Neko Zamurai is a gem. Season 2 was also excellent.Alibi Kuzushi though was kinda dumb, there have been better…
Thanks for taking the time to read my ramblings. I did watch S2 of Neko Zamurai, but it made less of an impression on me, I can't recall it as clearly. It is great that we can all find Dramas we enjoy, whatever our preferences
" a medical suspense series that will punish people who believe they exist" LOL! Doesn't EVERYONE "believe they exist"? Descartes' "cogito ergo sum" is pretty universal, I'd have thought.
I have never watched TwoSet Violin before. How did the show make you avoiding any drama with violin playing?
It's about suspension of disbelief. I know that when I'm watching a drama about violinists the actors are most likely not going to be very good. I don't play any musical instruments at all, but having watched a lot of TwoSet Violin reviews of violin playing in dramas, especially C-dramas, I now know that the dramas don't even try to depict violin playing, and musicality in general, with any degree of authenticity. It's especially a problem when the player is supposed to be at a genius level, and the viewer knows that in fact they are awful. That takes me out of the drama, it breaks my sense of immersion. I had the same problem with "Do You Like Brahms?" I tried to watch it but it was supposed to be all about music and music students, and there was just so much that was laughably wrong about it, that I couldn't get engaged with the characters. That's why I asked how prominent actual violin playing is in this drama. The less we see of it, the easier it will be for me to ignore.
VERY interesting and helpful review, thanks! I have it on my PTW, now I will be better prepared thanks to your carefully crafted review. A question about the violin playing - is there much? Watching TwoSet violin shred basically EVERY Drama that features violin playing has made a bit cautious about starting them. I the actual amount of screentime devoted to playing the violin is small, I can probably ignore it/suspsend disbelief/skip it.
An excellent point about the distinction between antagonist and villain. I had scanned my watchlist and realised…
"I have seen anecdotal evidence that would suggest actresses get treated differently than actors, often to their detriment." as have I, and more than anecdotal in one specific case. Perhaps my slightly idiosyncratic preference for the phrase "female actor" made part of my comment less clear than would have been optimal. If so, I apologise. A civil exchange of (not so very) different opinions with mutual respect is refreshing, in no small part because it is sadly rare these days.
The article makes for interesting reading, and an even more engaging discussion. I do have a few suggestions that…
An excellent point about the distinction between antagonist and villain. I had scanned my watchlist and realised not many had villains, although most had antagonists. As for question 6, having been watching Dramas for 8 years, and having worked in market research for nearly 30 years, I personally thought it opened with "a truth universally acknowledged". Certainly the world of East Asian SNS is infamous for being savage toward female actors who play villain/antagonist characters to the point where some have had to close their SNS accounts or make them private because of abuse from fans whose grasp of the concept of "acting" leaves much to be desired
Actually, this is one of the main reasons I *MUCH* prefer the K version to the TW original. In the K Version Se Ra was portrayed much more sympathetically than in the original. In the original, the harm she inflicted on the FL was shown to be calculated and deliberate, without remorse. In the K version, the same harm was inflicted, but not intentionally, and Se Ra was appropriately guilty about what she did. It also helps that the actor portraying Se Ra in the K version really WAS a ballerina, making her character more believable.
Awesome! A truly magnificent presentation, and a frightening amount of time and effort put in, obviously.
Given that so many of your respondents highlighted the majority-female demographic as contributing to the skewed perceptions, it would be interesting to know how many of your respondents were male? I'm male, and agree strongly with the overall theme of the conclusions in your piece (e.g. cultural misogyny, "don't hurt oppa!"), it would be interesting to know if there was a gender-based difference in any of the responses you collected. Thank you and all your respondents for such an interesting and detailed presentation,
Congratulations on a very well-written and enthusiastic debut! A very interesting list, thanks for sharing. Of this list, Run On and Her Private Life stood out for me. Thanks too for mentioning Law School, which is on my watchlist.
If you want REALLY quiet love stories, try J doramas.
Japan excels at producing love stories so quiet that K Dramas seem shouty in comparison. Hayako Sensei, Hannari Girori No Yoriko San, Takane No Hana, Bara No Nai Hanaya and Okitegami Kyoko no Biboroku are all stories that feature VERY slow burn romance so quiet it's almost whispered. In terms of "quiet volume", the contrast with Dramas like WFKBJ especially is like the contrast between day and night. 🙂
You had me at "Takahashi Issei 🙂 Thanks for this interesting list, especially that one. I loved him in Quartet, it would be nice to see him in a slightyly happier story. Concerto of the Bully sounds interesting too, even if Stockholm Syndrome is always a bit problematic for me as a theme.
Reply 1997 was the first and best of the Reply series for me, pleased to see it listed here. Quite a few other faves too, Go Go Squid, PYHOMS, and Le Coup de Foudre (semi-autobiographical AND reel-to-real for the OTP, just GAWJUSS!) . And of course Lovely Us, which I gave 9.5/10. Thanks for a reminder of all the pleasure this genre has given me!
Reply 1997 was the first and best of the Reply series for me, pleased to see it listed here. Quite a few other faves too, Go Go Squid, PYHOMS, and Le Coup de Foudre (semi-autobiographical AND reel-to-real for the OTP, just GAWJUSS!) . And of course Lovely Us, which I gave 9.5/10. Thanks for a reminder of all the pleasure this genre has given me!
Given that so many of your respondents highlighted the majority-female demographic as contributing to the skewed perceptions, it would be interesting to know how many of your respondents were male? I'm male, and agree strongly with the overall theme of the conclusions in your piece (e.g. cultural misogyny, "don't hurt oppa!"), it would be interesting to know if there was a gender-based difference in any of the responses you collected. Thank you and all your respondents for such an interesting and detailed presentation,
If you want REALLY quiet love stories, try J doramas.
Japan excels at producing love stories so quiet that K Dramas seem shouty in comparison.
Hayako Sensei, Hannari Girori No Yoriko San, Takane No Hana, Bara No Nai Hanaya and Okitegami Kyoko no Biboroku are all stories that feature VERY slow burn romance so quiet it's almost whispered. In terms of "quiet volume", the contrast with Dramas like WFKBJ especially is like the contrast between day and night. 🙂