jpny01

Yikes.

I'm not going to sugar-coat it. This was terrible.

I'll get it out of the way - the makeup artist is either a sadist or hates both actors. Han Gi Chan looks 10 years older than he is (which means he's going to be a hot daddy in 10 years) and Holland looks deceased. I kept thinking of Beetlejuice.

The problem with this series is that the story makes no sense. Essentially, an all-star chef moves to a hut on the beach to sell udon. A homeless undead person shows up and insinuates himself into chef's life. Undead-guy is good at everything restaurant-related except protecting jugs of aged soy which are left on the floor for no apparent reason. Chef inexplicably falls in love with Beetlejuice, who abandons him in the night, leaving him heartbroken and with nobody to wash the dishes. One year later he returns and Chef takes him back without any curiosity as to why he left or any concern that he might run away again, altough tears that look like they came from a squeeze-bottle fall down his make-up plastered face. Chef seems to have been hurt by his other ex too, but at least he was wealthy and hot, and doesn't flee into the night for no apparent reason.

I'm sure Holland is a wonderful person who has had to endure harships, but we can't be good at everything, and acting is not on e of the things he's good at. I suspect he'd be able to pull off an OTT outrageous character in a comedy, but as a romantic lead in a drama, no.

Story: 2. Bad, but I gave it a point for not throwing in stock BL cliches.
Acting: 6. This is kind. Han Gi Chan is pretty good, and the two other minor characters are decent.
Music: 8. Holland sings the theme song, and it's pretty good.
Rewatch: 2. I'd say 1, but Han Gi Chan does take a shower, and I would rewatch that.
Overall: 5. It's not good. It's not embarassing (except the makeup and writing), but I did find myself hitting the +10 seconds button quite often.

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Very good, stops short of great

There is lot to recommend this series - foremost the acting, which is uniformly excellent. I'm not sure I've ever seen couples behave more realistically and without reserve - you really felt like these were people with feelings for each other. The physical affection in this is natural and convincing, with lovers sleeping cuddled up and not wearing enough clothing to survive arctic exposure with a minimum of one meter between them at all times like is typical in BL.

There's clearly a lot of passion that went into this production, from direction, to wardrobe, to all aspects of the production, and it makes a huge difference.

The dialog is better than normal, and most of the characterization is steady and consistent.

There are a few issues, however. This is a classic enemies-to-lovers story, and it's at its best - as usual - in the enemies portion, with an interesting and fairly equal dynamic that's unusual and entertaining, with the enigmatic and non-maliciously manipulative Zherui showing up in bizarre and unexpected ways, and the frustrated and grumpy Zong Yi trying to get rid of him while missing him when he's gone. There is no particular seme-uke dynamic at first, which is refreshing, and when they do fall into those roles it's in an unexpected way.

The secondary couple is more clearly seme-uke, but the uke is not useless and without agency. He's crazy and mercurial, and would benefit from a steady-handed partner, but I liked that he's to be reckoned with, not a helpless damsel.

There are, however, a few issues which prevent this from reachingthe top tier. One is the convoluted plot with many holes in it and contrived relationships and coincidences, greatly exacerbated by numerous very large time jumps which plaster over organic resolution of dramatic tension, i.e. the important things tend to happen off-screen.

There is also a silly cliffhanger at the end of every episode and in the middle of them as well. For example. a character is shot, but it turns out with a rubber bullet as part of a life lesson someone was trying to teach which was totally ridiculous. Someone is stabbed, and in the next scene his friends are standing at a bridge with white flowers. To give to him because it was only a flesh wound (to the intestines) - never mind that white flowers are for the dead, and that was just cheap misdirection for 10 seconds of angst. The cliffhangers required a lot of time to be burned on backtracking to fill us in on what happened, and made it very difficult to follow the series if you watched it weekly - so I would recommend binge-watching. As it was, I usually had to review the previous episode because the beginning of each episode is unconnected to the end of the last.

Finally, the dynamic between the main pair descends into stereotypical BL roles, with the formerly grumpy and irritated Zong Yi transmogrifying into a sweet romantic lead, which is frankly boring and inconsistent with the character as originally drawn. He was bound to soften a bit, but he didn't need to become a different person. Clearly the writer wanted lovey-dovey interaction, but it could have been done with some of the edge left in. Due to what happens along the way, he suffers from a short-term memory problem - for about 5 minutes after a huge time jump, then it more or less goes away and has no further impact on anything.

