Zogitt

It is not always about the OTP

This show is a rewarding watch with a nice positive message and a fluffy, easy going style.

Ok, now that the review is over, let’s talk about something else.

There is a well-thumbed rom-com playbook that is passed between writers with reverence. On page 2 of the sacred text is this rule. “A second male or female lead must be unlikeable and possibly despicable. He or she shall do all within their power to break up the OTP.” I don’t know how many shows have followed this golden rule to the letter, but I have ran out of fingers and toes a long time ago. Once in a long while, a show will break this rule.

The characters in this show feels real. They are far from perfect, and they will act selfishly when the need arises. They are just normal people who are reacting to circumstances. Both the second leads are in love with the respective leads so they gave it a red-hot go in their pursuit of happiness. However, once they knew the race is lost, they bow out gracefully. It is sad and the scene where the SFL proclaimed that she just threw away her own happiness is gut retching. However, you have to give them their dues and respect their honesty and dignity. It might sound trite but that is a lot closer to reality than the same-y win-at-all-cost type being dished up nowadays. I won’t go as far as saying that I have 2nd lead syndrome, but they are worthy contenders. Speaking of which, a good example of second lead syndrome can be found in She Was Pretty. Salute!

BTW, the side characters in this show are all nice, decent people. Solid friends and co-workers whom you would be proud to associate with. Even in that sense, the show is refreshingly different.

I can’t give this a perfect score because it is just an unpretentious, fluffy little rom-com but it has a special place in my rewatch list. This show will recharge your emotional battery and make you swoon. Peace out.

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Sharing IS caring

This show is unabashedly sentimental with the focus on the overwhelming grief suffered by the college age FL. She recently lost her grandmother who is more like a mother to her after the sudden death of her father through misadventure 5 years previous. It is a blow she is ill prepared to handle. Her life grinds to a halt at that point.

Sharing meals is a common device used to signify a bond between friends and family members. We see flashbacks of meals happily shared in her humble abode with her closest friends and small family unit. It contrasted starkly with the scenes in the present where she ate bento boxes bought from convenience stores in silence with the TV providing nothing but background noise. The loneliness and heartache are palatable.

However, her seemingly unrelenting despair began to lift once she started to work at a cafe called Finland Papa. The whole raison d'etre of the establishment seems to be the healing of those who work there. The writer-nim certainly took some liberty with the narrative here. Just don't ask too many questions. ;)

FL is the focal point of the show, and she has to display the broadest range of emotions. I think she did well, and she was ably assisted by the ensemble cast. Speaking of the ensemble, I'm not going to spoil their stories. The writer-nim doesn’t have time to paint with a fine brush, so we have to settle for some broad strokes surrounding their tropey backstories. Nothing untoward and certainly within the realm of plausibility. I almost forgot to mention, the grandma character is the underpinning of the main plot. She dispenses wisdom and bonhomie to all who would accepts her hospitality.

This leads us to the other key motif of the show. The found family trope is a favourite for a good reason and it is used to good effect here. The motley crew working at the cafe started with a love-hate relationship. Their growing bond is what gave them strength to heal through their various wounded psyches. While the process is a foregone conclusion, its steady progress is nice to watch, nevertheless.

The show will hit you with the feels as long as you are not too critical about the simple story and straightforward delivery. There are no high dramas nor funny gags. But sometimes you just need a show like this to give you an excuse to step away from our crazy world for just a moment. I'd like to think of this show as is a soothing salve to the soul. It won't appeal to everyone but that's ok too. That just means there are more Xmas parfait for me. :)

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If Xianxia rom-com is a legit sub genre then this is a very good example

I don't watch many Xianxia nowadays because a lot of them, in recent years, relies too much on (questionable) CGI and lazy scripts that have tropey paper thin plots and are devoid of fresh ideas. Hence, it is with some trepidation that I started to watch this show solely based on personal recommendations. I'm happy to report that this Show is good, very good.

