This review may contain spoilers
Sassy. Scandalous. Spectacularly Sentimental.
I can’t remember the last time a series made me this giddy. The moment I saw the trailer and pilot for I’m the Most Beautiful Count, I was hooked — raving about it to anyone who’d listen. This 2025 Thai BL fantasy-historical drama has everything: time travel, political intrigue, forbidden love, and a lead character who brings pure diva energy to the wrong century.
The story follows Prince, a modern queer pop star at the peak of fame who, right after coming out, suddenly wakes up in the body of Worradej, a nobleman in old-world Siam. What follows is a whirlwind of palace politics, class struggles, secret romances, and identity battles as Prince tries to uncover Worradej’s past — and maybe find a way back home. It’s not just time travel; it’s time travel with flair.
Adapted from the popular webtoon “I’m the Most Beautiful Count in Siam” (ฉันนี่แหละท่านขุนที่สวยที่สุดในสยาม), the 13-episode series aired on One31 and iQIYI from August to October 2025. It’s directed by Kritsada Techanilobon and written by Yuen Kin Pakka Thi Than Phra, with production from CHANGE2561.
Leading the cast is Nut Supanut Lourhaphanich as the fabulous Prince/Worradej — dazzling in heels one moment, fighting gender norms the next. Ping Orbnithi Leelavetchabutr brings stoic charm as Lord Kosol, the exiled noble with secrets and smouldering stares. Pop Pataraphol Wanlopsiri plays the poetic and conflicted Banjong, while Lee Asre Wattanayakul (Jade) and Aton Thanakorn Techawicha (King Chaiyachet) round out a strong ensemble.
What makes this series stand out is how it blends sharp comedy with meaningful commentary. Beneath the glitter and chaos, it tackles themes like LGBTQ+ rights, gender expression, classism, and patriarchy — all wrapped in humour and heart. It’s bold enough to address the struggles of transwomen and queer individuals in both the modern and historical settings, yet clever enough to do it without ever feeling preachy.
Nut Supanut absolutely owns this role. His performance as Prince/Worradej is both hysterical and heartfelt — flamboyant yet grounded. Whether strutting across a stage or defying social expectations in the royal court, he commands every scene with magnetic charisma. Ping’s Kosol, meanwhile, is the perfect counterbalance — dignified, intense, and quietly vulnerable. Their chemistry is electric, the kind that makes you grin one minute and tear up the next.
The show is brimming with comedy gold, especially the chaotic love triangle between Worradej, Kosol, and Banjong. From scandalous misunderstandings to romantic tension, the humour hits just right — playful, cheeky, and utterly addictive. Yet it’s not all laughs; the political subplots and personal revelations give the story surprising emotional weight.
Visually, I’m the Most Beautiful Count is gorgeous — rich costumes, detailed set design, and cinematography that glows with warmth and colour. Each episode feels like a blend of high drama and high camp, balancing satire with sincerity.
The finale may feel a little rushed, but it still manages to deliver a satisfying, emotional payoff. Without spoiling too much — it’s one of the few time-travel endings that genuinely feels earned.
At its heart, I’m the Most Beautiful Count is a celebration of love, identity, and resilience. It’s funny, heartfelt, and wonderfully over the top — a queer royal romp with something to say. Supanut’s performance alone is worth the watch, but the entire cast brings their A-game, turning what could have been a campy fantasy into something deeply human.
It’s bold. It’s beautiful. It’s scandalously fun. A glittering royal romp through time — witty, emotional, and fabulously queer.
Sparkling, sassy, and surprisingly meaningful — I’m the Most Beautiful Count is one of the most refreshing Thai dramas of the year. A must-watch for fans of historical fantasy, queer romance, and unapologetic storytelling.
The story follows Prince, a modern queer pop star at the peak of fame who, right after coming out, suddenly wakes up in the body of Worradej, a nobleman in old-world Siam. What follows is a whirlwind of palace politics, class struggles, secret romances, and identity battles as Prince tries to uncover Worradej’s past — and maybe find a way back home. It’s not just time travel; it’s time travel with flair.
Adapted from the popular webtoon “I’m the Most Beautiful Count in Siam” (ฉันนี่แหละท่านขุนที่สวยที่สุดในสยาม), the 13-episode series aired on One31 and iQIYI from August to October 2025. It’s directed by Kritsada Techanilobon and written by Yuen Kin Pakka Thi Than Phra, with production from CHANGE2561.
Leading the cast is Nut Supanut Lourhaphanich as the fabulous Prince/Worradej — dazzling in heels one moment, fighting gender norms the next. Ping Orbnithi Leelavetchabutr brings stoic charm as Lord Kosol, the exiled noble with secrets and smouldering stares. Pop Pataraphol Wanlopsiri plays the poetic and conflicted Banjong, while Lee Asre Wattanayakul (Jade) and Aton Thanakorn Techawicha (King Chaiyachet) round out a strong ensemble.
What makes this series stand out is how it blends sharp comedy with meaningful commentary. Beneath the glitter and chaos, it tackles themes like LGBTQ+ rights, gender expression, classism, and patriarchy — all wrapped in humour and heart. It’s bold enough to address the struggles of transwomen and queer individuals in both the modern and historical settings, yet clever enough to do it without ever feeling preachy.
Nut Supanut absolutely owns this role. His performance as Prince/Worradej is both hysterical and heartfelt — flamboyant yet grounded. Whether strutting across a stage or defying social expectations in the royal court, he commands every scene with magnetic charisma. Ping’s Kosol, meanwhile, is the perfect counterbalance — dignified, intense, and quietly vulnerable. Their chemistry is electric, the kind that makes you grin one minute and tear up the next.
The show is brimming with comedy gold, especially the chaotic love triangle between Worradej, Kosol, and Banjong. From scandalous misunderstandings to romantic tension, the humour hits just right — playful, cheeky, and utterly addictive. Yet it’s not all laughs; the political subplots and personal revelations give the story surprising emotional weight.
Visually, I’m the Most Beautiful Count is gorgeous — rich costumes, detailed set design, and cinematography that glows with warmth and colour. Each episode feels like a blend of high drama and high camp, balancing satire with sincerity.
The finale may feel a little rushed, but it still manages to deliver a satisfying, emotional payoff. Without spoiling too much — it’s one of the few time-travel endings that genuinely feels earned.
At its heart, I’m the Most Beautiful Count is a celebration of love, identity, and resilience. It’s funny, heartfelt, and wonderfully over the top — a queer royal romp with something to say. Supanut’s performance alone is worth the watch, but the entire cast brings their A-game, turning what could have been a campy fantasy into something deeply human.
It’s bold. It’s beautiful. It’s scandalously fun. A glittering royal romp through time — witty, emotional, and fabulously queer.
Sparkling, sassy, and surprisingly meaningful — I’m the Most Beautiful Count is one of the most refreshing Thai dramas of the year. A must-watch for fans of historical fantasy, queer romance, and unapologetic storytelling.
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