jpny01

That was better than I expected.

I loathed this series after the first episode. I gave is a 2 and dropped it and only reluctantly came back after friends insisted it got better. It did.

My objection was the totally absurd treatment of drunkenness, and the fuzzy morality, with the writers trying to have it both ways. You can't get so drunk that you think a person is someone else. Maybe for a few moments, but certainly not after sleeping if off for several hours, and Vee having three beers in 2 hours is not sufficient to lower his inhibitions enough to do something awful, so that shot of his garbage can with empty beers in it didn't fly. So you have two choices: Either Mark knows it's Vee and wants to get laid to help him get over his pain, or Vee is a repugnant rapist and the whole series is appalling. Neither option works, so I gave up in disgust with the terrible writing.

So why do I give it a 9.5, you ask?

The thing is, because this is a remake, the production was stuck with the outline of the poor writing of the original. And I can't give it a 10, because the plot is so unoriginal and we've seen it so, so many times. But the execution of this story is so good in every way, and so much depth an nuance given to the story and characters, it's like having a piece of chocolate cake. You've had many, I'm sure. Some are dry, some are factory produced, some pretty good - but then you have a slice that is so perfectly made that you can never enjoy any other chocolate cake again.

That's sort of how this series is. It really, really needs to be the last story with this tired plot - it will never be done better than this, it's so overused that I, and probably many or most of you, groan when a preview shows anyone wearing a blue engineering shirt.

While this follows an established formula, it isn't just the usual shallow boy-meets-boy, boy-hates-boy, boy-gets with-boy, boy leaves boy for girlfriend, boy-hates-boy, boy-and-boy-live-happily-ever-after story.

First, Mark and Vee aren't 2D uke and seme characters. Mark (the uke) knows who he is, is totally comfortable with it, he's a jock with a ripped body, and he doesn't let himself be pushed around. Vee (the seme) is confused and indecisive, can't bear to be the bad guy to the point that his desire not to hurt anyone hurts everyone, and he's never in control of the situation, and seems to fail at everything.

Other than the first episode, the writing is complex and sensitive, never stuffs characters into the narrow boxes of stock archetypes. Mark isn't a useless uke, Vee isn't a brooding prince who will swoop in to take care of him, Vee's girfiend isn't evil or scheming, she's just weak, damaged, and needs the validation of a man desiring her, Nuea isn't a terrible person nor is he an alternate prince, he's just a smitten horny guy who crosses the line a little, and even Mark's father's true motivation is Mark's happiness despite his dickishness. His emoji in the last scene is hillarious.

The story contains one of the classic misunderstandings wherein one boy shows up somewhere just at the right time to see something he can misinterpret and, implausibly, no communication occurs to clear it up. But in this case the plot gives a sequence of events that leads to that moment that is logically constructed, and the timing is not at all coincidental, and while Mark misunderstands, Vee is not innocent - he let himself be put in a situation that he shouldn't have, and given their past, Mark's reaction and subsequent behavior is totally reasonable and relatable.

The dialog and writing are excellent, creative despite the unoriginal story, quirky, and provides us with suprises and unexpected resolutions, like the final family confrontation, where Vee's father is a true boss. The finale is lovely and romantic, and gives us a typical fairy-tale BL ending - and then there's the post-credit scene, for which you may need medication, possibly counseling. The typical uke-finding-a-public-sniff-kiss-to-the-cheek appalling routine starts, then heads in a direction so, so, SO far from where you'd expect that it manages to be hot, funny, and a little frightening all at once (War could [and should] play a truly terrifying villain).

The cinematography, all the editing, the music, is all thoughtful, beautifully excecuted, and all serve the story.

But what really seals the award for Best Execution of a Stale, Tired BL Plot is the acting. War (Mark) has always been good, but here he's SO good that he can make you feel eight different things with one look. Yin (Vee) was frankly a bit weak in the original series, at least compared to War, but here he's improved so much that he's able to hold his own. Vee's impulsive idiocy is funny, relatable, and believable.

If this had a better first episode, perhaps with a devastated Mark just callously grabbing Vee as the nearest male body to fill his... needs, this could have been a 10. But it's still one of the best BLs of all time and I don't hesitate to recommend it.

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Plot set-piece driven rather than character-driven

Any story needs to be about characters, and the plot driven by the characters. What I mean by that is that a characters' nature or past trauma, etc. needs to drive how they behave and and react to things. For example, if a character was bitten by a dog as a child, he may have an irrational fear of dogs - and maybe falls in love with a vet. That's organic drama rather than artificial external crises or relying on very implausible misunderstandings, which is one of the laziest sins in writing.

