2
6
1
A Hidden Gem
The Kingdom of Great Chu is a female-centric world where women’s and men’s roles are flipped. Women hold power and important office, whereas men stay home and do house chores, tend to the kids and are subservient to their wives. Here, we have a female emperor, and all the generals and ministers are women, and a powerful female shizi (世子) who holds the prestigious title inherited through her family. All families’ heritance and titles are to be passed down to daughters, and men are to be married into the women’s households. Courtesan houses are popular where men serve for the women’s pleasure.Shen Ye (Yuan Hao) has fallen in love with Shu Cheng (Jia Ze aka Claire Jia) since they were both kids because she had shown kindness towards him. From then, Shen Ye disguises as various characters and hides within her circle, secretly protecting her. As the intelligent shizi, the Emperor is threatened by her prowess and military power her family holds, and secretly sends out assassins to kill her. Time and time again, assassinations fail because Shen Ye always protects her in the dark, and she always comes out unscathed.
After saving Shu Cheng yet again in an ugly humpback cover that leads to her falling in love with him, Shen Ye changes his identity and reveals himself to her as the owner of Feng Lou, a courtesan house where wealthy women come to drink and to be entertained by male courtesans. Here, Shen Ye is considered as a stunning beauty in the Kingdom of Great Chu. He is charming and fast to please, frivolous and loves money dearly; but all these are on the surface. Under that good-looking skin, Shen Ye is intelligent and schemeful; he is always ahead of everyone around him, and always has a solution for every problem he encounters. He has multiple identities which add additional mysteries to his character. Despite being such a complex character, Shen Ye is devoted and willing to give up everything for the one he loves. He has so many secrets that he says he would reveal to Shu Cheng at the appropriate moment, this has created a lot of hilarious suspicions and misunderstandings by Shu Cheng. How Shen Ye continues to overcome such obstacles and maintains Shu Cheng’s love for him is brilliant.
I am intrigued by the Shen Ye character. I almost spit out laughing when he wears a veil covering his face when appearing in public or meeting with other women (think of ancient women wearing veils). His visor-looking veil is really ugly and looks funny on his face. Perhaps this is the purpose – to make viewers laugh. Yuan Hao’s portrayal of the character is very believable. He has a face that can look feminine (to be called beautiful in the land of Great Chu), and yet he is also very masculine.
Shu Cheng has to pretend to be a playgirl to make the Emperor let down her guard and stop wanting to kill her. So, she frequents Shen Ye’s courtesan house and proclaims he is hers; she tries to look as bad as possible. She is taken by surprise when she finds out that the man she’s being decreed to marry by the Emperor is Shen Ye under a different identify, Su Rongqing, the only son of one of the Emperor’s high ranking ministers. Even after they get married, Shu Cheng still doesn’t fully know Shen Ye’s real identity and what is under his sleeves. She loves him and yet doesn’t trust him, whereas for Shen Ye, he respects and loves her with no holding back. Despite their sweet romance, the secrecy spurs the plot on.
This is the first aired drama for Jia Ze playing a main lead. I find her acting better than many better known names. As the shizi, Jia Ze manages to bring out her commandeering charisma, courage, earnesty and upstandingness, and yet she also shows her feminine side when she is tormented by the conflict of her love for a man whom she believes to be a usurper, and her love for her country that she swears to protect. Jia Ze is natural and convincing.
The second couple is amazing with a very compelling story. Both Li Zhehao and Peng Yaqi (aka Yakisa) put up a fine performance as a heart-wrenching couple, Shen Cong and Murong Wanqing, who endure revenge and love, romance and guilt. The Murong Wanqing character reminds me of the sweet-silly characters played by Zhao Lusi. In fact, Peng Yaqi and Zhao Lusi look somewhat alike in their aura and demeanor under certain instances.
My Verdict
Unusual, refreshing, great plot, captivating storyline, intense, lovely characters, good humor, sweet romance, fine writing, directing and production. Unfortunately, not many viewers are watching this wonderful drama because decent English subtitles are not available at the time of airing, therefore, the rating here is lower than it deserves.
An enjoyable watch. Don’t miss it!
P/S: A sneak peek of next season seems to be dark and even more intense with amnesia, deaths, and protagonists turn antagonists.
Was this review helpful to you?
Daring, Romantic, Beautiful
After CQL (“The Untamed”), many viewers called for more dramas like it, and are pleasantly rewarded with this drama. “Word of Honor” (WoH) is unexpectedly daring, romantic and visually beautiful. Adapted from a BL novel, “The Wanderers” by Priest, this drama was expected to have the BL elements toned down, if not totally eliminated, to pass censorship, To the surprise of many, here, the show of love is blatant and unabashed; according to readers, the adaptation is faithful and they are delighted.Story
One is guilt ridden, and seeks to redeem.
One is revenge ridden, and vows to avenge.
One is young with no skills, and promises to become better.
They all have one thing in common - they’ve lost everything. When they meet, they become a family, watching out for each other. Life becomes meaningful again.
Many viewers ask the question how this drama is compared to CQL (“The Untamed”). Though of different genre, CQL is xianxia and WoH is wuxia, there are many similar parts, such as the search for some relics that everyone kills to possess, the monsters/zombies, music therapy (to heal, Wen Ke Xing plays the flute, Lan Zhan plays the guqin), herd mentality, dark can be light, and white can be black etc. They even use the same composer Lin Hai to compose the music. The visual effect of both dramas is very beautiful with amazingly good-looking actors.
“Word of Honor” is a very typical wuxia story with various sects and alliances, emphasizing on chivalry, altruism and compassion as virtues. Compared with “The Untamed”, the relationship in this drama is more explicit. Within the first episode, one would know it's more than platonic - there're more skin-to-skin contacts, and admiration words are flying everywhere. Having said that by episode 22, the BL elements become more subdue and the dynamics somehow shift to more brotherly. Nonetheless, the undertone is still the vow of “till death we part”. There is not so much of the actual plot, but this drama dwells deep into the inner feelings of the main characters – their fears, their hatred, their guilt – and how they try to redeem themselves. A lot of feelings are channeled in an unspoken way, leaving room for interpretation.
With Wen Ke Xing (Gong Jun aka Simon Gong), Zhou Zi Shu (Zhang Zhe Han) is understanding and benevolent. He has great respect and patience for Wen Ke Xing who is a broken man. Wen Ke Xing continues to use flamboyant words to cover his own pains and feelings, and constantly test Zhou Zi Shu with unanswered questions to determine if the latter can understand him truly. They become each other's soul mate, and accompany each other wherever they may go; their constant bantering and teasing is fun to watch, and their CP chemistry is undeniable. Many of the dialogues have deep meaning using analogies and idioms. The use of poems in expressing love and admiration for the other is lavishly done, making the declaration direct and yet classy and meaningful.
Acting
The overall acting is good, in particular for Gong Jun (Simon Gong) as many viewers have pointed out. He has a playful and at the same time a devilish mysterious look which helps him fit perfectly as the gray Wen Ke Xing character. His ability to change from a dark side with devious hatred in his eyes instantly into a bright, cheeky and flirtatious character, or vice versa, is commendable. All this is done aesthetically and convincingly. I particularly love all his fighting scenes, beautifully executed.
