MizMystixism

EngLot’s chemistry is overflowing.

Basically, ‘Love Bully’ is just another chaotic Club Friday installment. However, unlike most Club Friday series, the premise of this drama doesn’t involve affairs or cheating, which deserves a good point there. The storyline is not that bad, but it’s not the best either. Certainly, it focuses on the one who cares too much would be more hurt, while the one who cares less would be more frustrated at having to put up with all the crap all the time.

It's a Club Friday drama, so the conflicts are expected to be a little overdramatized. But despite that, good directions help convey the story well. In terms of acting, Charlotte deserves praise for her performance this time. She nailed it. The only thing about this drama that I personally like is the great chemistry between Engfa and Charlotte. The EngLot tandem makes the scenes they share look natural. Given that they are one of the most famous GL pairings in Thailand and also well-known internationally, it's not surprising that this series has become the most anticipated, most talked about, and most watched compared to other Club Friday series.

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Not the best, but not that bad for Ch7's first GL series.

First of all, I personally think it's fantastic that Ch7 has finally introduced a GL series. Even though it’s not produced by their in-house team, still, it’s groundbreaking. For anyone who isn't familiar with Ch7 lakorn, it's easy to draw comparisons with GLs from other channels. But as both Thai lakorn and GL fan, being Ch7's first GL series, I personally think Dangerous Queen is not all that bad.

When it comes to the story, Dangerous Queen may not be a total masterpiece, but the plot development is still quite faithful to the book. There are parts in later episodes where there's the shift in focus, but the core is still about Queen and Babe's evolving relationship. The slow burn still worked even with the gradual loss of momentum.

While the overall production quality of Dangerous Queen is good, there are some noticeable issues. The pace started off nicely during the first half of the series but lost its momentum toward the end. The story development and the direction, especially in the last four episodes feel choppy too. It seemed like they shifted focus from QueenBabe’s evolving relationship to the villains’ wild antics. And, I have a personal issue with the certain framing and angles, especially with how the director seems to gatekeeping the kiss scenes. It’s understandable if it’s the standard broadcast cut, but the uncut version? That’s nonsense. It's clear that this restriction is due to the channel's guidelines and I believe it’s also the director's choice, but it does detract from the authenticity and emotional depth of the romantic moments in the series. Seriously, wtf with that shot of the kiss scene from the back of Queen's head? From a visual storytelling POV, it doesn't make sense or even look good.

In the acting department, both Nur and Tangkwa deliver decent performances with some line deliverance look a bit rigid. But of course there's room for improvement in the future given that they are newcomers. But Tangkwa's portrayal of Queen is quite impressive, bringing the character from the book to life in a way that is both captivating and convincing.

All in all, Dangerous Queen showcases the potential of the actresses and the company, with some flaws in production and acting that could be improved upon. As someone who enjoy Khun Phuying's books, I consider this adaptation good and still worth a watch for its visual appeal and overall execution.

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Exceptional production values!

While other reviews highlight the plot and acting, I want to shine a light on the production aspects. I'm here to give a little love to all the hardworking folks behind the scenes who make magic with this series. It's been a while since I’ve been so satisfied watching a series with such outstanding visual and production values. The cinematography and visual storytelling have truly left me in awe, standing out in stark contrast to the storytelling itself.

I’m a sucker for beauty shots, and I praised the directors for being generous with it. Thai dramas typically don't focus heavily on visual aesthetics, but this series breaks the mold with its stunning camerawork. The flowers, as the title suggests, are the center of the story, presented through a lot of extreme close-up shots (ECU) that elevate the storytelling. This approach not only deepens the ambiance but also adds a layer of intensity to each episode, all without relying heavily on acting. Exceptional!

Another noteworthy aspect is the music. I’m not a music expert, but the music scores work effectively. Instead of using the dissonant chord patterns to create tension and unease, this series features the enchanting blend of piano, violin, and cello, along with the soft humming of women in certain scenes, creating a hauntingly beautiful soundscape. It increases the emotional manipulation without necessarily creating suspense. Fantastic!

One of my favorite parts of this series is the opening montage. Rather than just listing the cast and key production staff, it creatively serves as the introduction to the episode, eliminating the need for a typical previous episode recap. Brilliant!

