Zogitt

Charles Perrault should sue

This show looked promising early on but ultimately it is a let down.

What is bothersome is that this is not a bad show. It is watchable and mostly harmless, but it is surprisingly ordinary and has little substance.

Noona romance is hardly new to the drama-verse but this show has such a pedestrian script which is not aided by the large ensemble cast of one dimensional characters.

Don't get me wrong. There is a lot happening but the A-plot and sundry subplots are mostly inane and tropey. I won’t even mind if the show is super fluffy, but it ended up trying too hard to be funny, edgy and poignant. It is not a winning combo.

We are presented with an klutzy and naive FL right from the start. There is a strong hint of the Cinderella trope. You’d rightly expect her character to grow and transform over time into something special. To the contrary, her character stays gruffy and annoying for the bulk of the run. She acts like a 39 yo virgin but in the most cringey and awkward manner.

I also find it hard to ship the love triangle. It is just not convincing for me. To wit, ML1 is a hunk 15 years her junior with his pick of beautiful girls. Yes, he said that he loves her because she is kind, sweet and cute, really? Am I watching the same show? It is a hard sell.

Ditto, ML2 has a crush on her for years. Of course, they are the worse frenemies until it is too late. Once again, ML2 is mature, talented and handsome. He also has his pick of superior female admirers, but he is loyal to the FL to a fault. Go figure.

The stories related to her two besties are meant to be saucier, but it is so predictable. Plot by plot, they have a home in this genre, but the sum is definitely less than the parts in this case.

There is a mini breakthrough in ep.9 but the good times never last and we ended up with another about face before the episode is over.

In the end, this type of drama can work and there are fine examples out there. However, this show never really engaged me and I find it hard to ship the OTP. This is a kiss of death in my book. I felt detached for much of its run. I hung in there hoping it would get better. . .

OST is functional but I find it repetitive. Rewatch? You jest.

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Size doesn’t matter, as long as you can make a joke out of it

As other reviewers have noted, this movie is not your typical weeknight drama. This show certainly pushes one “sensitive” topic relentlessly. It is not even really about sex but the awkward situation both men and women find themselves in once you get past first base and must do the “show and tell” and keep up with the Kim's.

Maybe the show is trying to milk the shock value but almost every second scene will involve a discussion/action related to the human sex organs and how well they are functioning, or more likely, not functioning. It does the trick . . . for the first 15 minutes but combined with the barely-there filter on bad languages, the dialogues can be quite one-note. You do become desensitised.

BTW, they don’t just talk about sex but there are several elaborate sex scenes. Most are centred on a softcore "starlet" (aka SFL) who is happy to bare all for her art. It is not exactly egregious, but it is pretty much done like punctuations and to emphasis that they can walk the walk. However, this doesn’t quite extend to our leads. They provide their fair share of skinship, but it is quite tame by comparison.

Once we pare back all those "extremities", we are left with a fairly basic rom-com. It boils down to the usual enemy to lover, romance/healing drama. All the typical misunderstandings and push-pulls are present and accounted for. This show leans more heavily into the comedy side with most angst radiating from the FL as she rage against the patriarchy. The movie ticked a lot of boxes but with only 100min run time, there is barely enough time to race through the tropes.

Acting is fine. The leads are charismatic and they make a nice couple. Support cast tends to overact but this is the style of show we are dealing with.

In the end, the movie is entertaining and watchable. It does deliver a fluffy romance and it all ends well. It is not as shocking as the initial premise as the show does fall back to the well-trodden path even though that path was edged with brambles. I suppose the NC-17 rating proves that it wants to be contentious, but not WAY out there.

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Mask On/Mask Off

This is a sweet little contemporary romance. It is relatively short at 14 episodes, so the pacing is tight. It is also angst light in the sense that there are no nasty parents nor psycho second leads. There are plenty of angst from a different quarter though and this forms the underlying message of the show. So, let’s talk about the love lines first.

The ML is handsome, and the FL is attractive. They are well matched and have good chemistry. They are sweet, loving and there is a decent amount of skinship, but nothing more than hugs and kisses. It is great to see that they understand the need to communicate. They talk through issues, and they trust each other. They act like mature adults and don't yo-yo between love-hate like some other dramas. It did take them a while to sort out their feelings but once they are a couple, there is no going back and no self-sabotage. They form an united front against anyone who try to come between them.

Interestingly, relationship issues are not completely off the table. The show touches on issues like jealousy, ghosting, gaslighting and some serious obsessive behaviours. It does feel a little tropey when you take it all in. It works out in the end, but it is hardly a joyride for all concerned, especially the FL’s sister.