The basic story is nothing new. Multiple realms exist between heaven and the underworld. They alternate between warring with each other to an unstable truce. Enter the human emperor who decided to buy time for us weaklings by marrying one of his beautiful and smart daughters to the empyrean prince while farm off the unloved one to the crown prince of the underworld. So far, so tropey.

Forsooth, not exactly LOL material, right? Well, hats off to the writer. She managed to inject a lot of fun and comedy into this show. It is a revelation. It runs the full spectrum of jokes, innuendos, slapstick and sight gags. All this hijinx is integrated right through more than 3/4 of the Show. Of course, there are serious moments, but it is just as likely the next scene will drop you straight into an elaborate sight gag that will makes you LOL.

This includes a very long and elaborate mid show story arc that have the ML play three completely different roles. Forget second wind. This is third and fourth. The audacity! Naturally, not every moment is golden but it kept the momentum going long after similar show would have suffered serious mid show drag. Bravo!

Acting is great from our leads. It was a revelation that the stoic Xuan Shang has a comedic side which is well matched by the minx like Li Guang Ye Tan. Their love-hate relationship is worth the price of admission. The second pairing of Chao Feng and Li Guang Qing Kui pales a little by comparison. It is largely due to their story is being set in the dark and oppressive underworld. Their characters are also a bit more traditional Xianxia compared to the OTP. Both CP have swoon worthy love lines and decent amount of skinship.

The big ensemble of side characters is a bit of a mixed bag. Some have real depth like Man Man and Wu Dai while others are just punchline for the many gags. It is an above average ensemble and they helped to move the plot along and entertain us with their antics.

Is the Show perfect? Not quite. The setting of heaven and the underworld is very cliché. Empyrean realm is quite artificial. Lighting is too bright, and colours are washed out. It might look “ethereal”, but it is also boring. On the other hand, the underworld is too dark, and the theme is confusing. It swings from gothic grandeur to dank subterranean without a strong sense of coherence. It is supposed to be oppressive and foreboding but does look a bit cheap at times.

CGI is the bread and butter of Xianxia dramas, and this show doesn’t disappoint. There are a good variety of effects to signify different types of powers. There are also some practical effects and stunt work. Overall, it is a respectable effort and complemented the story well.

While the general screenplay is a cut above, it is still a Xianxia drama at its core and some of the plot holes are hereditary. It really comes down to “ask no questions and you’ll get no illogical answers”. As long as you don’t hate Xianxia dramas, the engaging plots, swoon worthy love lines and abundant humour will carry you to the end.

Speaking of the end. The ending and the several episodes preceding it are probably the closest the Show got to high drama. It is impactful and emotionally charged. I won’t give the plot away other than to say that the ending is generally considered a happy one, but I would prefer to call it encouraging rather than HEA. Its interpretation will be up to the individual.

40 episodes is too long for a rewatch and the jokes will be stale by then but I’d have no problem watching a highlight reel. The OST is nice but some songs are on high rotation and it can get a bit repetitive.

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I don't think I'll see you again

This show's plot is paper thin and it is quite predictable. It pretty much played in one sandpit for the whole show with passable production values. There is little nuance or growth to the characters and their romantic developments are on rails.

All the usual youth romantic drama tropes are present; love at first sight, crushes, envy and fated meeting as kids. The plot regarding the FL's Prosopagnosia is poorly represented and not really explored. It is just used as a device for minor gags or token angst until the ML shows up as her knight in shining armour.

As expected, the plots are factory standard issue and the pairing of the protagonists are obvious from the start. It is just a matter of getting over the meet-cutes, push-pulls and failed confessions. Sadly, there is scant chemistry between the three CP's which netted a token amount of skinship. I get the OTP pairing (fated and all) but the other two pairs are hardly match made in heaven. What is more concerning are the weird editing, disjointed narrative and phantom side plots that literally appears for a few scenes and then forgotten. Choppy is a good way to describe this show.

Acting from the young leads are passable. They are energic but prone to overact. I have seen worse and they do try. The support cast is another story. Most are no better than extras handed a couple of lines of dialogue and it shows. I do wonder if the production company approached a local college to do a collaboration and held an open call for extras and bit parts. There is certainly no shortage of extras for many scenes.