I am normally critical of Zhang Zhe Han's acting, but here, he nails it, either as the dark face rugged looking Zhou Xu or the handsome somber Zhou Zi Shu.
As many emotions are expressed through few words but with the actors’ eyes, both main leads have given a rich performance here.
OSTs
As mentioned earlier, the OSTs are composed by Lin Hai who has also composed the OSTs for CQL (“The Untamed”). For me, the OSTs here are less memorable though I have enjoyed listening to the title theme song.
WoH or CQL
I’m not trying to compare apple to apple of the two dramas. I’m just trying to answer some questions new viewers may have. When viewers express that BL not their cup-of-tea, they are being labeled as homophobes and attacked en masse by fans. But attacking others doesn’t make one less bigot.
The Chinese title for WoH is Shan He Ling, which makes me think, just because Chen Qing Ling (CQL) is successful, did they also try to copy the naming style of the title to give WoH a similar feel for the Chinese audience? Shan He in this case has less relevancy than Chen Qing in CQL (The Untamed).
For me, WoH has not touched me as much as CQL has. I have been almost in control, apart from some burst out laughter, throughout the whole drama whereas CQL has made me cry a river. I like the lighting and colors here, and the CGIs are probably done better here too. The fighting scenes here are very beautifully executed, especially with Gong Jun’s scenes (I know I’m repeating, but his fighting scenes are really very good). But the story is not as rich as CQL, the super villains are not as mysterious, and the pains not as intense. The BL elements though are very explicit which may turn some viewers away whereas in CQL, they are very subtle, expressed in thousands of symbolisms, songs, and minute actions. Some viewers even find the relationship platonic in CQL.
My Verdict
There is great character contrast - one is active and the other passive. Both characters have unbeatable fighting skills. The lavish use of poems to describe feelings is brilliant and sophisticated. Great cinematography and great fighting scenes. Visually, like CQL (“The Untamed”), this drama is beautiful. There is a lot of actions, and at the same time, the drama spends a lot of time exploring the inner feelings of the characters.
If you love watching men ogling each other openly, this drama is for you. Else skip the first 20 episodes, but then there's nothing much left to watch and you may not follow the story. Of course, all this boils down to personal taste. Some people didn't like CQL but love WoH. Likewise for viewers who have loved CQL and found WoH not measuring up. And some love both, like myself.
Though there are flaws, I must applaud the courage in producing such a work of art that does not conform. Overall, I have enjoyed this drama.
Great watch!
Was this review helpful to you?
A Fateful Mix Up
She's the daughter of a street artist and is forced to marry a bandit. Another is the daughter of a prince and is arranged to marry a general. The brides are switched, all because of the misread of a simple character, resulting in the commoner marrying the general and the royal princess waiting to marry the bandit. It is this seemingly simple play of words/characters that has attracted my attention and drawn me into the story.On that fateful day while waiting to be married off, both Xiao Wanzi (Li Gengxi aka Teresa Li) and Lu Yingyao (Sun Anke) are in their respective rooms in a motel until chaos strikes. In confusion, they run back into the wrong rooms because they misread the characters 竹 ("zhu") and 林 ("lin") which may look rather similar in certain calligraphy style. From there, they are sent to the wrong households as the wrong brides, and their fates totally change.
At the general's mansion, very soon Mei Shiqing (Huang Junjie) realizes Xiao Wanzi is an imposter. Nothing like a supposedly well-groomed princess, Xiao Wanzi is crass, has a common look and an illiterate. However, she is streetwise, honest, compassionate and upstanding as she protects others with her own life, and this is enough for Mei Shiqing to fall in love with her. He also has a secret identity as Ye Ling Xia that Xiao Wanzi idolizes. Like Batman, Ye Ling Xia helps the poor and weak. Numerous times, she comes forward to help him fend off the enemies, though he doesn't really need her help because he's a skilled martial artist and a superhero. But her selfless acts impress and attract him.
As Xiao Wanzi, Li Gengxi is very convincing with a lot of animated expressions, after all she uses to perform on the street and needs her vivacity for her acts. Many viewers find her not attractive enough, but for me, she fits the role well because Xiao Wanzi is supposed to be a very common looking girl with no sophistication.
Huang Junjie is very good looking and he looks extremely well as a wordless cold character. However, he still hasn’t grasped how to play such a stern character fully; frowning doesn't make him look serious but makes him look constipated. The only moments I find his acting perfect are when he tells people to “get out” in a stern voice, expressionless, and when he dresses as the superhero character with a mask.
I love the second couple here in particular Lu Yingyao who is well read, gentle and kind without the spoilt princess temperament. And she falls in love with the adopted son of the bandit, Xiao Bao (Ding Jiawen) who has a good heart. Under her coaxing, Xiao Bao eventually abandons his life as a bandit.
What seemingly two mismatched pairs become best of friends and love each other with no judgement of their respective backgrounds. Hanging around the mix up identities lurks something nefarious – smuggle, money laundering and conspiracy. The supervillain is not revealed until the final episode.
The Chinese title, “huā hǎo yuè yòu yuan” (the flowers are good and the moon is round), gives hints of the ending of the story. There are some pretty good OSTs here that I have enjoyed very much.
My Verdict
Though the storyline is not new, and can be tropey at times with predictable outcome, this is still rather a fun watch with a superhero protagonist, an animated first female lead, an intelligent lovable second female lead, an antagonist turns protagonist, and a hidden supervillain. The comedy is cute and sweet. For romance buffs, the two couples have never been separated since they first meet, and there are no misunderstandings that are not resolved quickly. There could be flaws here and there but the writing and editing are decent. Overall, it’s quite an enjoyable drama.
Was this review helpful to you?
How to be a Family
The idea of a contract marriage, and seemingly a child from a previous marriage, didn’t appeal to me initially. But how the story is being told and how everything unfolds make this drama a very worthwhile watch. All the characters are lovable despite each has his/her flaws, making them believable. A child is always the center of attention, and here this cutie is the most adorable child in recent dramas. What seemingly a fake relationship and marriage that initially try to address the psychological issue of the boy by giving him a complete family that he craves, have become a real outcome as the fake parents fall in love.He (pronounced as “her”) Qiao Yan (Wei Zhe Ming aka Miles Wei) is the CEO of a conglomerate owned by his family and a single father. He loves and dotes on the child, at the same time tries to discipline him like an adult. The outcome is ineffective and hilarious until he meets Qin Yi Yue (Hu Yi Xuan), a child psychologist. Seeing how readily He Wei Fei aka Xiao Bao (Lennon Sun) takes Qin Yi Yue in as his own mother, He Qiao Yan coerces Qin Yi Yue into a contract, with high compensation, to be a pretend mother of Xiao Bao and a pretend Mrs He, for he is a “number” guy who does everything in black and white. Little does he know he falls head-over-toes in love with Qin Yi Yue himself. He misses and thinks of her whenever she’s not around, and he would find ways and means, using Xiao Bao as an excuse, to see her. The interaction is cute and hilarious. The family dynamics are warm and pleasing. What seemingly two very different personalities, he is meticulous and analytical, and she is spontaneous, come together and form an enviable family with a ready-made son.