Now, let’s talk about the rest. As the title implies, “faking it” is now such a part of modern culture that you will find it everywhere. Whether it is being pretentious or just to disguise one’s background, it is like a mask that people puts on or risk being unfairly judged and labelled.

If you think this is a great opportunity for satire then you’d be right. However, while this show is willing to poke fun at some common tropes (luxury handbags at 3 paces, anyone?), they are hardly cutting. We might get a chuckle out of it, but this is common fodder for Chinese comedies nowadays. I would almost call it a missed opportunity.

In that sense, the main theme of the show is not about fakes. Yes, there are plenty on display, but they are just props. The show is really a cautionary tale about achieving a good work life balance. This is significant because our leads certainly face that challenge and they also have to take off their masks before they can truly love each other. This is the real message of this show.

I’m glad that the show highlights such plights, but it does feel a little hollow. Nobody want their health or relationship to suffer because of excessive workload/work pressure but I have a sinking feeling that the positive messages are going to fall on deaf ears when you consider the current 996 work schedule in China and that is often the bare minimum. The pressure to conform is just too great. It is a noble sentiment, to be sure, but how many Chinese workers can achieve a healthy balance?

Putting this aside, the show is quite enjoyable. Production value is good, acting is solid and the OST is pleasant. If you are not in the thick of the rat race then this would be a very agreeable distraction while it last. Peace out.

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Promises, promises

J-dramas are often built on a foundation of quirky characters and outlandish premises. They don't all work but when it does, it can turn up some memorable and unique dramas.

Unfortunately, this show seems to have missed the memo and what we got is a nice romance drama but there is nothing fresh or unique about it.

The biggest selling point of this show is the life goal of the FL. She has set her mind on when she will be married and when she will have kids. Everything should be done and dusted by the time she turn 30. However, life has other ideas and she turned 29 and has little prospect of marriage let alone 1.3 kids.

In stepped a "stranger" who promised to marry her on the day of her 30th birthday. That is a chivalrous move but it would have worked better if it was a written short story. In this case, it is stretched to 8x20ish mins episodes. It is still watchable as a run of the mill office romance but little else. 

There are swoon-y moments and a reasonable amount of skinship. It is nice to watch the ML trying to woo the FL and deliver a promise made on a whim. It helps that he has a crush on the FL but there is a lot of pushbacks from the FL initially. She is confused about the ML's motivation and whether it was all a joke.

As a relatively short dramas, it is sweet/nice/decent enough and an easy binge. It is perfectly suitable for that but it would not be my first choice and it has minimal rewatch value. Peace out.

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A solid period drama that flags towards the end

The show’s FL should be easily recognisable by drama fans. A mix of Cinderella, Belle and a dash of classical Chinese beauty. She is certainly long suffering but has the brain and intestinal fortitude to try to make a better life for herself.

Her journey is long and arduous, but she is helped along the way by some good friends but most importantly, the love of her life. The writer managed to tell her struggles and the love line well. It can get angsty but never soul destroying. Sometimes the side plots can get a bit convoluted, but it is a costume drama based on power struggle at the highest level, you can’t expect anything less. Most of the threads are untangled in the end but some will leave you feeling a little deflated.

There is humour, action and intrigue from the start. To say the show starts strongly is an understatement. The pace does slow as it progresses. Often, there is a mini cliffhanger at the end of an episode, so you’d want to find out what happens next.

The production quality is high. The set are lush and well-integrated. Costumes are of high quality and suits the characters and their style.

For the show to be good, the performance from our cast is key. Our leads are right for their roles. The FL is pretty but also intelligent and quick witted. Her life in a patriarchal society is not easy. Time and again, she hits the glass ceiling and must counter adverse public opinion. On the other hand, the ML radiates gravitas and martial prowess, but he is a sweet and gentle lover once he falls for the FL.

The OTP’s chemistry is good. Their interaction is not sizzling but still swoon worthy. There is a decent amount of skinship, but I can’t help but think they did what the script asked of them and did it with dedication but lacks real passion when it really counts.

Our leads are ably supported by the large ensemble cast. The senior members certainly pulled their weight. Especially those in antagonist roles. The younger set are fine, but there are inconsistencies.

Plot wise, this is old school. Power struggle is standard trope. Playing the long game is the only game in town. This means some of the roles are fairly one note. Subplots are mostly rehash of tropes.