There is a fake memory loss plot that is resolved so quickly that it's pointless and probably should have been left out. The story arc of the mafia boss was very well-acted, but had so little impact that it essentially wasted time. Too much was attempted for the run-time available, when it would have been better to just cut out elements that weren't necessary to the story.

Would I recommend this series? Definitely. Despite the criticisms above, it has so much going for it that the problems are overbalanced by it's good qualities, not least of which the unbelievable attractiveness of the cast - they are all smokin', and even better are all talented and skilled actors.

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This was fantastic

When you get a first rate director, cinematographer, and editors, find a good script, and cast talented actors, then throw in some love, and you get something like this.

This is a story about a young man, Wang, who engineers stranding himself and his mother seemingly in the middle of nowhere, but in reality at the house of his dead father's closest friend, and his journey of self-exploration that results. This is not really a BL, and if you try to engage with it as a BL, you will not fully appreciate it. I think I saw some of the reviews call it heartbreaking, and it really isn't - but it's about Wang's journey and what he learns about life and himself. In that light, the story isn't at all tragic, because in the end he is wiser, stronger, and knows who he is.

My favorite thing is when a series takes advantage of the visual medium - every shot of this tells a story and supports the story. Sometimes it's obvious, like the role thee screen in In's room plays, or the bridge, and other times it's more subtle, with lighting and framing.

This felt like a play, and in reality it was - almost all of it takes place in one room - but it never ceases to be a film, never becomes static or tired, and every episode feels like it zips by. Every scene is allowed to develop, and is never belabored or rushed.

And I can't tell you what a huge breath of fresh air it is for romantic feelings to develop through normal interaction rather than accidental kisses or one boy tripping and the other catching him. Here it's a real connection, deep and rooted, and it has a power I haven't felt in a long time.

The acting is fantastic - with Pond as Wang it's obvious, but Nike and Mam are both wonderful in their roles as well.

There are a couple of things that were issues for me. While Nike was great, casting a 34-year old to play a 45 (ish)-year old is cheating a bit, and it also distorts the story because it makes Wang and In seem like a no-brainer because the generational difference is not visually obvious - if it were, In's hesitation might make more sense. The second is that Wang's mother is a bit much. Judging by the comments, the audience found her to be the villainess of the story, and she's not - but she's so histrionic and melodramatic that it's a bit too hard to feel sympathy for her.

Also, many people in the comments called In a coward - but is he? I can tell you for sure that I wouldn't let myself be strong-armed into a relationship with someone half my age (and the child of my best friend and my One True Love on top of that) that I'd known for only three days. That's not cowardice, it's just sensible. Wang wanted all or nothing and came on like runaway truck with a deeply introverted person - if he'd approached it as "let's get to know each other, he would likely have gotten what he wanted.

Anyway, this is one of the best series I've ever seen and I can't recommend it highly enough.

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Maybe there's something wrong with me.

When I started this I was pleasantly surprised - I thought Vice Versa was awful, and so I had no expectations. But both Jimmy and Sea were much improved, the story, although a bit formulaic, wasn't overly so, especially in having two men in the lead roles and not a seme and uke, and I engaged with and enjoyed the series. I especially thought Sea was doing a good job as it's hard to show feelings without using your eyes.

But like so many Thai series, it's way, way too long - I'd say twice as long as it should have been, and so many of its positive qualities grew stale.

I had liked how Day and Mhok interacted like guys, teasing each other - but that got so tiresome and predictable that I began to sigh wearily at it all.

Anyway, the central problems for me:

There is no character development. And what little there is is erased by the way the series ends. Mhok's character changes, but it doesn't develop. He starts off as a sexy rough and surly guy who is suddenly neutered and can take any amount of abuse with infinite grace and forgiveness, to the point that he's a total simp, thanking Day for dumping him and breaking his heart. It's a light-switch flipping, not a journey. All of his issues are passed over, like his grief over his sister - it doesn't play into the plot at all past the first couple of episodes, when it's used to propel Mhok into the caretaker job, then he forgets she existed, except to create manufactured drama in Ep 11. Day, on the other hand, starts off as a self-centered entilted brat, and ends exactly the same. You'll note he never shows any concern for anyone other that himself, other than obeying his harpy of the mother (who is supremely well acted, but she's awful. And let's get real - there is 0% chance she would accept her eldest son marrying a poor girl with a baby by someone else. 0%.)