Despite the great execution and outstanding attention to details, I personally feel that the plots lack a certain punch. There's a clear issue with character development. With so many characters to highlight, some end up feeling a bit flat. Take Risa, for instance. Even though she’s a key player, her character doesn’t really stand out, which is a bummer since Pat Chayanit is such a talented actress.

While the storylines might not be super gripping and the plot twist is a bit predictable, overall, it's an engaging drama series with with top-notch production quality. If you appreciate a show that's a feast for the eyes, with solid performances and beautiful sound, you should definitely check it out.

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Social class, status, dreams, and opportunities.

Though the idea might not be groundbreaking, "Flat Girls" stands out as a solid depiction of the harsh realities faced by teenagers in a flat society marred by financial struggles and oppression. The backdrop of this film is a life marked by inequality, economic instability, societal expectations, and prejudices. Here, survival is not guaranteed, and success is a fleeting dream for many. 

A remarkable aspect of "Flat Girls" is the meticulous attention to detail in crafting the film's environment and atmosphere. Big credit should be given to Claire Jirassaya as the director for the outstanding production quality, sharp camerawork, and direction. The visual storytelling alone is already engaging. In my opinion, this film's editing and sound mixing really help in making it a well-structured one - it's not too simple or too complex. And there's almost no need for extravagant props and set design too. The flat itself has become a key representation of the lifestyles of middle- to lower-class people in society.

While this film may be slow-paced, the strong script that raises important questions about inequality in Thai society definitely compensates for it. The film's satirical tone is used effectively to criticize the Thai bureaucracy and shed light on the struggles faced by those on the lower rungs of the social ladder.

Another point for the director as she shows a remarkable talent for bringing out the best in the actors. EarnEarn Fatima and Fairy Kirana successfully carried the entire film on their shoulders. Despite being relatively new to the industry, both lead actresses deliver powerful and effortless performances that add significant depth and nuance to their characters.

Instead of focusing on sapphic romance and cute moments, the film excels at illuminating the stark truths embedded in the system and society. If you're looking for a film that will leave you thinking long after the credits roll, "Flat Girls" is definitely worth a watch.

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Thought-provoking political satire.

Dirty politics is a harsh reality that exists everywhere, no matter the country. Unlike typical political dramas/films that often depict a clear divide between good politicians and their corrupt rivals, this film shows the darker aspects of electoral processes, where bribery and vote-buying are pivotal to one's success. It doesn’t shy away from revealing the extreme measures some individuals will take to eliminate any threats to their victory. While the whole dirty politics idea is nothing new, what truly makes this film shine, though, is its strong message about integrity and commitment to one’s role.

Marian Rivera shines in her role as Emmy, demonstrating her impressive versatility as an actress. She embodies the character of a dedicated teacher who finds herself entangled in a ballot box theft during the election. Through Emmy, we see a powerful portrayal of someone who, despite the temptation of money, remains steadfast in her moral principles, dignity, and honesty, committed to ensuring the safe delivery of the ballot box. And wow, this is the first time I've seen Marian Rivera drop so many ‘putang ina’ in a single show. She's amazing!

Despite its satirical tone and the thought-provoking storylines, the execution is not neat enough to make it a great movie. It has a promising start, but slowly loses its grip. With an overload of plot points, the film lacked the room for any storyline to really stand out. The visual storytelling was compelling, but nothing felt groundbreaking. However, it manages to deliver its intended messages.

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Love goes beyond materialistic desires and possessions.

'Third World Romance' is not the typical romantic movie we’ve seen before. Everything about it is the complete opposite of the usual romance clichés. Through the lens of a romantic story, this film tackles important social issues that are prevalent in our society today. It doesn't shy away from portraying the harsh realities of poverty and the class gap, shedding light on the struggles faced by many individuals in the lower socio-economic group. By weaving these themes into a love story, focusing on the simplicity of nurturing love through small acts of kindness, understanding, and compassion, it also effectively brings attention to these pressing issues in a way that is both engaging and thought-provoking.

Apart from the love story between Bree and Alvin and the struggles they go through, this film also portrayed a healthy non-conformity to the traditional Filipino family. Alvin lives with his chosen family, consisting of his transwoman father and siblings who have diverse sexual orientation and gender identity. Credit to the director for showcasing queer family representation.