How I wish the show is uniformly good from start to finish. From my perspective, the show peaked around the 2/3 mark. That is when the long game starts to bear fruit. Don’t get me wrong, it still has its moments later on, but it doesn’t reach the same height. That is largely because we know who the real puppet master is by then. If you are familiar with this type of dramas, you will recognise many of the subsequent plots. The last few episodes are filled with expositions so that every schemes and countermeasures are explained, often more than once. Is that necessary when we just watched the scenes played out not that long ago? It pads out the runtime, but it also saps the momentum. The last episode is total fan service which I appreciate. Everything is in place for the HEA ending.

Overall, it is a well made and entertaining drama. I can recommend it and I have no problem rewatching a highlight reel. OST is pleasant if a bit repetitive, especially the love ballads which tends to be on high rotation towards the end.

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A well grounded romance with an odd sting in the tail

I have a love-hate relationship with Taiwanese dramas. They can be either very good and creative or way too melodramatic for my taste. This show is somewhere in between.

I mostly enjoyed this show. It has a dramatic start but once the dusts settled, it feels more grounded than many other t-dramas. A lot has to do with the acting of the FL. She was put through the wringer when her father died suddenly and left her family destitute. With the help from some kind souls, she lands back on her feet and starts to put her life back together. I appreciate her acting and the fact that she is a plain Jane for the bulk of the show. The ML is handsome and earnest in his pursuit of the FL. He did a solid job and provides us with some nice romantic moments. The chemistry between the leads is good and their romantic journey largely feels organic. There is a decent amount of skinship which feels natural.

The Show is well supported by the ensemble cast. It is nice to see that there is not a lot of overacting from them. However, some of the roles are from central casting and can be one dimensional. The mothers of the ex-husband and the ML are next level though. Both are single-minded in their rejection and prosecution of the FL. I don’t quite understand why so many Taiwanese mums are portrayed this way. It is so tropey.

While I consider the show to be well grounded, it is not angst lite. If anything, there are segments where it is very melodramatic. This is particularly true towards the end when the writer throws in many angsty subplots. This is rather unfortunate as the Show was tracking well up to this point. The leads are overcoming the odds and things are finally looking up. They then have everything including the kitchen sink thrown at them.

Thankfully, the HEA ending arrived just before I adopt the fetal position. The Show took its time getting us there but we got there eventually. I'm not sure if it is intentional but the ending is very tropey and predictable. It also has a weird twist that makes me do a double take.

I won’t spoil it but imagine the classic horror movie ending where we see the survivors ride off into the sunset after taking down the evil antagonist. Just as they fade from view, the camera pans down towards the smoking ruin. Slowly but surely, a burnt and scarred hand push through the rubble and claws at the sky. Hold that thought when you watch the last few scenes of this show. This is a textbook romance so what's with that scene with the SFL? Could there be a S2? I hope not.

Production value is decent but they did spare some expenses. I can’t remember much of the OST, generic love songs mostly. Rewatch priority is low.

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The union of my expectation and reality

This review is going to be different from my usual style. I don’t want to go through and dissect the show point by point because it would be nitpicking. I want a broader approach because the show affects me at a more visceral level.

Fundamentally, my overall emotion after completed this show is disappointment. On paper, this show should be one of the biggest hit of 2023. Indeed, the ratings and the online chatters all points to a buzzworthy show. That is to be expected when you start with an award winning script writer who has penned hits like Once Again, Oh My Ghost and Weightlifting Fairy, then add the power coupling of Jeon Do-yeon and Jung Kyung-ho. Throw in a laundry list of veteran support actors and you have one heady mix. This should yield nothing short of perfection. I should be able to just write QED and adjourn to the Union Bar for some (cough) intellectual discords.

However, by the half way mark, I can’t ignore a growing sense of unease and it only intensified as the story unfolds further. What bothers and concerns me is not the acting, which is solid, nor a bad script but it is just so . . . . underwhelming. It lacks that magical quality I'd expect from our writer-nim. To be brutally honest, this is not her best work. Most plots are tropey, the majority of support roles are one dimensional, the murder mystery is hardly suspenseful and why do we even need one? She pushes the button hard on the exam hell suffered by many senior students but she offered little redress. If anything, the ML is a hypocrite because while fully acknowledging how unfair and stressful the CSAT system is, he also makes an obscene amount of money tutoring and basks in his status as a top star teacher.

Similarly, after all the trials and tribulations relating to the exam system, everyone comes up roses. All the young protagonists gets into college courses of their choice. Even the sport jock who failed the exam is now a hardworking lad who won't give up. Hwaiting! It is not exactly a warts and all exposé, is it?