There is no plot.

Everything is just arranged to present romatic set pieces. For example, at Christmas, Day comes to surprise Mhok after work, in a cute reflection of an earlier surprise visit by Mhok to Day's house. They have dinner and Mhok says it's a moment that's so wonderful that he wishes it could last forever. Awww, so sweet. Except that Day had just ditched him all day at Christmas without sending a text like a complete asshole, making Mhok sad all day. Mhok, who used to be surly, is now a saint and isn't even slightly upset about this, because... well, reasons. He has no character anymore, and the plot doesn't either. There is no interplay of action->reaction. Did anyone even for a second think Mhok was the groom in Ep 12? Come on, do they think we're stupid?

The writing is cheesy.

Not a little bit cheesy, but relentlessly, oppressively cheesy. "I used to believe that people were blind because they couldn't see things. I just realized today that true blindness is being unable to see hope." Ugh. It's like the author robbed the greeting card rack of a convenience store and dumped their contents into her story. Even the one occassion of meta-awareness of this cheesiness is cheesy: "I've heard many such cheesy lines, but this is the first time I've believed one."

The morality and moralizing is way off-base.

How was Night to blame for anything? All he did is got drunk. It was Day who practically let go of the wheel and certainly took his eyes off the road (which was a lost opportuntity for irony and consequences paid for actions) to search for a bucket or something, as if there would be one in the car, instead of just pulling off the road. Night should have been praised for not trying to drive drunk, not condenmed to being blamed by everyone including his awful mother. Why does Mhok have to apologize for not wanting to move to a different country and have to be away from the man he loves? If Hawaii were the only place in the world he could get a cooking career, OK, sure, we can discuss that, but DAY'S MOTHER IS A CELEBRITY CHEF. There are better oppotunities at home.

The acting is OK.

Like I said, much improved, but the "enemies" portion of the story had the best acting, and it was interesting storywise because they weren't really enemies - it was a bit of a game to hide their mutual attraction and it was quite lovely. But in the end, I don't think either actor shined, and this is underscored by how strong Mark Pakin is - the most moving moment in the whole series is his reaction to being forgiven. I didn't feel the romantic chemistry between the leads at all - they had good "friend" chemistry, but their interaction is so sexless (and I don't mean sex scenes, which can be more sexless than anything, I mean no heat between them) that it felt like a primary-school relationship with tickling and sniff-kisses to the cheek being about all we see. Again, Mark and Namtan outshone them - I felt the heat the first time they met and it never abated. Sea had a hard job, and he did his best, which was not bad, but it grew dull by the end. Jimmy can do sad-puppy-dog and sexy smirk very well, but that's about it, and he too grew dull.

The writing is shallow.

This could have been about dealing with loss and resiliance, about moving on and adapting to adversity, but Day's character is so thin and inconsistent that we get no depth. His reaction to an unsuccessful surgery implying permanent blindness is wasted on the greeting-card line I referenced above and he processes the situation for literal minutes before being totally over it. And the ending renders the entire series a pointless string of plot points with no meaning or impact. Instead of dealing with the consequences of their decisions, the story makes a time jump, the first refuge of an incompetent writer, and skips over all that for an insta-reunion. Well, not instant, as there had to be a rush-to-the-airport cliche thrown in. Sigh.

In the end, this was just boring. There was a whole episode about jogging. In Ep 12, even the YouTube algorithm was despondent and kept throwing reaction videos to Deadpool into the queue instead of the next part of the episode. The rating of this as I write is 8.6, which is astoundingly high - but I'm willing to bet that in a year it will be down around half a point. There are lovely moments in this that buoy the score, and many people vote early on and don't change it - but subsquent viewers will binge it and it just won't have an 8.6 impact on them, and I doubt people will be talking much about this in a year, because there's nothing to talk about.

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What a disappointment.

This series started strong and I was looking forward to seeing where it would go. More or less nowhere, it seems.

I don't like to criticize actors, and it's possible it was the directing, but Kazuma was bad. When he was angry it was embarassing. Ren was a little better, but he didn't have to do much more than mope and be pathetic.