He Qiao Yan is a person who doesn’t express his emotions very well and openly. He doesn’t understand human relationships and has lived a monotonous life. In other words, He Qiao Yan is a boring person and Wei Zhe Ming captures that 100%. Despite being an immaculate person, I really love how he acts to protect Qin Yi Yue by dropping everything he’s doing and come to her rescue. He Qiao Yan may be a genius in everything but is an idiot in love relationship.
This is my first drama of Wei Zhe Ming. At the first look, he didn’t appeal to me. But he grows on me and by the end of the drama, I find him the most eligible single father to die for. His acting is so convincing with small little facial expressions such as a raise of the corner of his eyebrow, a blur look on his face etc, capturing all the essence of his character.
Qin Yi Yue is disorganized, intelligent and quick witted. Despite being a doctor, she is not very health conscious as she feasts on junk food. She finds He Qiao Yan a weirdo initially but moved by him when she sees his devotion for the child who is not his, and his consideration for her well-being unspoken. Their love development is gradual and solid.
I have liked Hu Yi Xuan’s acting in “Sleepless Princess”. I find her charismatic with an air of freshness and authenticity. Here as a child psychologist, she is soothing and gentle. Even at times of helplessness, she still smiles with tears and resignation in her eyes.
Chinese dramas will not be complete without some tropes such as arranged marriage for economic benefits which is not much different from marriages of the old days among the royals. And of course, there are the side couples who are also the best friends of our ML and FL.
My Verdict
This is a very enjoyable drama most romance buffs will love. I love it myself. It’s funny and light, especially when it comes to dealing with the child. The parent-child dynamics are really fun to watch. Both main lead characters are mature with a tsundere ML and a warm and approachable FL. Although some parts of the editing are lacking, it hasn’t turned into a disaster and ruined the story. Overall, this is a wonderful drama not to be missed.
Was this review helpful to you?
Light And Yet Dark
This is a very delightful drama with comedic acting and jokes, at the same time, it is also dark with bloody plots and mysteries. Accordingly, it has been adapted from a novel and the characters have been drastically rewritten rendering dissatisfaction from the readers. There are many twists and turns, and with great endearing relationships between the main couples and the overall family as a whole, this drama is a rather entertaining watch.The Story
Ju Mu’er (Xiao Yan aka Shane Xiao) is the daughter of a wine maker. In her daily business transactions, she encounters a miser, Long Yao (Xing Zhao Lin) who is a shrewd businessman running the largest conglomerate in the land. He has deep pocket and has a formidable relationship with the palace. Ju Mu’er is also a virtuoso of the Guzheng. When her shifu is framed and executed, she's determined to find the truth behind his death. Long Yao helps her after falling in love with her. Together, they go through ups and downs, marry each other three times (hence the Chinese title for this drama), and risk losing everything including their lives. Their entanglement also endangers their own family members whom they love dearly. In the beginning, it’s hard to discern who the antagonists are.
Long Yao has an older brother who is the head of the royal guards and a younger brother who is the leader of the wǔ lín (martial arts world). They all live together in an exquisite mansion financially supported by Long Yao through his business income. The Long brothers, though have totally different personalities, love each other dearly and would do anything to protect each other. I love the scenes when they eat their meals together daily, bantering with each other. The Long family is very powerful because they have the royal family’s full support. Long Yao’s miserliness is egregious, making him incorruptible hence trusted by the Emperor and the Dowager Empress.
There are some deadly fights within the harem and some light palace politics. During Ju Mu’er’s investigation, both Long Yao’s brothers meet the loves of their life who are also embroiled in the mystery. The eventual outcome is delightful, giving the audience three beautiful pairs of lovers.
The Acting
Xiao Yan is one of my favorite actors but as Ju Mu’er, I can’t say I like her very much. Her acting here is not that bad, but her make-up is terrible. Her eye make-up in particular, has made her so uncomfortable to look at. On top of that, she has a constant smiling face which makes her sad scenes difficult to comprehend; one doesn’t know if she is happy or sad, giving the impression that her acting does not synchronize with the situations.
Xing Zhao Lin’s acting is not bad as the crafty and prideful Long Yao who loves his money and charges for everything including tea money for the match-maker. Everything he does is viewed as a business transaction. He is very smart but not particularly good in expressing himself to his love, Ju Mu’er, Xing Zhao Lin has convincingly brought out the miser and the prude Long Yao.
The styling for the major couple is quite unconventional for historical dressing. It has a hint of western style and the couple’s costumes are always matching each other’s like lovers’ his-and-hers.
My Verdict
There are some very enjoyable scenes, but somehow, certain parts of the story are also not very coherent. This is very likely that the screen writers have changed the original story from the novel without properly addressing the plotline, hence making it illogical with plot holes and flaws. Having said that, this is a story with mysteries, crimes, investigation and super villains. It is funny and cartoonish at times, and yet dark and bloody. There are strong brotherly relationship and trusted friendship, at the same time, betrayal, deceits and deadly misunderstandings.
Overall, this is a drama with an interesting plotline. Had the Ju Mu’er character been more consistently written and acted, this would have been a very good drama.
Was this review helpful to you?
Authentic, Moving, A True Treasure of 夫妻一唱一和
"Destined" is like a breath of fresh air in the world of historical dramas, breaking free from traditional norms with its liberal ideas. Forget about bloodlines determining the monarch or sticking to one family name, this story embraces diversity and challenges the importance of lineage. Gu Jiusi toys with the idea of giving his children different last names, mixing it up like a name buffet! Talk about breaking the rules!Our leading lady is a timid girl who finds her groove and inspires others to do the same, even that "bad" boy who transforms into a remarkable person. And of course, we have the ultimate villain who's the result of a dysfunctional family. That's one twisted family reunion!
Let's talk about Gu Jiusi, the lovable slacker from the wealthiest family. Sure, he has a reputation which is not so flattering, but deep down, he's got a heart of gold. Bai Jingting nails the role, bringing a playful charm and an unexpected sincerity to the flamboyant Gu Jiusi. He's like a lovable troublemaker with a heartwarming twist!
Now, Liu Yuru, our girl-next-door. She starts off powerless, a puppet of fate. But as life throws her curveballs, she discovers her inner strength and uses it to help her family and support her husband's journey to greatness. Song Yi portrays her beautifully, capturing the delicate yet strong essence of Liu Yuru.
And let's not forget the rest of the cast! From the one-dimensional characters like General Zhou Gaolang to the weak and insecure Fan Yu, everyone brings their A-game. Bravo, folks!
My Verdict
The underlying theme of "Destined" is all about harmony, and they drive that point home! Forgiveness, unity, and letting go of hatred are recurring motifs throughout the story. It's all about finding inner peace and spreading good vibes. Gu Jiusi sums it up perfectly when he says, "Nothing is bad or evil in this world. Stay true to your heart, live happily, and leave no regrets behind." Wise words.
