5
16
2
1
1
1
1
Feel the thrill of every spike.
Sports movies always resonate with audiences, especially with the theme of striving to be the best and the story of the underdog. This movie does exactly that without any major flaws.Instead of making this movie entirely about the volleyball legend Lang Ping, it gives more space that highlights the players during the training and the sports events that the team competes in. The shots and the editing are so impactful, making your attention glued to the screen from the moment it started until the end. The intensity increases steadily.
What amazes me the most about this movie is that the players are playing themselves. Even the young Lang Ping is played by her daughter, who’s also a volleyball player. Without a professional acting background, each player carried out their own story successfully. You can see and feel the honest emotion and reaction in every hardship they have gone through during training and every match they are playing. What’s even more amazing is the fact that players from the USA, Thailand, Japan, and Brazil teams appear in this movie rather than having actors portray them. This is a good approach in sports movies because when a professional athlete plays, the technique and style are more accurate and convincing than an actor who embodies someone’s character. I'm just stating the obvious.
The matches are well executed, as if the movie were a historical re-enactment itself. I can feel the adrenaline rush, as if I’m watching a real match instead of a movie. It makes this movie one of the best sports movies I have ever seen. This is a perfect-10 sports movie.
Was this review helpful to you?
Queer-positive and realistic portrayal of family relationships
This film is based on the real-life story of Singaporean drag queen Sammi Zhen. And it’s not just a film; it is a heartfelt depiction of family relationships, the responsibilities of caregiving, and the journey of self-acceptance for LGBTQ+ individuals."A Good Child" has made a significant impact on audiences, garnering positive reviews for its nuanced exploration of complex themes. The film does not sugarcoat the challenges of caregiving or the complexities of family dynamics or the pain of reconciliation between an estranged parent and their LGBTQ+ child. It confronts these issues head-on, offering a raw and candid look at the messy, beautiful, and sometimes painful process of coming together as a family. This authenticity is what raises this film above a typical family drama, making it a powerful and thought-provoking piece of cinema.
Richie Koh's portrayal of the drag queen Jia Hao is nothing short of outstanding. Koh brings depth and complexity to the character, capturing both the flamboyance of Jia Hao's on-stage persona and the vulnerability of his off-stage identity. Koh's performance is both captivating and moving, elevating the film to new heights. And the rest of the cast did just an amazing job as well.
One of the strengths of this film lies in its attention to character development and how their stories intertwine with the main conflict. Each character, from Jia Hao to his estranged brother and mother, is given the space to grow and evolve, adding layers of complexity to the narrative. The relationships among the characters are deeply explored, and the honesty in portraying the real struggles faced by the characters creates a more profound and impactful viewing experience.
In conclusion, "A Good Child" is a standout Singaporean film that deserves to be recognized for its queer-positive and realistic representation of family life. Through its strong audience resonance, outstanding performances, and honest exploration of complex themes, the film shines as a beacon of quality cinema. It’s a must-watch for anyone looking for a moving and insightful film.
Was this review helpful to you?
Doesn't live up to the expectations
When it comes to horror movies, audiences are always on the lookout for something that will send chills down their spine and keep them on the edge of their seats. 4 Graveyards is a film that promises to deliver a mix of horror, drama and comedy, but it doesn't live up to the expectations.This movie is divided into four different stories with different concepts and directorial teams revolving around the idea of a grave—Djinn, Miracle, Never Rest in Peace, and Children’s Graveyard. In anthologies, there’s often one story that stands out more than the rest, and I have to say, the 4th part, ‘Children’s Graveyard,’ is the one that really grabs my attention. Unfortunately, it feels like it’s a tad too late to recover from a slow start. While each story has its own unique hauntings, the script and the overall plot progression are underwhelming. Thus, I found it challenging to fully engage with the film as a whole.
The reason this movie caught my attention in the first place is its inclusion of religious elements from both Islamic and Christian beliefs, which is a refreshing angle we rarely see in Thai horror. Unfortunately, while this could have added a unique twist to the plot, the execution is rather disappointing. Another issue with this film is its lack of impact. While it does have its fair share of horror elements, they fall short of leaving a lasting impression. The frightening experience doesn't quite reach the level of creepiness it deserves, and the film fails to create that sense of dread and suspense that is crucial for a successful horror movie. I sat through the entire film without a single flinching. Plus, the CGI is pretty subpar.
