic moments play out organically, letting the acting and the story carry it in the moment. That's how you respect the audience's intelligence. It's really nice that lead characters actually have a relationship, learning about each other, growing as individuals, learning how to have a relationship.

The story has as grounded of characters as a a romance fantasy can have, but there's still plenty of humorous moments that are drawn organically from the interactions and story, which is how it should be. I really do like Po's journey that he learns that he has no dream and that's okay. That sounds funny, but it's true not everyone needs to have some sort of epic goal, just wanting to live a life with the people you care about is good. His conversation with his tailor shop boss who doesn't have a dream, tailoring is just his job and it's totally fine is so nice to see in a drama. Po's lost puppy face really does give him some cute boy privilege with many people kind of babying him. The job interview panel in the opening gave him good constructive feedback while rejecting him at the same time for his unprofessionalism and bluntness about prioritizing his personal life over film directing work. It's also cute that Po is basically an implied fanboy of Bright Vachirawit who was in F4:Thailand and formerly the Riser labelmate of the real life boyband that is playing the fictional boyband Mars in this drama. Po says he likes the song Good Time and Thame sweetly sings it for him. It's the the ost from Bright's storyline in the anthology drama Good Old Days and he wants to watch Bright's film Love You To Debt which becomes a major part and continuing reference of Po's romantic storyline. I highly recommend the film, it's very bittersweet with romance and a brutal look at cycle of poverty. Po is also privileged in the way that he has a great support system with his mom sending him some spending money, his best friend looking out for job opportunities for him, and his tailor shop boss continuing to give him a flexible part time job along with fantastic advice and time for him to spend with Thame at the shop.

Thame getting furious when he spots Po at the company thinking he's a sasaeng that snuck in is understandable because he is fiercely protective of his bandmates as someone who selflessly looks out for others, especially with the responsibility of band leader. The sasaeng issue is bad in all countries and it's also a real problem with these stalker fans getting jobs at the companies. It was funny that Po didn't think he would have stood out enough for Thame to recognize him just one time, but he was being too cute for Thame not to notice with him thoughtfully picking up a little kid so she could see the band walking out better. Thame trying to get Po to quit opens the door for Po to just to be totally frank and trauma dump his point of view of seeing Thame being just like his ex Earn, being selfish and leaving the band after using them. Thame also starts to open up that he's actually also in a lot of pain which opens Po's eyes that Thame is actually different than what he thought and wants to understand him more, which he asks directly. To anyone it would sound like a romantic request, but Thame hilariously takes things with Po at face value throughout the drama, but thank goodness his observant bandmates help steer him back in the right direction and he immediately take action to rectify the situation. The same with Po getting Thame to realize how he needs to reconnect with his bandmates. Respect to Thame for also knowingly going up on stage for the freestyle rap battle for Dylan who was mad at him and wanted to set him up for humiliation. Thame actually did very well for even getting as far as he did in the rap battle. Freestyle rap is a totally different skill from written, a lot of rappers do not and cannot do freestyle.

Po and Thame staying up all night talking to each other, Thame even staying on the line until Po woke up and sings to him is so cute. The scene captures new love so well. It's funny how Thame is one step behind his feelings, his actions are already all in, he just doesn't understand the context to what he's even doing, but it's great that he has people around him to clue him into himself and he immediately owns up to it and takes action. Pepper pointing out to Thame that this is romantic to Thame and Thame going to Po right away to find out via the proximity and the touch test of his feelings is funny and sweet. The whole band pointing out the Thame that he totally missed out on the atmosphere of physical intimacy time when he and Po went back to the apartment and he also corrects that as soon as possible too is also funny and spicy. I really like how he encourages Po to just walk on his own pace and let Thame adjust to him rather than the other way around. An issue that in asian dramas in general, is that the writing uses shows really toxic behavior with the use of jealousy for humor, but I think this drama struck the right tone without it going overboard. It's pretty funny how Thame really just stood there and watched Po pack up all of Earn's clothes. Thame also read my mind and sharpied over the Earn cup, which I had been thinking Po could have done in the first ep when the cups first appeared. I appreciate that the kiss scenes, which are extremely hit and miss in the asian drama world in general regardless of the sexualities of the characters, look normal. It's a surprisingly hard bar to clear for some actors and directors before they can even begin to convey the feelings of the characters in the scene. I love that Po and Thame act like that adults that they are without being juvenile about wanting physical connection nor the scenes being over done.

Pepper rejoined Thame really quickly, so his storyline is revealed later to be that he has also been dating. His girlfriend Gam is a very pretty staff Oner staff member that Jun also flirted with. Jun keeps accidentally flirting with his bandmate's significant others. The actor who plays Jun looks like a twin of Bilkin, they can totally play brothers. Jun is a fun chaos demon of a character. He's the sharp on the uptick, seeing through Thame's self sacrifice with th eslave contract to pay off the group's debts, and wanting Thame to succeed rather than be held back by the group. Jun may be a flirt master 3000, but he's got the romance too, it's sweet how he does Po's subtitling edit work so Po can focus on their music video work, bringing him to a cool speak easy style spot to work, and serenading him. It's so nice how he immediately backs off once Thame confirms that he really does like Po because he knows that Po already likes Thame. No petty drama, he just goes back to being a great friend to them both. The show via Nano flirts with pairing Jun and the prickly Dylan, but it doesn't happen. They don't have the vibe for it, so it's fine. Their Oner boss is the main antagonist, but since this show is a vehicle for promoting gmmtv's own boyband, it's really funny that it may the reason that they actually make her be a more three dimensional person that a straight up villain. She has a vision to expand T-Pop and she pulls her punches at the end when she allows them to keep their band name.