I agree with this opinion which describes the multifaceted character YuanZhong played by Liu Xue Yi.πβ¬οΈβ¬οΈβ¬οΈ
Fu Duoduo drama is blessed 9 hours ago from Weibo Video Account #Liu Xueyi brought Yuan Zhongβs crazy sense of faith to life #
Watching "Nian Wushuang", I have been thinking, who can perfectly interpret the role of Yuan Zhong? This character is too complex, and it is necessary to be able to interpret the agility when it is cute and playful, to show the aura when it is majestic and serious, and to interpret the dampness and paranoia to the fullest. Not only do you have to play the pity of the weak, but you also have to release the oppression of the superior and the chilling madness of the madman. I was amazed by his acoustic performance. Especially the sentence "As the saying goes, I don't go to hell, who goes to hell", with indifference and coldness, calm and crazy, Liu Xueyi Yuanzhong's discussion of the five sins of madness is also very good, the large lines of these two minutes, its gold content is off the charts, and the acting skills, lines and emotional control are super strict tests, Liu Xueyi opened the microphone with passion, and the whole process exploded without embarrassment, and his acting skills and line skills were in place. The "Five Sins Theory", as the core that runs through Yuan Zhong's growth, turns "paranoia, ignorance, cruelty, jealousy, and hypocrisy" into heavy shackles, and directly sublimates the spiritual dilemma of Xianxia drama to the depth of philosophical speculation. These five sins are not only the stick of moral judgment imposed on Yuan Zhong by the clan, but also the mirror of his inner self-torture. These five sins have instead become the foundation for Yuan Zhong to rebuild his faith. He pondered day and night, and when the world judged him for five sins, the counterattack he gave was to judge the world for five sins, and to cleanse the world of the five sins with raging fire. If you want to perform Yuan Zhong's crazy state, you have to make the lines subdued and frustrated, the rhythm is perfect, and if there is a slight difference and the feelings are not in place, it will make people feel suspended and playful. "Nian Wushuang" is an excellent script encountered in his acting career, everything is just right, at the most suitable age, with the most mature acting skills, he met the best script and character design, who hasn't watched Liu Xueyi's Yuan Zhong!!
Hm... I kinda remember he said that same line in Blood of Youth as WuXin. I could be wrong though... π€
Ummm ! Your memory did not fail. YZ and WX are two characters who have great power (and who struggle not to fall on the evil side, nor be used for evil.). But always with charm, of course.ππππππππ
This movie is so boring!!! The chemistry is zero between the ML and FL. I am on epi 14 and there's nothing grabbing…
It's a shame you think so. For the first time in a long time, I found something (xianxia) to capture my attention. But between the book and the anime, the drama is much better: intriguing, charming, adventurous, philosophical, and I'm following the protagonists' journey and waiting for them to overcome fate, their enemies that so closely surround them, from within and without, and save the 3 worlds (as the full synopsis promises). PS: But, you can find another drama that captures your interest.
Hm... I kinda remember he said that same line in Blood of Youth as WuXin. I could be wrong though... π€
He had impetuous lines in Wuxin's mouth. When I watched it, I remember liking it a lot. An arrogant charm when he spoke. But I don't remember that line above. I remember: "I never wanted to be a god, but a god wanted me.", something like that in Wuxin's speech.π€π€π€
So, it is in chapter 20 that the famous phrase from the trailer appears: In a thought, he becomes a god: in a thought, he becomes a demon. What is the difference between gods and demons? They are just manifestations of human desire (Yuan Zhong's speech)."π€π€π€π€ππποΈ "If I don't go to hell, who will?". "I heard that someone wants to devour me." What a surprise: One of the armed spirits is...