The way characters behave in this series make no emotional sense, because the author wants to get from point A to point B, and so that determines how the characters behave. Points A & B were almost always just tired cliches that were not integrated into the plot and did nothing to advance it but were rather just there to be there. A couple of examples:

- The Past Connection. This appears to be irresistable to BL writers (actually a lot of Asian drama genres) - a past connection between Souta and Mahiro serves no plot purpose - it's just there to be there, and as a result it leads to Souta implausibly not remembering Mahiro, because if he did remember him, that would complicate the plot. And so he doesn't.

- The Restraining Hug Fom Behind. Mahiro thinks Souta is leaving, but it turns out that instead he's staying forever. Does that make him happy? No, he gets upset and tries to leave. Why? Why would that upset him? It wouldn't. But then Souta wouldn't need to grab him from behind to prevent him from leaving.

- The Implausible Misunderstanding. Souta drives four hours from Tokyo and arrives at just the precise moment - it couldn't be one second earlier or one second later or the misunderstanding wouldn't have happened - to see Souta hug his boss, who Souta assumes is Mahiro's boyfriend, despite the fact that he knows them both, the boss has actively encouraged Souta to be with Mahiro, there is zero evidence that they're dating, and it was clear Mahiro was upset, so it is clearly a comforting hug, not a romantic one. But the writer needed to insert the next cliche, and so Souta has to misunderstand, and for no apparent reason decides to become the boyfriend of...

- The Interfering Woman. Ugh. I don't even want to dwell on this, but it chews up an enormous amount of runtime.

The end result is two unrelatable and unpleasant characters who behave inconsistently and are annoying.

The acting is OK. The Souta actor is pretty good, Yutaro is one-note and has no presence or charisma. There is almost no chemistry whatsoever. Mahiro behaves like the wife of an alcoholic in an abusive relationship - he actually recoils from Souta every time they're near each other, and he just looks afraid all the time. Souta manages to express some repressed longing, but it's still not convincing. There is no romantic chemistry between them, and certainly no romance. They barely even touch each other, at least not on purpose.

A positive is it's well-filmed and the setting in the countryside is lovely. Well, Souta gets naked sometimes, and he has a nice body, so there's that, I guess.

Another positive is the Taiwanese store owner, who is an appealing character and causes a plausible (!) misunderstanding when he reads a note that contains kanji characters that mean "former coworker" in Japanese, but mean "ex-lover" in Mandarin, which leads to the series' best comic moment.

Overall this was a total waste of time, and a disappointing squandering of an interesting premise and a strong start. But it goes nowhere, is frustrating to watch, and is way too long for the amount of "plot" in it. I would skip it.

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Beautiful Short Series

This was really something special, with a really unique plot, relatively sensitive depiction of mental illness, top-rate acting, beautiful cinematography, and one of the best OSTs I've encountered for a BL.

I was dubious they could stuff all this into four episodes, and while they don't quite accomplish it, it's done better than I expected. This is a series that respects its audience and doesn't load most of the run time with flashbacks. The actors really committed to this, inhabited their characters, and weren't afraid to demonstrate love and affection - it feels real.

It did need one more episode or so to fill in a couple of gaps - there's one in particular that really needed a better resolution - but a budget is a budget and you have to do what you can. More happened in this than the majority of series with 12 50-min eps, so I can't really complain.

This has the best soundtrack I've heard in a BL in a long, long time. The endcredit theme is perfect.

Anyway, I highly recommend this - you have to pay attention though - it's not something you can watch while doing anything else.

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Wow.

I thought Meow Ears Up had a weak plot, but at least in that nothing happening made sense. In this nothing happened nor made sense. I think it was supposed to be a parody or something, but I don't really know what it's parodying. I think it might have been making fun of the audience for watching it.

There is nothing positive to say about this, except Lee Long Shi who plays Dr. Pak has a hot body, but it's not worth watching the series as he shows it a lot more on his intagram. Here, I can save you 6 eps. https://www.instagram.com/_longlee7/ Pak Papungkorn does too but we already knew that.

Anyway, this is terrible. If you like Kim & Copter, you probably won't anymore after watching this.

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A disappointing barely-BL.

The series is framed by a class about love, wherein the students in the class are paired off in heterosexual couples to do a bunch of love experiments. Two girls pair up, because one is in love with the professor, and the other has a stalker, so she's terrified of all men (except Jiwoo, who's too tiny to be scary).

That means that two boys have to pair off, and off we go.

This is a BL, and yet the class doesn't even attempt to address same-sex relationships, or anything not heteronormative. The most we get is that the professor allows the same sex pairings. To be frank, nobody should need his permission.

Because the stalked girl (Yuna) isn't afraid of Jiwoo, she allows him to escort her home, which draws him into the stalker mess.

This is a series that could have worked if it were twice as long. It simply had too much going on, a lot of it totally unnecessary, to cover in six brief episodes. Almost the entire story is about Jiwoo pursuing Yuna and dealing with her stalker. There almost no BL whatsoever.