Despite its shortcomings, one redeeming quality of this film is the solid acting performances from the cast. Each actor really brings their character to life in a believable way. However, even the stellar acting cannot fully compensate for the film's other shortcomings.
To sum it up, 4 Graveyards is a decent horror film, but it lacks suspense and overall impact. Some people may find some enjoyment in this film, but if you're a die-hard horror fan like me, it may be best to look elsewhere for a truly terrifying experience.
Was this review helpful to you?
What the heck?!
"Hala Bala" tells the story of a police officer who sets out to track down a notorious drug lord, only to find himself trapped and tangled up in a haunted forest. The film's premise sounds promising, but unfortunately, the execution falls short of expectations.One of the main weaknesses of this film is its storytelling. The narrative is confusing and seems a bit out of place. The plots driving the story forward feel disjointed and without a clear end goal. One moment it's about chasing a bad guy, then it shifts to some cannibal, cult thing, and suddenly it dives into spirit possessions. The various twists and turns in the story seem to come out of nowhere. This lack of direction makes it hard for me to become emotionally invested in the characters and their journey.
In addition to the poor storytelling, this film also suffers from weak character development. The main protagonists - the cop and his wife, are not given enough depth or backstory to make them compelling leads. Other supporting characters are also underdeveloped, making their presence in the film feel pointless.
Despite these shortcomings, there are at least two positive aspects of this film—the actors' performance and good production values. Ter Chantavit and Nychaa Nuttanicha deliver solid performances in their respective roles. Their acting talent shines through, but even their skills cannot elevate the film to a more impressive status. And the well-shot scenes and good cinematography only do a little to compensate for the film's weak storyline and character development.
In conclusion, Hala Bala fails to live up to its promising premise. For viewers looking for a suspenseful, thrilling, and compelling experience, this film may not be the right choice.
Was this review helpful to you?
A Fresh Take on Food-Centric Drama
In the world of entertainment where mukbang shows have been popular, "Mom's Recipe" took the idea and mixed it with some travelogue and acting, making it a lighthearted, refreshing concept drama that explores more than just food.The series takes viewers on a journey of Cheng and Sri, a college sweetheart couple who just recently got married, through their daily lives, showcasing the challenges and triumphs of balancing their married life, work, and family. As they explore the world of cooking together, they also discover more about each other and themselves.
"Mom's Recipe" follows a unique format where each episode highlights a specific menu or dish that plays a significant role in the characters' lives. It goes beyond the kitchen to explore the emotional and personal connections we have with food. Each dish featured in the series is not just a meal but a story, a memory, a tradition. By intertwining food with heartfelt narratives, the drama invites viewers to reflect on their own relationship with food and the role it plays in their lives.
Aelm and Esther are the heart of the show. They bring Cheng and Sri's story to life with their great performances. Their on-screen chemistry is palpable, capturing the essence of a couple who are not only partners in love but also in life. Cheng and Sri's dynamic feels like that of a real couple, complete with inside jokes, shared memories, and mutual support. The way they interact feels genuine and relatable, giving the show a sense of authenticity that is often missing in similar dramas.
Overall, Mom’s Recipe is a delightful blend of food, love, and life, offering viewers a refreshing take on the food-centric drama genre. Through its charming characters, engaging stories, and mouth-watering dishes, the series captures the essence of love, family, friendship, and the joy of sharing a meal with loved ones.
Was this review helpful to you?
A dull remake, but at least Toni and Pepe add some color to it.
When it comes to film remakes, there's always a level of expectation that comes with revisiting a classic. However, not all remakes live up to the hype. In the case of this remake, the film falls a bit short of expectations.Toni Gonzaga and Pepe Herrera are undoubtedly talented actors, known for their versatility in both dramatic and comedic roles. However, even the best acting can only take a film so far. The direction and storyline of the remake are somewhat lackluster, leaving much to be desired in terms of creativity. While the film may not be a carbon copy of its predecessor, it also fails to bring anything significantly new to the table.
While there are elements of local humor sprinkled throughout the film, it doesn't quite hit the mark in terms of fully embracing the culture and nuances of the Philippines. Viewers may find moments to enjoy in the film, but overall, it may leave them wanting more in terms of a truly localized experience.
