Because the drama's directors chose it that way (his name on the front). There were even heated discussions about…
I understood what you meant. I just explained Liu Xue Yi's situation. He is a man, an actor, and he has been wronged a lot. And now they are beginning to do him justice. (And I think, in the end, she, Wu Ji Yan, is also being valued. Her character is very important, and she is one of the main protagonists.
Because the drama's directors chose it that way (his name on the front). There were even heated discussions about…
Liu Xue Yi played 16 secondary characters. And his first main lead was in "Qing Luo" (a low-budget drama, b). Then he was the main male protagonist, but number 2 in the drama in "Love at night". Then in "Unshakable faith" and "What if" (main male, but number 2 in the drama), then: "In Blossom", is male main, but number 2, a drama that was so successful, that from A+, it was passed for S+. (He always attracts attention, his character stands out). So, just now in "Kill me love me", and now, also in "Peach Blossoms Fold", they put Liu Xue YI (as number 1) in the drama. No, IT IS IN NO WAY UNFAIR. IT'S FAIR. LIU XUE YI HAS DESERVED THIS A LONG TIME AGO. And there are malicious people who said (he was born to be a supporting character). But I always saw him stealing the show (with his talent), but not receiving (fair) laurels for that brilliance. Now he's getting it. PS: Characters he shone in as a supporting role that I watched: 1-Luo Zi Shan, in Destined; 2-monk Wuxin (on Blood Of Youth); 3- (The first drama with him that I watched and never forgot), Hao Chen/ Heavenly Emperor in Love and Redemption; 4-Apocalypse (in Ancient Love Poetry). 5-Demon King/Celestial Emperor (in The Destiny of White Snake). Back then, he shone so much in this role, but he didn't receive the honors. (Then, finally, it was his turn). PS2: There's a drama of his that I really want to watch this year. It's a fantasy, a xianxia, with actress Tiffany Tang (he is the main male actor), but it is number 2 in the drama (A moment but forever) drama.
Are the actors listed here based on billing order? Wjy is senior to lxy so...
Because the drama's directors chose it that way (his name on the front). There were even heated discussions about this, but in the end (the drama makers) put Liu Xue YI in the lead. (His character was probably valued in the drama, and I read the novel, there is a lot of room for that).
Summary:It's a story about a couple who fall in love (but their love is full of conflict). He is a prince obsessed…
There will be those who hate it, because they only accept a completely perfect character. But some characters are on the path to being better people. And I really like these types of characters.
Summary:It's a story about a couple who fall in love (but their love is full of conflict). He is a prince obsessed…
In "Destined" Liu Xue Yi played an anti hero, Luo Zi Shan (who had his reasons), and I only watched the drama because of him. In "Bloody Romance", I loved the anti hero "Prince Gong Zi" played by Wang Duo, he was just the second protagonist (but for me he was the main male lead). Both of these characters in these two dramas seem to have more true but conflicted feelings, and there are many reasons for their actions. And they are both one step away from being the real hero.
Mr_ Liu Xueyi 5 hours ago from Weibo Video#National treasure# It's an honor to be the guardian of @Tianjin Museum"Snow…
Schalost 12 hours ago from Weibo Light Edition has been edited
This issue of the national treasure is not bad, the forgotten childhood self, the lost reality of the self, and the dream of the illusory self, the triple self. The threefold realm of learning from the ancients, learning from creation, and learning from the heart. The most clever script design is the absence of Fan Kuan on the stage, Fan Kuan is like the snow in his pen, existing in the form of a blank alibi, enlightening Xu Daoning's exploration of himself - what Xu Daoning needs is not to see Fan Kuan concretely, but to have a dialogue, with things, with people, and with himself. It doesn't matter who Fan Kuan is, the important thing is to listen to the sound of the mountain stone painting and unfold the picture scroll in his heart. The heavy stone at the beginning symbolizes the deep and undeveloped talent of the painter and the spiritual burden of unfreedom, but after Xu Daoning's enlightenment, the stone turns back into a painting scroll, and the talent of unburdening is finally alive. Xu Daoning's conversation was completed. Liu Xueyi is so beautiful, when I say that he is beautiful, I want to express the harmony between the inside and the outside. Too many people put on ancient costumes as if they were being framed by clothes, and the static photos may be good-looking, but they are not fluid enough to stimulate further imagination. But @Mr_ Liu Xueyi is different, he does not rely on "end" but "put" for antiquity, the essence lies in his relaxed part, daring to be witty and unloaded, this is seeking truth rather than mimicry, a kind of minimalism. The stage performance is obviously intentional, but he knows how to extract the core information, and put the rest away, so it is very smooth and natural, and the climax will hit the heart. watched him play a lot of princes and princes who flew in the sky and swam in the air, but he didn't expect the landing to be so dusty, and the unrealistically beautiful face was also concretely real, as if he really tried to live and then die, and after archaeological restoration, he swept away the dust, and came back to say goodbye briefly through the pages of history. What is rare is that this kind of realism can have a certain spirituality at the same time, in line with the three-wall structure of the stage play that isolates the audience and the dream setting of looking back at history, giving sufficient information and leaving a lot of imagination space, which is very wonderful and very moving. Of course, the snow scene and cold forest map are Xu Daoning's Nutcracker, and it is also Liu Xueyi's fairy trail trace, which is a dream he had when he opened the ancient scroll on a winter afternoon, and he said that his name was Xu Daoning.