Then, we skip all the processing it might take to go from identifying as straight and being in love with a girl to going gay. Jiwoo changes like a light switch being flipped, and Roa, who loves him, rejects him based on truly incomprehensible reasoning, then abandons his life and runs off to the sea. But we do have time for a silly girl's antics and pursuit of her professor and Roa's intrusive asshole roommate.

This story is so disjointed and lacking in any organic character or relationship development that I felt absolutlely nothing at the end.

The series doesn't fail because it's short, it fails because it's a long story that was crammed into a short space. For contrast, watch the 8-minute BL short Please Tell Me So on YouTube, also starring Han Hyun Jun - this does a much better storytelling job despite its brevity.

I'm often told that I should unconditionally support Korean BL because it's new there (It isn't. Long Time No See was made in 2017, less than a year after SOTUS) and operating in a homophobic environment (welcome to the continent of Asia). Why? I support good Korean BL like Semantic Error - I have no responsibility to support borderline gay-baiting like this, which is a cynical attempt to exploit a fashionable genre without having to commit to it. This is not a m/m romance, it's a story about stalking, with a shallow and cliched15-minunte BL stapled to the end of it.

Story: Since this is marketed as a BL, I have to rate the writing as a BL, so 3. I liked that Jiwoo's first hints of attraction to Roa was from seeing him shirtless rather than trip/catch/stare or accidetal kiss.

Acting: 7.5. Han Hyun Jun is more like a 9, most of the rest are fine, and Kim Tae Hwan is OK but a bit stiff.

Music: It's there.

Rewatch: 2 - I wouldn't watch it again, but I might revisit a couple of scenes that I liked.

Overall: 5. My overall opinion was that it was bad, but didn't look like it was bad. It's competently produced, but the story is just not interesting as a BL and skips too much that is important. I really hope someone puts Han Hyu Jun in something much better than this because he is talented and just adorable.

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Disastrous

There's only so much you can stuff into a 6-ep series. Unfortunately, everything stuffed into this is awful.

The first question is, what genre is this? It was marketed as a BL, and most of the couples in this involve two boys, although only one is just two boys. The other two are everyone's favorite thing, love triangles.

Or is is a murder mystery? Maybe, except the dead body at the beginning is not the same body as turns out to be the case, nor at the same level of deceasedness. Which makes me wonder if Thai emergency services frequently transport live people in body bags. If so, I hope they remember to poke air holes in them.

Or is it about a rivalry between two bitchy girls? On the surface, no, that's not what it is, but that leads us to wonder why almost the entire runtime of this series is consumed by two almost supernaturally unpleasant people who I'm sure almost the entire audience wishes were not in the series at all.

The all-male love triangle involves a boy who's into BDSM, which is handled with the usual BL sensitivity, i.e. none at all, portraying it as deviant and possibly evil - certainly PTSD-inducing, and instead of his partner finding a way to accommodate his tastes, BDSM-boy is forced to give it up in the name of True Love, which can never include "deviant" behavior in BL. There's actually a scene where non-BDSM boy wants to break up because he realized that BDSM-boy has a slight preference for being a dom over a sub, and so he feels that he is horrendously depriving him of pleasure. Seriously, that's the conversation. Then he goes on to describe how flicking him with a toy whip makes him feel like he's inflicting violence on someone he loves. Sigh.

The love triangle with the girl involves a self-indentifed slut (who had sex with a grand total of one person, so what is the message here? ) and two step-brothers. Another favorite theme of BL audiences. Let's combine cheating, an evil female, and incest into one storyline - yay? I don't actually mind step-brother stories, but I know that a large part of the audience does mind, a larger part of the audience doesn't like cheating, and almost the entire audience doesn't like stories to be chewed up by evil girlfriends.

The only reasonably uncomplicated storyline is between Burger & King (get it?), and it is cute largely because the two boys are adorable. It's certainly not because of their acting ability or the amount of time spent on their story.

Which brings us to the topic of acting. I don't want to be too critical, because these are all beginners and they were clearly doing their best, but each of them only has one facial expression and it's not really enough. Maybe if they had two each it would have worked better. Non-BDSM-boy has kicked-puppy face, King has "did I live the iron on?" face, Evil Girl #2 has "what is that smell?", etc. There are one or two experienced actors in this (like Art, as beautiful as ever, but he has at most 60 seconds of screentime).

Worse, there is, again, an awful trans character who is loud, ridiculous, and an awful person, because Thail BL is unable to conceive of anything but "straight" people as being "good" and "normal". That's improved a decent amount in BL in general, but that progress hasn't reached this catastrophe of a series.

