Zogitt

A gentle, meaningful drama and that's no lie

I really enjoyed this drama. Its gentle storytelling resonates with me. This is particularly poignant during the current turbulent times. Life is simpler in Small Town Japan, circa 1926. Of course, I can't help but think the 1930’s is just around the corner . . but I digress.

What is not simple is the FL's life. She has the cliche ability to detect lies. We get the whole audio and visual effects. It came as no surprised that she was driven out of her village with extreme prejudice when she was still a teenager.

Nevertheless, she is lucky to run into the ML at her lowest point. The ML is a gentle soul and wise beyond his age. He etches out a simple existence as a private detective in a small provincial town. He does not judge the FL even after being made aware of her special ability. Instead of rejecting her, he decides to take the FL under his wings and they slide easily into cohabitation.

Now, you would think the ML being a keen observer of people plus the lie detection skills of the FL, they would make a successful crime detecting duo. However, they still struggle to stay afloat. It certainly adds spice to their lives.

Not that there is no work for them, but it is rare and a rather eclectic mix. More importantly, the ML uses these jobs as opportunities to educate the FL about truths and lies. The world is too harsh if we see everything as black or white.

Acting is decent from the ensemble cast. The young cast did their best and the easy-going script kept them largely in their comfort zone. You can feel they had fun making the drama.

I really enjoyed this show because it has such a genteel setting and promote positive messages. It is so easy to be invested in the characters and their lives. The OTP has a n easy going chemistry which is just starting to get more complicated. Their friends and associates are interesting. There are no extremely angsty situations. Yet, the plots are reasonably intricate and reflects the time and societal norms. Their world is a nice place to lose oneself for a few hours.

During my research for this review, I discovered that this series is based on a 10-volume manga of the same name (it is available in English). With so much material from the manga and a well charted plot, you'd think that more seasons would be a given. However, decision regarding live action adaptation doesn’t always play by the same rules. I can only hope. Please give us at least a second season. Pretty please?

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This is true love. You think this happens every day?

Yes, I’m very late to the party, so late in fact that I got the cleaning up duties. There are many reviews already so I’m not going to do an in-depth review but just some thoughts about this drama.

The quote above from Princess Bride summed up this drama perfectly. On the surface, it is a noona romance and our leads has good chemistry. I won’t said that they are melt your screen hot, but they have a certain charm and their skinship feels natural. Good acting and a well written role helps. One is a competent, no-nonsense career woman who just turned 30 while the other seems to be a wilful young gun who has more money than sense. However, they soon set us straight and we can see the depth in their characters. While they are not breaking moulds, the show gave them some agency. For instance, the ML, is care-free and have little interest in inheriting his mother’s business but he is a mature person who values friendship and responsibilities. He is a team player and contributed significantly. He is certainly not your typical rich playboy.

It is also nice to see the series work with the standard tropes but is not subverted by them. There are SM/FL’s but they don’t overstay their welcome and don’t do anything stupid. They are second leads in the truest sense. I appreciate that. On the flip side, the SFL is annoying but that’s her character trait and she will grow on you, IF you let her.

This level of care extends to plot development. Once again, there are some aspects that are instantly recognisable but there is usually more to them than just cut-and-paste. Yes, their path to true love is not quick nor straightforward but it is believable. Ditto, once they are official, we are not handed the HEA ending on a platter. The plot is allowed to develop organically. I'm thankful that the writer didn't throw in the last minute breakup just because she can. This is how rational people should behave. I wish more shows would take notes.

Both OST and production value are above average.

All in all, this is a good show. I wish I had watched it when it first came out. Better late than never!

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The forest is very dangerous when you miss the trees

You know some shows are a challenge to watch. Maybe the script is badly written or it is poorly made. Bad acting and/or confused direction can be a deal breaker as well. Melo Movie is none of the above, yet it is still not an easy watch. I'm sure it will test the patience of some viewers.

Our leads are all flawed and they don't wear their emotions on their sleeves. Sure, they are talented individuals but lives mostly mundane lives. They are opaque to their acquaintances. They suffer in silence as they drifting through their days.