Holy crap drama is so average no vibes at all No chemistry between the main leads 2 second main leads are even…
I think the main couple unexpectedly have a lot of charm and a natural understanding together, just by looking at each other and being in the room. Although, it seems that there is resistance from both of them. Little by little we see the walls being broken down and they becoming more and more involved with each other. They have opposite personalities, but this contrast has all the charm in their relationship. The second main couple, their story was a little lukewarm before, but now it has started to make perfect sense, and I feel that now is when their love has really stopped being platonic and started to develop in the practice of life. And it has started to be interesting and captivating me. PS: And this drama and this Ml (definitely not common), at least from my point of view and attention. He would be the supposed villain without a background, without life, without a story. But here he is the hidden hero who emerges against all odds. (And that is why Liu Xue Yi said in the last interview with Tiffany Tang that this character is as stubborn and complex as Murong Jing He from Kill me love me, that if they met, they would both fight. And by the way, Murong Jing He (is also this probable anti-hero, who becomes something else), as well as Yuan Zhong, the fox priest, here.
(I sent this answer to someone else. But there is a bit of the philosophy of drama here. Maybe you can connect…
I see all of that. I see the story moving in its own way (in a better way than in the book and the anime). The characters are more complete, so we can understand each character better. And I think there is a lot of movement in the story of Yuan Zhong and Tan Yin. The plot that I think is a bit slow is about QianLin, the ghost of war, given that these characters give the male lead a lot of work in the book and in the anime, I still expected more. But the leader of the ghosts of war has shown her claws so far. For me, the whole development of the story of the main couple, the knowledge that each one has of the other, as well as the journey of each one and their respective motivations are evolving very well, until the moment we arrive: all the masks are taken off.ποΈποΈπππ
I'm really enjoying the drama. And MM and LDT I'm still going to finish it to prioritize this drama (A moment…
You took the words right out of my mouth. You said it all and more. And it's sad to see this, and because of these superficial tastes, the industry sometimes just invests in superficialities (just for the money), but those who want something more get discouraged. And (art also needs to bring new horizons) and higher levels of artistic enjoyment.
(I agree with them, however, I think his two previous characters are also very good.).π₯ππππποΈποΈβ¬οΈβ¬οΈ
Donkey riding teacher 33 minutes ago
------Yuan Zhong is the first three-dimensional, logical, god and demon compatible character with strong highlights since I watched so many Liu Xueyi's dramas, especially the part of the showdown with the magic dragon, like a male frequency drama. His acting skills are free in this drama, and a good script makes him act with a sense of faith, which is much better than the previous two male lead roles. ___________________________________________________ casanovaAlice ------main thing is that the script is good, the script is the key, and each character is very three-dimensional and full.
i have had my fair share of dramas and honestly this is a nah thank you, just watching for the actors at this…
(I sent this answer to someone else. But there is a bit of the philosophy of drama here. Maybe you can connect more to the story. Maybe.)β¬οΈβ¬οΈβ¬οΈ
What I think is that you are the one who is totally out of a great and beautiful story (maybe because you are the one who has contaminated yourself with simple stories that you can no longer identify a good story and get annoyed with what all can appreciate. 1-The hero has kindness, he sacrificed himself for the clan. But because of being so badly treated, the weakness of his heart appeared. And there are two forces in conflict; the one who is capable of sacrificing herself for the other. And that selfish and remorseful force (which wants to take revenge on the whole world). He is someone who will evolve in this story. At this moment, he seems arrogant (but it is due that he can fall at any moment totally on the bad side, due to the hurt). That's why the key phrase of this drama that appears in the trailers is: "Just one thought and you become a god, one thought and you become a demon." Ps: There's a lot of depth here: it means that the hero will have to choose. Either he follows one path, or he chooses another. Several characters in this drama are at this same dualistic crossroads. From villains to heroes. From heroes to villains. 2-The female is not simple-minded as you say. In fact, it is the foundation that fights for the integrity of the hero. She has already entered the ice heart (in the spiritual dimension), that is, she can enter Yuan Zhong's heart and knows what is there. In fact, she's a character who really brings out the nuanced multiplicity of a divine divine character in a mythological drama. Because he can see beyond and fight for the human good, with compassion, and using his magical abilities and knowledge of humans. 3-What's the problem with getting married? Marriage: the symbol of love, fidelity and the choice made by these characters. These elements exist in the real world and art borrows, and shows us in a poetic, adventurous, mythological, intimate way, (because this is a fairy tale). PS: But, now I who say, the world is getting worse and worse that wants to kill the beautiful stories. As a certain author of a theoretical book said (it is the death of beauty). Ps: I'm glad I can enjoy this beautiful story. And I'm not going to waste this chance.
