Messy at First, But Trust Me, It Gets Better
I went into this drama with mixed feelings, because let’s be honest, superhero comedy is not exactly a genre K-dramas have a good track record with. But I decided to push through because it’s from Extreme Job writer and Dr. Romantic director. And surprisingly, the drama slowly won me over.
The first few episodes did not fully convince me, the pacing is draggy and the character writing occasionally leaned too much into caricature territory. The humor felt a little too chaotic at first and the trio’s antics might honestly be too loud and messy for some viewers. I genuinely dropped my rating for the story by two whole points because of how exhausting the characters initially felt. But the saving grace was honestly Cha Eun Woo’s deadpan and exasperated reactions toward them. His expressions were so relatable to what I felt that it made me realize the trio was intentionally written to feel overwhelming and chaotic at first. Looking back now, it’s obvious those earlier episodes were important for setting up the worldbuilding and emotional foundations of the story.
And once the drama starts picking up by the end of episode 3, it genuinely becomes difficult to stop watching.
The emotional stakes get stronger, the character dynamics start clicking naturally, and the trio slowly becomes oddly lovable in their own messy ways. No one here feels completely one-dimensional, not even the villains, and that is largely thanks to the actors carrying the material with passion and sincerity. I really have to give credit to director Yoo In Sik because the direction is genuinely excellent. The blend between emotional moments and absurd comedy is handled so smoothly that the drama never feels overwhelmingly heavy despite touching on darker themes. It understands exactly what kind of show it wants to be: chaotic, emotional, stupid, ridiculous, but ultimately warm-hearted.
Acting-wise, I think the writing initially did Park Eun Bin’s character a disservice because her portrayal feels almost too exaggerated in the beginning. But once you settle into the drama’s tone and genre conventions, her performance becomes incredibly endearing. As expected from a Daesang-winning actress.
But the biggest surprise to me was Cha Eun Woo.
For the first time, I genuinely felt both the restraint and ease in his performance that I’ve never fully seen from him before. In his previous works, there was always this visible tension in the way he delivered emotions. But here, he finally breathes out, his reactions feel seamless and natural. What surprised me even more was how emotionally important his character became. Somehow, the story slowly turns into something very Cha Eun Woo-centric emotionally, and honestly, HE PULLED IT OFF. His arc became the emotional anchor of the series, especially toward the ending of episode 5 and throughout episode 6. HIS PERFORMANCE GENUINELY CAUGHT ME OFF GUARD. I can now honestly say that he has become a really good actor. It also helps that he’s really nice to look at too and it genuinely cracks me up every time he gets beaten up by Park Eun Bin.
Special mention also goes to Kim Hae Sook and Son Hyun Joo because veterans will always remain veterans, though I do think the drama underutilized them slightly. And the actresses playing the villains were absolutely fantastic too. It’s obvious the production team took the casting seriously because there’s genuinely not a single acting hole in this cast.
As for my favorite scenes for the whole series, I have to hand it to Choi Dae Hoon “The Shining” parody and the giant inflatable onion mascot sequence. His comedic timing is genuinely incredible.
Overall, despite its messy start, this drama eventually grows into a surprisingly heartfelt, funny, and emotionally engaging watch. It asks viewers to be patient during its earlier episodes, but once it finds its footing, it becomes RIDICULOUSLY charming.
Highly recommended. Would definitely rewatch.
The first few episodes did not fully convince me, the pacing is draggy and the character writing occasionally leaned too much into caricature territory. The humor felt a little too chaotic at first and the trio’s antics might honestly be too loud and messy for some viewers. I genuinely dropped my rating for the story by two whole points because of how exhausting the characters initially felt. But the saving grace was honestly Cha Eun Woo’s deadpan and exasperated reactions toward them. His expressions were so relatable to what I felt that it made me realize the trio was intentionally written to feel overwhelming and chaotic at first. Looking back now, it’s obvious those earlier episodes were important for setting up the worldbuilding and emotional foundations of the story.
And once the drama starts picking up by the end of episode 3, it genuinely becomes difficult to stop watching.
The emotional stakes get stronger, the character dynamics start clicking naturally, and the trio slowly becomes oddly lovable in their own messy ways. No one here feels completely one-dimensional, not even the villains, and that is largely thanks to the actors carrying the material with passion and sincerity. I really have to give credit to director Yoo In Sik because the direction is genuinely excellent. The blend between emotional moments and absurd comedy is handled so smoothly that the drama never feels overwhelmingly heavy despite touching on darker themes. It understands exactly what kind of show it wants to be: chaotic, emotional, stupid, ridiculous, but ultimately warm-hearted.
Acting-wise, I think the writing initially did Park Eun Bin’s character a disservice because her portrayal feels almost too exaggerated in the beginning. But once you settle into the drama’s tone and genre conventions, her performance becomes incredibly endearing. As expected from a Daesang-winning actress.
But the biggest surprise to me was Cha Eun Woo.
For the first time, I genuinely felt both the restraint and ease in his performance that I’ve never fully seen from him before. In his previous works, there was always this visible tension in the way he delivered emotions. But here, he finally breathes out, his reactions feel seamless and natural. What surprised me even more was how emotionally important his character became. Somehow, the story slowly turns into something very Cha Eun Woo-centric emotionally, and honestly, HE PULLED IT OFF. His arc became the emotional anchor of the series, especially toward the ending of episode 5 and throughout episode 6. HIS PERFORMANCE GENUINELY CAUGHT ME OFF GUARD. I can now honestly say that he has become a really good actor. It also helps that he’s really nice to look at too and it genuinely cracks me up every time he gets beaten up by Park Eun Bin.
Special mention also goes to Kim Hae Sook and Son Hyun Joo because veterans will always remain veterans, though I do think the drama underutilized them slightly. And the actresses playing the villains were absolutely fantastic too. It’s obvious the production team took the casting seriously because there’s genuinely not a single acting hole in this cast.
As for my favorite scenes for the whole series, I have to hand it to Choi Dae Hoon “The Shining” parody and the giant inflatable onion mascot sequence. His comedic timing is genuinely incredible.
Overall, despite its messy start, this drama eventually grows into a surprisingly heartfelt, funny, and emotionally engaging watch. It asks viewers to be patient during its earlier episodes, but once it finds its footing, it becomes RIDICULOUSLY charming.
Highly recommended. Would definitely rewatch.
Was this review helpful to you?