The outstanding portrayals by Charlie Dizon and Carlo Aquino maintain the authenticity of their characters' struggles while also conveying a sense of happiness in their love story. The only flaw about them is that, despite being a real-life couple, their chemistry on screen seems lacking. Their companionship feels more platonic than sweet. But Charlie Dizon did an excellent job here. She's remarkable at giving the character so much depth through her expressions. Her character is relatable and human, making the audience empathize with her journey throughout the film.

Overall, this movie is well-crafted and well-acted. It will make us take a moment to ponder and see beyond the love story and appreciate the deeper messages that it conveys. In a world where materialism reigns supreme, it is easy to fall into the trap of believing that wealth is the key to happiness and fulfillment. But this film simply shows that love goes beyond materialistic desires and possessions.

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A raunchy comedy about finding true love.

‘Love Lesson 010’ is a raunchy-filled comedy about finding love that also touches on male impotence.

Slapstick jokes are a staple of Thai comedy, but this one gets a bonus point for being a little different. This drama is funnier and more entertaining than I had thought. The sexual jokes could be a little too vulgar for one's liking, but they were well-placed. The plot moved along nicely, with some drama and romance.

This drama has a good cast lineup, which managed to bring the laughter and drama it intended. Bright Norraphat nailed his character as a promiscuous man, discovering what true love is. I personally like Pat Chayanit’s character, Kate. She's a no-nonsense girl that you’ll love in an instant.

Overall, this drama is enjoyable, despite a few weak plots that make it lose its grip on the story toward the end. It’s something to watch for the laugh, its simple story, and its non-complicated romance.

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An heartwarming teacher-student drama that’s full of positive messages.

'Khru Ma' is a hidden gem, an underrated drama. The premise of a new, fun, eccentric teacher from the city is not new, but this drama delivers the idea in a way that goes beyond the new teacher storyline. It has several themes, such as education, teacher-student relationships, friendships, and local community life. All these themes are conveyed in well-written plots and characters.

Wichai is a strong believer that knowledge is not fixed in textbooks and that education should benefit the students, not the teacher. As quoted by Wichai; “Students scoring higher marks in every subject is more of the teachers’ success measurement than the students.” Although the drama focused on his unconventional teaching style, it also objectively touched on the pros and cons of the common teaching methodology.

The time setting that takes place during the dispute between the Khmer and Vietnamese communist parties makes the conflict in this drama not only focused on the school but also revolves around the town, which is located at the Thai-Cambodian border, where the people are of diverse ethnicities and different backgrounds. It also touched on how the conflict has led to prejudice against other races within the community. However, the issue is skillfully conveyed without displaying bias.

One major thing that I like about this drama is the characters. Each character has its own significance - the teachers, the students, the headmaster, the parents, and even the small roles of the café owner and the librarian. If Wichai is the head of this drama, the students are the limbs. They carry out the plots effortlessly, making every episode enjoyable to watch. Although the issues created by the opposing characters seem repetitive, they’re just enough to create tension.

This drama does come with a few flaws, especially the repetitive displeasure among teachers about Wichai's teaching style, but overall, it does a good job at creating a balance between drama, comedy, romance, tension, family, and friendship without losing its main focus.

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Separation doesn't have to be a bad thing.

I found this drama by chance and decided to watch it, despite the fact that there were hardly any reviews about it online. I wonder if this series was either horrible or just didn't get much attention. If it was the former, I was ready to drop it any second. But surprisingly, it’s a damn good drama. I watched it through to the very end. I like how it’s different from the Filipino dramas I’ve watched.

It’s a light drama-comedy that delves into how a married couple fell out of love and how they took a different approach to separation, which is to ‘uncouple’ (but not officially divorce yet). Although they decided to separate as a couple, they remained in the same house for their son. Even though they live under the same roof, they are basically living their own lives separately. The theme of moving on from a failed marriage or long relationship is well executed. It’s not a typical romance drama, as it focuses more on separation and moving on from a relationship without having to lose anything but rather gain something from it. Separation isn’t always a bad thing if there’s a mutual understanding about it and if it’s done for the right reasons.