Even though our protagonist's backstories are distinct, they share something in common. They have an unhealthy focus on details and they are very introspective. They have a narrow field of vision as if they have blinkers on. They might be in a loving relationship, but they would interpret everything from their own perspective and give scant consideration to others feelings and circumstances. This should ring alarm bells and it is ultimately (self)destructive. This brought on bouts of misplaced anger, melancholia and festering emotional wounds.

For us, this translates to a languid pace. Nothing is clean cut and it took a long time for each character to come to terms with their personal issues and, trust me, there are plenty. This means lots of pensive stares and slow panning shots in solitude. Meaningful, yes, but I can also understand why this show will not work for everyone. It is a good show, but it doesn’t have many hooks. It is as if the drama throws down the gauntlet. Do you have the patience?

Expositions comes late in the piece and can feel verbose. I have no doubt some viewers will bemoan the fact that they saw it coming from a mile away. In that sense, the show is its own worst enemy.

Putting all that aside, there are some wonderful performances. PBY as the FL is solid as ever. KJW as Ko Jun is wonderful but the biggest surprise is LJY as Si-jun. I would consider this his breakout role. While he is technically the second lead to CWS, he outshines him. I just don’t feel CWS brought his A-game. For me, Si-jun feels raw and real while Gyeom is a bit flat and floaty. He needs Moo Bi to drag him screaming and kicking back to the here and now. Thank the drama gods for the swoon worthy moments. That kept me going when I start to weaver.

Am I defending the indefensible? Maybe . . I hope not! Truth be told, the show does make it hard to get into if you just want a casual watch. 2 eps in and you might still be wondering what is this all about. So rather than dragging this out, I will just say this, hang in there. Be patient. FF the slow bits if it helps but don’t give up too soon. It does get better.

BTW, the OST is lovely, and production value is solid. Peace.

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Sweet love story ticking all the boxes

Whether you have heard of NEET or Hikikomori spectrum is unimportant for the enjoyment of this drama. You will find out about them soon enough but I’m afraid it is only scratching the surface. This drama is not about addressing social problems. This is a love story first and foremost. As such, it is very well told.

Watching Marry Me is like participating in a script writing class. All the tropey elements are present and accounted for. They pop up on cue and play their parts to good effect. We have SM/FL and they stirred things up before moving on. The ML’s parents showed up unannounced and the stress level jumped as expected. Reconciliation arrived just in time and we find out that they are good people but they do need to work on their communication skills. This is the one True Way.

I know it sounds humdrum, but this show is better than that. This is largely because our leads are so adorable. They do not have a mean bone between them. They have total trust and love for each other. Time and again, they express their happiness just being in each other's company.

This means most plot developments are window dressing. They move the story along and our leads have their growth and mini breakthroughs. We watch them fall in love and use their commitment to overcome whatever obstacles placed before them. This is not high drama by any means but a steady and satisfying march towards the HEA ending. All the boxes are ticked methodically. Those little ducklings line up with military precision. Huzzah!

This show is not for everyone. If you are a romantic then this is a must watch. I certainly enjoyed it a lot and I'll binge watch it again over a wet weekend.

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Totally irrelevant but enjoyable romp

As a 2 eps bonus extra I'm not sure the rationale behind its production. It is set in the No Gain, No Love universe but it is a branching subplot that has no impact on the original storyline. Maybe they just have all the people standing around and the B-listers are on the clock so they just throw something together. Seeing the original series was only 12 eps long, the production team needs to get their money's worth. Of course, it would be nice if these 2 extra eps are focused on our OTP but it is a first world problem. ;)

The production is definitely more cheeky and fanciful. It is modelled on a saucy web novel so anything goes. I think what I enjoyed the most is the self awareness and 4th wall breaking bits. I loved the bed scene where the FL shouts "Again! Again!" because she can't remember the actual sex act! Then we hear the voiceover saying they have to bump the show down from R to PG. That's why we ended up with the ubiquitous blanket over the head and the fade to the next morning scene. So meta. ROFL That is worth the price of admission. There are several other references to tropey plots and other silly devices. It is almost a satire on itself and the genre as a whole. I appreciate the candour.