Overall, the remake turns out to be rather dull. While the charismatic duo brings some much-needed color to the film, it's not enough to save it from its shortcomings. For fans of Toni and Pepe, the remake may be worth a watch simply for their performances. However, for those looking for a memorable and impactful cinematic experience, this remake may not be the answer. It's a movie to enjoy in the moment, but one that won't leave a lasting impression.
Was this review helpful to you?
Talking and communicating are two different things.
This movie is not about the deaf culture; it’s a story of a mute-deaf couple. They are two people who are different in many ways, yet they fell in love and got married. Two people with different perspectives on life, struggling to keep their marriage. The premise of this movie is ironically showcased that there’s a huge difference between talking and communicating by showing people who are mute and with hearing impairments suffer from a lack of communication in their marriage, just like any normal couple would. In other words, poor communication is a problem between people, and it has nothing to do with one’s disability.Janine Gutierrez and JC de Vera succeed in showing the emotional struggle and tension of two people in a troubled marriage. The facial expression, their gestures, and the way they express every emotion are good, showing the beauty, pain, and chaos of love where no spoken words exist. However, ML and FL do not appear to be as fluent in sign language as those who are deaf and mute and who have ‘spoken’ with sign language their entire lives. It’s understandable that they are actors who learn sign language for the movie, but if you're going to portray a character with a certain condition, at least make it convincing. Even the child actors playing as their children signed more fluently. So, ML and FL succeed in one part and lack in the other. I feel like if they had actually cast PWD actors in lead roles, it would have made this movie better.
This movie has good plots, but the storytelling pace is inconsistent. The present day and the flashback are vaguely moving back and forth without much change in appearance to distinguish the different timelines. There are some loose-end plotlines as well, making the flow go flat toward the end.
Above all, I praise this movie for its ingenuity and authenticity while presenting the complexity and conflict that we often see in everyday life without really focusing on the disability. It’s one of the rare depictions we’ve seen on the big screen. However, the execution is rather flawed, and the good concept alone is not enough to make it a great movie.
Was this review helpful to you?
Is 365 days enough for someone to move on?
First of all, I give this movie a clap for Bela Padilla for being the woman on screen and behind the camera. It’s worth noting that she is a triple-threat actress. This movie shows how she brilliantly conveys all emotions with her acting and visual direction.The premise is not something that we haven’t seen in a romance genre movie before, but it's still something you can enjoy despite its clichés. The movie moves at a nice pace with two different tones. The first half is filled with the weightiness of grief and pain, letting the melancholy mood sink in immediately as the movie opens, which, in my opinion, managed to draw the audience in and invite them to stay in the emotional depths of the movie. The second half has a lighter mood and slowly turns into corny romantic plots, but the transition seems abrupt, and it alters the seriousness of the movie. The back-and-forth change in tonality slowly affected the story flow and the emotional rollercoaster this movie intended to give. It’s kind of a bummer to me. There are also some loose ends that detract from the overall quality of this movie.
Here are two aspects of why I think this movie deserve a 7. 1. The cinematography. The indie-like camera work boosted all sorts of emotions this movie has to offer: love, happiness, pain, loneliness, heartbreak, despair, and encouragement. 2. Acting. While the emotional rollercoaster is not crazy enough, the acting is what stood out the most. Bela did an excellent job portraying a bereaved lover, showing the genuine and realistic way that grief is expressed through character and narrative. Even though JC Santos is not the ML and he didn’t have many scenes he shared with Bela, this tandem still managed to show their good chemistry and make you feel the sweetness they were showing from their few scenes together.
The movie subtly makes the point that letting go and moving on are two different things. It also showcased the guilt in moving on. It’s okay to keep old memories without necessarily erasing them, but knowing when to let go is crucial to healing. Time heals everything, as the saying goes. However, a person's willingness to truly let go of the past and go on, no matter how painful it was, is what matters most.
Was this review helpful to you?
While there are many ways to die, there can be one reason to live.
This movie is not your typical romance drama where you’ll find yourself smiling and go ‘aww’ all the time. It touches on the sensitive topic of suicide with a touch of romance. Even though the theme is pretty dark and sad, this movie finds a way to inject humor here and there while maintaining its relevance and seriousness. The idea of two people who met in an unfortunate circumstance – when both of them tried to commit suicide but later connected and decided to do it together – is executed quite nicely, but with some flaws that detract from the overall impact of the idea. Just when you think the movie is going to follow the romance drama formula for Mark and Carmina, the movie suddenly takes a different turn, making you gasp for a second. The plot twist really gets me. I can’t really say I like it, but I don’t hate it either.The elegant cinematography and production design are the aspects that I really like about this movie. It gives a dark, old, and vintage ambiance to the movie, which is different from other Filipino romance dramas I've watched.