Perhaps worst of all, it doesn't end. None of the relationships get anywhere, and even though we know whodunnit, that story isn't resolved either. Couldn't they at least have left it as a mystery if they were going to end on a cliffhanger? What possible motivation do I have to continue watching this into the next season?

This series is a ripoff of the Spanish show Elite, which is far better. A central problem with Hit Bite Love is that it's set in high school (because that's a BL law or something) and it's themes are adult. Because of this, and because most of the actors are underage, the series is crippled by conservative Thai morality and so the story can never dig its teeth into any of its themes. This is so serious an issue that even when boys are at the swimming pool, if there's any romantic connection between them, their torsos are wrapped in big towels, as if having two boys who like each other shirtless is Crossing the Line.

Other than the cuteness factor of BurgerKing and Art being on my screen, the only positive quality is the background music, which is better than usual, and actually supports the story, such as it is. Although the theme song has so much autotune I assumed it was on purpose - although it does sound like a malfunctining robot and I'm not sure why you would want that.

I would skip this. If you had to decide between this and watching, say, Gen Y 2, then I would probably just kill myself. But Hit Bite Love is a lot shorter, so more of your brain might survive if you were to choose it.

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Had the potential to be the best BL of all time, but ended up a mess.

This series got off to a good start, but took a wrong turn around ep 10 and largely fell apart. The plot centers around Dr. Tin, who gets trapped in a time loop that he can only escape by saving Tol, an accident victim. He repeatedly fails, falls asleep, then begins the same day again, etc. Along the way he gradually uncovers more and more of the mystery of what happened, and draws closer and closer to Tol, the man he has to save.

It's quite well written - until it's not. Close to the end the perspective shifts to Tol, which deflates all the dramatic tension built up to this point, and then suddenly people's personalities change, to the point it doesn't feel like we're dealing with the same characters anymore. The story also starts to take a lot of "cheats", where the "rules" of the setup are changed in fairly silly ways - like all of a sudden kisses restore memories of past time loops - even if non-consensual, even unwanted, so it's not Love or something, it's just lips touching that works. There's also a magical notebook which makes no sense, i.e. if you go back in time, what you wrote before shouldn't be there anymore, and the way it's given to someone else makes no sense.

The finale is so random that I stopped caring what happened, and the ending is flat and anticlimactic. It's happy-ish although it doesn't make sense so it's not really satisfying.

The acting is superb all-around. This is Tee's best performance - he was adorable in Miracle of Teddy Bear, but here he plays a darker and more complex character, and everything he does is so authentic. Tae is also wonderful in this - he has that impish smirk, but he can also play cute and vulnerable and then shift to on-fire sexy - but it's his subtle moments that are the most impressive. At the end of Ep 9 he's so powerful - both of them are. Their chemistry is so on point, and so natural, and their characters are so fully realized. But then that's all thrown out and they essentially become different people.

The music is way better than typical - there are no old-fashioned power-ballads, and the soundtrack effectively supports the story.

One warning - there is a huge amount of secondhand embarassment in this - Tin is a terrible liar and he screws everything up constantly, and it's painful to watch. It's very well done, but I had to take breaks sometimes.

I loved this series up to about Ep 10 - after that I more or less stopped caring. It was still overall a good experience, but the lazy writing in the last few episodes prevented this from being one of my favorites of all time, and I was sure it would be.

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This series is awful and pointless

Boy, the other reviewers are very kind.

The only positives to this are that both leads are very attractive and they are both very comfortable with kissing scenes.

The acting is not good, which is surprising, because Green is a fantastic actor - one of the best in BL - and Chap is... well, he looks extraordinarily good with his shirt off. The side actors are generally unmemorable - not terrible, but noticably acting.

The story is so stupid it's not really worth spending time on. It's not so much a plot as it is a string of cliched tropes. There's nothing so stupid that they can't do it twice. There are two accidental kisses, and two times someone falls into a body of water. In fact, in what seems to be an attempt for the Stupidest Series of All Time award, they even combine these - an accidental kiss caused by both characters falling into a bathtub. Accidentally. Somehow. The second immersion has a character fall into a pool - there are about 50 people there, and nobody does anything about it whatsoever except stand around and wait for the main character to notice, except this takes him more than 15 seconds and this is a BL, so the guy drowns. But is revived and is fine. I don't think he even really coughs - just spits out a mouthful of water and then carries on with his day.

It's a typical enemies-to-lovers scenario, except they go so overboard with how awful Satee is that you hope he dies alone, and then the transition to love is so abrupt it feels like someone flipped a light switch.

One of the leads is an angry agoraphobe who needs to get to the tailor's shop. Besides his fear of leaving the house, he also hates the tailor, so the author has written herself into a corner. But she comes up with the ingenious solution of having the assistant lightly tap him on the back with a small hollow glass scupture, which knocks him out and they somehow drag his body to the Tailor. Problem solved.