The directing drained all the life out of the story, and they followed the manga too closely instead of adapting it. But the writing was inexcusably lousy, so the screenplay might as well be too, I guess?

Example: a manga can give strong forward motion by portraying someone running for a panel or two. But when it's live action, you stop paying attention because your mind is preoccupied by two questions: if he's in that big a hurry, why is he running across Tokyo instead of taking a cab? And, how did he manage to do that in dress shoes and a wool suit without breaking a sweat? As if that wasn't bad enough, in the finale he did it again. Twice. (To be fair, the third time taking a cab wouldn't have helped, but I was still preoccupied wondering how Ren got past Kazuma to leave the building. The core where the elevator is would make him have to go past Kazuma, or at least run all the way around the core to the other side of the elevator lobbly.

The series is jammed full of tropes without giving us any compensation. Ren is one of the worst examples of a weak infantilized uke, who can't even defend himself against a falling-over drunk man that's at least twice his age but half his size. Because he takes it up the a$$ and Sanada is a man, I guess. It's ridiculous and offensive. A 12-year old girl would have been able to deal with Sanada, let alone a grown man.

The coincidences are absurd. The population of Tokyo is 40M and it's not a very dense city - so after search the world for 10 years and coming up with nothing, he happens to get a job at the same company? I took if for granted thta Ren arranged for Kazuma to work there, but nope, just a coincidence. Then Ren runs into Kazuma's mother. Then runs into Sanada when he goes to get his things. Why would Sanada go back to the office after going out and getting drunk? And in the brief window where Ren is there?

The relationship between Ren and Kazuma is passionless. At the end they spend the night, and don't even cuddle in bed - in fact Kazuma is actually holding Ren at arm's length so their bodies don't touch. Come on. It's 2023. They don't need to have sex, but they need to look like they want to. It's really sad and weird that the two child actors had way more sexual chemistry than the adults. And apparently more sex.

The end is totally anticlimactic. Kazuma's mother explains she was only upset because they were underage - so then why did she whack Ren across the face? It doesn't make sense. And why did she tell her maid or whoever that was that she's afraid if Ren and Kazuma meet up, they'll never part, but then in the next scene tell them she has no problem with them being gay. What? That makes zero sense - someone behaved completely illogically to throw a red herring at us to generate artificial and pointless drama that doesn't go anywhere and instead deflates like a sad balloon that wandered away during a party and deflated in some dark corner.

In the end, there's just no point to the whole story. What is it about? There were interesting dynamics set up at the beginning, with hints of Ren's depression and trauma, but it goes nowhere. This is just some weird fantasy of the writer to get a strong man to take care of her. Great.

I'd skip this. You'll like it at first, but it becomes a big disappointment.

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Adorble and clever

This is a story about a man's dog and cat coming back from the afterlife as humans - I don't think so much reincarnated as incarnated.

The casting and acting are wonderful - although human now, the pets still act like a dog and cat - Choco (dog) follows his former master everywhere, even at home, and escapes to follow Jung Woo when he goes out (especially if he's on a date), and Milk plays the "love me. Stop touching me" game of a cat.

There's no particularly important message to this, other than perhaps Carpe Diem, but it's relentlessly pleasant and fluffy without ever being cloying.

My only criticisms are, and the first is specific to me, the guitarist on the soundtrack kept sliding his fingers down the fret, which sets my teeth on edge and I often had to watch on mute.

More substantially, this is overly sanitized from the source material, being a hard G-rated. Choco is just plain sexy, but other than that, there was no heat between the leads - they had decent "hug" chemistry, but it felt like a primary school romance rather than an adult one, and that limited chemistry made it hard to invest as much as I would have liked to in the romance.

Still, this is one of the better series that aired this year, and is one you can go back to over and over.

The finale clearly set things up for a S2, which would be welcome.

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Lovely masterpiece

While not every element of this series is a "10", it all comes together in a way that "10" is the only possible rating.

This is not a straightfoward or linear story - a lot about it is puzzling, and you won't really get the last piece and see the whole picture until the end. The writing is beauiful and well-thought-out - there are no superfluous loose ends, and you should feel you got the full story in the end. The dialog is sharp, and the playful power struggle between the characters makes you feel like you're watching two boys intereacting naturally.

