Jasper Kpeddeo

impeccable!

My special thanks to the social media channel I saw snippets of this series from. I wouldn't call it a series though, I feel like it's a movie. Four episodes of ten minutes estimate each, forty minutes of a movie.

I applaud everyone involved in the production of this movie. Those who picked the cast did a very good job. The cast, especially Park Luke (who realistically played the role of Jiwoon), aced their roles.

Heads up to the guy who played the role of the Tae Ha, our Bad Guy. You really made me hate and like you at the same time. Superb. But was Taeha really bad though, or just had an albatross around his neck he needed to put down? I loved his swift redemption arc, although I knew from the start what he was trying to tell Jiwoon.

And to the fiancee (please MDL, add her profile), your REAL acting in the fourth episode really hit my guts and reminded me that yes, this is really a kdrama. Lol!

Bad Guy is what I would call a tale of true love that fumbles along the way but recoils back to its true form, seen in the perspective of Jiwoon who felt what every human would feel towards their lover who does anything the way Taeha did. Alas, he wasn't really the bad guy Jiwoon thought he was, was he? Indecisive is the way to term it, maybe.

I really felt every scene. How they managed to capture a story that would've spanned 13 episodes of 30mins each into four short episodes of intensity is an art. Well done.

So, if you ask me if I'm going to rewatch this, I would look you up and down and be like, “Hell yes!” Needless to say I'll be coming back to check if new episodes or a new season is on ground, because some part of me just wishes for a background to the story (scenes of how it began) and what might happen next.

But! As I said earlier, how the production team managed to capture a story that would've spanned 13 episodes of 30mins each into four short episodes of intensity, with only three characters, is an art.

ps_ Sukfilm, on behalf of everyone who watched this film and loved it, we need more. Thanks.

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a bittersweet masterpiece, this is a must-watch.

Having been among the first 50K viewers of the trailer last November, my anticipation for Love in the Moonlight was immense, and the series DID NOT disappoint. It was a journey well worth the wait, culminating in a finale that was, as I felt, one hour of pure hell followed by forty minutes of blissful heaven.

The story (9.0/10) is a complex tapestry of desire and betrayal. The series expertly navigates a tragic love triangle, making it impossible to place blame solely on any one character. We can't blame Saenkaew for giving in to his desires, nor Sasin for acting on his feelings once he knew the truth, nor even Pin for her anger at being cheated on by the two men she loved most. She knew her love for Saenkaew was somewhat delulu from the start. She should've ended up with Sanya, but I'll also applaud the writer's depiction of reality by not working the “moving on with the next guy” cliché.

The true villain, after much thought, was Bodin all along. Prince Kamfah, though I often wished death on him, served as a classic, yet horribly cruel and murderous, conservative parent of the 60s.

The acting (5.5/5) and casting (5.5/5) were near flawless. Pearl Satjakorn is perfectly suited to these complex roles, and I found myself drooling over his character Sasin just as I did in "Laws of Attraction." Peak Peemapol's acting has highly improved since 2016; while a few crying scenes were ambiguous, he was convincing enough to make me tear up.

However, the true acting highlights were three brilliant ladies: Perth Veerinsara's portrayal of Pinanong was the show's standout; Ratha Ying was superb as the bar owner, Rachawadi; and Suzanna Renault stole every scene she was in as Songsawat.

I particularly loved the writing for Songsawat and Rachawadi. Songsawat's understanding of societal ostracization was poignant, though I pity her poor, smashed car—a victim of some lazy writing when we never heard from her again.

This wasn't the only instance; the way General Kalong gave up so easily after Prince Inthra's death, and the fact that no one discovered Inthra's wife or commented when she killed Bodin, felt underdeveloped.

The music (8.0/10) was powerful, though the main OST was overused. My rating was saved from falling below an 8.0 by another, standout song that perfectly captured the show's emotion.

With a high rewatch value (8.5/10), I know I'll miss the experience: the bittersweetness, cussing at Prince Kamfah, tearing up for Saenkaew, drooling over Sasin, and telling Pin to get off the floor.

Overall (9.0/10), LITM is a beautifully tragic and highly recommended watch that will stay with you long after the final credits.

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a great watch: rare masterpiece in the genre of true-story BLs

I feel like this movie is criminally underrated. I don't have the words to describe how much I loved this one. It gave me the feels I had with Your Name Engraved Herein, but I smiled even more. It is what you would call a bromantic tragicomedy with a cinematic touch. I would be lying if I said I fully understood what was going on in Blue Lan's head at that time, regarding his feelings for his best friend. I had believed he truly saw him as nothing more than a best friend/brother, but I don't know if I got it wrong after reaching the end of the story. I do know he loved Shiang as much as he loved that girl. That said and done, I was satisfied with that outing on the beach and at the gay bar, and that french kiss!!! I love the charismatic gay teacher too, as well as my favorite transgirl ever and Zheng's supportive love interest.

