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🌺 Directed by Fatrick Tabada. Starring Sue Ramirez, Jameson Blake, Martin del Rosario, KaladKaren, and Maxie Andreison.

Let’s get this out the way: Flower Girl is wild. Funny. And actually, kinda profound.

This ain’t your average rom-com. It’s a Filipino fantasy-comedy about a modern woman who loses her vagina—yes, you read that right—after offending a trans babaylan-fairy in a restroom. What follows is a quest for soulmate-level love before a magical flower drops its final petal. Sounds ridiculous? It is. But somehow, it works. And not just for laughs.

Sue Ramirez plays Ena, a confident sanitary pad endorser who suddenly finds herself cursed. Her journey, hilarious and unhinged as it is, forces her to confront what womanhood actually means when it’s no longer tied to biology. That’s where the film shines: it uses absurdity to unpack deep truths about gender, identity, and self-worth.

Ramirez is so in her element. She balances slapstick with sincerity like a pro. She's unfiltered, fearless, and genuinely funny—making Ena both chaotic and relatable. KaladKaren and Drag Race PH Season 3 winner Maxie Andreison absolutely light up the screen, while Martin del Rosario and Jameson Blake bring charm, spice, and surprising heart to their roles.

But beneath all the camp and glitter, there's substance. The script doesn’t preach, but it definitely talks. It takes on casual transphobia, body policing, and the toxic ways we measure womanhood—and it does it with comedy as its tool, not its excuse.

Now, not everything lands. Some jokes go a bit too lowbrow, the pacing dips in the middle, and while the trans themes are strong, they still revolve around Ena’s POV. But the intent is clear: to open conversations, to unlearn harmful ideas, and to give space to the messy, magical, often misunderstood experience of defining oneself on your own terms.

The cinematography? Slick. The energy? Electric. The vibe? Unapologetically queer, Pinoy, and powerful.

What makes Flower Girl special isn’t just its boldness—it’s the way it makes you laugh and think. It asks: "What makes a woman a woman?" But it doesn’t force an answer. It just wants you to ask better questions.

This is not your Tito’s slapstick. It’s fresh. It’s gutsy. It’s a whole damn vibe. And it might just be the most important Filipino rom-com of the year.

Rated R-16. Now showing in cinemas nationwide.
⭐️⭐️⭐️⭐️ out of 5 – but 10/10 for being a brilliant, campy, heartfelt mess. Go see it. Then take your friends. Then see it again.