This spills over into the murder mystery. I was really expecting a tight and suspenseful whodunit but it soon becomes clear that the murderer’s identity and even his raison d’etre are fairly obvious. The only people who are fooled by the numerous red herrings are the local police. Of course this leads to some soul searching by the leads but in the end, the punishment fits the crime and we collectively moved on without a backward glance.

This is a recurring issue. While the show decries certain issues, the message is conflicting and diluted. The murderer was tormented and abused but because he committed heinous crimes, he is the one to blame. Everyone else is a victim. Ditto, the helicopter parents who drove their kids to distraction or worse are mostly given hall passes. The Show concludes with scenes of our long-suffering young cohorts being happy, well-adjusted college students enjoying themselves. Is the Show condemning the system or supporting it?

As a piece of entertainment, it is buzz worthy and very watchable and ticked all the boxes. It gets the Monday morning water cooler seal of approval, but I find it wanting. It pains me to have to write this review. It should have been a celebration of a great script and wonderful acting. To be fair, there is an lovely autumn romance with its fair share of swoon worthy moments. The amount of chemistry is up for debate but I digress. There are tensions and high dramas but they are also weakened by some inelegant story telling.

If I had known nothing about the writer and the ensemble actors then I'd be happy to watch it as a decent k-drama with its fair share of foibles but, alas, I do know better. This makes it all the harder to be placated by the last episode which I can only describe as sugar overload. Everyone is gifted with a HEA ending whether they deserved it or not. I, for one, cannot unsee the scene of the pregnant FL's BFF chatting with one of the gang-of-mums about her marriage. I literally groaned out loud.

One final thought. Whomever is the FL’s stylist needs to be locked away in a dank dark dungeon. It takes a herculean effort to dress the FL in the most frumpy anti-fashion way. That, my friend, is THE true crime.

Peace out.

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A wholesome peek into the enigmatic Maiko House

The life of a Maiko is not easy and it is filled with learning and training from their mid to late teens. It is a vocation as well as a lifestyle that requires total dedication. As such, it is a fairly insular world that has a very public face as well as a private one as well.

This show gives us a peek into the inner workings of a Maiko house. It is a fascinating drama for anyone who is interested in this unique Japanese way of life. However, this is a double edged sword as the show really takes the slice-of-life aspect to its heart so from the get-go. It rarely pauses to explain anything about their training, lore and rituals. I would suspect some young Japanese will also feel a bit confounded. For foreigners, it can be downright bewildering which makes this an interesting choice for Netflix international distribution.

On top of that, there is a very strong foodie element. Not only are the dishes looks delicious and change with seasonal ingredients, they are also tailored to individual’s tastes. All power to the FL for being so skillful but I just can’t shake the fact that she is barely 17yo. Is it dramatic licence?

The storytelling is tropey and fairly old fashion. It is totally functional and engaging, just don’t expect any edgy social commentaries. The plots are low angst and a bit meandering. It skips around the timeline and tends to focus on key dates, festivals and milestones. There are hints of romances, and some tough decisions confront our protagonists. The narrative is ongoing so a sequel is quite possible. The pacing is leisurely. It can be almost meditative at times. Dedicating long minutes on some daily errands is part of the narrative. You just have to roll with it.

Acting is good across the board. The inhabitants of the Maiko House and their associated Geikos are the key members of the ensemble. The young female leads certainly pull their weight. The female cast carries most of the plots and have the most growth (although it is not consistent). The male cast is in support and fill the minor roles. The portrayals are not particularly deep and their behaviours are mostly predictable. You are left in no doubt that the sisterhood and their shared heritage is the foundation that the house is built on.

Your level of enjoyment and reward is really subjective. It is more enjoyable if you are familiar with the subject matter and can follow the ebb and flow of their rigid routines or conversely, you can treat this as a mindless filler and watch it casually. If you are somewhere in between then it can be confusing and frustrating to varying degrees. At the most fundamental level it is a nice show about a female only share house with a talented young live-in cook. However, that would be like describing Lord Of The Rings as a bunch of weird people wandering the wilderness. ;)

This review is relatively short because I don’t really have a lot to say about it. I personally loved this drama. It is like the dishes cooked and served in the show. Nothing fancy but so delicious and comforting. It sparks joy in you, and you just want more. BTW, there is a website that has all the recipes in the show. I’m game to try cooking some. Are you? ;)

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“Femme Fatale vs Homme Fatale”

From my perspective, the show has a rough start. A lot of the issues comes down to the characterisations of the leads. The ML is fairly straightforward, he is portrayed as a handsome movie star that distrusts women on the whole and despises those he considered to be parasites. His psyche is so damaged that physical interactions with females can bring on physiological reactions. Because of this, he puts up a brave front but is secretly an introvert and shies away from contacts other than his close friends and relatives.