I loved the way this movie portrayed the challenges that come with being bisexual. As a gay 18yo who's swiftly conquering his biphobia/transphobia, this movie shed a deeper light on what bisexuality really is, and what being a transperson really entails, unlike how the world views both cases. So, I could go on and on about this movie, but let me spare your reading.

COMEDY - I would rate this a 10/10. They knew how to incorporate this even after sad scenes. The jokes were realistic and actually funny. Had me pausing and chuckling under bed sheets. That noodles/xxxvideo scene? Bwahahaha!
REALITY - A 9.5/10. Although I find it weird that Shiang could still remain close friends with Zheng after the confession of feelings, it actually happened in real life. I guess shit happens, but I would never do that. Lmao.
ACTING/PLOT - A combined 9.5/10. I did this because the actors were able to convey the plot in an outstanding manner.

All said and done, did Zheng get divorced? Anygays, I hope this movie has won awards! I really want to see it have a viewership revival! I feel bad for the true BL fans who don't know what they've been missing for the past few months!

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an enchanted, lavender, and heartfelt love story.

I must admit that I'm not typically a fan of historical BL series, but when I stumbled upon IFYLITA, I couldn't resist giving it a shot. And let me tell you, it didn't disappoint... AT ALL. This series offers a unique blend of suspense, intrigue, and the opportunity to connect the dots yourself (the way Jom connects the dots to his masterpieces called drawings), making it a thrilling experience from start to finish.

One of the standout features of this series is the setting. The portrayal of the countryside in the 1920s serves as a breath of fresh air compared to the urban settings we often see in BL series. Watching the serene environment can make you feel relaxed one minute, but it's the series' ability to make you shift between emotions that truly sets it apart. One moment, you're as calm as the peaceful countryside, the next you're seething with anger at the societal system (especially those punishments), and the next you're genuinely concerned about the fate of the characters, especially Jom.

Unlike other series where you're primarily concerned about what happened in the past, IFYLITA ingeniously flips the script, leaving you wondering about what will happen in the future. It's a brilliant plot twist that keeps you engaged and invested in the storyline, don't ya think? Anyway, you'd know what I'm talking about when you see for yourself.

Perhaps it's because I'm a history enthusiast, but this series has rekindled my passion for the subject. While watching the show, I found myself frequently turning to my trusty Microsoft Bing tab to look up unfamiliar words and concepts. It's astonishing how, within just 33 hours of spaced-out watching, I learned so much about Thai history, even without the series explicitly teaching me. IFYLITA ignited my curiosity about the master-servant and peasant-elite relationships in 1920s Thailand, prompting me to delve deeper into that period. Why am I today years old learning that Bangkok wasn't the capital of Siam back in the day???

As for the series itself, it holds so much untapped potential that I'm eagerly looking forward to seeing unravel in the upcoming episodes. For now, I can confidently recommend IFYLITA to any BL fan who's in need of a refreshing break from the typical city-life BL series we're accustomed to. It's a captivating journey through history that will leave you craving more, and I can't wait to witness how it all ends, as I can barely see the end of the tunnel via a lavender haze. Each episode lifts my fearful feet higher to the next step in the haunted house of my mind (similar to the one in this show lol), and watching it at night in my dimly lit room adds to the eeriness I feel concerning the future of my loved couples. That's how good this show is. But, before I leave, I wanna scream "f*** you, Robert!!!"

Thanks for coming to my TED Talk. :)

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i binged all seven episodes, and i must say…

After a two-year wait, Zomvivor is finally here, and it is the kind of horror series that makes you think, not just watch. My late phee would've loved it. She was equally waiting for it.

This is a top-tier Thai series with a story (8.5/10) that had me agreeing with the side characters more than the mains. That's a wise & impeccably executed scriptwriting choice using tragic anti-hero flaws on the main characters masterfully.

This is safe to watch with your homophobic family btw, since there are no explicit gay scenes. We all were robbed, but I ain't complaining. Not so much.

Zomvivor teaches us that everyone wants to have their own opinions viewed higher than others, and most people want to be the leader; impatience is an expensive state of mind that ruins everything; love sometimes means holding on, while it means letting go at other times; evil goes unpunished, because the higher-ups are the bad guys; money is the root of all evil, which desperation fuels; and, above all, no human (and zombie) is ever perfect.

The acting (4.5/5) and casting (5/5) on Zomvivor are phenomenal, ranking among the best of Thai BLs in 2025. Every actor showed incredible depth, with only a few of the zombies having noticeable problems (and that's not really necessary to talk about). The music (9.0/10) perfectly complements the chaos, making for an incredibly bingeable experience with a high rewatch value (8.5/10).