Shen Li'an Lian 2 hours ago from Weibo Web Edition π€π€π€ I don't think anyone wants to [teach] Yuanzhong to be "good". This goodness is originally in him, but it is covered up by too much suffering, and the good is the background, and it is covered with layers of thick things, so that they are evil, hate, and destroy, in short, that goodness always exists. What is needed is not to teach him what is good, but to awaken. #εε¦δΉζΊδ»²# lxy #εε¦δΉεΏ΅ζ ε# https://m.weibo.cn/detail/5151845745168957
I'm really enjoying the drama. And MM and LDT I'm still going to finish it to prioritize this drama (A moment…
I'm not a teenager. And I don't have gray hair yet. But... I know what I'm saying. This drama has depth. And you need to watch more episodes to realize it. Actually, I realized it from the first episode. (Maybe you'll be able to by the 19th). But... I think this drama is a wonderful mix of diving into the depths of the soul, humor, romance, fantasy with magical powers, charm, oriental philosophy, etc. (And the experience of the gods in this drama seems more tangible, real, and has a greater impact on the lives of other beings, which I find interesting). I love the slow part, just as I love the moments of action, hand-to-hand combat, magical powers, arrogant and courageous or impetuous speeches. Anyway, I see a lot of interesting things in this drama. Ps: The key phrase of the drama is in the trailer: "Just a thought becomes a demon, and a thought becomes a god." In episode 19, Tan Yin tells an enemy of Yuan Zhong that Yuan Zhong is a snake tired of life. (And why would she say that? As a goddess, she has already entered his consciousness and knows what is deep inside him. And yet, she wants to save him).
9 hours ago from Weibo Video Account
#Liu Xueyi brought Yuan Zhongβs crazy sense of faith to life #
Watching "Nian Wushuang", I have been thinking, who can perfectly interpret the role of Yuan Zhong? This character is too complex, and it is necessary to be able to interpret the agility when it is cute and playful, to show the aura when it is majestic and serious, and to interpret the dampness and paranoia to the fullest. Not only do you have to play the pity of the weak, but you also have to release the oppression of the superior and the chilling madness of the madman.
I was amazed by his acoustic performance. Especially the sentence "As the saying goes, I don't go to hell, who goes to hell", with indifference and coldness, calm and crazy, Liu Xueyi Yuanzhong's discussion of the five sins of madness is also very good, the large lines of these two minutes, its gold content is off the charts, and the acting skills, lines and emotional control are super strict tests, Liu Xueyi opened the microphone with passion, and the whole process exploded without embarrassment, and his acting skills and line skills were in place.
The "Five Sins Theory", as the core that runs through Yuan Zhong's growth, turns "paranoia, ignorance, cruelty, jealousy, and hypocrisy" into heavy shackles, and directly sublimates the spiritual dilemma of Xianxia drama to the depth of philosophical speculation. These five sins are not only the stick of moral judgment imposed on Yuan Zhong by the clan, but also the mirror of his inner self-torture. These five sins have instead become the foundation for Yuan Zhong to rebuild his faith. He pondered day and night, and when the world judged him for five sins, the counterattack he gave was to judge the world for five sins, and to cleanse the world of the five sins with raging fire.
If you want to perform Yuan Zhong's crazy state, you have to make the lines subdued and frustrated, the rhythm is perfect, and if there is a slight difference and the feelings are not in place, it will make people feel suspended and playful. "Nian Wushuang" is an excellent script encountered in his acting career, everything is just right, at the most suitable age, with the most mature acting skills, he met the best script and character design, who hasn't watched Liu Xueyi's Yuan Zhong!!