I normally wouldn't nitpick the wardrobe choices, but the theme of this series is about a picky guy finding the best tailor for the best suit, so I would expect the clothing to reflect that. Everyone spends the entire series wearing dark, wool three-piece suits, which is more or less insane in Thailand. Nobody expires due to heat exhaustion - only being tapped on the back with a hollow glass scupture or being immersed in water for 15 seconds can do someone in.

But the clothing is all really poorly tailored! The trousers are too long, the jackets don't fit well, and the styling is terrible and unflattring. Also, the suit in question is not even a tuxedo, it's a boring ill-fitting blue business suit. The tailor does wear a tux to the main event - it is so horrible that it looks like something a guy might wear to a prom who waited till the last minute to rent his tux and so ended up with... whatever that was. The waistcoat was so over-sized that I wasn't sure if he was going to a party or volunteering for the defense of Mariupol.

The theme song is by Jeff Satur, and even that doesn't help. I'm surprised they paid an actual artist for something (or kidnapped his family and forced him to do this), but he only had to write two bars, which they play over an over again. It's a particularly blaring love ballad which becomes unintentionally funny because thy fire it up at a moment's notice whever something happens that is supposed to be romantic.

I'm shallow and I like attractive well-built men with their shirts off, but I have to say that Chap's body is so beautiful that it will catch you by surprise - and he knows how to use it - the way he stands and moves... That's why I gave the series a relatively high rewatch value. I have already watched his first shirtless scene several times and will be returning to it.

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Who needs a plot?

There seems to be a spate of plotless Thai BL dramas. There's really not much to say about this series - the author apparently couldn't think of anything to write so she just used whatever she did that day. Everything that happens in this is mundane day-to-day activity - largely eating snacks and bubble tea.

There is zero romantic chemistry between the leads - it's not clear what their age difference is, because they're both children at the same time, but later Park is a doctor, so that would put him in his late 20s, while Tin is either in high school or maybe college - it's hard to tell because he never seems to go to class. I was surprised to hear he goes to school when it was mentioned in the finale. Tin behaves like a small child almost all the time, so there is something kind of creepy about their relationship, only saved by the fact that the actors are similar in age.

Since there's no plot, there's no dramatic tension - and it looks like the writer realized she'd reached the conclusion without any drama, so she threw in a long series of fights over absolutely nothing between Park and Tin - which likely cemented the feeling the audience had that they really shoudn't be together. Except as parent and child, maybe.

There are lots of side characters, but they're all pointless and their stories never go anywhere.

I didn't think it was possible to have less of the story than Physical Therapy, but apparently it is. I rated this a 3 because while it's a total waste of time, it's not aggressively awful.

I'd skip it.

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OK, so hear me out...

... but I kind of liked it. It's certainly not going on my Top Ten BL list, but it was a pleasant watch, and it probably didn't hurt that it was the only BL on Mondays.

The "plot" is rather thin. Ai has a big crush on his straight friend, who is less straight than he thought, but is also a high-maintenance nightmare.

They "get busy" at a party, and in the aftermath, Nhai doesn't believe it's possible for anyone to put up with him in a relationship (which appears to be an excellent assumption), so he agrees to a one-month trial relationship so that Ai can prove he can tolerate him as he is (useless and whiny). It's a good thing he's cute.

Anyway, they have a few scrapes with jealousy, because Nhai is insecure about his suitability as a partner, and because Ai is very possessive, and have many other minor conflicts and arguments.

This is a spin-off of Tonhon Chonlatee, and it's much better, although that's saying almost nothing, and it retcons a lot of the offensive elements of that series.

I'll start with the negatives:

- There's no plot outside of the above. They just spend the whole series doing normal things - shopping, camping, eating at home, talking, going to school, getting sick, etc. It would have been nice to see a theme or something to overcome - maybe Ai is NOT sure he can put up with Nhai, and maybe Nhai is acting up because he's pre-supposing Ai will leave him, and gradually they develop the confidence in each other to make it work. As it is, they seem compatible almost immediately, which is a bit dull.
- The dialog is dull and delivered with too many pauses, although that's a pan-Thai-drama problem.
- The acting is a bit wooden in the main pair. If Nhai is supposed to be difficult, it would have been nice to see some energy put into it. He's basically just lazy. But it's not bad acting.