In the end, It is a bit of irrelevant, fluffy romp which brought a smile to my face. There is no point in judging it too harshly. It is what it is. BTW, I'm sure they had a blast making it. I wish I was a fly on the wall. ;)

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One hell of a found family

Found family is one of the oldest tropes in a writer-nim's repertoire. It has all the ingredients for a banging meet-cute plus bonus characters development as all the complex relationships change and evolve over time.

This drama certainly doubled down on this premise with the parents being saintly foster parents to a string of disadvantaged kids. This did not go down well with their own daughter as she sees her parents giving them more love and attention than their own flesh and blood. There is a lot of unspoken angst and resentment bottled up inside her. What is a little odd is that her BFF's are two of the foster daughters, so her feelings towards at least some of them are ambiguous to say the least.

As in dramas of this ilk, there are always secrets and double dealings. In this case, everyone is pulling double duties. It did not go down well when some of the secrets were revealed. I must admit that some of the twists were clever but there is a lack of finesse. You feel that the dice is loaded from the start.

To be honest, this aspect of the show leads to some of the best and worst plot developments. It gave us some surprise revelations and swoon worthy moments as well as misfires that pile on the angst and take us down several garden paths.

I suppose if you want to be brutal about it, there is not a lot left to the A-plot once we get past the cute and swoon-y start and sort out who's who after some surprise reveals. The middle section was stretched to fill in the allotted time. It leads to some odd plot developments which are quite contrived and added little of substance.

The ending was as sweet as you can expect. Every loose ends are tied up with pink bows. However, there is minimal fan service surrounding the OTP. Similar to shows of late, the 2CP seems to be more interesting and is given a lot of attention. I'm not complaining per se, but it does feel a little odd.

In the end, I enjoyed this show. The ML was the star for me. He looks cute in many scenes, and he will make you swoon. The FL is solid as ever, but I feel that she is in her comfort zone and is happy to stay there for now. The support cast, production and OST are all fine.

This is a solid series that delivers but there is not a whole lot to distinguish it from the rest of the pack. I’m happy to have watched it but I’d be hard pressed to remember it in a few months’ time. That is a shame.

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What do you prefer? Style or substance

Within minutes of watching this show you should realise that this is a different beast from the usual idol costume dramas. There is a rawness and stylistic flair that is missing from many mainstream productions. This drama does not hold back on challenging themes. Confronting acts are on full display and it made no apologies.

This is a double-edged sword. No doubt the director has an unique style. Some scenes are rigged for maximum visual impact. There are bold contrasting colours, dramatic weather effects, poetic imageries and big close-ups of the leads. Get used to it.

This can be polarising. You will either be hooked by impactful scenes or be put off by the over-the-top theatrics. This show is not about finding a comfortable middle ground. For me, it was quite a ride and I was loving it! To be fair, the story does settle into a more comfortable pace towards the middle of the run.

I won't lie, the storyline is fundamentally tropey. The overarching A-plot is a classic revenge tale with a side order of the Cinderella trope and an extra large helping of palace intrigue. The writer is clever enough to mix up the plots and kept the pace fast so that we have little time to examine the plot holes. The production team is also a daft hand in hitting us in the feels which further distracts us.

It is obvious that the show is being manipulative. So much of the pain and suffering is purely there to pull at our heartstrings and to remind us that no character is safe from harm. Even a well-loved character can be killed off to get a rise out of us. It works but it is exhausting.

To wit, the FL is in no position to fight back at the start of the show. We watch and cheer on the FL as she gains strength, made new friends and plan the ultimate revenge. It is very gratifying to watch and there are certainly many bittersweet moments.

This is further aided and abetted by the ML. He might be in his early 20's but he acted well beyond his age. I am most impressed by him. I can't fault the pairing of our leads either. There is always tension between them, but it is the delicious kind. You know they are attracted to each other, but they must play by the rules. Their interactions will get the heart fluttering. While sparks fly between them, there is not a lot of actual skinship until the end of the show. It is poor reward for fans who are shipping the OTP hard.

A fundamental problem with this type of drama is that it is usually fanciful. The FL was a meek wife one minute and the next moment she is full of fight and steely determination. There are also conflicting views on societal values such as a woman's reputation. We must switch off our analytical mind to truly enjoy this show. There are just too many lucky escapes and fortuitous coincidences. It keeps us in our happy place, but it doesn't really stand up to scrutiny. It is very entertaining but a pair of industrial strength rose tinted glasses helps.