This drama is like a sweet duet, with every note harmonizing perfectly. Sure, there are ups and downs, but in the end, you're left with a blissful feeling. It may take its time to unfold, but hey, good things come to those who wait! So, grab some popcorn and dive into this world of good triumphing over evil, light conquering darkness. It may be slow at times, but trust me, it's worth the watch. Don't miss out on the "Destined" magic!
Bravo!
Was this review helpful to you?
家和万事兴 (Jiā hé wànshì xīng) Prosperity Starts from Harmony at Home
家和万事兴 is a motto that is embedded in every Chinese people’s heart. This philosophical adage reflects in their everyday life and is vividly portrayed in this outstanding story. The Story of Xing Fu is partially adapted from Chen Yuanbin's novella The Wan Family's Lawsuit (万家诉讼) which was also made into a movie in 1992, Qiu Ju’s Lawsuit (The Story of Qiu Ju), directed by the acclaimed Zhang Yimou and acted by the gorgeous Gong Li. The earlier story was set around the 1980s when rural life was harsh, and the country’s economic miracle was still at its infancy.In this new story, The Story of Xing Fu, set in the late 2010s, viewers can see the marked improvement of village life compared to the 80s, but the rural-urban differences are still very distinct with the sophisticated urbanites looking down on the poor villagers; the divide is even more brazen now than the old days.
Xingfu (Zhao Liying) is a rural woman who is strong headed and lives life guided by her uncompromised principles of honor and integrity; right and wrong for her is black and white. Though not well educated, she would go all out to find justice when a person’s right is being infringed, for she is a person who would go all out to help whoever needs help. She is fearless to take on the rich and powerful if she needs to, because she believes the rule of law will always prevail. After she marries to a farmer, Wang Qinglai (Tang Zeng) from a neighboring village, she comes to live in the Wan Family’s Hamlet.
The Wan Family’s Hamlet is a settlement founded and led by Wan Shantang (Liu Wei) as the respected village head. The residents there are mostly Wan Shantang’s relatives with Wan (万) as their family name. Hence, the Wang (王) family, Xingfu’s in-laws, becomes an odd-one-out and feels like an outsider. For this reason, the Wang family always keeps a low profile and tries to please everyone especially Wan Shantang, hoping with the village head on their side, they would blend in more easily.
All disputes by villagers in rural China are usually settled out of court through intermediaries such as the village heads. Local police may be involved as a mediator to bring the disputing parties together to come to a settlement. This drama carefully portrays this side of life for most of the Chinese population (majority of the population still lives in the rural areas and small cities).
Therefore, when Xingfu’s husband was accidentally kicked by Wan Shantang in the groin, she is unhappy with such settlement and files a lawsuit against Wan Shantang, something that is out of the ordinary. As things eventually turn out, Xingfu is indebted to Wan Shantang, and the lawsuit is forgotten. But as everything is going smoothly for all, the law catches up with Wan Shantang and he’s imprisoned. Outraged by her action which is seen as being ungrateful by the villagers, Xingfu and her husband are forced to leave the hamlet to avoid their awkwardness at home and become migrant workers in the city.
Chinese families often sacrifice themselves and send family members who have the most potential to the cities to work or for higher education, in the hope that the ones that ‘make’ it would reciprocate and help take care of the rest of the family. The concept of investing in one person and when the person gets wealthy, he/she would help bring up the rest of the people, permeates the whole society. Wang Qinglai and his family work hard and send Wang Qingzhi (Liu Yanchen), Qinglai’s younger brother, to study and work in the city. When Xingfu and Wang Qinglai come to live in the city, Wang Qingzhi is expected to take care of them.
‘Guanxi’ (connection) and ‘renqing’ (favor) are deeply rooted practices of the Chinese tradition. As the government tries to weed out nepotism and corruption, such practices become prohibited especially in the cities. Wang Qinglai doesn’t realize the pressure and predicament he has put his brother in, as such tradition is viewed undesirably in the city. The drama tries to portray realistically the conflicts between the brothers in the job finding process.
There has been massive rural – urban migration in the last 40 years in China, causing unsustainable pressure in the cities. Rural farms are being deserted, children are growing up without their parents, and elderly parents are being abandoned by their city-bound grown-up children. Wan Shantang tells Xingfu that, though it’s a must to leave the village to see the world sometimes, she must not ever forget where home is. After all, life is meaningless if one loses one’s family. These heart-felt words are meant not only for Xingfu, but for all viewers alike: do not lose your family in the pursuit of wealth and materialism. In the end, you may end up with nothing. Silently the writer is telling the viewers that, wherever we may be living, family is where home is.
In this drama, Zhao Liying is not that glamorous girl. She's a typical village woman with unflattering hairstyle and old-fashioned clothing that is worn by most women in rural China. Her growth after living in the city helps her look more sophisticated later as an inn keeper, but most of all, she becomes more flexible and articulate for the well-being of all the residents of the Wan Family’s Hamlet. Zhao Liying’s portrayal is convincing, bringing alive the Xingfu character who initially has a one-track mind and later develops into a savvy business woman with compassion and understanding. She learns that not everything is as clear cut as in black and white; at times, there are the grey areas and she needs to be flexible enough so that everyone can live in harmony, as it goes, “Prosperity starts from harmony at home” and Wan Family’s Hamlet is home.
I really like the amicable, but straight-shooting Wan Shantang character who is kind and upstanding but occasionally impatient and explosive, and Liu Wei’s portrayal is so wonderful and authentic. Acting as his son Wan Chuanjia, Cao Zeng’s portrayal is equally good and believable.
Luo Jin plays a supporting role here as Guan Tao, the lawyer. As always, Luo Jin exudes an affable demeanor and though he’s not the lead here, his character is well loved, and his chemistry with Zhao Liying is wonderful although their relationship is only platonic. All in all, the whole cast puts in the best of their acting and every character has its flaws, and is realistic and believable.
My Verdict
Just as the brutal treatment of the Tangshan (China) girl’s incident came to the attention of world media recently, the airing of The Story of Xing Fu is timely. The beginning episodes of this drama almost eerily replicate what happened in the Tangshan incident and its handling by the authorities. It is sad to see how many similar cases swept under the carpet, each condoned by the society. There is a lot of injustices, class differences, and gender supremacy, which is an on-going issue, and is not unique only to China; it happens in many societies, including in the open west. I'm glad that Zhao Liying took up this project to bring awareness to the injustices in the rural Chinese society where women are constantly suppressed, discriminated, and wronged.
Director Zheng Xiaolong, who also directed the Legend of Mi Yue, one of my most favorite historical dramas, together with Director Liu Xuesong have brilliantly portrayed the lives of ordinary people in everyday rural China where much of the population lives, bringing out their challenges, ironies, and resignations in facing a changing world. The picturesque scenery of the village is breathtaking. This drama has no romance, no nail-biting plots, no mysteries, just plain slice of life. Many viewers may find it boring, but that's missing the point.