Positives:

- They are respectful to each other and it's pleasant to watch them interact.
- It's cool that Ai has two gay dads.
- Meen (Ai) is hot. To be honest, that's a big factor in why I stuck with this. In their first love scene, I'm fairly sure you won't be ready for what's under Ai's loose university shirt. All his normal clothes are form-fitting and very flattering to all his assets.
- Speaking of their first love scene, it's early, and aggressively initiated by the uke (Nhai), who is the "straight" one, which is unusual. Afterwards, he feels overwhelmed and cries, but tells Ai he's not made at him but wants to be alone to process everything, which was also unusual and quite nice. And even better, it isn't drawn out. He finds really bad advice on the internet, wonders if he's trans, then sensibly goes to talk to a gay friend about it.
- It's unusual for a pair to enter a relationship in the second episode, and it's nice to see them interact as a couple.

I can recommend this if you like fluff. If you don't like fluff, it probably won't work for you. I found it pleasant to watch, sometimes dull, but sometimes you want some brainless eye candy.

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Poor writing partially saved by a great cast

This was a real disappointment - the story had potential and some good ideas, but the execution was sloppy and the plot ran out of steam after a few episodes.

The acting is great with First as the standout, and Neo and Louis quite engaging whenever they had screentime. The music is also quite good, with well-chosen and moody background score that supported the story.

The problem was the writing. We started out with good ingredients - a story about tradition and authority vs modernity and individuality. At first it looked like we'd get an intelligent examination, with a quite excellent in-class argument in which the rebellious Ayan manipulates an authoritarian teacher into supporting his perspective while he takes hers - but it's like all the intelligence in the script went into that one exchange because it was never repeated.

Instead, the authors come down heavily on the side of freedom, equating rules with depression and suicide - which might have worked if he rules weren't so mild and commonplace - wear a school uniform like 90% of humanity as mandated by ministries of education, and don't use phones during class. Really? That's it? And the writing contradicts itself, as almost everything bad that happens is due to preoccupation with social media, so maybe phones were the problem after all.

The Curse of Suppalo was another interesting idea, which quickly petered out and became incidents so benign that people's OTT reactions to them were ridiculous.

There is a plot twist in Ep 11 that you won't see coming, largely because it isn't set up in the slightest and ends up requiring someone to behave totally out of character, and everyone else to behave out of character in their reaction to it - and since there are no consequences resulting at all, it's meaningless - just a random twist for no apparent reason.

The relationship between Akk and Ayan starts off interesting, but quickly degenerates into a string of tropes including the most stupid accidental kiss I've ever seen, by far - it's so bad I dropped the series and only picked it up again when everyone assured me it got better. It didn't. There is no real organic development between them - they're pushed together by stupid cliches and tropes, and it's never clear why they like each other, so you have to conclude it's a physical thing. I will say that I liked that they didn't do the seme-uke thing - in fact people in the forum argued over which was which.

This is basically a six-episode story stretched out to twelve. It really has nothing to say, and despite its promising introduction, was basically just a typical formulaic high school BL, albeit set in an all boys school, so we're at least spared the stock evil gf character, and it is refreshing that the characters are actually gay and identify as such.

The last episode is cloying and preachy. Nobody watching BL has a problem with homosexuality, so preaching to the choir is pretentious and irritating - plus the absolute ease with which coming out is accomplished and greeted sends no message - in fact it's a bit offensive in a story that has pretentions of social commentary and in its portrayal of depression and mental illness to just handwave away the most difficult and painful thing LGBTQ+ teens have to deal with.

I'm not sure I can recommend this. If you're a big fan of the cast, then I'd watch it - but otherwise it's a frustrating, shallow, formulaic melodrama. I doubt I'll have any recollection of it in three months.

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Hands-down the worst-written BL of all time

This might seem like hyperbole. But let me explain. Physical Therapy isn't the worst-written BL of all time because it would have to have been written, and if it was, it was only by accident. Someone wrote Fahlanruk on purpose.

It's perfectly OK to have a character start out as "bad" and then go through a redemption arc. It's also OK for a character to be victimized in a bad relationship with a psychopath, in which case his character arc is developing the strength and confidence to recognize his worth to free himself and find love and healing.

But here we have a psychopath who's character arc is to ensnare a man through repeated histrionics and abuse until they live happily ever after. The End. Either this was written by someone without enough life experience to have a clue what adulthood and love are, or they are an adult who is an alcoholic abuse-victim with PTSD who is trying to self-medicate by writing the same scene over and over and over again until the audience shares their PTSD.

Everyone in this story is an alcoholic binge-drinker. Every motivation is jealousy. EVERY motivation. Sher and Fahlan are not boyfriends, they are friends with benefits. While it's clear they have deeper feelings for each other, they aren't committed, but still, whenever the other so much as talks to another human (probaby a pet or inanimate object too, but it never came up) a histrionic public explosion involving physical and emotional violence results, with vow to never speak again, followed by another round of binge-drinking, drunken sex, jealousy, explosion, ad inifinitum.

