4
Greed is bad/Saving lives is GOOD
On the surface, this show ticked all the boxes, and it is a definite must-watch of 2025. I'm not a medico so I'm not going to say that the show is realistic, or some procedure is wrong. I see it purely as entertainment. However, it is oddly disquieting for me in parts. Please allow me to explain.
The medical emergency genre is hardly new. There are many fine examples, both from Korea as well as western productions. What usually set them apart is the impactful stories, nail-biting suspense of a life in balance and the human drama which unfolds as the team work to deny Charon his coin. The medics and patients alike are flawed but intriguing.
This drama has these qualities in spades. The ML is handsome and charismatic. He is caustic, masterful, dedicated and will not suffer fools. He gathered a young team around him as he fights to save lives in a hostile environment. Growth in the team is a must. We are hooked from the start.
This is where I find the script testing my patience from time to time. When it is focused on the Trauma Centre and its band of misfits, it is wonderful. It is often an exhilarating white-knuckle ride. Kudos to the production team.
On the other hand, pointless side plots centred around the Chief and the hospital Director leaves me cold. They have antagonist written on their foreheads. Their sole purpose is to look pompous and throw the ML under a bus. It is petty vendetta, pure and simple. I can accept it if it was a significant historical grievance, but it is not. For the Chief and his lackeys, it is simply because the ML is seen as an upstart who is not part of the Club and refused to kowtow to the establishment. The Director is worse, it is all about money and making a profit. It paints the Korean hospital system in a poor light.
OMG, they are so tropey! The whole office politics based on seniority and connection is beyond old school, but we are talking about the doctor's creed. They literally shout to the world that they are out to get the ML. Maybe it belies its Navel visual novel root. It is effective but hardly subtle. It is low hanging fruit for the writer-nim but it takes the shine off the awesome storytelling. Such simplistic handling of strategic plot developments is jarring when the next scene could be a do-or-die struggle between the ML's skill and tiny movements of a dagger’s edge.
To be fair, it is not all bad news on that front. We do get the odd redemption but it can still feel clumsy. It is more like karma slapping the antagonist in the face, hard, then pulls his pants down while laughing. Sure, it works, but I don't feel there is a mutual understanding. More like a death bed conversion.
Hence, if I were to rate the show purely on the acting, production values, OST and the A-plot then it is a 10/10. However, I must deduct 1 point for the oh-so predictable antagonist and their shallow mechanisation. It is still a top pick but I'm thankful that I can FF the aggravating bits.
P.S. I read reports that this series is designed to have a S2 and 3. Netflix, don't fail us now!
The medical emergency genre is hardly new. There are many fine examples, both from Korea as well as western productions. What usually set them apart is the impactful stories, nail-biting suspense of a life in balance and the human drama which unfolds as the team work to deny Charon his coin. The medics and patients alike are flawed but intriguing.
This drama has these qualities in spades. The ML is handsome and charismatic. He is caustic, masterful, dedicated and will not suffer fools. He gathered a young team around him as he fights to save lives in a hostile environment. Growth in the team is a must. We are hooked from the start.
This is where I find the script testing my patience from time to time. When it is focused on the Trauma Centre and its band of misfits, it is wonderful. It is often an exhilarating white-knuckle ride. Kudos to the production team.
On the other hand, pointless side plots centred around the Chief and the hospital Director leaves me cold. They have antagonist written on their foreheads. Their sole purpose is to look pompous and throw the ML under a bus. It is petty vendetta, pure and simple. I can accept it if it was a significant historical grievance, but it is not. For the Chief and his lackeys, it is simply because the ML is seen as an upstart who is not part of the Club and refused to kowtow to the establishment. The Director is worse, it is all about money and making a profit. It paints the Korean hospital system in a poor light.
OMG, they are so tropey! The whole office politics based on seniority and connection is beyond old school, but we are talking about the doctor's creed. They literally shout to the world that they are out to get the ML. Maybe it belies its Navel visual novel root. It is effective but hardly subtle. It is low hanging fruit for the writer-nim but it takes the shine off the awesome storytelling. Such simplistic handling of strategic plot developments is jarring when the next scene could be a do-or-die struggle between the ML's skill and tiny movements of a dagger’s edge.
To be fair, it is not all bad news on that front. We do get the odd redemption but it can still feel clumsy. It is more like karma slapping the antagonist in the face, hard, then pulls his pants down while laughing. Sure, it works, but I don't feel there is a mutual understanding. More like a death bed conversion.
Hence, if I were to rate the show purely on the acting, production values, OST and the A-plot then it is a 10/10. However, I must deduct 1 point for the oh-so predictable antagonist and their shallow mechanisation. It is still a top pick but I'm thankful that I can FF the aggravating bits.
P.S. I read reports that this series is designed to have a S2 and 3. Netflix, don't fail us now!
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