The plot twist towards the end was totally contrived and unnecessary. It did manage to pad out the runtime significantly so job done. The HEA ending rolls in as expected. The final scenes after the big time skip feel amateurish and rushed.
If you are interested in a drama about Prosopagnosia, try The Secret Life of My Secretary. So, so much better.

This is a messy and unengaging filler. One time watch for me. Peace out.

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Need a few more special herbs in this guggling brew

I have high hopes for this drama (why do I feel like I just cursed the show? ;) ). It has a good cast and I like the ML when he stars in other shows. The FL is quite good at playing a sassy girl as well. It should be a sure fire hit, right?

The answer is a bit more complicated. The Show starts strongly. The opening scenes are impactful with some quite confronting. We have two leads who are hurt and damaged by the machinations of others. Both lives are derailed, and their future seems to be full of uncertainties and trials.

The Show is patently a healing drama with a strong dose of romance. The chemistry between the leads is unmistakeable from the start. The show largely delivers on its premise, but it is not without caveats.

Part of the problem is that the Show drifts from one motif to another without fully committing to any of them. There is palace intrigue which is full-on at the beginning but faded mid show. Comedic elements pop up from time to time but you can hardly call it a comedy. Medical dramas run right down the centre. Some cases are interesting but most are just fillers.

The whole Joseon psychiatrist thing is a bit of a deception. The ML still based his diagnosis on checking the parent's pulse and countenance. Treatments are centred on acupuncture and herbal tonics. He does think more about the circumstances of his patients, but I'd call him mindful, insightful rather than a neophyte psychiatrist.

The love line is oddly nebulous as well. Not that the leads are confused about their feelings. If anything, they knew exactly how they feel about each other, but the show just won’t let them take the leap.

I don't want to use the word draggy to describe this show and it is not, at least not in the classical sense. It feels more like a lack of resolve. It is as if the show is buying time, rather than wasting time. This might well be because the show is renewed for a second season before the first season is even over so the writer-nims might be under pressure to keep a few tricks up their collective sleeves for S2.

Characterisation is a mixed bag. The leads have clear identities, and their portrayals are largely on point. The support cast is more one dimensional with most of them employed as comedic relieves. The antagonists are a tropey mix of local pompous bully and power-hungry grand vizier type. They brought forth death and destruction, but the intrigue is more pedestrian than Byzantine.

Don’t get me wrong, I enjoyed the Show. All the ingredients are in the pot, but it just simmers and guggles. Never quite come to a boil. It is good but not great. To be fair, the Show concluded satisfactorily at the end of S1 with retribution and redemption dished out appropriately. It didn’t quite end in a cliff-hanger but more like a ridge-hanger.

Bring on season 2! Hwaiting!

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A healing drama is just like a donkey . . . I mean onion

On the surface it is a short, slow burn romance with low angst. We need to peel back some layers to find the deeper meanings.
The ML is a tortured soul whose near perfect world collapsed in short order due to his gradual loss of hearing. He doesn’t know how to deal with it, so he became withdrawn and pushed everyone away. He tried to join the deaf community but finds that he is still on the outer because he was not born deaf. He came to the sad conclusion that EVERYONE sees him as being different and there is nowhere he truly belongs.

I believe that one of the motifs of the Show is how society divide people based on many assumed and perceived criteria into different groupings. Both real and invisible barriers are here to segregate and isolate them into smaller cliques.

Our need to belong creates pressure points in our social interactions. It can be exhausting and debasing when we run into unyielding barriers. How horrible it is when you are yanked from a comfortable reality into a new one where you are confused and lost.

It was fortuitous that the ML met a kind deaf girl. She befriended him and helped him to learn the sign language. It is not acceptance but at least he can function again. Their relationship is ambiguous. The girl is clearly interested in him, but he is afraid of commitment and shows no inclination to take their relationship to the next level. The girl is happy to stay in the friend zone as she has him all to herself. However, all that changed when the ML's ex-girlfriend ran into him by accident and started a chain reaction that changes several lives.

