6
4
1
1
1
6
1
1
1
1
This review may contain spoilers
ERASED QUIETLY
What pulled me into The Manipulated almost immediately was how unapologetically cruel its villain is. An Yo-han isn’t written to be misunderstood or redeemed. He’s simply a psychopath very calm, deliberate, and completely unmoved by the damage he causes. If he decides he dislikes you, you’re erased. What makes this genuinely frightening is how casually he does it, especially as the head of a security company with access to CCTV networks across the country. He doesn’t just manipulate people; he manipulates truth itself. The rich commit crimes and walk away untouched, while evidence is quietly redirected onto those who are poor, desperate, and easy to silence.
Yo-han’s patience is what truly sets him apart. He doesn’t rush. He watches, studies routines, and learns patterns until he can construct what looks like the perfect crime; one where the system takes care of the rest. That’s why it’s so unsettling that his latest target is Park Tae-joong, a delivery driver doing his best to raise his younger brother. He’s exactly the kind of person society rarely notices. The fact that his life unravels because of something as mundane as answering a phone call from a 'lost-and-found 'mobile phone makes everything feel disturbingly plausible.
When he escapes prison, his resolve feels earned rather than exaggerated. With Ji Chang-wook in the role, the action sequences don’t exist just for spectacle. They feel personal, grounded, and often brutal. Tae-joong never shrinks back no matter how powerful the people standing in front of him are... and there’s something quietly cathartic in that kind of defiance.
What stayed with me most, though, wasn’t the action. It was the discomfort. The drama constantly nudges you to think about how much power comes with access to digital data, and how little oversight there really is. Watching it made me think about who controls information, who benefits from it, and how easily that power can be abused when morality is absent. The fact that the drama makes you sit with those questions is one of its strongest achievements.
That said, the series isn’t without flaws. The first half is sharp and tightly structured, but the pacing becomes uneven as it moves toward the end. Some emotional moments feel rushed, while key threads such as including An Yo-han’s legal fate, the extent of his institutional protection, and even his mother’s role... are left frustratingly unresolved. After such a careful build-up, the lack of closure feels less intentional and more like a consequence of limited time.
Some supporting characters suffer from this compression as well. A few people introduced with emotional weight exist largely to move Tae-joong forward, and their arcs are resolved quickly, sometimes before they can fully land.
Even so, The Manipulated leaves a strong impression. Its exploration of surveillance, power, and how easily ordinary lives can be dismantled still lingers long after the final episode. While the ending doesn’t fully honor the depth of what came before, the drama’s core remains compelling.
I started this fully convinced it was a 10, but in hindsight, the rushed conclusion and missing resolutions settle it at a solid 8.5/10 for me. Not because it fell short of being good but because it reached for something bigger than it ultimately had time to finish.
Yo-han’s patience is what truly sets him apart. He doesn’t rush. He watches, studies routines, and learns patterns until he can construct what looks like the perfect crime; one where the system takes care of the rest. That’s why it’s so unsettling that his latest target is Park Tae-joong, a delivery driver doing his best to raise his younger brother. He’s exactly the kind of person society rarely notices. The fact that his life unravels because of something as mundane as answering a phone call from a 'lost-and-found 'mobile phone makes everything feel disturbingly plausible.
When he escapes prison, his resolve feels earned rather than exaggerated. With Ji Chang-wook in the role, the action sequences don’t exist just for spectacle. They feel personal, grounded, and often brutal. Tae-joong never shrinks back no matter how powerful the people standing in front of him are... and there’s something quietly cathartic in that kind of defiance.
What stayed with me most, though, wasn’t the action. It was the discomfort. The drama constantly nudges you to think about how much power comes with access to digital data, and how little oversight there really is. Watching it made me think about who controls information, who benefits from it, and how easily that power can be abused when morality is absent. The fact that the drama makes you sit with those questions is one of its strongest achievements.
That said, the series isn’t without flaws. The first half is sharp and tightly structured, but the pacing becomes uneven as it moves toward the end. Some emotional moments feel rushed, while key threads such as including An Yo-han’s legal fate, the extent of his institutional protection, and even his mother’s role... are left frustratingly unresolved. After such a careful build-up, the lack of closure feels less intentional and more like a consequence of limited time.
Some supporting characters suffer from this compression as well. A few people introduced with emotional weight exist largely to move Tae-joong forward, and their arcs are resolved quickly, sometimes before they can fully land.
Even so, The Manipulated leaves a strong impression. Its exploration of surveillance, power, and how easily ordinary lives can be dismantled still lingers long after the final episode. While the ending doesn’t fully honor the depth of what came before, the drama’s core remains compelling.
I started this fully convinced it was a 10, but in hindsight, the rushed conclusion and missing resolutions settle it at a solid 8.5/10 for me. Not because it fell short of being good but because it reached for something bigger than it ultimately had time to finish.
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