Despite being only about 20–30 minutes long, this drama has a good pace. It also has a very good story structure where each episode manages to tell the story of the ‘before and after’ of the uncoupling. The comedy is well-placed and blended well with the romance and emotional part of it. This drama has a lot of positive messages and lessons to learn about family, marriage, and divorce.

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A heartfelt bucket list movie.

After finding out the cancer has relapsed, Shane is totally aware of what she has to go through again if she were to get treatment. So, not wanting to face the same trouble, she decided not to get treatment but instead to live her life to the fullest in her final months. Shane, her husband Byran, and their childhood friend Kristoff embark on a journey to Tasmania, Australia, to accomplish the 'Magic List'.

The idea of a terminally sick patient crossing things off their bucket list is not new. But despite lacking novelty, there are a few things that make this movie something more than checking off a bucket list. The journey is filled with not only picturesque places, travelogue-ish moments, and activity; it also explores friendship and love in a simple way, focusing on reconnecting with lost relationships. While the main characters are childhood friends of two men and a woman, there’s no love triangle involved. It’s pure friendship. So the conflict isn't very complicated.

When it comes to movies about illnesses, the melancholic and tear-jerking parts are expected. This movie managed to deliver both the tonality of enjoyable trip and the bleak side of reality very well. Although this movie has a good story structure, the pacing seems pretty rushed. It seems like it wants the audience to feel the sentimentality, but there is not enough space to really feel it or drown in the emotions. It's like a knee-jerk reaction. However, the good storylines help in making the whole idea and emotions palpable. With an impactful plot twist and a positive message about life, genuine love, and undying friendship, this movie stands out on its own despite having the all bucket list movie tropes.

Overall, it’s a good movie. but it could've been done better. How sad this movie is may depend on the individual, but it’s a movie to watch if you need an emotional release. Get a box of tissues ready.

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Lacking in some areas, but not a bad remake.

'Flower of Evil’ is one of the best thriller K-dramas ever produced, so when I found out it was going to be adapted, I was a bit skeptical. But I was intrigued by how the adaptation was going to be, so I gave it a try. 

While the original is weighty with all sorts of emotions shared between each character and has more suspense elements, this Filipino adaptation, on the other hand, is not as heavy. It added more subplots with more interaction between the characters, which gives more space for drama and character growth. Although there are some scenes that, in my opinion, are unnecessary, it’s expected to be a bit draggy considering that the drama is 32 episodes, 45 to 50 minutes long.

FL (Lovi Poe) and ML (Piolo Pascual) play the roles of a married couple more convincingly. The two have more natural skinships, kisses, and tender gestures, making the romance, and conflict even better. I’d say that Iris and Daniel give off a more domestic vibe than Jiwon and Hyun Soo.

My biggest problem with this adaptation is the villains (Jacob, Jacob's father, and the thug leader). They are not evil enough to make me despise them. Jacob is probably the worst of all. Despite being a talented actor, Paulo Avelino failed to portray the psychopath character in a more believable way. He seemed like he was trying so hard to be a violent maniac, he came off as a Joker impostor. Wrong cast, I think.

Overall, this is an okay remake, but not up to par. The drama, the suspense, the pain, the betrayal, the romance, and the happy moments are there, but it didn’t have the same emotional rollercoaster. It’s still a good watch though.

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A typical ‘the rise of the underdog’ sports movie, yet heartwarming and inspiring.

Rebound is based on the true story of Busan’s Jungang High School basketball team, which against all odds, managed to win the national championship with only six players.

Like other sports movies, Rebound offers nothing new in terms of concept and storylines. This movie is not far from the idea of capturing the essence of the human spirit and maintaining the storyline about overcoming setbacks. Although people can predict how the story is going to be, it’s worth anticipating and worth watching.

The cinematography effectively conveys the values of sportsmanship, teamwork, and fighting spirit. One strong point of this movie, in my opinion, is the realistic and convincing portrayal of the players. Each character manages to carry the story efficiently, even though some characters don’t have a prominent backstory. The combination of good character development, well-developed plotlines, and a positive message makes this movie a heartwarming and inspiring piece to watch. It’s an uplifting story of hope, dreams, and resilience.