For me, the Show is a beautifully crafted story about rediscovering love, friendship, sacrifice and the need to compromise. I don’t want to give away the plots regarding the SML and SFL but let's just say that I'm getting serious second leads syndromes by the end of the Show.

From my perspective, the first half of the Show is very well done. There are lots of backstories, raw emotions and misunderstanding before the fateful reunion. The show took its time to explore all this. It was never going to be a joyride but the writer-san skilfully weave the story back and fore along the timeline so that we know how each character arrives at their current circumstances. There were plenty of broken psyche that needs healing. They get patched up enough to keep functioning but not completely healed. The amount of baggage carried by the ensemble cast will keep a caravan of camels fully loaded.

Unfortunately, while the Show start to untie the knots and salve the troubled souls in the second half, it is a slow process. The pacing of the show becomes almost meditative.

The healing and exploring requires a lot of dialogues between the OTP and sometimes side characters. I think the writer-san wants to show how difficult communication can be even though it is based on a common language. We ended up with a mix of sign language, written words, phone apps and normal conversations. It can be slow going as the ML has to keep the signing slow and simple so that the FL can keep up. It is like watching two primary school kids trying to communicate. They do resort to writing sentences on paper when it got too complicated.

In the end, the bulk of the breakthrough came in the last episode. All the affirmations and compromises are nutted out then. Some of the best scenes are also found there.

The FL worked hard to live in his world and she cajoled the ML into compromising his unyielding stand. It is a fragile middle ground but one they can call their own.

The acting is great with a lot of depth. Without spoken words, they need to emote with their facial expression, posture and their eyes. That requires real skills.

The loveline of the OTP is sweet-bitter-sweet. It is ashame that there is almost no skinship.

I can recommend this show but you have to be in the right frame of mind to appreciate it.

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There is no escape from the mundane

I'm a bit late to this party as I binged the whole series a few months ago and I was a little OD on the characters when this special came out.

I finally got around to watch it and it is nice but it lacked the original's freshness. The quirky relationship of the leads have mellowed into domesticity. They still have this partnership arrangement but is now more relaxed and accommodating. The growth is nice to see but this is dramaland so it can't be all smooth sailing.

To stir things up we are going to have a baby! Hooray! Cue all the tropey stressors and complications that goes with a pregnancy. It ticked all the boxes and they covered a lot of work and societal issues but it wasn't anything new nor particularly egregious. Most are bullet points that are instantly recognisable. There are few hard and fast answers as their options are limited.

The addition of the covid lockdown was topical. It is done with a light touch as none of their family nor friends got sick so the Show mostly dealt with the initial shock, prolonged isolation and longing as the whole country went through a painful period of apprehension and uncertainty.

The acting is par for the course with few surprises.

The Show is largely fan service and a satisfying watch for their fanbase. We got more antics from the leads and their friends with minor updates. For some, this is perfection. However, with only two hours to play with, there are a lot of assumed knowledge about the backstories of the ensemble cast. If you haven't seen the first series then you should start there or it will be quite baffling.

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A dodgy script is also a crime

The first few episodes are tracking fine as far as a tropey romance/melodrama goes. Affairs, crushes and a complex web of lies are on full display.

I have a feeling that the Show is banking on the visuals and chemistry between the leads to hook the viewers. It would have worked ok if they give the leads room to grow and the plot to develop some complexity. Unfortunately, it took a different turn and wasted a lot of potentials and time.

Problem stems from the Show’s decision to replay multiple scenes from different characters’ POV. This means instead of moving forwards, we went back and forth extensively for several episodes, replaying scenes from a slightly different angle or composition and sometimes adding a bit of inner monologue. Time and again, we are presented with pieces of information that we already know while other times, the information is actually contradictory.

This extends to other characters watching each other watching the leads so it is like a relay race without ends. I can accept it if it is a major revelation, but it is mostly along the line of “you like her but not me”, “she like him but not you”. We get it . . . we get it the first time.