Character-wise, Toni and Piolo did so well. Toni is always fun to watch. She has a knack for playing characters who are both humorous and poignant. Carmina has a cheerful and lively personality that makes her easy to love. But I wish the character could be developed better.
Though the topics of suicide and mental issues that lead to suicidal thoughts are frequently discussed and read about, there are very few depictions of these subjects on the big screen, which adds an interesting element to the concept. But this movie pretty much romanticizes suicide in its efforts to illustrate a narrative of distraught people on the brink of taking their own lives. All in all, it’s a brave attempt to break free from stereotypes, but the outcome is rather flawed.
Was this review helpful to you?
It's simply okay.
I watched the 2016 drama series before watching this drama. I think this drama is meant to be an introduction to the 7th Section aka Higanbana. The concept of an all-female police unit that's designed to protect female criminals and female victims is good, but somehow the plot falls short in some ways. The idea of having the main character with sixth sense is fascinating, but it doesn't deliver well, which makes the whole storyline less impactful. Overall, it's not bad, but it's not very good either.If I may suggest, watch the 2016 series first and then give this drama a shot if you like.
Was this review helpful to you?
Medical Team Lady da Vinci's Diagnosis
1 people found this review helpful
It’s a worth watch
I remember watching this drama years ago, and I loved it. Now I’m rewatching it again and still love it. It’s nice to watch a drama that centers on medical analysis, especially with mostly female casts. It’s like House MD, but with a team of all-female specialized doctors.Instead of a full-fledged medical drama, this drama has some suspense and mystery and some comedies, which I’m drawn to. It’s witty, surprising, and shows a human side of disconnection through attention to detail. This show seriously has so much to teach. It provides a lot of diagnosis and symptoms from which we can learn something.
The Analysis Diagnosis Department doctors are divided into two cliques, which are Tachibana’s team and Iwakura’s team, but despite their different approaches in diagnosis, the women would usually put their differences aside when it comes to saving lives. Their clashes and arguments are mostly professional. It’s good to watch a drama where women are not at each other’s throats, fighting over men.
Was this review helpful to you?
A masterpiece; a work of art. It's simply DEABAK!!
Out of all the historical dramas that I’ve watched in which the main character is the queen, I personally think this one has the best queen.Kim Hye-soo did a fantastic job portraying the Queen. She’s the perfect actress for the role. She is simply outstanding throughout the entire series. Her gesture, her facial expression, her emotion, the way she conveys her lines – everything is on point. I really like how the Queen is presented as a strong-willed, fierce and hot-tempered woman who is also a compassionate, doting, and thoughtful mother - traits that is uncommon in most historical series.
Unlike other historical dramas, this one shows a diversity of parent-child relationships. The King, Queen, and Grand Princes demonstrate how strong family ties may persist in the face of difficulties.
Even though the resolution for some villains isn’t very satisfying, I love how the ending concludes the meaning behind ‘under the queen’s umbrella’.
The supporting characters are also good, especially the Grand Princes and the concubines. Each of their roles complements the plot perfectly. Other than the Queen Hwa-ryeong, I personally like Consort Hwang (Ok Jayeon). I’ve watched other of Ok Jayeon’s projects, but it seems like she’s being typecast with similar villain character. But she nailed it anyway.
The series is sooooo good that I even watch the behind-the-scene clips and enjoy every bit of it, just like I did with the series.
Brilliant acting ✅
Emotion rollercoaster ✅
Intense conflict ✅
Pure evil villains ✅
Potential young actors ✅
Was this review helpful to you?
Raw. Complex. Full of emotions.
