Adulting as a tween looks like:
Yes to Work politics.
Yes to Low-wage + exploitative part-time job.
Yes to Irresponsible and unable to pay bills on time.
Life is hard, but you don’t have to be miserable, periodt. The girls are back, and just like us, they just want to survive adulting.
The words “relatable” and “assassin” shouldn’t exist in the same sentence, but here we are. The duo’s chemistry is chaotic, genuine, and effortlessly funny. They’re vibing like besties with murder licenses.
In a nutshell, it’s giving Gen Z adulting arc.
They are so unserious. Japanese comedy hits different: dry, absurd, and oddly wholesome all at once.
Action scenes are quirky. The girls don’t rely on brute strength. They use their environment, weapons, and quick movements to take down opponents, almost like Jackie Chan. Clever, grounded, and fun to watch.
I appreciated this movie more than the first. The screenplay is smoother and the pacing just clicks.
Yes to Low-wage + exploitative part-time job.
Yes to Irresponsible and unable to pay bills on time.
Life is hard, but you don’t have to be miserable, periodt. The girls are back, and just like us, they just want to survive adulting.
The words “relatable” and “assassin” shouldn’t exist in the same sentence, but here we are. The duo’s chemistry is chaotic, genuine, and effortlessly funny. They’re vibing like besties with murder licenses.
In a nutshell, it’s giving Gen Z adulting arc.
They are so unserious. Japanese comedy hits different: dry, absurd, and oddly wholesome all at once.
Action scenes are quirky. The girls don’t rely on brute strength. They use their environment, weapons, and quick movements to take down opponents, almost like Jackie Chan. Clever, grounded, and fun to watch.
I appreciated this movie more than the first. The screenplay is smoother and the pacing just clicks.
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