I'm not exaggerating - sometimes two cycles could occur in a single episode. It gets to the point that you don't care and stop paying attention to the main couple when they're onscreen until Fahlan has his shirt off, because he looks really good with his shirt off. Their endless jealousy fight is so dull and repetitIve that it would have been more entertaining to watch them argue over whether the toilet paper should hang over or under the roll (over the roll unless you're a bad person). I can't believe the author actually thought she was writing a protagonist with Sher - he's a pissy, horrible narcissistic villain. Really, if someone had run up to him in the finale and bludgeoned him to death with a bat, you would have gasped with the realization that there really is a God and that he loves us.

There are two side couples, who talk about absolutely nothing other than Fah and Sher's relationship, except for their own detours into pointless jealousy, public histrionics, and binge-drunkenness, but at least none of the minor characters punch each other in the face all the time.

A lot of people stuck with it for Ping & Tap, who were initially cute and had potential, but they too went around in circles forever until it was hard to care and then their relationship was so anticlimactically resolved that the reaction is, "hunh?" Ping has been pining for Tap for years, and then once they're together Ping behaves like Tap is a poisonous reptile instead of a loving boyfriend, because I presume the writer saw other ukes behave that way and thinks that's how gay couples work. One of them DESPISES SEX WITH A BURNING PASSION but, and only under the greatest duress, gives into the UNNATURAL MONSTROUS LUSTS of another man in order to have someone to protect and take care of him. Yup, that's how real life works.

That leaves us with Gear & Prince, who manage to get through this with merely one histrionic jealousy scene, and when they finally hook up, they're robbed by horrendous cinematography which almost totally obscures what's happening with lens flaring that would make JJ Abrams jealous. They're still better than anything else in this travesty, however.

There's also Pink, the fujoshi, who is eventually exhausted as a cause for jealousy, then spends the rest of the series obsessing over Sher & Fahlan's relationship, dragging around poor Tar and behaving as if he's ugly even if he's the hottest guy on the show (I realize that's debatable, but catch him onstage in the finale).

Sher is a horrible human being who deserves to die alone, not be redeemed through true love. Does anyone really think anyone this awful is going to change overnight? How long to you give him and Fahlan? Two weeks at best.

This show isn't just bad, it's infuriating. It's a complete waste of time with no countervailing redeeming qualities to balance the endlessly repetetive plot. There are attractive guys, but it would be much more economical to cruise the side-characters' social media, and in the case of the main couple, if you're interested in Sher, SEEK COUNSELLING. IMMEDIATELY. If Fah, well, I have to admit you get a lot of shirtless Fah, but I'm sure you can find that somewhere where you don't have to endure this type of torture.

I don't normally say something like this, but please don't watch this. It's because I care about you and your well-being.

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A total waste of time

There's a caveat to the title above: if you like stories where nothing is ever explained and nobody's motivations make any sense, you will absoluetely LOVE this series.

First of all, how is getting to live for 400 years as a beautiful 20-something a "curse"? That sounds pretty f@$&ing good to me. So if I witness a murder, I get to be young forever? Sign me up.

In the first episode, a lot of very intriguing plot threads are set up, centering on a mysterious director and his fascination for a new employee at his media firm. By the end of the episode, you're hooked and want more.

It's a trick.

You never find out anything. There's a curse, OK. But who cursed them, why, what the curse is, and how it's lifted are never revealed. Not even slightly. There is never an explanation for why the main pair were cursed. The only thing they did is fall in love with each other. Is the message of the story that God hates homosexuals? Because that's the only motivation you can get out of what we see. What is he purpose of Dennis other than as a plot device in the last episode? What did the director do to him? Why is he so f@$&ed up? Is he part of the curse? Who the f@$& is he?

A lot of the run time of the series has the characters running in circles in a repetitive and formulaic pattern of the uke resisting the seme, and in this case it's inexcusable, as instead of running the same tiresome plot point over and over the story could have been advanced and questions answered.

If felt like the writer came up with an idea, never bothered to flesh it out or think it through, then came up against needing an ending so just pushed the "reset" button, making the entire series totally pointless. The ending made no sense - so if they aren't around each other they'll die, and the only way to lift the curse is to die. OK. Great. If that's not the case, why doesn't Dong Baek get sick when he's away from the diretor after the reset? For that matter, how did Dong Baek get through his entire life before meeting the director without dying? Maybe there's a reason, but we sure as f@$& never get it.

The chemistry between the leads is fairly minimal and the kissing would be too chaste even if the characters were 6 years old. I've seen BLs where there's a meter between the pairs' bodies when they kiss, but the actor playing Dong Baek must have gymnastic experience because he manages TWO meters. This series represents everything that's wrong with KBL. A nonsensical story, way too much time wasted on the uke acting like a twelve-year-old Victorian-era virgin, too many cliches and tropes, bad writing, rubber kisses, and actors who obviously think it's icky to touch each other. (To be fair, that could be the directing.)