On the other hand, the FL is an extrovert who is good at many things including martial arts, motorbike racing and stint driving. She never does anything by half measures. She always hone her skills to the best of her abilities. Interestingly, this mirrors the actor who plays that role. Kim Ok-bin is very accomplished in all those areas and more. In the drama, she is layered with a very strong sense of justice, and she sees bad men everywhere and is more than happy to step in to give them their just dessert. While she is happy to use her fists, she doesn’t shy away from unconventional methods like seducing a cheater and then dumping them just to give them a taste of their own medicine. I love how strong and powerful she is and she is not dependent on any man for her identity. Hurrah!

Just to mix things up, the writer-nim also put the ambiguous relationship between the ML and his male BFF on full display. Maybe she is trying to create more interest with the complex interplays so that the various characters will spark off each other. Unfortunately, that approach didn't gel with me. It feels like busy work and fire off conflicting messages.

The OTP's meet-cute is built upon the mistaken intention trope but is stretched to its limit. This makes it hard to ship the OTP from the start. Fortunately, the misunderstanding is cleared up quickly and we soon moves on to the contract dating trope.

Round 2!! The OTP's romance is now on track. At the same time, we learn more about the leads’ backstories so that we can understand why they behave the way they do. Honestly, while I accept their backstories on face value, they do feel like being engineered to fit into the narrative.

Acting is very good and the action sequences are highlights. The FL is the star of this show, and she excels in so many different disciplines. The ML is handsome but carries a lot of baggage and he did well in that role. We are lucky that this is not an idol drama so that while the actors are good looking, they can back it up with their acting abilities.

Furthermore, with good, seasoned actors, it is not hard to ramp up the OTP’s chemistry. Their skinship is certainly much more natural and intense than the usual perfunctory stuff. Their love line helps to lift the show above average but that is assuming the first few episodes did not dent your enthusiasm.

Two other minor points, the show can’t help itself from adding a cacophony of cute animal sounds, dings and clangs after every “humourous” moment or dialogue. It gets old pretty quick. The 2CP’s romance is too draggy. The show made it clear that the FL broke too many hearts while the 2FL has her heart broken too many times. So she decided to push the 2ML away at all cost. The problem is that it is obvious to the audience that both are pining for each other but this charade went on until the dying minutes of the show. It would have been nice to see more 2CP sweet moments.

In the end, the second half of the show is very entertaining and swoon worthy. I am happy to rewatch that but I’d skip the first half. Peace out.

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A patchy retelling of a classic trope

This movie certainly started like an action movie. Elaborate action sequences filled the screen with loud noises and pyrotechnics. It is all done with good quality CGI. It launches the plot and introduces all the key players. The premise of the movie is not exactly new. The use of AI/robots in combat was cause célèbre before the first Terminator movie but that franchise certainly made it a pop culture phenomenon.

The special sauce in this case is the combat AI in question was extracted from the dying brain of the lead researcher’s mother. She is a famous mercenary who nearly died years ago during her last mission to earn money to pay for her daughter’s surgery. She has been kept alive but in a vegetative state.

The research project led by the selfsame daughter (2FL) is the central plot. It largely focused on honing the AI’s combat and tactical abilities as captured at the height of the FL's fighting prowess. However, it is treated as a closed loop and each time the experiment ends in failure, the android’s mind is wiped.

Everything changed when the research programme is cancelled with little warning. At first, the 2FL was just going to pass on the data and shelve the programme, but she found out that her mum’s memory is intact and the android will behaves as if her mum has come back to life if the restraint on its programming is removed. That realisation triggered the final cascade of events.

I gather the writer-nim and director-nim are trying to make a grand statement about the morality and pitfall of using AI created by mapping a living brain or the sanctity of one’s mind. Unfortunately, the message is not particularly strong nor clear and is mixed in with all the political/business imperatives and feels muddled.

What I did notice is that the process and legality of transferring a dying person’s mind to an android seems to be well established and there are even a price list for perspective clients which diluted the message further. This makes it hard to explain why the 2FL, being a leading scientist, is caught off-guard by her own discovery.