Speaking of the ending, it is both satisfying and ambiguous. All the antagonists got their just deserts. The OTP is allowed moments of bliss but then the production team went gaga on us.

It would have been a no-brainer for the story to end on a high. I'd paid to see the OTP ride off into a glorious sunset to live happily ever after. They have certainly earned it. So why was the ML shipped off to the furthest corner of the kingdom to fight a never-ending war? cliché? Yes. Dramatic? Yes. Necessary? NO!

This is not helped by the last scenes of the show which is beautifully staged but so ambiguous. Is it a dream sequence?

Acting wise, it is fairly solid but there are moments when it feels like characters changed tracks as the script shifted in a different direction but the subtle change was not communicated to the audience. The impact is not significant but can be a little disconcerting.

Overall, I enjoyed the show very much. It is impactful and engaging. The production team certainly knows how to keep our attention even if the plot itself might not stand up to close scrutiny. Some might find it too stylistic, shallow and tropey. It will be a love/hate thing. Caveat emptor, my friends.

*** SPOILER ***
There is a 5 mins postscript ep that confirmed a HEA ending but why is that even necessary?

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Not impossible but they need to try harder

The FL has a breakout role in the film Burning. I jumped at the chance to see her in a proper drama series.

The initial set up of her character was encouraging. Her character is hard working, resourceful and has a laser focus on her career. She might be down on her luck, but she has a backbone of steel. The potential for growth is writ large. So much so that I can overlook the tropey contract marriage/cohabitation plot if she is allowed to play to her strengths. Unfortunately, it is where the engine kinda stalled.

To wit, once the show simple premise is lay out for us, the FL's role actually diminished. She has flashes of brilliance but soon her role is overshadowed by the male lead aka Moon Sang-min. For half the series, she is the "meek" fiancée of the 2ML. At one stage, her character was forced to go into hiding and lay low. Not exactly the ideal setting for scene stealing performances.

To be fair, I don't have a problem with the acting of Moon. He is handsome and charismatic as ever. The show is pretty much his starrer. Our leads do have good chemistry and their on/off romance is what sustained my interest. However, the paper-thin plot needs more to make it work. So far, it is not much more than a cavalcade of tired tropes.

Alas, that memo didn't land on the right desk. Most characters are straight out of central casting. Side plots are tropey and boring. Antagonists are more meddling than evil. It is all so samey and predictable. Even the writer-nim recognised this. There are multiple references to "trashy drama” plots in dialogues. Self awareness . . I get it! Ha ha . . indeed.

Even when we are served a sugar hit just after the 3/4 mark. It was immediately followed by the ubiquitous breakup with not 1, not 2 but 3 lots of Noble Idiocy. Predictably, that send our leads straight to purgatory but served little other purpose.

This is further confirmed in the last EP when after a mandatory 1-year time skip, our leads threw themselves at each other within hours of a chance meeting. What is the point of the breakup? This leads to 15 mins of decent fan service and HEA endings for all concerned whether they are good, bad or just silly.

I am not saying the show is bad. It is quite watchable and entertaining at times but the wasted potentials just irks me.

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A do-over done right . . With caveats

I think I shall call 2023/24 the Year of Do-overs. Quite a few shows have the lead(s) shuffle off the mortal coil only to come back as the much improved Lead(s) 2.0.

To be fair, if anyone deserves a do-over and right some serious wrongs, our beloved PMY should be at the head of the queue. We are left with no doubt that her life has spiralled out of control and death is a blessed relief.

With her demise out of the way, the show completely changed tone. The FL was confused and stressed for the moment but once she accepted her situation and got her little grey cells working overtimes, she was on fire! She re-evaluated her life from high school onwards and noticed all the red flags she never noticed before. It was obvious in hindsight that she was manipulated and gaslighted constantly by someone with a singular purpose.

The middle section is the highlight for me. It was gratifying to see our OTP join hands and outsmart the antagonists at every turn. Everything seems to be going swimmingly. If you think there is a BUT coming then you have obviously watched too many k-dramas. ;)

Within a few scenes around episode 12, our writer-nim turned all the best made plans of our OTP into dumpster fires. It was makjang with a capital M. Every tropey subplots are dusted off and threw into the witches brew.