A film centered on scamming is not new and the plot can be pretty similar. However, "The Red Line" brings more to the table than just the premise. This film takes a deep dive into the struggle of those who have fallen victim to scams, but it doesn't stop there. It’s layered with raw emotions - desperation, anger, frustration, stress, shame, hope and friendship - that will make you resonate with the three main characters from and also ponder about life.While the film uses real-world scenarios as its inspiration and focuses on the scheming to take down the scammers, it boldly explores the flaws within the system and the law and how the victims are blamed for their mistakes and left to accept their fate that compel these victims to fend for themselves and take matters into their own hands. “It’s not about the money – I want my life back.” - this critique adds a layer of complexity to the storyline, prompting viewers to reflect on the harsh realities of the world we live in. This makes this film not just about revenge or survival but also a social commentary on the systemic injustices that plague society. And everything is put together in a well-written script and delivered by a great performance by the entire cast. It's a smart move to have three characters from three social classes. Despite the contrasting personalities, the interactions between the characters are pretty solid and you can easily grasp their shared struggles and goal. In my opinion, this is Esther Supreeleela's most impressive performance to date, breaking her common 'lakorn nang'ek' persona. And Ning Chutima, being the youngest cast member, really stands out with her acting, fitting right in with the senior co-stars.
However, some subplots and characters (like Yui, the police officer and the driver uncle) are not well fleshed out, leaving the second half of the movie feeling a bit flat emotionally but ramping up with more action. But the steady pace as the plot unfolds helps conceal those flaws, keeping the focus on building tension and suspense throughout the film.
In addition to its good plot and strong acting, the film's production quality is impressive. The set and production design are meticulously crafted to capture the essence of the story. And I love how the wardrobe and makeup teams designed each character's look to mirror their personality and background, which adds to the film's realism and relatability.
In conclusion, "The Red Line" is a film not to be missed and definitely worth watching for the performance. It exceeds expectations by exploring the raw emotions and complexities of its characters while also delivering a thought-provoking critique on society's failings.
Was this review helpful to you?
A unique blend of horror, but lacking somewhere
This film offers a unique and fresh perspective on Thai horror films by blending two distinct beliefs into one captivating story. It is a rare gem in the horror genre that manages to seamlessly weave Christianity and animism together, creating an engaging narrative. The contrast between the two belief systems adds depth to the story, creating a rich tapestry of cultural and spiritual elements that set it apart from other horror films. The integration of both beliefs adds a layer of complexity and intrigue to the narrative.The performances in this movie are quite remarkable. James Jirayu and Mean Phiravich deliver compelling performances that bring their characters to life with authenticity. In particular, Mean Phiravich shines with his portrayal of Mae Muang Sopha, showcasing his versatility and talent as an actor. Pearwah's performance is equally good, pushing the boundaries of her acting abilities.
This movie has its fair share of strengths, but it also has some weaknesses. At times, the pacing feels a little off and some plotlines may seem repetitive. The story's resolution can feel somewhat anticlimactic. The scary level of the film is also quite mild, which may disappoint viewers looking for a more intense horror experience. Also, the characters' backstories could have been fleshed out more to give us a better grasp of their motivations and actions.
Director Kui Taweewat deserves praise for his ability to produce horror films with a unique flavor that sets them apart from the rest. His skillful direction and vision shine through in every frame. One of the noteworthy features is its exorcism scenes, which are nicely crafted to evoke a similar feeling of Western horror films, with intense moments of tension and suspense.
Overall, while the film may not be a groundbreaking masterpiece, it is a refreshing take on the horror genre that offers something new and exciting for fans of the supernatural. But if you're looking for something really terrifying with a solid execution, this probably isn't it. Still, it's worth a watch for the unique twist it provides.
Was this review helpful to you?
Not worth your time.
‘Malee’ is probably the first Thai horror film I’ve watched that features a sapphic storyline. While combining sapphic love, Manora dance, and horror seems like a refreshing departure from the usual tropes seen in the genre, unfortunately, everything is just all over the place.The most important thing about a horror film is the suspense buildup. Without a solid story progression, the fear and horror the film tries to deliver surely won’t work. And this is exactly what this film failed to deliver. The poor script and the lackluster acting from its cast are this film's major downfall. The first 40 minutes of the film are slow and dull, failing to build any real tension or suspense. Additionally, the jumpscares in the film fall flat, lacking the necessary build-up and payoff to truly frighten viewers.
As a big horror enthusiast who also follows GL, I’d say this film is ultimately a bland horror movie with nothing memorable to offer. Definitely not worth your time. 'Malee' may have had the potential to be a standout Thai horror film with its intriguing concept and sapphic backstory, but the film simply fails to fully explore and develop any plot point properly, leaving everything seeming underdeveloped. And if you’re a GL fan who would watch everything with sapphic/WLW elements regardless of the quality, I advise you to at least set some standards and just skip this film.
Was this review helpful to you?