While the start and end sequences are impactful and quite entertaining, the middle section is slower and meandering. It is filled with pseudo-science and the movie tries to use the narrative to fill in some of the backstory. It is watchable but the complete change in pace did the movie no favours. It just feels like there is too much exposition about contrived theories.
As I mentioned before, the ending was an even bigger rollercoaster thrill ride. It was certainly well made and keep your attention to the end. However, the ending is rather tropey. It just about confirms the whole movie is a retelling of the liberation of a trusted slave/horse/mum trope. The final shot of the FL was “interesting”. It is cheesy but does leave the door ajar for a sequel.

Acting wise, it is a mix bag. The female leads did well especially the mum/android role. It is very demanding both physically and emotionally. The 2FL earned her keeps but the script doesn’t really give her much time or room to grow. She has a job to do, and she did it to the best of her abilities. The ML is a caricature and prone to overacting. Most of the support cast are just living props. That is probably why the middle section is the weaker link because we have to rely on some of those secondary roles to push the plot along and they are not always up to the task.

All in all, it is an enjoyable popcorn flick. There is a hint of grand ideals but the setting and execution was too restrictive to truly deliver a knockout punch.

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A modern fairy-tale that requires industrial grade rose tinted glasses

This Show might have a contemporary setting, but it has all the hallmark of a fairy-tale. The characters do not behave in a realistic way and the settings are more staged than true to life. The female leads are dressed to the nines to go to work and high society balls and cocktail parties are regular as clockworks. Wheeling and dealing are the only game in town but not a lot of real lawyering. It is a make-believe world that our protagonists have their fateful meeting and begin a fake marriage of convenience.

Fake marriage is such a trope nowadays that it is almost an automatic point deduction when a show uses it as the main plot. In this case, the Show is watchable, in part because of the charisma of the FL and the chemistry between the leads. The ML’s character is lying flat and generally taking a low profile. This means the FL is about as flamboyant as you can get as a counterpoint. She also has a collection of frenemies to match her designer handbags.

The raison d'etre for the fake marriage is the premo law firm where the FL works has a glass ceiling for unmarried female lawyers. Of course, the ambitious FL is not taking that lying down. In true drama fashion, lies begot more lies and the house of cards grew bigger and ricketier every day. I could add plot holes begot more plot holes but that would be labouring the point. ;)
The Show is entertaining at times and there are swoon worthy moments as the leads goes from being antagonistic towards each other to being lovers. However, the writer decided to keep their relationship ambiguous all through the Show. To be honest, it is disappointing as we see a lot of PDA but we still gets the “are we, aren’t we” vibe and the de rigueur breakup. This brings about the cliché fallout for several episodes.

The less we talk about the 2nd CP the better. They are a total narrative mess. They seem to exist solely to highlight how rational the OTP’s relationship is. If they were funny, at least we can get an occasional laugh, but they are just cringey to watch. The 3rd CP (FL’s ex) feels more like a one-sided crush. There are PDA but you don’t feel the passion.

While relationships are all over the place, the Show is littered with business subplots that are both ethically and legally questionable. Motivations are overblown and seems to always focus on monetary gains and one-upmanship. It serves to highlight the weakness and illogic of the FL’s chosen path. The longer the Show ran, the more untenable her situation becomes. It begs the question why she doesn't just quit if she is intelligent, professional and focused? Is it greed, stubbornness or blind ambition? It doesn't shine her in a positive light.

Acting wise, it is a mixed bag. There is a fair bit of overacting from the ensemble cast. The FL is the focal point, and she usually does a good job, but it starts to feel samey after a while. As I mentioned before, the ML’s delivery can be a bit flat but he is the yin to the FL’s yang so there is a certain balance there. When it works, their scenes can be quite swoon worthy. There is a decent amount of skinship which doesn't look fake. The OTP’s romance is pretty much the saving grace of the Show.

OST is not bad. Some nice tunes but they do get a bit repetitive by the end of the show. I might watch a highlight reel in the future, but it would be a challenge to rewatch the whole show.

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It is all about the feel

This review is going to be vague because there is no point dissecting every scene nor trying to highlight where the writer-nim could have portraited the law/autism/discrimination/etc better or more realistically. In a sense, the Show is about the overall feel and raising awareness of certain social and societal issues. There is no panacea for such ills. The writer-nim did leave some subplot dangling like the lawyer specialises in social justice cases and the ATM company. It means a win is not always rewarding or justice being served. It could end up hurting the "little guy" or setback social progress. They are grey areas that is up to us to explore further and reflect upon.