I know most viewers will feel aggrieved at this point. The show giveth and the show taketh away. It was as if a switch was flipped. The drama was injecting angst just for angst’s sake.

However, I do see some method to this madness. It largely comes down to the plot getting out of control as more and more characters are introduced which stretched the simple idea of diverting your worse fate to others difficult to sustain without creating a small singularity. I'm sure our writer-nim planned it all along but it was not a good look when the proverbial hits the fan.

With this in mind, the writer-nim basically did a hard reset, allowing her to set the stage for the final confrontation. It might feel like a hack job but the show gets away with it because it is a dark fantasy. Paring back the modern trimmings, it could have been a tale told by the OG Brothers Grimm. Gruesome deaths are far more likely than singing woodland creatures.

Thankfully, there is light at the end of the tunnel, and there is much rejoicing when the inevitable all happened on cue. This leads us to one of the most detailed and sweetest fan service episode for many moons. It is not brilliant writing but the little lumps of sugar just kept coming and we stop caring.

In terms of acting, I’m happy to report that PMY has got her mojo back. As a fan, it pains me to say that her last few dramas were (cough) patchy. It certainly was not on par with earlier shows like Secretary Kim or Her Private Life. While this show is still not up there, they definitely share some DNA.

This is further helped by the acting of the ML and their chemistry. He might not be the classic handsome lead but he more than made up for it with other attributes. He complimented her evolving character well. On the other hand, the antagonists are one dimensional and predictable. That's ok because this is not a convoluted mystery drama, their actions are all laid bare from the start. They are there as focus of our ire, this they managed to do with single minded efficiency.

In the end, I had high hopes and the series mostly delivered. However, it did stumble in the last 1/4 of its run. It almost stole defeat from the jaws of victory. I’m glad that the show recovers and ends well. It was a close call. I gave it an extra ½ point because of PMY. Fight me. :)

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Mask On/Mask Off

This is a sweet little contemporary romance. It is relatively short at 14 episodes, so the pacing is tight. It is also angst light in the sense that there are no nasty parents nor psycho second leads. There are plenty of angst from a different quarter though and this forms the underlying message of the show. So, let’s talk about the love lines first.

The ML is handsome, and the FL is attractive. They are well matched and have good chemistry. They are sweet, loving and there is a decent amount of skinship, but nothing more than hugs and kisses. It is great to see that they understand the need to communicate. They talk through issues, and they trust each other. They act like mature adults and don't yo-yo between love-hate like some other dramas. It did take them a while to sort out their feelings but once they are a couple, there is no going back and no self-sabotage. They form an united front against anyone who try to come between them.

Interestingly, relationship issues are not completely off the table. The show touches on issues like jealousy, ghosting, gaslighting and some serious obsessive behaviours. It does feel a little tropey when you take it all in. It works out in the end, but it is hardly a joyride for all concerned, especially the FL’s sister.

Now, let’s talk about the rest. As the title implies, “faking it” is now such a part of modern culture that you will find it everywhere. Whether it is being pretentious or just to disguise one’s background, it is like a mask that people puts on or risk being unfairly judged and labelled.

If you think this is a great opportunity for satire then you’d be right. However, while this show is willing to poke fun at some common tropes (luxury handbags at 3 paces, anyone?), they are hardly cutting. We might get a chuckle out of it, but this is common fodder for Chinese comedies nowadays. I would almost call it a missed opportunity.

In that sense, the main theme of the show is not about fakes. Yes, there are plenty on display, but they are just props. The show is really a cautionary tale about achieving a good work life balance. This is significant because our leads certainly face that challenge and they also have to take off their masks before they can truly love each other. This is the real message of this show.

I’m glad that the show highlights such plights, but it does feel a little hollow. Nobody want their health or relationship to suffer because of excessive workload/work pressure but I have a sinking feeling that the positive messages are going to fall on deaf ears when you consider the current 996 work schedule in China and that is often the bare minimum. The pressure to conform is just too great. It is a noble sentiment, to be sure, but how many Chinese workers can achieve a healthy balance?