This is well-filmed, with shots that support the story - the edit when Dong Baek faints on the set and sees the director but it's actually Dennis is superbly done, and the music has it's moments - but the soundtrack indicating passion is not the same as the actors showing passion.

I liked this series a lot for the first couple of episodes, but unfortunately it devolved into a boring, pointless, lazy mess.

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It is definitely a BL.

There's a scene where they're sitting on a swing. Watch it and tell me if bros sit that close, look at each other that way, the body language, and Oat even does the stretch-the-arm-behind-the-movie-theater-seat thing (adapted for swings).

Also, remember, mother had put up a sign banning romance between staff and guests - what happened to the sign was significant, and even more important is the question Nabdao asks Keptawan when Kep gives him what he gives him at the end. That question is open acknowledgement by Nabdao himself that this is not a bromance situation.

Anyway, this is a 10/10 for me. I have to rate it for what it is, a short film, not a full series, and I've never seen a short BL as good as this. I was actually in tears all the way through the second part (in a good way, don't worry, the White Truck of Death doesn't show up and run anyone over in the last scene.)

The acting is wonderful - it's so natural, even Oak's OTT character is totally believable and sincere. Mon is just plain gorgeous, and this shows what can be accomplished when you get someone who is beautiful AND can act. What a difference a year can make at that age. The supporting characters were all well-acted too.

The story is tight and economical, and manages to really address rural problems and symbolically indicate what the solutions are - by showing us, not telling us.

I have nothing negative to say about this - I can't think of any criticisms - except maybe in a few spots the sound quality was a little off. The editing was tight, the writing respected the audience, and the romance was subtle and realistic given who they were and where they were. The technical quality of this is way above Wayu's previous works, which to me means they're learning and getting better, and I'm really looking foward to their next project.

I think they've mastered the short story - maybe it's time for a second attempt at a longer series.

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Sweet and Funny

First: There's a lot of pearl-clutching in the discussion section about the age gap, and particularly that Toki is a minor when the story starts. If you're uninterested in this topic, skip down to ANYWAY.

I really don't see how this is objectionable. So Toki has a crush on a handsome and charming teacher - haven't we all been there? My junior high PE teacher was so hot I spent all day in the restroom "imagining" things he could do to me, and I was 13 and he was 20-something.

The point is that Sahara makes it plain that nothing is going to happen, although he does say he'll wait for Toki to grow up, and there is a time skip at the end to when he's 18. It's hard to tell how old Sahara is because the same actor, who is 26, plays him in flashbacks. I would guess he's 6-7 years older. Big deal. My first positive experience was with a 26-year old when I was 18 - it was wonderful to have someone experienced and kind to ease me in, as opposed to boys my age, who just wanted what 18-year old boys are wont to want.

17-year olds do - almost invariably and universally - develop crushes on people of varying ages, and let's be honest, there is nothing you can do about it if you're an adult who has a crush on a minor. If he's 10, there might be something really wrong with you, but if he's 17 with an adult body, it can happen. You just don't act on it. There is a huge difference between having feelings for someone and acting on it. One you can't help, the other you can.

There is an accidental kiss, but it's not sexualized in the least - in fact they're both mildly injured by it and Toki reflects sardonically that his first kiss tasted like blood.

ANYWAY.

Toki is a fascinating character, immature in behavior, but unusually mature in moral fibre and inner strength - it's no wonder what Sahara sees in him, not to mention his looks. The actor does a wonderful job, making Toki both vulnerable and strong, affecting and really funny. Sahara is a less interesting character, but he's not without complexity either.

There is a lot of comedy in the series - most of it is pretty funny, and some of it is too obviously adapted from manga - where running screaming offpage works better than it does in live action.

This is a sweet story with a lot of charm and one of the best BL characters I've seen in a while with Toki - I'd fall in love with him too.

On the negative side, way, way too much time is chewed up by Sahara's former love interest, who brings the narrative to a screeching halt for a character that isn't introducted until two thirds through the series and who it's nearly impossible to care about. I found myself internally screaming "I DON'T CARE GO AWAY" You will want, no, NEED, to take clippers to his ridiculous bangs. I think his stylist must be the ghost from The Ring. There's a flashback to a confession in the rain that we're shown so many times that I nearly bought a plane ticket to Tokyo to go slap someone. Nekoto is dull, depressive, irrelevant, and takes forever to say anything - he should have been limited to one scene, not stretched out over 2 episodes.

Anyway, the payoff at the end is worth it, but I do wish that time had been spent on Toki & Sahara or on the secondary couple, who I hope get their own series.

I highly recommend this - unless you're one of the abovementioned pearl-clutchers, in which case you should probably just go to church instead.

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