Sacrificing individual’s rights for greater good is touted in the Chinese society; benefits for the community is more important than for personal gains, and this value is repeatedly reflected in this drama. Hence, all conflicts here are being resolved through the concept of “prosperity starts from harmony at home” in mind. It is perhaps such simple value that brings the Chinese societies together, and they become united and great overall for the world to envy. This, is the point of the story.
This drama is for viewers who want to learn more about the real face of China, and for viewers who appreciate the beautiful countryside and its tranquility with a laid-back simple lifestyle.
GREAT WATCH!
Was this review helpful to you?
Curiosity Kills The Cat
“Curiosity kills the cat” refers to Zhang Ping (Song Weilong), the Ramen Detective who, time and time again, places himself in great danger in determining to find the truth. Together with the elegant gentleman Lan Jue (Jing Boran), who initially seems like a “fu hei” (black belly) because he crosses the line which Zhang Ping tenaciously upholds, their fate intertwines and they solve cases after cases which provides them with more clues and leads them to unravel a greater conspiracy. The whole drama is intense and fast-paced, sinister with danger lurking in every corner, spurred on by the background music.Acting:
The drama is adapted from the novel "The Case of Zhang Gong" 《张公案》written by Da Feng Gua Guo, on the encounters of the naïve, honest and upstanding Zhang Ping, and the diplomatic and graceful Lan Jue. I love both portrayals. Jing Boran has a natural air of elegance and grace. His Lan Jue is brilliant and convincing. At times of his torment and uncertainty, viewers feel for him and his sorrow. Song Weilong has a boyish demeanor and fits the character of the naïve Zhang Ping. His acting here is very believable and lovable. The other cast members are equally good, especially Wang Duo''s Gu Qingzhang who is mysterious and evil-ish, Guo Cheng's Chen Chou who is a true friend, and Hong Yao's Wang Yan character which unfortunately is only one dimensional.
Plot:
The plot is layered with plot within plot and plot twists. Here we have a power-hungry Empress Dowager, a seemingly useless Emperor, a perverted royal blood who would do anything to get his revenge, an upstanding official who is forced to compromise his integrity due to the rot of the system, and a scholar who is obsessed in solving unsolvable cases. What seem like unrelated cases all lead to a big conspiracy. The attention to detail is laudable, with spectacular crime scenes leaving clues for the discerning eyes. The lavish use of hallucination, hypnotism, illusion and deception further enhances suspense and mysteries. There is also a hint of BL for Lan Jue and Gu Qingzhang which further fools the viewers with Zhang Ping’s reaction. It’s only revealed at the end that Lan Jue is a widower with a son. I’m grateful that there is no infuriating Mary Sue characters.
Music:
The opening music, “Red Bloody Fog”, is interesting, mono acoustic drum beats add on the mystery and suspense. I am actually very impressed by all the OSTs and the background music. Some tunes are upbeat with hope, most are sinister and dark, depicting imminent danger, evil and death. The OST “The World is Blessed” gives viewers an image of the common scenes on the street of the ancient time in the ancient city. The vocals accompanied by piano depict the simple life of the commoners, upbeat, and filled of hope for better tomorrows. I even love the tune sung by Zhang Ping’s shifu, “The Cow Wakes up to Eat the Grass”; I find myself humming to the tune repeatedly. There is an extended use of drums to give the feel of something ominous coming. The drop of each beat signifies a find of a jig-saw piece for the puzzle. The music can be mesmerizing, like the tune “Demon of the Heart”, sending listeners into a trance. In darkness and despair, there is hope because there is a person like Zhang Ping who insists on finding the truth as depicted with his tune on “The Ramen Detective's Noodles”.
My Verdict
A great watch for almost everyone. Don’t miss this wonderful drama.
Bravo!
Was this review helpful to you?
一将功成万骨枯 (Yī jiāng gōng chéng wàn gǔ kū)
“For every champion lie thousands withered bones.” Most of the times, we see only the glory of a champion – an Olympic swimmer, a World Champion gymnast and skater - but we rarely see the struggles, sacrifices, obstacles, pressures, emotional turmoil that each has to endure. This drama brings us behind the scenes and helps us appreciate how such successes come with the price these champions have paid and the sacrifices made.This is a story about setting goals, perseverance, and overcoming failures. It is unexpectedly funny and enjoyable to watch. For the last decades, China has been consistently producing world champions in every sports in particular in table tennis. This drama gives us a peek at how these champions are created. Having played table tennis growing up, I have an affinity for the game and hence have enjoyed watching the matches and prolonged sessions at the table. At the end of each episode, table tennis is being explained in details: the terminologies, techniques, rules, competitions, etc. and I find myself enthralled.
The story depicts two very different characters: Xu Tan (acted by Bai Jing Ting) is scrawny, wimpy and lack of confidence, but kind, humble and friendly; Yu Ke Nan (acted by Xu Wei Zhou aka Timmy Xu), with a powerful athletic physique, is overly confident, arrogant, rebellious, impulsive and hot headed. The story begins when both are 17 years old in 2007, and follows their journey to become champions of the world. This unlikely “ying yang” pair becomes best friends and root for each other especially in their most trying period. Countless times, both get punished but unknown to them, their punishment is actually a form of training that helps them grow, such as raising pigs in a farm and becoming a janitor in a boxing gym. Daily details of the years are well taken care of with changing of technology and apparel over the years, from nameless flip phones to Apple smart phones, from Butterfly sportswear to Nike and Adidas.
The drama dwells deep into the various style of coaching by the national coaches and their relationship with their players. Xu Tan and his coach, Lei Cheng (Liu Zhi Bing), are like father and son. His coach inspires him, helps him discover himself and grow. Yu Ke Nan and his coach, Teng Biao (Wang Jian Xin), are like a pair of good old friends, continue kicking each other’s ass and calling each other names, at the same time, they love and trust each other. There is also a super strict coach who produces top ranking players but such players are also the most unhappy with high injury and burnout rates. Another coach has a soul mate relationship with his player, seeing their own shadows in each other. Every character has its flaws and faces personal obstacles. The development of the characters shows how they overcome their obstacles, grow and succeed.
Acting
Here in this drama, I discover Bai Jing Ting. He nails the role as the wimpy kid that grows to become the world champion. Bai Jing Ting has given us some amazing acting and he is so convincing as a world class table tennis player. Whether it’s his body double or not (I really can't tell), I feel Bai Jing Ting can play the game very well; he has the styles, his actions and shots are perfect. Xu Wei Zhou’s acting here is good too especially when he becomes the adult Yu Ke Nan. Like Bai Jing Ting, his playing of the game is immaculate and convincing, making Yu Ke Nan the most formidable table tennis player in the world. I really love watching them playing the game, and there’s a lot of such scenes to satisfy ping pong fans.
My Verdict
If you’re a sports fan and love table tennis in particular, you’d love this drama as it gives us many amazing real-life games with shots and fantastic camera work. Every smash, every torque, every curve is thrilled to watch and viewers can feel the excitement and satisfaction of the shots perfectly executed.
You’d see how China trains its youth, which is nothing like the western world. The greatest difference is, for the west, winning is for personal glory, whereas for the Chinese, it is for their national pride.