The acting is superb. Often in a BL when characters engage in a long mutual stare, you roll your eyes and wish they could just get on with it already. Here, you're sorry it's over - the range of subtle emotion that runs over Rossi's face could keep me enthralled for hours. In the first couple of episodes, Meen feels like he's over-acting and superficial, but it's deliberate - he's playing Tiew as cocky & teasing. When Tiew is being sincere Meen's acting is powerful and subtle.

The directing is wonderful, with the best performances pulled out of the actors, neither too reserved nor OTT. The cinematography is artful and always serves the stories, and never degenerates into pretentious artiness, and takes full advantage of the beauty of Chiang Mai and the breathtaking vistas of the surrounding mountains.

You'll be able to tell from the first episode that this isn't going to have the usual BL ending, but fear not, it's not sad. Or at least you will walk away feeling happy.

I can't recommend this highly enough - but if you're looking for a fluffy BL with a straighforward story, this might not be for you, although there's enough fluffiness to make just about anyone happy.

For non-Thai speakers, there's a note below under spoiler to explain something in Ep 2 that's confusing due to translation issues.

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It's not bad, but pretty forgettable.

I really thought something was wrong with me today, after seeing all the rave reviews and comments, and I just wasn't seeing what everyone else was seeing. I even read 9 chapters of the webtoon to see if that would solve it. (More on that below).

The actors are competent, but they seemed to be directed to under-emote, Thai style, which de-Koreanized the series a bit, which is a pity. But still, they were solid, and this was beautifully shot. All the side characters had good actors too.

But the story didn't make a lot of sense emotionally. We never get a sense for why Siwon was so hostile to Daun - I kind of understood why, but it wasn't really demonstrated. And then his turnaround is sudden and unmotivated. All of this made it a little difficult to invest in the romance, and it didn't help that their chemistry was not very heated.

I think part of the issue is the original story is a comedy, and they turned it into a drama, and in the process stripped it of everything unique and interesting. In the manwha, Siwon is an outrageous, OTT narcissist, and Daun is an even more outrageous and more OTT narcissist - Siwon is already funny enough, but that Daun suffers from such severe narcissistic delusion that even Siwon finds it incredible is LOL funny. The other issue is that the first two eps are really slow and dull, and because I binged it I never really recovered from that.

But turning it into a very conventional romantic drama just makes Siwon an unpleasant person, which is unfortunate because he's kind of plain when he's hostile and really lovely when he smiles. Daun, instead of being kind of crazy is just a conventionally sweet guy, and Diwan's hostility is strange and assholish. In the comic Daun really is stealing his spotlight, which Daun takes for granted as the natural result of his beauty (he actually glows).

So the end result is a reasonably pleasant but dull and forgettable series. If it hadn't been released all at once I probably would have forgotten about it.

People in the comments section are saying things like "Korea's answer to ITSAY" - I certainly hope not, because I have very high expectatons for what a full-powered Korean BL can accomplish, and this series doesn't even approach ITSAY - this is more like Korea's answer to Fish Upon the Sky. I thought it was markedly inferior in every aspect except cinematography to the same director's Where Your Eyes Linger - which is not at all surprising as she's extremely talented (we need more female BL directors!) and she wrote the screenplay for WYEL as well as directing it.

As a minor note of no importance, I wish Asian dramas would stick with their original names - e.g. Cherry Magic's Japanese title is hilarious - and attempts at wordplay often fall flat. Because "blue" and "Ming" are both words, and Ming-dynasty porcelain is characteristically blue, putting them together just comes out blue Ming (i.e blue MING instead of BLUEming).

Summary: good and worth watching, but don't go in with expectations of an 11/10 or you'll be disappointed. Maybe watch the first two eps one day and then wait a while and binge the rest.

Edit: I had to look up this series on 13 May 2022 because I couldn't remember it. I kind of do now, but only vaguely. So I guess I was right and it's forgettable. At least for me. I do remember the Manwha, though because it was really funny.

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Not so much bad as unbelievably boring.

EDIT: Do not be tricked by the fake 10/10 ratings. The show is awful and is too huge an investment of time to slog through.