What the Show is good at is creating the unique world that Woo Young Woo lives in. It is not a "real" world because it is a drama after all. It is more like a modern pastel fairy tale. It is relatable but it takes liberty with certain aspects of reality.

Our FL's acting is superb and is consistent for 95% of the show which is a tough gig when you consider her character's mannerism and her speech pattern. Kudos to Park Eun Bin. The ML is also well played but he is firmly in support of the FL. Their romance is sweet and awkward in equal parts. There are some really swoon worthy moments. Speaking of support, it is a bit disappointing that the support casts are fairly tropey and doesn't "grow" during the show. Some are comic relieves while others are the token bullies. They are there as foils for our FL and to move the plot along where necessary.

Now the elephant in the room. The Jeju episodes are a misstep by the writer-nim in my book. It was a weird change of tone and cadence in an otherwise smoothly flowing show. It just felt off. It is just as well the Show recovers it's bearings and is back on track by episode 15/16.

It is as if the Show is self referencing itself in the end. I am left with a sense of contentment and fulfillment after the final scene. I couldn't help but grin in unison with our leads as the credit rolls. Life is good. Growth in measured steps is fine. I can't fault the ending. It is bright, positive and forward looking. What more can we ask? To paraphrase farmer Hoggett, "That'll do Woo. That'll do." :)

CGI whales and OST are both great. Rewatch is already scheduled.

At the time of writing, the Show has been confirmed for Season 2(!) and I'm thankful that writer-nim didn't leave us with some crazy cliff-hanger. I'm definitely looking forward to the future adventures of our Extraordinary Attorney!

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A solid romance dragged down by lackluster fillers

I felt awkward when trying to write this review because I was seesawing between positive and negative feelings while watching the show. It felt as if I'm reviewing the Show and "the rest".

Fundamentally, this is a good romance drama. The ML is a handsome, workaholic CEO of a high-end fashion empire and the FL is a younger, bubbly student designer with great potentials. So far so good and their developing romance was nice and sweet. The ML is totally loyal and supportive but a bit domineering. The FL is a bit clueless at first but warmed up nicely. They have good chemistry and there is a decent amount of skinship that feels natural. Their romantic scenes in Paris are beautifully shot and their later scenes in China are certainly swoon worthy. I also appreciate the show paying homage to Chinese culture, textiles and fashion. For once, the overarching business theme is integral to the show. This includes realistic couture creation processes and not just the usual lip service. This would be a tight and enjoyable drama if it was 20 episodes long, alas it is more than double that length.

To reach that lofty length, the writer grafted on many iffy subplots and added a host of one dimensional support characters. We have a SML as well as SFL, a parade of tropey antagonists, meddling and manipulative parents and a dying ex-GF. So much angst, too much time.

All these stereotypical characters inhabit a seemingly parallel world where the OTP visits in between their romantic outings. Due to some dodgy writing, the flow of the story is not always smooth nor logical. Sometimes you can sense that the show wanted X to happen, so they worked backwards and jam in an Event Y as the raison d'être but quite often this feels clunky and heavy handed. Even when the story did make sense, it is filled with standard tropes.

Likewise, some characters' behaviour and rationale gave me pause. For instance, the ML’s mum admitted that she made a grave mistake when she forced the ML to marry his ex-GF 3 years ago for business reasons. She is doing exactly the same thing again but with the SFL. This also begs the question what are SFL's thoughts after witnessing what happened 3 years ago. The mum also refused to accept the FL, but she was willing to accept the FL’s younger brother as her only niece’s boyfriend after one short meeting. BTW, the 2OTP is quite contrived and not very convincing.

Surprisingly, the sick ex-GF is actually the best character of the lot. She is a sweet, well-adjusted lady. Her subplot was bittersweet and touching but grafted on. Small blessings.

Probably the worse aspect of the writing is the convoluted and muffled narrative. Subplots are plentiful but feel dull and predictable. Antagonists never raise above being petty minded. Even when they did huge economic damage to the ML’s company they are not punished in any tangible way. It was laughable how they were eventually caught. There are other examples of this type of dubious morality and fast logic. Ask no questions...

With that in mind, I would say that the core romance drama is good and solid but the overuse of lacklustre fillers drag it down and made it less enjoyable to watch. Peace out.

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Fluffy, sweet, cookie cutter rom-com

Oath of Love is a perfectly watchable rom-com that is sweet and angst lite. If you are a fan of the stars or looking for just such a harmless rom-com then this is a must watch.