If you have watched “Hikaru No Go” and liked that drama, you may like “Ping Pong Life” too. To be honest, I like “Ping Pong Life” better because I find the character development better and more realistic, and it covers a wider range of three-dimensional characters. I love the part when the two leads begin to build their deeper understanding with each other, they really spend a lot of time, literally tied, together. They learn to feel and trust each other without words and the process in doing so is hilarious and adorable. This process is not captured enough in “Hikaru No Go”.
I really love this drama because it reminds me not to look at the glory of any success. We should not lament why we have not been as successful as others, whether in music, sports or anything else, but rather we should ask ourselves if we are willing to sacrifice everything to achieve success, and that’s the message in this drama.
A wonderful watch. Highly recommended!
Was this review helpful to you?
Amazing story! Inspiring Characters! Incredible Acting!
This is a story with a setting in a closely knitted community in South China in the 80s at the onset of the country reopening its door to the outside world. The drama depicts vividly the life experienced by common folks where street gangsters roamed and interwove into the fabric of the society. Life was tough as the country rebuilt its economy, healed from the devastation of the revolution, and stepped onto the world stage.The Story
The story is narrated from the POV of Yi Dongdong (Niu Junfeng), one of the main characters in the story. He recounts how he has come to meet Ma Xiaoxiao (Tan Songyun aka Seven Tan) and Ou Xiaojian (Xu Weizhou aka Timmy Xu) and how the two have inspired him. Though secretly in love with Ma Xiaoxiao and his love is never being reciprocated, Yi Dongdong is happy with this status quo for years from high school till adulthood.
Ou Xiaojian and Ma Xiaoxiao have grown up together on Mayang Street, a very tightly woven community where everyone knows and helps each other in times of trouble. Both Ou Xiaojian and Ma Xiaoxiao are soulmates and later become lovers to each other. They are role models in their neighborhood and in school with highest ranking in their academic studies. Tragedies strike repeatedly in Ou Xiaojian’s life and he grows up fast. While all the kids around him still in school, wondering what life is all about, he drops out of school, enters the police academy and is thrusted into a world that even most adults cannot handle. Unbeknownst to all, he becomes a mole for the police. To gather information, he hangs out with gang members, rendering everyone thinking he has turned rogue. Daily he’s involved in gang fights and getting hurt bloodily. His mission is to collect evidence to flush out the kingpin of the organization that has a seemingly clean façade, but deeply involved in money laundering, black market, smuggling, human trafficking, frauds, cheating schemes, street gangsters, and it has a giant network that spans to multiple cities and countries.
It is both happy and sad how the story ends. It makes me cry and my heart aches for my hero. I know deep down inside somewhere, Ma Xiaoxiao still remembers Ou Xiaojian dearly and cries for him.
The Characters and The Acting
The Ou Xiaojian character is a very difficult role to portray as he is multi-dimensional. On one hand, he’s a normal kid just like everyone on the same street. He goes through the same growing pains like others. But on the other hand, he has to act tough and fearless to protect those he loves. When he becomes a mole for the police, he has to act like a bad kid to blend in with the gangsters, talking rough and mean. Son of a dead police officer, he has a heavy burden on his shoulder that he cannot let anyone see. Misunderstandings are left unexplained because he can’t; he’s always in a predicament because he doesn’t want to purposely hurt the people he cares for. He is altruistic and magnanimous, and takes care of the kids in the neighborhood and helps them grow like a big brother, he's their guardian angel and everyone looks up to him. He's inspiring and very filial pious. And yet, life is cruel to him. Like his grandmother, I’m constantly fearful for Ou Xiaojian, fearing for him getting hurt again or even getting killed. Though I smile every time he comes on screen, as he gives viewers the security that Ou Xiaojian would take care of everything and everything would be fine, I’m fearful for him. The writer has successfully captured our sympathy for the character and brought out the motherly instinct of the viewers.
Actor Xu Weizhou has a baby face that plays well as the character of a 17-18 year old teenager as Ou Xiaojian. His ‘bad-boy’ aura makes him a very convincing gangster, albeit the best looking one, with a perfect physique even among the many Chinese actors. At 185 cm height, his long legs and strong chest make his every action move extremely good to watch; he’s really an eye candy for many viewers. Either riding his motorbike, running, kicking in fights, wearing his black biker outfits, he exudes a charisma no others can match. By the end of the drama, Ou Xiaojian has become my hero and Xu Weizhou gets enlisted on my favorite actor list.
Ma Xiaoxiao lives just across the street from Ou Xiaojian’s shop/home. They love and care for each other, watching out for each other’s back constantly. Ma Xiaoxiao is mature and commanding. A role model for her street and school, she is their big sister. She pulls the kids up when they lag behind in their studies. She’s their voice in school. Her friends love her and would fight tooth and nail to help her. Just like Ou Xiaojian who sacrifices for others, she sacrifices herself to make dream come true for her sister.
Tan Songyun has done it again, this time as Ma Xiaoxiao, an 18 year-old high school girl. At her actual age of 30, she continues to amaze me for transforming herself into a teenager playing the roles so effortlessly and convincingly.
I really enjoy watching the moments when Ma Xiaoxiao and Ou Xiaojian are together, not doing much, just holding hands, heads leaning on each other or gazing into each other wordlessly. Those moments really create ripples in my heart; their chemistry is exploding.
There are numerous veterans here, and multiple young actors, all giving their tip top performances, bringing alive the characters, making us empathize and love them.
The Official Sound Tracks
This drama produces numerous wonderful sound tracks, in particular the OST We Suddenly Grow Up, reminiscing the bygone childhood from the voice of a youth, and the OST Remembering You accompanied by a harmonica intensifying the melancholy, conjuring memories of a lost love.
My Verdict
This drama is one of those that once you start watching you cannot stop because the characters just pull you in.
This is a story with a lot of complexity. Its characters are multi-layered. Its attention to details is commendable. Many norms of the era are captured and depicted vividly here, such as how precious soda was for a child, how a big deal a pair of blue jeans was, televisions and phones were considered as luxuries. Private facilities were rare and common bathrooms for the whole community were the norm. Or the cooking of spicy or fermented foods that stunk the whole street. People living together like a big family, laughing and crying on each other's shoulder. The family dynamics and interpersonal relationships are being written so well that, these are all the small details that make this drama so relatable and endearing. It does make me ponder what does it mean by “a meaningful life”. Would one be happier living in a community like they do on Mayang Street, or like we do individually away from loved ones? No doubt there is a lot of conflicts living in a community like that – parents and neighbors fighting all the time, and secrets become public knowledge in no time.
This drama brings out the resignation and humor of life. At the beginning of each episode, the writer provides a lesson learned in the ensuing scenes with a fine statement for the viewers to ponder, successfully capturing the experiences all of us may have encountered in life. Sad as it is for a short young life of Ou Xiaojian, we should also celebrate him for living a life that he finds meaning in. The writer has successfully given us a very inspirational character.
A wonderful story that makes you keep thinking about the characters. TWO THUMBS UP!
Was this review helpful to you?