The story setup is not innovative, but it is at least fertile ground for development. Unfortunately, the glacial pace of that development and the ridiculously boring characters does not exploit this opportunity. First, it seems clear to me that Wil was intended to be the villain, but because viewers inexplicably loved him so much, the producers reversed themselves and made him good, which drained the show of all interest and drama as there is no antagonist.

Second, the best actor, who plays the unstable psycho Nuan, is wasted playing an unstable psycho - which should be interesting, except his instability is too stable and never develops or goes anywhere. But at least you feel something when he's on screen. The actor playing Jimmy is good too, but it takes a long time to get over what a dick his character is at the beginning - they laid it on too hard and so the audience misunderstood that he wasn't the villain, Wil was (well, supposed to be).

The acting overall is fairly good, although nobody is really given much material to work with. Some of the acting is cringeworthy, but to their credit, a lot of the inexperienced actors showed improvement as the series wore on. And on.

Third, it's almost comical that every single male character (and all their family members. I am not joking) in the show is hot for the supernaturally average Joey, when Nuan and Jimmy are like, right there.

I can't rate the plot because there isn't one. I'm not joking.

There is a houseplant that has more scenes than most of the main characters. Still not joking. It is also in more conversations than most of the main characters. It is also more interesting than most of the main characters, and a better conversationalist. There is more chemistry between the houseplant and both Joey and Wil than they have with each other. The chemistry between Joey and Wil is so non-existent that when they touch it feels like the actors are sexually harassing each other.

The music is bad. If the music is not noticeable it's at least doing it's job, which would earn it a five. But there is one bar of music that is run over an over again to the point that you want to poke out your eardrums so you don't ever have to hear it again.

The production values are unacceptably bad - like a child with an iPhone could have done a better job of filming this. The camerawork was terrible, the sound was worse, and the editor is clearly a sadist.

As for rewatch value, I doubt even the most ardent JoWil enthusiast has ever rewatched a scene. Maybe the one in the bathroom where they're both in towels. Wil looks pretty good in a towel, so some people might want to see that again. If you held a gun to my head, I'd probably prefer a bullet to watching this again.

Overall rating: Worse than COVID, not as bad as the Holocaust.

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Fantastic Cast, Awful Story

I love this cast. They're all great, but the standouts are Progress as Noh and Kit as Earn, who is criminally underused. NJ is quite charismatic as Ohm, and Almond does a great job playing someone with anemia and low blood-sugar.

Progress has huge anime-eyes and knows how to use them - I can feel everything he's feeling, and Earn is just a natural talent - he can pull off cute, sexy, heart-breakingly sad, all with an authenticity that's really quite something. There's a scene where he cries that is guaranteed to move you unless you're a bad person.

The writing is terrible. The first four or so episodes are strong, and then it just marches around in circles with nothing whatsoever to drive the story than jealousy, jealousy, more jealousy, and then some additional jealousy heaped on. It's mind-numbingly boring and a huge waste of time that could have been spent on secondary couples, or they could have made Earn-Noh-Phun a real love triangle - but I suppose that wouldn't have worked because it's hard to imagine why anyone would pick cute, kind, stable and hot-bodied Earn over Captain Low-Energy who shuffles around the story as if he were in a Noh play or a classical Chinese opera - how slowly can a teenager move? I swear they must have been putting sedatives in his refreshing tea drinks or something.

Anyway, I kept waiting for something to happen, and it never did. Most of the secondary couples didn't get much in the way of resolution, and the total lack of physical love was ridiculous and homophobic. The main pair end the series kissing through a glass door. A shut glass door. How romantic. I hope Phun didn't swallow too many squished bugs.

We're going 100 kph backwards at this point - high school character in the original series had sex and it was integrated into the plot - here a kiss on the cheek is a step above a marriage proposal. That's not to say we needed sex - I don't think that would have added anything to the story, but in My School President there wasn't even kissing but you could see that the boys were into each other by the way they always touched each other or leaned into each other when sitting.

It's a pity because in the rare cuddling scenes, the actors were clearly willing to show m/m intimacy.

The music is quite good. There's a forelorn love theme that's perfect for young love and at times is a character in itself. It's well-filmed, and the production quality is high.

I would only recommend it because almost none of the actors have been in anything else and this is the only place to see them, and they're worth it. Hopefully they'll get better roles in the future, especially Krit, who is absolutely leading-man material nad needs his own series.