Putting this aside, the show is quite enjoyable. Production value is good, acting is solid and the OST is pleasant. If you are not in the thick of the rat race then this would be a very agreeable distraction while it last. Peace out.

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Sharing IS caring

This show is unabashedly sentimental with the focus on the overwhelming grief suffered by the college age FL. She recently lost her grandmother who is more like a mother to her after the sudden death of her father through misadventure 5 years previous. It is a blow she is ill prepared to handle. Her life grinds to a halt at that point.

Sharing meals is a common device used to signify a bond between friends and family members. We see flashbacks of meals happily shared in her humble abode with her closest friends and small family unit. It contrasted starkly with the scenes in the present where she ate bento boxes bought from convenience stores in silence with the TV providing nothing but background noise. The loneliness and heartache are palatable.

However, her seemingly unrelenting despair began to lift once she started to work at a cafe called Finland Papa. The whole raison d'etre of the establishment seems to be the healing of those who work there. The writer-nim certainly took some liberty with the narrative here. Just don't ask too many questions. ;)

FL is the focal point of the show, and she has to display the broadest range of emotions. I think she did well, and she was ably assisted by the ensemble cast. Speaking of the ensemble, I'm not going to spoil their stories. The writer-nim doesn’t have time to paint with a fine brush, so we have to settle for some broad strokes surrounding their tropey backstories. Nothing untoward and certainly within the realm of plausibility. I almost forgot to mention, the grandma character is the underpinning of the main plot. She dispenses wisdom and bonhomie to all who would accepts her hospitality.

This leads us to the other key motif of the show. The found family trope is a favourite for a good reason and it is used to good effect here. The motley crew working at the cafe started with a love-hate relationship. Their growing bond is what gave them strength to heal through their various wounded psyches. While the process is a foregone conclusion, its steady progress is nice to watch, nevertheless.

The show will hit you with the feels as long as you are not too critical about the simple story and straightforward delivery. There are no high dramas nor funny gags. But sometimes you just need a show like this to give you an excuse to step away from our crazy world for just a moment. I'd like to think of this show as is a soothing salve to the soul. It won't appeal to everyone but that's ok too. That just means there are more Xmas parfait for me. :)

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The union of my expectation and reality

This review is going to be different from my usual style. I don’t want to go through and dissect the show point by point because it would be nitpicking. I want a broader approach because the show affects me at a more visceral level.

Fundamentally, my overall emotion after completed this show is disappointment. On paper, this show should be one of the biggest hit of 2023. Indeed, the ratings and the online chatters all points to a buzzworthy show. That is to be expected when you start with an award winning script writer who has penned hits like Once Again, Oh My Ghost and Weightlifting Fairy, then add the power coupling of Jeon Do-yeon and Jung Kyung-ho. Throw in a laundry list of veteran support actors and you have one heady mix. This should yield nothing short of perfection. I should be able to just write QED and adjourn to the Union Bar for some (cough) intellectual discords.

However, by the half way mark, I can’t ignore a growing sense of unease and it only intensified as the story unfolds further. What bothers and concerns me is not the acting, which is solid, nor a bad script but it is just so . . . . underwhelming. It lacks that magical quality I'd expect from our writer-nim. To be brutally honest, this is not her best work. Most plots are tropey, the majority of support roles are one dimensional, the murder mystery is hardly suspenseful and why do we even need one? She pushes the button hard on the exam hell suffered by many senior students but she offered little redress. If anything, the ML is a hypocrite because while fully acknowledging how unfair and stressful the CSAT system is, he also makes an obscene amount of money tutoring and basks in his status as a top star teacher.

Similarly, after all the trials and tribulations relating to the exam system, everyone comes up roses. All the young protagonists gets into college courses of their choice. Even the sport jock who failed the exam is now a hardworking lad who won't give up. Hwaiting! It is not exactly a warts and all exposé, is it?

This spills over into the murder mystery. I was really expecting a tight and suspenseful whodunit but it soon becomes clear that the murderer’s identity and even his raison d’etre are fairly obvious. The only people who are fooled by the numerous red herrings are the local police. Of course this leads to some soul searching by the leads but in the end, the punishment fits the crime and we collectively moved on without a backward glance.