PS: But, you can find another drama that captures your interest.
But I don't remember that line above.
I remember: "I never wanted to be a god, but a god wanted me.", something like that in Wuxin's speech.π€π€π€
"If I don't go to hell, who will?".
"I heard that someone wants to devour me."
What a surprise: One of the armed spirits is...
PS:
And this drama and this Ml (definitely not common), at least from my point of view and attention. He would be the supposed villain without a background, without life, without a story. But here he is the hidden hero who emerges against all odds. (And that is why Liu Xue Yi said in the last interview with Tiffany Tang that this character is as stubborn and complex as Murong Jing He from Kill me love me, that if they met, they would both fight. And by the way, Murong Jing He (is also this probable anti-hero, who becomes something else), as well as Yuan Zhong, the fox priest, here.
Donkey riding teacher
33 minutes ago
------Yuan Zhong is the first three-dimensional, logical, god and demon compatible character with strong highlights since I watched so many Liu Xueyi's dramas, especially the part of the showdown with the magic dragon, like a male frequency drama. His acting skills are free in this drama, and a good script makes him act with a sense of faith, which is much better than the previous two male lead roles.
___________________________________________________
casanovaAlice
------main thing is that the script is good, the script is the key, and each character is very three-dimensional and full.
What I think is that you are the one who is totally out of a great and beautiful story (maybe because you are the one who has contaminated yourself with simple stories that you can no longer identify a good story and get annoyed with what all can appreciate.
1-The hero has kindness, he sacrificed himself for the clan. But because of being so badly treated, the weakness of his heart appeared. And there are two forces in conflict; the one who is capable of sacrificing herself for the other. And that selfish and remorseful force (which wants to take revenge on the whole world). He is someone who will evolve in this story. At this moment, he seems arrogant (but it is due that he can fall at any moment totally on the bad side, due to the hurt). That's why the key phrase of this drama that appears in the trailers is: "Just one thought and you become a god, one thought and you become a demon."
Ps: There's a lot of depth here: it means that the hero will have to choose. Either he follows one path, or he chooses another. Several characters in this drama are at this same dualistic crossroads. From villains to heroes. From heroes to villains.
2-The female is not simple-minded as you say. In fact, it is the foundation that fights for the integrity of the hero. She has already entered the ice heart (in the spiritual dimension), that is, she can enter Yuan Zhong's heart and knows what is there. In fact, she's a character who really brings out the nuanced multiplicity of a divine divine character in a mythological drama. Because he can see beyond and fight for the human good, with compassion, and using his magical abilities and knowledge of humans.
3-What's the problem with getting married? Marriage: the symbol of love, fidelity and the choice made by these characters. These elements exist in the real world and art borrows, and shows us in a poetic, adventurous, mythological, intimate way, (because this is a fairy tale).
PS: But, now I who say, the world is getting worse and worse that wants to kill the beautiful stories. As a certain author of a theoretical book said (it is the death of beauty).
Ps:
I'm glad I can enjoy this beautiful story. And I'm not going to waste this chance.
2 hours ago from Weibo Web Edition
π€π€π€
I don't think anyone wants to [teach] Yuanzhong to be "good". This goodness is originally in him, but it is covered up by too much suffering, and the good is the background, and it is covered with layers of thick things, so that they are evil, hate, and destroy, in short, that goodness always exists. What is needed is not to teach him what is good, but to awaken. #εε¦δΉζΊδ»²# lxy #εε¦δΉεΏ΅ζ ε#
https://m.weibo.cn/detail/5151845745168957
Ps:
The key phrase of the drama is in the trailer: "Just a thought becomes a demon, and a thought becomes a god." In episode 19, Tan Yin tells an enemy of Yuan Zhong that Yuan Zhong is a snake tired of life. (And why would she say that? As a goddess, she has already entered his consciousness and knows what is deep inside him. And yet, she wants to save him).