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Cute but pointless

I didn't really get the point of this - it was fluffy but static. There was more than enough time to explore an element of their relationship, like what it's like for one of them to grow old and the other to stay young forever, or how annoying someone who is too neat and tidy can be - anything. The actor playing Ever 9 has an amazing body - I would have liked to see Yi Ping feeling awkward about being sexually attracted to him shirtless or something. I'm sure we've all thought about what sex with a robot would feel like emotionally - and since that's a very likely future for many or most people, it could stand to be explored.

Ever 9 looked hotter with his hair like that.

The bumper car scene and the competition after that were the highlight of the episode for me.

Anyway, if you liked Anti-Reset, you'll probably like this, but nothing happens and the kissing is so-so at best.

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Cute and forgettable

I enjoyed this, and I would recommend it, but it's a bit of a missed opportunity. There is no character work at all - and before anyone says it, it had the same run-time as The Godfather, so don't tell me there wasn't time for character arcs.

Its started off brilliantly, with the tsundere character actually being an insane fanboy barely repressing himself, which was genuinely funny - I even laughed out loud, which is unusual for me. The main character is surly, but in an interestingly masculine way even inside his cute boyish body.

But the entire plot is driven by misunderstanding, including implausible easily cleared up ones. A misunderstanding needs to be driven by the nature of the character, not just thrown in and not explained or dealt with, and the resolution also needs to be consistent with the characters. None of that is the case - the ending is just... the end. It happens suddenly and without any character progression or processing of anything, including the state of someone's apartment.

The chemistry between the leads was so-so - it wasn't unbelievable, but it also wasn't palpable.

This was cute and enjoyable, but I don't think I'll remember any of it in a month except for how delightfully weird Akafuji is and how it did things to me whenever Aoyanagi was angry.

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Fluffy, but for once not in a bad way.

Normally I would loathe a series like this becaus I find fluff tedious - but not when it's interspersed with an actual story with consistent characters that have development arcs, which is a rarity in BL. Even the uke had character development.

Hong Wei Zhe does a good job of making a bratty character likeable, and there's a certain convoluted structure to his whining that is always entertaining.

Yang I Hsuan is really sexy and does one of the best jobs of acting like he's really into someone I've ever seen. He's the kind of guy everyone would want as a bf. The boys are not afraid to show phyiscal affection - they are always touching, rubbing noses, kissing, or even wrestling around - the latter of which I appreciated because it felt like two guys instead of a man and an uke. Jiang Chi is sweet and takes care of Bu Xia, but he's not above laughing at him when he's being ridiculous or teasing him - he feels like a real person, and his interaction with Bu Xia feels genuine and unrehearsed.

There are a few funny take-downs of BL tropes - for example, Jiang Chi has a fiancee that drops out of the sky as it typical in a BL - he basically just says "I'm gay, get lost". and that's the end of that.

The plot is a little thin, but there is one, it is thought out and flows nicely. And best of all, there's a setup for another season, which I hope happens.

The cinematography is very good, with some lovely shots of Taiwan, and in general it's well-produced.

I highly recommend this series - it's relentlessly pleasant, there is drama but not caused by awful people - it's mostly character-driven, although ghosts also play a role in moving the story foraward.

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A master class in bad writing

This series had so much potential - a talented cast, good cinematography, scenic locations, and everyone involved was giving it their all. This is all wasted on a terribly written story. It's as if they were about to start filming and realized they forgot to get a script, so they sent an intern to go grab the first thing they could find on Wattpad.

The story leans heavily on the implausible-misunderstanding-caused-by-showing-up-at-just-the-right-second-to-misinterpret-something-causing-them-to-drop-the-token-of-affection-they-were-bringing-and-walking-away-sadly trope. If they were to show up one second sooner or one second later there wouldn't have been a misunderstanding. This happens many times, in every case a simple conversation would have cleared it up, and characters never learn from it and make the same mistake over and over.

Everyone behaves wildly out of character to suit plot points. Tai becomes a lying cheater, and the gentle veterinarian exhibits horrific violence. The discussion forum didn't seem to have a problem with this, presumably because Lomfon deserved to be savagely beaten for being a confused teenager. That there were absolutely no consequences to the violence is astonishing and disturbing, and Lomfon neither presses charges nor has even so much as a scuff mark after being the target of what can only be described as attempted murder. Again, lazy writing.