This is a recurring issue. While the show decries certain issues, the message is conflicting and diluted. The murderer was tormented and abused but because he committed heinous crimes, he is the one to blame. Everyone else is a victim. Ditto, the helicopter parents who drove their kids to distraction or worse are mostly given hall passes. The Show concludes with scenes of our long-suffering young cohorts being happy, well-adjusted college students enjoying themselves. Is the Show condemning the system or supporting it?

As a piece of entertainment, it is buzz worthy and very watchable and ticked all the boxes. It gets the Monday morning water cooler seal of approval, but I find it wanting. It pains me to have to write this review. It should have been a celebration of a great script and wonderful acting. To be fair, there is an lovely autumn romance with its fair share of swoon worthy moments. The amount of chemistry is up for debate but I digress. There are tensions and high dramas but they are also weakened by some inelegant story telling.

If I had known nothing about the writer and the ensemble actors then I'd be happy to watch it as a decent k-drama with its fair share of foibles but, alas, I do know better. This makes it all the harder to be placated by the last episode which I can only describe as sugar overload. Everyone is gifted with a HEA ending whether they deserved it or not. I, for one, cannot unsee the scene of the pregnant FL's BFF chatting with one of the gang-of-mums about her marriage. I literally groaned out loud.

One final thought. Whomever is the FL’s stylist needs to be locked away in a dank dark dungeon. It takes a herculean effort to dress the FL in the most frumpy anti-fashion way. That, my friend, is THE true crime.

Peace out.

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I don't think I'll see you again

This show's plot is paper thin and it is quite predictable. It pretty much played in one sandpit for the whole show with passable production values. There is little nuance or growth to the characters and their romantic developments are on rails.

All the usual youth romantic drama tropes are present; love at first sight, crushes, envy and fated meeting as kids. The plot regarding the FL's Prosopagnosia is poorly represented and not really explored. It is just used as a device for minor gags or token angst until the ML shows up as her knight in shining armour.

As expected, the plots are factory standard issue and the pairing of the protagonists are obvious from the start. It is just a matter of getting over the meet-cutes, push-pulls and failed confessions. Sadly, there is scant chemistry between the three CP's which netted a token amount of skinship. I get the OTP pairing (fated and all) but the other two pairs are hardly match made in heaven. What is more concerning are the weird editing, disjointed narrative and phantom side plots that literally appears for a few scenes and then forgotten. Choppy is a good way to describe this show.

Acting from the young leads are passable. They are energic but prone to overact. I have seen worse and they do try. The support cast is another story. Most are no better than extras handed a couple of lines of dialogue and it shows. I do wonder if the production company approached a local college to do a collaboration and held an open call for extras and bit parts. There is certainly no shortage of extras for many scenes.

The plot twist towards the end was totally contrived and unnecessary. It did manage to pad out the runtime significantly so job done. The HEA ending rolls in as expected. The final scenes after the big time skip feel amateurish and rushed.
If you are interested in a drama about Prosopagnosia, try The Secret Life of My Secretary. So, so much better.

This is a messy and unengaging filler. One time watch for me. Peace out.

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Need a few more special herbs in this guggling brew

I have high hopes for this drama (why do I feel like I just cursed the show? ;) ). It has a good cast and I like the ML when he stars in other shows. The FL is quite good at playing a sassy girl as well. It should be a sure fire hit, right?

The answer is a bit more complicated. The Show starts strongly. The opening scenes are impactful with some quite confronting. We have two leads who are hurt and damaged by the machinations of others. Both lives are derailed, and their future seems to be full of uncertainties and trials.

The Show is patently a healing drama with a strong dose of romance. The chemistry between the leads is unmistakeable from the start. The show largely delivers on its premise, but it is not without caveats.

Part of the problem is that the Show drifts from one motif to another without fully committing to any of them. There is palace intrigue which is full-on at the beginning but faded mid show. Comedic elements pop up from time to time but you can hardly call it a comedy. Medical dramas run right down the centre. Some cases are interesting but most are just fillers.

The whole Joseon psychiatrist thing is a bit of a deception. The ML still based his diagnosis on checking the parent's pulse and countenance. Treatments are centred on acupuncture and herbal tonics. He does think more about the circumstances of his patients, but I'd call him mindful, insightful rather than a neophyte psychiatrist.