Awkward and Poor Script
If not because of Zeng Shun Xi (aka Joseph Zeng), I don’t think I would have continued with this drama. The writing is weird, the dialogues are weird, the logic is weird, Liang Jie’s acting and character are weird, and the English title is even more weird. The only saving grace is Zeng Shun Xi’s acting and his character which I really like a lot. This drama is set in the Song Dynasty when often the emperors had no heirs of their own and were forced to adopt their nephews as their successors.Zhao Xiao Qian (Zeng Shun Xi) is the adopted son of the Emperor. He and his older brother were brought into the palace to be groomed as the heir to the throne. Then the Empress conceived, and the two brothers lost favor. When the Empress had a still-born, Zhao Xiao Qian’s brother died and Zhao Xiao Qian was banished to Wu Jiang Fu, a city far away from the palace. He is happy living his quiet life, until Xie Xiao Man (Liang Jie) shows up and he falls in love with her. Zhao Xiao Qian cannot marry her because of their difference in their social statuses – he’s a noble and she’s a commoner from the countryside.
Fundamentally, Zhao Xiao Qian is a good person. He's kind and caring, generous and protective towards all the people he cares about. However, he is also hot tempered, entitled, unreasonable, demanding, authoritative and abusive, all an act to cover his pain and anger. Zeng Shun Xi's acting as the explosive Zhao Xiao Qian with a lot of pend up anger is very convincing, and I empathize with this character, despite his initial verbally abusive behavior towards Xie Xiao Man, which I feel she totally deserves. For some reason, Liang Jie’s acting of the Xie Xiao Man character here is not very impressive; she feels awkward and unnatural. I don’t know if her voice is dubbed, but she sure sounds cringey.
This is a story about class struggle and the oligarchy system which imposes injustices in the society with rampant corruption and abuse of power. The writing seems childish, written for young viewers. The characters are very immature with very simple dialogues and logic. Though they later grow to become more responsible and to achieving their dreams, they remain naïve because their thinking is still simplistic. More than 80% of the drama is spent in an academic setting where the characters are acquiring their education. Initially, the theme of equality emerges - one mustn’t judge another by their birth, in particular in gender equality when girls are inspired to nourish themselves with education and contribute to the society. Then this theme fizzles out with nothing much to show.
The writer seems to be flip-flopping with the characters, in particular with the Xie Xiao Man character. On one hand, she is smart, but at the same time, her actions are pretty dumb. She is supposed to be strong and brave, and yet she is so muddle and girly, causing misunderstanding again and again, that she is frustrating to watch.
Overall
This is a youth school drama in a historical setting with a theme that says, “Education is the most powerful weapon” when the characters, boys and girls, are encouraged to value education. Then enters gender equality when girls are inspired to perform as well as the boys and contribute to society. All these fizzle out; the world is still unjust with birth statuses still being the determinant of what one can and cannot do with one's life though Zhao Xiao Qian manages to upgrade Xie Xiao Man’s status so that he could marry her; girls are still being treated as the belongings of men and cannot make their own decisions for their own lives though an independent female businesswoman is being highlighted here; the rich and powerful still rule the world though Zhao Xiao Qian manages to take down some. Flaws and plot holes everywhere, the dialogues are boring and bad. Many viewers find the OTP’s relationship toxic, and they grit their teeth watching the romance development and continuous misunderstandings one after another, and the annoying behavior of Xie Xiao Man that always angers Zhao Xiao Qian. For me, he loves and wants her, and the feelings are mutual (though she also feels insecure), that is good enough for me (boy! I have such low expectation).
Was this review helpful to you?
Let's Go Home For Dinner
“Let's go home for dinner” can even be an appropriate alternative title for this drama. For 48 episodes, the home scene of eating dinner together as one big family perhaps occurs the most times and in every episode. This scene is also the most endearing scene for me as I value family time having meals together as the most enjoyable event in life.This drama is an investigative story with the three main leads working together from different angles to solve crimes and uncover conspiracies. They investigate government corruptions, punish the guilty, exonerate the innocents and save the kingdom. Though they have totally different personalities, they all have one common goal, that is to protect the Ming Kingdom from all dangers within and without, and to stay loyal to the Emperor throughout.
Tang Fan (Chen Kuan Hong or Darren Chen) is a low-level government official with a magnanimous heart. Though poor with a low income, he’s altruistic and generous to people around him. He has a mind of a genius but can be silly all the times, and that’s the fun part watching him getting into trouble, but somehow manages to come out in one piece. Darren Chen has a very beautiful face with delicate feminine features. Together with a slender body, he makes the most beautiful she-man I’ve ever seen. His acting with a bashful smile and puppy looking eyes catches many viewers’ hearts – he’s adorable.
Sui Zhou (Fu Meng Bo) is a calm, firm, forthright and upstanding man. Though cold, he has a warm heart. Time and time again, he covers Tang Fan’s back while Tang Fan helps him solve his investigations. He’s a good fighter and his fighting scenes are so good. A great cook perhaps in real life, Fu Meng Bo’s kitchen skill is applaudable.
I love the eunuch Wang Zhi (Liu Yao Yuan) who is perhaps the most cunning of all. Ruthless and with his enormous power, he’s also the one who helps both Tang Fan and Sui Zhou in every difficult situation they encounter. Liu Yao Yuan has a boyish face and his acting as a talented young eunuch doing all the dirty work for the Emperor and Consort Zhang, Liu Yao Yuan delivers this role convincingly. He’s perfect!
Despite their differences in personalities, all three work seamlessly together. I love the silent relationship they have with each other. Bromance or not, this friendship is utmost precious.
The supporting cast has done a most marvelous job in their respective roles. I love watching that little girl Dong’er (Huang Yang Tian Tian) who is also the adult in the room keeping the boys together in harmony. It is fun to watch how she outsmarts the boys and the disbelieved look on their faces when they are beaten. It is also fun to watch Consort Wan dresses in armor leading a team of girl soldiers to protect the Emperor.
The flashback showing how the three have met doesn’t occur until Episode 35. In this episode, it explains what has happened to their respective lives and how each gets to the current positions they are holding.
Overall, the drama has a very Jackie-Chan style. After all, he’s the director. It is fast moving, funny at times, silly dialogues, and misfortunate coincidences. There are a lot of chasing and fighting scenes, Jackie Chan’s stunts and moves. I like the great martial arts scenes with incredible sword fighting but dislike the background music during those fights. Although there are some minor plot holes, script writing and editing flaws here and there, this drama overall is a great watch. The ending is nicely done with proper closure for all characters and events. As how the final scene ends, I’m not surprised they are hinting for a season 2.
Was this review helpful to you?
