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Aside from both being set in their college days and are based from webtoon, I can draw some parallels with Jaeon and Jun, they are both attractive and popular but secretive. The female main leads, Sobin and Nabi can be both frustrating. Lastly, Spring Is Green should have a supposedly LGBT, Nevertheless created one or probably just queer-baiting.

At first one may think that the common ground with these family dramas are just that their stories are child-centered with Shin and Akiko doing the best for Kotaro and Miyuki respectively. If you like Akiko's personality, you probably would like also Kotaro's and vice versa. Both have comedy elements and gives off that warm feeling you often get with good jdramas.

This is an evident recommendation. Written and directed by Jerrold Tarog, these are both accounts of Philippine heroes during their time. Both are brilliantly made and I am looking forward for more of his work.

Both are set in law school and portrays the life of a law student. I think the events in Law School is much more dramatic as in How to Get Away with Murder but Bar Boys dwells more on the life as a student, the hardship on getting that degree. As a med student, I relate to the hardships in Bar Boys.

Both reveals how a person lived his life and his motives before his death. Both have characters that "bridges" the message of the dead to the departed. In Sell Your Haunted House, JiAh, as an exorcist, has the power to communicate with the ghost meanwhile in Move to Heaven, Geu Reu who has Asperger's with the help of the belongings of the dead, connects the dots.

These are similar slice of life dramas since the characters in these seemed to have "failed" in their passion and is planning to do other things since things are not working out. They differ in that in Ore no Hanashi wa Nagai, he has already quit but in Konto ga Hajimaru, they are just about to. I also like the relationships formed and made stronger in both of these dramas.

EDIT: Wow, just discovered that the screenwriter for both is the same person! I think he also improved since my rating for ONHWN is 9 but 10 for KGH.

The stories are different but both were released in the same year I watched this and it had the same vibe and feeling it left after watching until the end. If you like the twists from one, you'll 'probably' like the other .

Both are based from a novel by Fumie Kondo. Judging from the first few episodes of both dramas, they are similar with some details. Aside from the mystery thriller vibe from both, a high school backstory is a common ground. In addition, the female protagonists are both writers. In Influence, Oikawa Tomomi is a novelist while Makabe Suzune is a scriptwriter.

Although they are different in terms of the length and genre, both shows falls in marriage. In Once Again, there are a lot of couples that were divorced but the main couple's cause of their fallout is similar to the main couple in VIP. I highly recommend both!

From the first episode of The Penthouse alone, I can already make parallels. Rich families living in an exclusive property, two students who are competing for one goal, a highly-esteemed teacher, and so on.

Kaguya, Miyuki and Reiko won't stand being the one who confesses their feelings to their love ones. Kaguya and Reiko are both rich heroines who are doing extreme measures to be with their crush. Reiko is not that subtle compared to Kaguya, though. I love Love is War better because Miyuki is as prideful as the female lead, it simply makes it better.

It only has a common theme of domestic abuse and other controversial topics. To save the victims, the main characters have gone overboard with their measures, for Love in Sadness— medical malpractice while Under your bed— (more) obssessive stalking.

They have different stories and perspectives. In the drama, it is like a third person point of view, while the movie is more first person POV.