It is also a surprise to see a 2019 show that objectifies female characters to such a degree. They are seen as objects of desire and targets for seduction. There are not a lot of rules, married woman, co-workers, anything goes. The flip side is that the female characters are willing to do anything in the name of “love”. Love in this case is a loose term. It is more like a hunger for attention and affection rather than the classic definition of love. Of course, the Show will tell us true love is most important but it also throws shade at itself. The Show is not short of mixed and contrary messages.

The logic behind the ML’s action is quite obtuse. He loves someone who is married to a man who is having an affair. He wants his crush to be happy so he steals the man’s mistress, not necessarily for revenge (it is a source of some confusion), but so that the man will go back to his wife and live HEA. What? How? If the husband have had one love affair, he can have three. Not to mention what is the ML going to do with that woman he just seduced. The plot didn't thicken, it congealed.

In the end, the Show is “saved” by the happy endings. It is hardly a surprise as the Show has no where else to go.
Acting is ok. There is quite a bit of skinship and more than the usual quota of bed scenes. Some are replayed several times for our titillation.

The repetitive nature of this Show means that only about 50% are truly original content. So if we were to extrapolate this to its logical conclusion then the Show would have worked much better if it is only half its current length. That works for me. Peace out.

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Jack of all trades, master of none

This Show starts well enough. There is a lot of energy, and it promised some interesting characters and novel mesh-up of genres. Unfortunately, after that initial burst of creativity, it quickly lost the momentum and settled on a plodding meh-ddle ground that felt more cliché than creative.

Let us dive deeper. The leads includes a crime fighting chaebol with a hint of Batman including a secret lair (their words). Of course, that means he is paired with a trusted sidekick who is both a lawyer and a hacker/tech guru. To amp up the odd pairing, the FL has superpower but has a difficult childhood. Yet she is always righteous and hardworking. The 2FL can bake yummy bread (….).

Yes, that is an eclectic mix but the writer-nims thrown in enough chemistry and fast paced action from the get-go to keep your interest for long enough to get over the initial hump. Unfortunately, problems soon start to surface.

For starters, this Show has so many plot holes and inconsistencies. It is almost as if the writer-nims brainstormed ideas and settled on a handful of good ones and then try to tie them together with bits of string.

There is also little character development. It is more like character regression. The detective/crime fighting ML solves almost no cases except for one personal one that has been ongoing for 20 years. Yet all the ducklings begin to line up as soon as the FL joins the team. The lawyer sidekick practices no law, he does the usual techno babble, and everything magically appear on his screen. BTW, he drives a van that Scooby-Doo will be proud of. The FL barely ever uses her superpower, and the impact is marginal and contrived. The 2FL is there purely as comic relief and the love interest of the 2ML. Everyone just seems to settle into cliché roles.

This means the tone and direction of the show is all over the place. One minute it is slapstick comedy, next scene can be sickly sweet romance and then it becomes deadly serious. Some shows can pull this off like the Law Café but this show just feels scatty and manic. Maybe this is because of the writer-nims’ inexperience. Both credited script writers have little writing experience prior to this show and sadly, it shows.

Acting wise, it is a real mixed bag too. With the plot and tone going all over the place, the actors are prone to overact or just look a bit lost without clear directions. Most of them gamely soldiers on but it is a tough gig. There are lots of one-note characters which doesn’t help the the show's cause.

In the end, I was thankful that it is only 12 episodes long as I was wondering where the show is going at the end of ep.9. It is watchable, it has its moments, but it is like looking at a storyboard of hand picked scenes and a matching checklist from Script Writing 101. Could a more experienced writer-nim deliver a better script or would it be better to leave this sleeping dog alone?

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Tangled web of subplots with bonus bait and switch

This is not a bad show but it could have been better.

From advertising to the opening sequence and during the first couple of episodes, Kim Sejeong was the focus and it was assumed that the show is her starrer. However, once she join the webtoon department, her role faded into the background and she was just a rookie in a small struggling team. A lot of her "jobs" are quite mundane and largely involve putting out spot fires involving webtoon artists. We do see her growth but other aspect of the storyline suck the oxygen from her narrative.