The theme song “Still Alive” is already on repeat in my BL soundtrack playlist. I just wish the series had a better ending, but I suspect there's a second season on the way to probably keep us gagged.

Now, if you'll excuse me, it's time to go. Over to you: go and binge Zomvivor, NOW.

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a hot mess on six rolling wheels.

Let's be clear: I have a PhD in denial, which is why my relationship with I'm the Most Beautiful Count was a masterclass in self-deception. I tried hard to love it, tuning in every week with the hope of a lost traveler, only to be repeatedly led to a plot hole.

My commitment was firmer than the scriptwriting. I'll admit my future returns will be shallow: a revisit to the genuinely funny first episode, and, let's be honest, pausing on scenes featuring Kosol's and Jade's glorious, sculpted hot bodies.

Let's start with the story (5.5/10), or what I assume was a first draft scribbled on a napkin. The series explored the niche of transgender representation, then treated it with the attention span of a goldfish, resulting in what can only be described as lazy writing.

The ending felt like the director yelled, “Hey, guys. We've been playing too much on set. Let's wrap it up!” The result was a finale more disheveled than a Christmas present wrapped by a toddler.

Why did Prince have to die? What would it have cost them to let him live, wake up to freedom, and maybe have a coffee with Kosol in the present? Instead, we got… that. Don't get me started on the rulers being let out of jail. Are we really suggesting that greedy men who live for power would just retire peacefully? In a normal world, it'd be a life sentence or a public execution, not… No, like, why TF was Somdet, a monarchical lord, a candidate in that election?

Also, how did the entire kingdom appear to have a population of 3,000 people, 2,000 of whom were apparently servants? The world-building was less “kingdom” and more “understaffed theme park.”

The voting scene was meant to show the people protecting their freedom, but the direction was so awful, and the kingdom's population shattered any last shred of believability.

The acting (2.5/5) was a fascinating spectrum. Atom, as Chaiyached, gave a performance that was… there. It was a stark contrast to his work in The Bangkok Boy, proving that even the best ingredients can't save a recipe written by what I assumed were 13-year-old fujoshis on a caffeine bender. But, no, the screenwriter is a man. I'm mad he didn't let Ched end up with Jade when their love was as obvious as the plot holes.

Nut Supanut (as Prince & Worradej) aced his role as a kathoey, mostly because he was basically playing himself, while the direction around him spun wildly like a weathervane in a hurricane.

Pop Pataraphol was also well-suited to Banjong's role, though those eyeglasses were distractingly, anachronistically modern. Also, after all of his romantic poems… go gurls, give us nothing!

Now, let's talk about the music, or lack thereof. The soundtrack (6.0/10) underwent a tragic glow-down. It started with a decent song by Prince in the premiere and devolved into a “national anthem” in the finale that sounded like a trash can falling down a staircase. What were they thinking? I suspect a hostile takeover by a tone-deaf AI.

Besides that, most scenes had little to no music, creating the ambiance of a silent film with worse pacing.

But the casting (3.5/5) was sensibly obsessed with physiques, for which I am grateful. The actor for young Kosol did a great job and is, for the record, fit AF for his age (I think he's in my age range).

Nothing could save this script tho. The original work's author must have seen the final product and invoiced the studio for emotional damages. That is, if they weren't all-in on this wrecked train.

Yes, I enjoyed the comedic parts and, yes, I felt sad when Jade [redacted]. But these moments are mere flotation devices on the Titanic of this plot.

It's the comedic moments and a few serious plot points (like Kosol training Chaiyached during his childhood) that keep the rewatch value (6.5/10) and my overall score from plummeting below a 6.0, stopping this from being a total wash.

I genuinely hope the cast finds better material, especially Jade (Lee Asre). I'll be watching his next series, Goddess Bless You From Death, this Halloween. Here's to hoping the script is way less of a comic tragedy.

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my first GL had to be this?

ClaireBell raises the bar for sapphic storytelling. As the first GL series I've ever seen, it profoundly challenged me, making me wonder as a writer, “Can I ever write something this good?”

With everything - from the story to the directing, acting, cinematography, soundtrack, production, character arcs - in place, this is a masterpiece in execution.

The series never loses focus on Claire and Bell, yet expertly gives others screentime, with every subplot tying back to them. I loved how they didn't wrap up Top's (the hawttt Pond Ponlawit) story without showing drug-addled flashbacks to his origins; making his final, pathetic call to his father heartbreakingly logical.

The acting and casting are phenomenal. Mangpor (Tontoei Jidapa), Dao (Noon Siraphan), and Mint (Mai Divaka) form the top trinity of outstanding performances. And, if they are the trinity, Madam Taew Usha as Pon is the charismatic deity whose presence left an indelible mark.