3 
13 hours ago from Weibo Video
Liu Xueyi and Meng Ziyi's "Peach Blossoms Reflecting the Country" are in the same frame Reuters, and the two look at each other and smile
https://video.weibo.com/show?fid=1034:5050656906477572
PS:
Characters he shone in as a supporting role that I watched:
1-Luo Zi Shan, in Destined;
2-monk Wuxin (on Blood Of Youth);
3- (The first drama with him that I watched and never forgot), Hao Chen/ Heavenly Emperor in Love and Redemption;
4-Apocalypse (in Ancient Love Poetry).
5-Demon King/Celestial Emperor (in The Destiny of White Snake). Back then, he shone so much in this role, but he didn't receive the honors.
(Then, finally, it was his turn).
PS2:
There's a drama of his that I really want to watch this year. It's a fantasy, a xianxia, with actress Tiffany Tang (he is the main male actor), but it is number 2 in the drama (A moment but forever) drama.
1 hour ago from Liu Xueyichao
Liu Xueyi#Business Ability#lxy#Liu Xueyi National Treasure#
National Treasure Backstage Interview Liu Xueyi said I haven't acted in this kind of long-form drama since graduating from college, and this time it's very enjoyable and very cool!
https://video.weibo.com/show?fid=1034:5048539667955716
or:https://youtu.be/CVQOT1hJCnY
Mei Lin and Murong Jing (first on the cliff, she holds his hands. Then she flies over the enemies).
🎁🎁🎁🎁🎁🎁🎁📢🎁🎁🎁🎁🎁🎁💞🎁🎁🎁🎁🎁🎁🎞️
Prince Shen Zhai Ye (Liu Xue Yi).
🎁🌸💞🎞️🎞️🎞️
Peasant Shen Zhai Ye (Liu Xue Yi)
💞🎁🌸🎞️
In "Bloody Romance", I loved the anti hero "Prince Gong Zi" played by Wang Duo, he was just the second protagonist (but for me he was the main male lead). Both of these characters in these two dramas seem to have more true but conflicted feelings, and there are many reasons for their actions. And they are both one step away from being the real hero.
💞💞💞💞💞🎞️🎞️🎞️🎞️🎞️
Interview for "IN Blossom "(with Liu Xue Yi), eng sub.
12 hours ago from Weibo Light Edition has been edited
This issue of the national treasure is not bad, the forgotten childhood self, the lost reality of the self, and the dream of the illusory self, the triple self. The threefold realm of learning from the ancients, learning from creation, and learning from the heart. The most clever script design is the absence of Fan Kuan on the stage, Fan Kuan is like the snow in his pen, existing in the form of a blank alibi, enlightening Xu Daoning's exploration of himself - what Xu Daoning needs is not to see Fan Kuan concretely, but to have a dialogue, with things, with people, and with himself. It doesn't matter who Fan Kuan is, the important thing is to listen to the sound of the mountain stone painting and unfold the picture scroll in his heart. The heavy stone at the beginning symbolizes the deep and undeveloped talent of the painter and the spiritual burden of unfreedom, but after Xu Daoning's enlightenment, the stone turns back into a painting scroll, and the talent of unburdening is finally alive. Xu Daoning's conversation was completed.
Liu Xueyi is so beautiful, when I say that he is beautiful, I want to express the harmony between the inside and the outside. Too many people put on ancient costumes as if they were being framed by clothes, and the static photos may be good-looking, but they are not fluid enough to stimulate further imagination. But @Mr_ Liu Xueyi is different, he does not rely on "end" but "put" for antiquity, the essence lies in his relaxed part, daring to be witty and unloaded, this is seeking truth rather than mimicry, a kind of minimalism. The stage performance is obviously intentional, but he knows how to extract the core information, and put the rest away, so it is very smooth and natural, and the climax will hit the heart.
watched him play a lot of princes and princes who flew in the sky and swam in the air, but he didn't expect the landing to be so dusty, and the unrealistically beautiful face was also concretely real, as if he really tried to live and then die, and after archaeological restoration, he swept away the dust, and came back to say goodbye briefly through the pages of history. What is rare is that this kind of realism can have a certain spirituality at the same time, in line with the three-wall structure of the stage play that isolates the audience and the dream setting of looking back at history, giving sufficient information and leaving a lot of imagination space, which is very wonderful and very moving.
Of course, the snow scene and cold forest map are Xu Daoning's Nutcracker, and it is also Liu Xueyi's fairy trail trace, which is a dream he had when he opened the ancient scroll on a winter afternoon, and he said that his name was Xu Daoning.