This is a natural segue because the collection of artists are actually a lot more interesting than the FL. They are a diverse bunch but some are neurotic prima donnas. The Show does try to shine a light on how much hard work is involved in the creative process and the constant grind just to meet the deadline which I appreciate.

So rather than the show focusing on the FL, it is really an ensemble show with the plot switching from office politics to dramas with the talents and then occasionally we get a bit of the FL's backstory. That would have worked ok but some of the narratives involving the artists are tropey and flow oddly. One particular subplot involving a young male artist was very impactful and troubling but the Show whitewash the issues in the end. That was disappointing and feels like a cop out. Other times the subplot would end abruptly only to have the character pop up again several episodes later involved in a different subplot. It all sort of pulls together towards the end but it does make the show feel scatty.

A relevant but minor issue is a lack of romance. This show is definitely made for it. There are multiple possible pairings but nothing concrete happens. There are some side-eyes and meaningful looks but everything is literally left unsaid. Even the "confession that has to happen" is last minute and unanswered. I'm not saying that all shows need to include love lines but this show tease us constantly and delivers very little.

Acting wise, it is generally decent. The more experience actors anchored the Show but some of the roles are tropey and one dimensional. Even unto the end, I'm not a 100% clear on the efficacy of the male and female leads. Yes, KSJ is technically the FL but her role is marginalised and lacks depth. She laughs and cries on cue but she is hardly the focal point. Ditto the 2 male actors who can be considered ML's but doesn't seem to want the job either. LoL

Now that I have finished the show, I can actually say that it is watchable but I would have enjoyed it more if the show was more upfront about its genre and composition rather than try to capitalise on the popularity of KSJ.

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A do-over done right

The first few episodes hint at nothing other than a typical office romance with the usual difficult boss (ML) and a suffering female assistant (FL). There is more hate than love and they are very combative. The FL was in a bad place both in her career as well as relationship fronts. Nothing cute nor sweet. Fairly standard stuff so far.

I’m glad that I hang in there until she has the accident and ended up in a coma. When she woke up, she is 18 again and back in law school with all the old classmates including the ML. Henceforth, the tone and feel of the show changed completely. It is now a fun, sweet rom-com and really uplifting. That change surprised me in a good way. Do-overs can get good but often it is just a one trick pony aka the ML wins the FL, again.

To the contrary, it is the FL who took charge of her “new” life and set about righting wrongs and starts to see things from a different perspective. In so doing, she archived a lot of growth, closures and changed the lives of those around her for the better.

Her (do-over) romance with the true ML was so sweet! The ML was the nicest guy and supported her 100% from the start but she misunderstood him in the real past and picked the wrong guy.

Of course, there are angsts and setbacks, but the writer handled them with a deft hand and gave each dark cloud a silver lining. Events are cross-referenced between the two realities. She could influence some key events but not all. Overall, her time in the dream-world is the most engaging and coherent do-over plot I have seen for a long time so kudos to our writer.

After she woke up from the coma, the show is still good, but the shady business subplot started to turn nasty. In fact, how that plotline is concluded is a bit contrived and overly dramatic. The scenes with the luxury cruiser and cars felt tagged on. It is a misstep in an otherwise coherent and well written script.

In terms of acting, there are the odd misfires amongst the big cast but the actors in key roles are all solid. I’m particularly impressed by the FL. She usually plays a bubbly/feisty girl, but it can get samey. She is still in a familiar role, but her acting seems better, more nuanced. There is no doubt that she is the main lead here. I also like the FL’s father. He really embodied a father’s love for his family. The ML did well but played second fiddle for a change. The 2OTP is a cute couple but interestingly, their love line in the dream-world was more organic and relatable than their real-world counterpart.

I started watching this show expecting very little, but I am pleasantly surprised. I’d have score it higher except for a few odd plot issues towards the end. I’ll have no problem re-watching most of it. BTW, don’t miss the epilogue after the final credit. It is sooo sweet! :) Enjoy!