Lomfon, who is so emotionally constipated that he can't tell Tien how he feels, suddenly bursts into a long monologue, while Tien has just stormed off from seeing Lomfon's film, which explicitly and unmistakably showed him how Lomfon feels about him, yet he says he doesn't understand what Lomfon was trying to say with his film. Seriously?

People in general don't act like people. Patts doesn't seem at all surprised to see Tai in Chiang Mai and stands there expressionless for the entirety of Tai's long soliloquy.

There is an enormous number of extraneous characters that materialize out of nowhere, have no effect on anything, then are never seen again. In the finale, the friend who gives advice to Lomfon claims to be a close friend to both him and Tien, but we've never seen him before, or at least I can't remember him. He and most of these characters pontificate about love and life with the profundity of a motivational poster.

In the last episode, in a long and completely pointless sequence, Tai runs out of gas in front of a nice man's house. The man tells him it's very difficult to find gas in the area and that he should spend the night. His girlfriend shows up then they have a long conversation where the couple tell Tai the story of their love. In which THEY HAVE A FLASHBACK. Almost the whole flashback is a random character giving a long expository dump to a friend. The next morning Tai drives off, presumably having filled the tank with his overflowing love. None of this has the slightest effect on the story.

Perhaps most confounding of all, you can just sever your soulmate connection, which negates the entire story, the plot of which is based on destiny - without that, this is just a pile of stupid coincidences, like Tai's grandmother living next door to Patts since his childhood, and he and Tai even communicate by notes and kind acts to each other, but never meet. Really? Tai shows up at the precise moment to misunderstand Patts being kissed by his ex, but never ran into his actual soulmate for 20 years despite his living next door?

That's how awful and frustrating the writing is.

I loved the cast. Title is much improved, Pee is as good as ever, Suar is charming, and Copter is the MVP with a fantastic performance as the repressed Lomfon. I hope to see them in something better than this series.

I can't recommend this. I gave it a 5 because the cast was great, but unfortunately there was only enough material for three episodes and the rest is a jumbled mess that will cause you to dislike all the characters. Except, apparently, Patts, who is consistently called a big green flag - I guess becoming so enraged by jealousy as to try to beat someone to death isn't the red flag I thought it was.

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Dull and Disappointing

Sometimes a total disaster of a series, like Unforgotten Night or So Much In Love, can be more entertaining to watch than a thorougly mediocre one. Coffee Melody aspires to be the most mediocre it possibly can without falling over the line into being bad. There are many things that can be individually critiqued, but the quality of this series that most stands out is its dullness.

Part of this is the limp script. Nothing really happens. The main pair meet and like each other and enter into an unearned relationship, there are a couple of minor bumps, all externally driven, and everyone lives happily ever after.

But even then, a featureless script can still create a series that's entertaining - but this production lacks any passion. Was Benz even playing a character, or just being himself? Pavel Naret was apparently neutered, given bad hair, and then directed to be as blandly nice as he could possibly be. The style department couldn't even be bothered to make Titnuea's hair a consistent color - one moment it's deep red, the next it's light pink. That's almost certainly because of the filming schedule, which is based on location, not the story's chronology, but that's the sort of sloppiness that's endemic to this series.

It's largely about musicians and music, but there isn't any until past he halfway mark, and it was underwhelming when it appeared. The sound editing is poor - sometimes the music drowns out the dialog, and other times you can barely hear it. Nobody could be bothered to write or obtain decent background music, so the just played easy-jazz piano Christmas carols.

In the end, this story has nothing to say. Even the difficulties of maintaining a long-distance relationship is papered over by having someone move abroad, and then move right back 5 seconds later. Presumably time has passed, but it was so poorly set up that it came off as unintentionally funny, and his boyfriend reacted as if he'd merely been on an overnight business trip.

There were a few positives: whoever wrote this has a love of coffee that came through, Palm Veerapat who plays Jean was adorable and engaging, and some of the ad-libbed scenes, mostly with Duean Yi's parents, were quite charming.

This isn't terrible. But it's so-so in the most boring way possible. I can't recommend it, and it saddens me, because I was excited Pavel got a role, and I hope this doesn't damage his chances of geting another one.

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