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A slightly flawed remake.

‘The Betrayal’ basically follows the original plot template with a few tweaks, and it manages to give pretty much the same emotional rollercoaster of being betrayed and getting revenge, but the ride isn't crazy enough. I think it’s good that this remake makes them a family of four instead of three. Ploy, the daughter, adds a different feeling to the table. She gives a more vulnerable perspective, that of a little child trying to comprehend the entire betrayal and divorce situation. It hurts to see how it affects her. The good sibling relationship between Patch and Ploy also has a different emotional impact compared to other characters.

In this version, I think Jane displays more softness and poise. Her strong instinct helps her steer the emotional and dramatic plot better. Athin is meant to be hated throughout the series. Kate is unlikeable to begin with. Among the supporting characters, I don’t like Tul. I know he means well, but he seems unnaturally nice.

The first half of this series is good, but the second half is downhill. All episodes are over an hour long, and some scenes are unnecessary, making it slowly lose its grip. However, the finale has better characters’ resolution. Overall, it’s a slightly flawed remake. It didn’t exceed my expectations, but it’s still a good watch.

If you have ever watched the original or other version, you can expect how things are going to unfold. So, don’t expect too much. But if you haven’t seen any, you can give this drama a try, and who knows, you might love this version.

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An underrated, nostalgic movie.

This movie is so underrated that almost no one talks about it. But I'm glad I found this gem. A movie about a movie is something that has been done before, but ‘Once Upon a Star’ still manages to stand out in its own unique way. While this kind of movie (like Singin’ in the Rain or Once Upon a Time in Hollywood) mostly focuses on the actor, actress, or director, this movie centers on the little people, which are traveling cinema troupes that roamed rural Thailand, bringing outdoor cinema and dubbed movies in the 1960s and 1970s.

This movie successfully takes the audience back to the 1960s-70s era with detailed settings and props. I like the fact that they took something from history that isn’t given as much attention in most movies, which is 16mm film live-dubbing. It’s something the younger generation might not have any clue about but is worth knowing and learn about. And it also highlighted Thailand’s most famous movie star at the time, Mitr Chaibancha. (Feel free to Google him)

The plots are well-stitched and developed neatly. The movie moves at quite a slow pace by showing them struggle to make a profit, taking any job possible even as far as outskirt area. But despite its slow pace, it doesn't feel too draggy. Thanks to the beauty shots. It also included a triangle love involving Manit, Kao, and Kae, which takes up just a nice portion of this movie in order to create an emotional conflict between the characters. Every character has a distinct personality and a story to tell, all of which blend together in one big narrative, but their characters are somewhat underexplored.

Although the main focus of the movie is the journey of the cinema troupes, it actually gives a glimpse at how Mitr Chaibancha’s popularity played a huge role in Thai culture, as well as Thai cinema and movie growth. His life adds more depth to this movie and makes the whole context of this movie reasonable. When he passed away during the peak of his career, it seemed like the cinema business died with him. His death pretty much brought an end to the 16mm era.

Overall, despite a few flaws, it’s a good movie that recounts a historical tale and have good messages within the storylines. It deserves as much attention as other period movies. In my personal opinion, it is a good and entertaining underrated movie.

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Mediocre movie with beautiful visuals.

If you have ever watched a Hallmark romance movie in your life, this movie follows the same template: a rural location, a farm, a deteriorating family business, a lovely and kind FL with a big dream, and a city-guy ML with an attitude. And this one is not far from predictable plots and conflicts as well.

This movie centers around a coffee farm; a remote and beautiful place that becomes the background of a bland love story. It’s basically romanticizing coffee by explaining the plots by the acidity, sweetness, saltiness, bitterness, and sourness of coffee and relating them to life situations. However, while the plots progress nicely, they lack anything outstanding or compelling. ML and FL do have their own backstories, but they aren’t strong enough, making their characters lack depth. Their romance felt rushed and dull as well. Although JC Santos and Barbie Imperial both performed well, their chemistry is just okay.

I felt like I’d been dragged till the end of the movie without any memorable plots other than the breathtaking backdrop of the mountains throughout the movie. Apparently, the beautiful visuals couldn’t save this movie. As a whole, this movie is not bad, but it’s not good either.

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