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Is that a damsel in distress?! No, it is Super Damsel™!!

I started watching this show quite by accident and it was an "interesting" experience. ;)
Surprisingly, the Show’s timeline was not the usual “sometime during Joseon” but is pinpointed quite precisely. It was set several years after the end of the Qing Korean War which is dated to1636. However, a good deal of the show is subversive of the ideals of the day and this is not your typical sageuk.
The cornerstone of the show is the character played by the FL. She may be small in stature, but she gives off a big aura with her personality and attitude, she is definitely a force to be reckon with. To compliment her is a noble scholar that is about as righteous as you can get but he is not cold and heartless. In fact, his heart was quickly captured by the unique qualities of the FL. I’m quite happy with this pairing, not only because of their nice chemistry but also it allows them to be partners and not just the usual ditzy FL clinging onto the strong arm of the ML. The intelligence of the FL does come to the fore and gives the ML a run for his money. In fact, this show is quite female centric with strong female characters forming the nucleus of several subplots.
In terms of acting, it is good from most quarters. Some roles are a bit over-the-top, but the actors put in the efforts, and it shows. I’m particularly pleased with Kim Hye Yoon. She is a dynamo with an infectious smile. It was also good to see Ok Taec Yeon in a nice, good guy role where he can do some comedy as well as playing it straight. One surprise is the “illegitimate” son of the main antagonist. This character seemed straightforward at the beginning but grew more complex as the show progressed. Lee Jae Kyoon portraited him well and gave the character depth.
Now we must address the elephant in the room, historical accuracy. If you are a sageuk aficionado, then give this show a miss. This show is all over the place when it comes to history and its interpretations. The core premise might be based on an actual historical event, but the Show just ran hard and fast with a lot of plot ideas, and it can border on irreverent at times.
Another issue is the tone of the show. It really can turn on a dime. One minute we are watching slapstick comedy and then without much preamble we are in the midst of tortures and murders. It can be disconcerting when you are not really sure if the Show wants to be a light-hearted romcom or a serious drama.
There is also more than a passing nod to spaghetti western movies with both its OST and some set pieces. I dare say to really enjoy this show you must firmly affix the rose-coloured glasses and stop worrying about plot holes and questionable storylines. Yes, it is a hot mess of storytelling at times but you cannot deny that it is also swoon-y, cheeky and entertaining so caveat emptor.

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A wuxia drama that ticked all the boxes

Obviously, a bold statement like that comes with caveats. This drama works because it is so short. In total length, it is the equivalent of an extra long movie or a very short drama series. It is chopped up into bite sized pieces for easy consumption. While some short form web dramas stick to a fixed episode duration, this show is more flexible and is designed to finish each episode logically and sometimes even with a mini cliff-hanger. Similarly, such short dramas tend to be cheaply and quickly made for obvious reasons. However, this show didn’t feel overly cheap. It used a lot of existing assets so that it can still look lush without having a huge overhead. Its short run helps when you can literally shoot the same house/streetscape from different angles and time of day to make it look like a much larger set has been used without being repetitive. That takes clever planning, cinematography and direction.

The story is straight out of the classic Book of Plots. It is as tropey as any wuxia drama can be, but the Show distilled it down to the bits that people love about this genre, but do away with the excess baggage. There is nothing new about the plot nor the characterisation, but they are done well.

Being a wuxia romance, I can’t fault their take on the two key elements. There are some decent fight scenes that are cinematic and well choreographed. The two main leads have great chemistry and there is a decent amount of skinship including several passionate kisses. The 2OTP was a little contrived but they are a cute and innocent couple. It was a pleasure to see the push-pull of the 1OTP over and done with in 5 minutes instead of being dragged out for hours. Huzzah!

Another aspect that surprised me was the amount of comedy in the show. There are actual laugh out loud moments. Yes, they are clichés, but they ain’t forced nor laboured. I also appreciate that the plot is logical (within the realms of a wuxia playbook) and it flowed smoothly. Just when you expected something to happen with the plot, it happens. They even have time for some sweet CP moments which gave nuance to their relationship which can be lacking in dramas that are much longer. Like I said, this drama really know how to tick all the boxes.