Otherwise, the plot is back-of-a-napkin stuff. Bubbly college student fell in love with older, handsome surgeon who happens to save her father’s life. The rest are cookie cutter fillers. Don’t get me wrong, the show is well made and enjoyable. The chemistry is decent with a good amount of skinship that looked natural and not staged. The main plot is tropey and the pace is relaxed. There is a bit of love triangles, a bit of angst, a bit of drama but it is all there to take up a bit of time. Nothing really gets in the way of the romance. There is little to allow this to stand out from the pack.

I do appreciate that the ML is devoted to the FL from the start and totally supportive but sometimes he leans too much into the stoic doctor trope. The FL acted well and displayed her usual range of emotions (there is no shortage of tears). It is just very similar to her other modern rom-com roles. I do worry about over exposure of this young star.

There are two other CP’s. They are interesting up to a point but they both got sidelined. They still managed to have a HEA ending. The show is really doing a Oprah Winfrey.

The bulk of the support cast are from central casting. They did their jobs well enough.

There are two things that I really liked and really disliked about this show. The thing I really liked is how the show handled the FL’s father’s situation towards the end of the show. It was sentimental but it was handled with a deft hand. You can feel the love and how they are all trying to create some beautiful memories. The plot devices used are not new, but it was done well. I appreciate it more consider how prickly the father has been.

The thing I disliked the most was the FL’s “attempt” to be a cello player of the highest standard. OMG, it was embarrassing. Just about every aspect of that is off. From her approach to practise, her scenes playing the cello and her “performances”. Anyone with some knowledge of classical string instruments will cringe. I know it is unrealistic to assume every actor will do lots of preparation for a “technical” role but they can do better when faking it. BTW, Park Eun-bin actually learnt the violin for her role in Do You Like Brahms, just saying. ;)

OST was nice but the main theme was a bit overused. I can rewatch this show but it will be a background task because there is not a lot of plot that needs my full attention.

P.S. On a personal note, I start watching this show when it first premiered but by the 2/3 mark, I lost interest and put it on hold. I final binged the rest of the show after a hiatus of many weeks. I’m glad that I finished it. This did present me with a dilemma when it comes to rating it. On one hand, I stopped because the show was a bit draggy, tropey and samey up to that point. However, the show did get better towards the end so I have to give it its due.

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Signor Verdi would be proud of this show

Eve is fundamentally a modern interpretation of a classic tragic grand opera where revenge, lust, love, power and money are fused together into a cascade of inordinate acts that assault the senses until the grand finale where all the evil deeds come home to roost. Usually, the protagonist is so altered by the soul destroying need for revenge that they are consumed by the vengeful act. This might be seen as a prime example of a makjang drama as well.

Eve would have worked so much better as an opera or a film, but 16 episodes allowed us too much time to notice its flaws. That is a real shame because it is a well-made show in many regards.

It is because of these flaws that the show will be polarising. On one hand, we can be swept away by the haunting love story, the all-consuming greed, hatred and thirst for retribution. Scenes that mixed shock and awe, opulent display of wealth and power can be mesmerising. Much the same way that extreme depravity can be spellbinding.

The flip side of such a strong stylistic statement can be a lack of substance. Does style ride shotgun over narrative logic? With such a long runtime and days between episodes, there is a lot of time for us to absorb the narrative and put two and two together. Seek and we shall find some serious plot holes and contrivance. At some point I decided that to enjoy this show, I need to switch off some cognitive functions and rely more on primitive emotions. Bring on the extra strong tinted lens!

With that in mind, I would say that I mostly enjoyed the show but with caveats. I did get distracted by some illogical scenarios and some contrivance gave me pause. In the end, I was swept up by the head long rush to the grand denouement where it reached the all consuming crescendo. It was a fitting final act to a monumental tragedy and there is little room for moral ambiguity. Death cometh to us all. Signor Verdi would be proud.

Was the epilogue necessary? Was it better that we are given a glimmer of hope (was it wistful thinking?) or would it be better to let the dead rest and leave us to our reflections?

Similarly, comments regarding the acting will be polarised as well. There is no shortage of stylistic flairs and film noir moments so some might think that the actors are not showing enough emotions or when there is an outburst, it is over the top. A lot comes down to the direction and I don’t think any of the actors did a bad job, but 16 hours is a long time repeating a small range of pose. There are times when I felt that the leads were wearing a gilded mask but a mask nevertheless.

OST is fine, got to love a good Tango. Rewatch is unlikely in the near future.

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