Speaking of which, characters in the series bleed so easily and too much.

Natty (Attar Natcha) was pure and cute, though the cliche of her rape recording stopping on its own is an overdone one. Barbell Jirakit (Porsches) occasionally let me down but redeemed himself with his phlegmatic facial expressions, while Angie Pantira (Deedee) shows great potential - although villainy didn't completely suit her here. I could say the same & opposite about Belle Kamisara (Kae). Great potential + a fitting villain arc.

Let's talk about Kae. From calling Claire a “rabid dog” to becoming a “toothless dog,” her pathetic downfall was a cringe-worthy delight. Play stupid games, win stupid prizes! But, while I didn't feel an ounce of pity for her, it doesn't sit right to me that her backstory was left open. She was involved in [redacted spoiler], but what really happened? And why could she threaten her fellow conspirators but do nothing?

Some things are best left unanswered, I suppose. The same goes for practicalities like Dao raising a child in jail or how many years Deedee had left to be a good girl and be released to go official with her new crush. Well, the series is not reality! 😂

But, oh, the scenes! Claire beating Kae up after being dared to, and Bell's iconic moment of eating instant noodles while her ex's house burned in the background behind her. My phee has said Pangjie Paphavarin “can't act weak” but works very well as the rebellious type; I can totally see her and Mable Siriwalee (Claire) as villains elsewhere.

ClaireBell has one of the best soundtracks for any Thai queer series ever. The speechless, humming opening theme is gorgeous, and I'm A Feeder by Yellow Fang was the perfect choice for ClaireBell going official. The scene where Dao and Wichai danced to a Danupol Kaewkarn classic made me genuinely love a straight couple for the first time in ages; it felt more real than any celebrity romance.

Overall, a definitive 9.5/10. I know all too well that it deserves a perfect score, but the unanswered logistical questions hold it back just a sliver. This series is a triumph of directing, cinematography, and raw emotional power.

Now, if you'll excuse me, I need to go replay that open-shirt scene. 👋🏼❤️‍🔥

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heartwarmingly hilarious + hot!

Well, that just sums it up. :)

What was produced as an advertisement for a noodle manufacturing company turned into a wholesome bromantic comedy for two military beefcakes.

There was no minute I didn't burst out laughing. What was supposed to be a running time of roughly 13 minutes turned 22 for me. Although many, many parts of this short film felt very, very unreal, that is quite expected from a comedy advertisement.

It still gets my 8.5 stars, IDK IDC.

I actually loved the symbolisms imbued into the short film, but I'll make no spoilers. Go check it out on the official MamaOK page on YouTube. Haha!

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one of the best thai bl series this year!

I'm not typically a fan of historical BL series, but when I stumbled upon IFYLITA, I couldn't resist giving it a shot. And let me tell you, it didn't disappoint... AT ALL. This series offers a unique blend of suspense, intrigue, and the opportunity to connect the dots yourself (the way Jom connects the dots on his masterpieces called drawings), making it a thrilling experience from start to finish.

One of the standout features of this series is the setting. The portrayal of the countryside in the 1920s serves as a breath of fresh air compared to the urban settings we often see in BL series. Watching the serene environment can make you feel relaxed one minute, but it's the series' ability to make you shift between emotions that truly sets it apart. One moment, you're as calm as the peaceful countryside, the next you're seething with anger at the societal system (especially Ming's punishment), and the next you're genuinely concerned about the fate of the characters, especially Jom.

Unlike other series where you're primarily concerned about what happened in the past, IFYLITA ingeniously flips the script, leaving you wondering about what will happen in the future. It's a brilliant plot twist that keeps you engaged and invested in the storyline, don't ya think? Anyway, you'd know what I'm talking about when you see for yourself.

Perhaps it's because I'm a history enthusiast, but this series has rekindled my passion for the subject. While watching the show, I found myself frequently turning to my trusty Microsoft Bing tab to look up unfamiliar words and concepts. It's astonishing how, within just 33 hours of spaced-out watching, I learned so much about Thai history, even without the series explicitly teaching me. IFYLITA ignited my curiosity about the master-servant and peasant-elite relationships in 1920s Thailand, prompting me to delve deeper into that period. Why am I today years old learning that Bangkok wasn't the capital of Siam back in the day???

As for the series itself, it holds so much untapped potential that I'm eagerly looking forward to seeing unravel in the upcoming episodes. For now, I can confidently recommend IFYLITA to any BL fan who's in need of a refreshing break from the typical city-life BL series we're accustomed to. It's a captivating journey through history that will leave you craving more, and I can't wait to see where the story takes us next and what James has up his sleeves to woo Khun Yai's man.

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