The love line is oddly nebulous as well. Not that the leads are confused about their feelings. If anything, they knew exactly how they feel about each other, but the show just won’t let them take the leap.

I don't want to use the word draggy to describe this show and it is not, at least not in the classical sense. It feels more like a lack of resolve. It is as if the show is buying time, rather than wasting time. This might well be because the show is renewed for a second season before the first season is even over so the writer-nims might be under pressure to keep a few tricks up their collective sleeves for S2.

Characterisation is a mixed bag. The leads have clear identities, and their portrayals are largely on point. The support cast is more one dimensional with most of them employed as comedic relieves. The antagonists are a tropey mix of local pompous bully and power-hungry grand vizier type. They brought forth death and destruction, but the intrigue is more pedestrian than Byzantine.

Don’t get me wrong, I enjoyed the Show. All the ingredients are in the pot, but it just simmers and guggles. Never quite come to a boil. It is good but not great. To be fair, the Show concluded satisfactorily at the end of S1 with retribution and redemption dished out appropriately. It didn’t quite end in a cliff-hanger but more like a ridge-hanger.

Bring on season 2! Hwaiting!

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A healing drama is just like a donkey . . . I mean onion

On the surface it is a short, slow burn romance with low angst. We need to peel back some layers to find the deeper meanings.
The ML is a tortured soul whose near perfect world collapsed in short order due to his gradual loss of hearing. He doesn’t know how to deal with it, so he became withdrawn and pushed everyone away. He tried to join the deaf community but finds that he is still on the outer because he was not born deaf. He came to the sad conclusion that EVERYONE sees him as being different and there is nowhere he truly belongs.

I believe that one of the motifs of the Show is how society divide people based on many assumed and perceived criteria into different groupings. Both real and invisible barriers are here to segregate and isolate them into smaller cliques.

Our need to belong creates pressure points in our social interactions. It can be exhausting and debasing when we run into unyielding barriers. How horrible it is when you are yanked from a comfortable reality into a new one where you are confused and lost.

It was fortuitous that the ML met a kind deaf girl. She befriended him and helped him to learn the sign language. It is not acceptance but at least he can function again. Their relationship is ambiguous. The girl is clearly interested in him, but he is afraid of commitment and shows no inclination to take their relationship to the next level. The girl is happy to stay in the friend zone as she has him all to herself. However, all that changed when the ML's ex-girlfriend ran into him by accident and started a chain reaction that changes several lives.

For me, the Show is a beautifully crafted story about rediscovering love, friendship, sacrifice and the need to compromise. I don’t want to give away the plots regarding the SML and SFL but let's just say that I'm getting serious second leads syndromes by the end of the Show.

From my perspective, the first half of the Show is very well done. There are lots of backstories, raw emotions and misunderstanding before the fateful reunion. The show took its time to explore all this. It was never going to be a joyride but the writer-san skilfully weave the story back and fore along the timeline so that we know how each character arrives at their current circumstances. There were plenty of broken psyche that needs healing. They get patched up enough to keep functioning but not completely healed. The amount of baggage carried by the ensemble cast will keep a caravan of camels fully loaded.

Unfortunately, while the Show start to untie the knots and salve the troubled souls in the second half, it is a slow process. The pacing of the show becomes almost meditative.

The healing and exploring requires a lot of dialogues between the OTP and sometimes side characters. I think the writer-san wants to show how difficult communication can be even though it is based on a common language. We ended up with a mix of sign language, written words, phone apps and normal conversations. It can be slow going as the ML has to keep the signing slow and simple so that the FL can keep up. It is like watching two primary school kids trying to communicate. They do resort to writing sentences on paper when it got too complicated.

In the end, the bulk of the breakthrough came in the last episode. All the affirmations and compromises are nutted out then. Some of the best scenes are also found there.

The FL worked hard to live in his world and she cajoled the ML into compromising his unyielding stand. It is a fragile middle ground but one they can call their own.

The acting is great with a lot of depth. Without spoken words, they need to emote with their facial expression, posture and their eyes. That requires real skills.

The loveline of the OTP is sweet-bitter-sweet. It is ashame that there is almost no skinship.

I can recommend this show but you have to be in the right frame of mind to appreciate it.

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