nari

It’s not a matter of who I would have chosen as the killer—the problem lies in how the script was handled by the end. The writing weakened significantly, and the final act could have delivered a far stronger conclusion with more compelling, well-developed antagonists. You’re right that not every murderer needs a motive, but this drama consistently built itself around logic, reasoning, and the characters’ motivations. Because of that, I expected more narrative consistency and stronger character work. The ending simply didn’t align with the thoughtful, motive-driven storytelling the series initially established.

My point flew over your head. Female korean theatre (gukgeuk) isnt just a normal theatre or concept that can be adapted to other countries. The history of it, the techniques of the musical elements and the historical importance and context are original to their country and cannot be adapted to other countries' history framework or media. Obviously the problem isn't about how it can't get a thai adaptation bc its an asian drama, it's bc you can't replicate or adjust a piece of media that covers an important portion of korean history or the Kr feminist movement for the sake of your gl fanatsies. Plus changing the core historical motif/notion of the drama for a remake would mean both the devaluation and loss of the whole point of it, in this case making an original drama based solely on Thai history/ theater would make much more sense.

why would it get a thai remake its korean historical fiction about HISTORICAL KOREAN female theatre get a grip. yall be saying anything like just go read the webtoon