In terms of acting, the cast did well. There are no big-name actors on the roster but there was energy and commitment from the cast. The 2 main leads were particularly well suited to their roles, and they have their moments. By keeping the cast small, there is time for some the support roles to shine as well.

From my perspective, there are two things that can be improved. Firstly, the ending was nice but lacked impact. I would have like to see the two leads fight as a team to take down the antagonist. The ending is also a bit wishy-washy as if the Show wanted to leave it open for a sequel (yes, please!). Secondly, the English sub was bad. At times it read like auto generated dross (which it probably is). Occasionally, it is completely out of sync.

There is no point in comparing this show to a classic wuxia drama from the "golden era" but it certainly held its own against some turnkey productions. For a quick wuxia fix, you can do worse.

OST was nice and appropriate. I can certainly rewatch this show without hesitation.

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A good, tight rom-com that wears its heart on its sleeve

The central plot of the show is the usual beautiful but feisty lady being drawn into a contract marriage with the handsome ML. No surprises that the CP fell in love and the tale as old as time gets another retelling. It helps that the chemistry between the leads is very good.

The ML is not a heartless ice god but a true gentleman. He tried his best to be respectful to the FL and did not play any demeaning tricks on her. How refreshing! On the other hand, the FL was just a ball of energy, and she is a sweet, kind soul that will go out of her way to help others even though she has little to give. Her heart is big and full of love. It is this love that the ML needed as he was brought up feeling abandoned. Everyone she touches is affected by her.

To be honest, it is just as well that this show has a lot of hearts because it is tropey and derivative, but you want to cut it some slack. It is sweet without being too artificial. You can't expect harsh reality in a show like this but It doesn't sugar coat everything. Life is tough but there is always hope if you have a big heart.

While the show started as a rom-com that was big on comedy. It did changed style as the show progressed (don't forget this show is only 8 x 45 mins long). It lean towards melodrama for a stretch and then romance became the focus. This means the pacing is quite fast and plots are deftly handled without the usual long strolls down garden paths. Some emotional subplots were dealt with firmly rather than left to fester as a result. This, in general, is a good thing but there are times when you wish some plots were explored a bit more. The same goes for the ending. there was no surprise there (hint, hint) but it felt underdone.

In terms of acting, the leads are good looking, solid actors. The support cast are fine, some are veteran actors and their experience showed. The younger set has room to improve but they played their roles with gusto. OST is nice, romantic and not overused. Rewatch is there as a quick filler while you wait for the next blockbuster. 8 episodes is an easy binge.

In the end, Hello, Heart is a good, solid show that will make you smile and feel a bit sentimental at times. It will warm the cockles of your heart. There are some angst, but nothing that will cause you to facepalm. Plots are logical (mostly), progress and resolutions are usually an episode away. It has the quality of a show twice as long. I can recommend this show to any romantic at heart.

P.S. I did it! I mentioned "heart" 8 times to match its score. :D

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Soak up the atmosphere and breath

It is a lovely, well made drama but it has issues. The mood is generally mellow, slow and contemplative. The acting all round is good and some stands out more than others. While the OTP is lovely together and Park Min Young can just stand still and be beautiful anytime and I won't complain, it is a slow burn. There was almost more chemistry with the 2nd OTP and they certainly had more fun with them. ML's sister is a scene stealer. I do wish they let her develop a bit more. Now on to the elephant in the room . . . Like so many k-dramas, they have to add a dark twist or two. Unfortunately, it was telegraphed very early in the show but the writer insisted on recounting the events again and again but with a slight change of angle or a bit more voice over or an added scene. I suppose the idea is to reveal the "true" event over time as you get deeper into the story but there are no surprises so the recounts just feels draggy. I'm glad that they did wrap up the story nicely so you do feel satisfied. It is well worth the watch but you have to be in the right mood.

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