Have Lotus House Will Travel
The enchanting tale of "The Lotus House," also known as Lianhua Lou (莲花楼), paints a picture akin to a mobile haven, much like an RV, that has been Li Lianhua's (portrayed by Cheng Yi) cherished abode and means of travel for an entire decade. Amidst the harmonious simplicity of his desires, Li Lianhua seeks solitude and a modest existence. His days are devoted to cultivating sustenance, preparing his own meals, and embodying the role of a wandering country healer, a role that has earned him the moniker of the "miracle doctor" for his rumored power to resurrect the departed. Accompanying him is his faithful canine companion, Húlíjīng (Vixen). This captivating drama is a delightful adaptation of Teng Ping's novel, "The Lotus House with Auspicious Patterns."Each character in this story possesses a clear and unassuming life goal. As Li Xiangyi a decade ago, Li Lianhua harbored ambitions of becoming the world's preeminent swordsman and achieving fame. His aspirations were intertwined with a pursuit of justice and a mission to safeguard the realm. Fang Duobing (Joseph Zeng) embodies the spirited zeal of youth, aspiring to be a valiant hero championing noble causes. On the contrary, Di Feisheng (Xiao Shunyao), a former adversary, remains fixated on challenging Li Xiangyi to a fateful swordfight, unable to reconcile being second-best.
Though Li Lianhua and Di Feisheng initially shunned the complexities of the "jianghu," their apathy is rekindled by the fervor of the youthful Fang Duobing, whose fervent commitment to the world's safety becomes their shared responsibility. Despite disparate backgrounds and personalities, an unlikely bond unites the trio, propelling them on a journey marked by cryptic clues, unraveling mysteries, and unmasking murderers. The threads of destiny interweave, leading to the revelation of a grand conspiracy, ultimately restoring equilibrium and justice to the realm. Amidst the challenges, lighthearted banter and camaraderie flourish, infusing the narrative with both humor and heartfelt moments.
Li Lianhua's character is multifaceted and deeply intriguing. His choice of the name "Lianhua," meaning lotus, initially piqued my curiosity. Once known as Li Xiangyi, he attained early acclaim as a martial prodigy, establishing the Sigu Men sect while still in his adolescence. His dominance in the martial world was unmistakable, yet it bred envy and resentment, straining relationships and leading to his isolation. This path ultimately culminated in solitude and abandonment, prompting Li Lianhua's poignant rebirth as the lotus, emblematic of purity amid adversity. In an atypical narrative arc, the main character's trajectory descends from the zenith, and Li Lianhua's journey captivates through graceful withdrawal rather than audacious ascent.
Li Lianhua's sagacity shines through as he contemplates his imminent departure from this mortal realm. His patient and earnest method of untying emotional knots and offering solemn farewells to those entwined in his life evokes both contemplation and reverence. The poignancy of bidding adieu with grace and tranquility emerges as a poignant motif, enriching the depth of Li Lianhua's character portrayal.
Cheng Yi's portrayal of Li Lianhua is captivating and well within his artistic range. The actor masterfully encapsulates the essence of a character marked by vulnerability and profound sentiment. His synergy with the endearing Fang Duobing and Di Feisheng characters is noteworthy, preventing his character from being overshadowed while complementing the ensemble.
My Verdict
While the drama's pace is brisk and features multiple layers, I had hoped for a more in-depth exploration of the intricate investigative cases, as well as a heightened suspense element. Despite this, the narrative retains a charm that delves into introspection and personal transformation. The story poignantly underscores the capacity for individuals to undergo profound inner change, revealing the resilience of the human spirit in the face of adversity.
While the drama's tone embraces gravity through themes of murder and mortality, its dialogues are skillfully peppered with humor, and poignant yet brief romantic interludes leave a touching impression. The intricate dynamics between Li Lianhua and Qiao Wanmian (Chen Duling) illuminate diverse facets of love, revealing nuances of affection, sacrifice, and perception.
The characters' nomenclature carries an element of playful irony, reflecting the author's wit and ingenuity. The story exudes a delicate charm, its narrative craftsmanship interwoven with themes of transformation, forgiveness, and the fragility of life.
A captivating gem, "The Lotus House" is a worthy addition to your viewing repertoire—indeed, a delightful and enriching watch that should not be missed.
Bravo!
Was this review helpful to you?
愛而不得 "ai er bu de" (Unfulfilled Love)
An unfulfilled love is perhaps the most painful romance there is for a couple in love; it is also one of the seven bitterness in life. The official trailer has prepared the viewers for the ultimate ending of the story, and since episode one, most viewers like myself, brace for a painful and untimely ending in the final episodes. The good news is, this is only perhaps a third of the story told. The rest of the story will be told in modern times, thousands of years later in their next lifetime, and the new drama is currently waiting to be released.This is a touching, beautifully sad story. The female lead and male lead have loved each other so deeply for so many years, and yet they cannot be together. The story revolves around an unstable kingdom with a seemingly weak emperor and a power hungry controlling empress dowager. On top, there are enemies from within and without. No one knows who is foe or friend. Parricides, filicides and fratricides are rampant.
The development of the main couple's relationship from the beginning to the end is sweet and heart wrenching, with both leads mature and somber. As most viewers have already anticipated an ending that is tear jerking, every episode becomes heavy and painful to watch.
Zhou Shengchen (Ren Jialun aka Allen Ren) is an uncle of the then Emperor. To untangle himself from the power struggle within the palace, he changes his family name and barricades himself to guard the western border. He is intelligent, solemn and an incredible fighter. Who is more perfect than Ren Jialun to play this role? Here, Ren Jialun's performance is at his best, with an air of royalty and coldness, yet not lacking his affection for his love and his followers. His styling is also the best of all I have seen of the actor in his historical work. He looks so good and so convincing here. Despite adopting many followers, Cui Shiyi (Bai Lu) is the only one Zhou Shengchen falls in love with romantically, and yet he cannot love her openly and take her as his wife for he has vowed not to be married nor have offspring for life.
Cui Shiyi is the niece of the then Emperor’s teacher and her family holds high status in the society. To protect Cui Shiyi from any danger arises from palace political struggle, she’s sent far away to Zhou Shengchen and becomes his student. Growing up without a father, quickly, Cui Shiyi takes Zhou Shengchen as a fatherly teacher figure and gradually falls in love with him. And yet, fate doesn’t dwell her well.
Like Ren Jialun, Bai Lu’s acting here is also perhaps one of her best. She starts with a very young girl who doesn’t talk, and becomes a fine, mature young lady fit for an empress. Bai Lu has given us a remarkable performance for both her phases as a very young girl and then as a young lady. All the emotions on her face tell the silent sufferings she's going through and the longing for the one she loves.
Ren Jialun’s chemistry with Bai Lu is perhaps the best compared with his other co-stars in other dramas. Both exude the love and longing for each other, and yet they can’t say anything or take any actions. There’re hardly any physical contacts and yet their chemistry is overwhelmingly real that brings tears to the viewers’ eyes.
My Verdict
This is a beautiful romance with a lot of resignations. The characters are intelligent and lovely. The writing is intact and coherent, and the cinematography is good. All the war scenes are well done, in particular, Ren Jialun’s action scenes. Be warned though, the final two or three episodes are painful to watch.
Overall, a wonderful love story not to be missed. Bravo!
Was this review helpful to you?
A Gem Under the Radar
To me, a good drama doesn’t depend on the big names of the actors nor how esteemed the directors are, not even how complicated a story needs be. As long as the story is coherent, the logic makes sense, the actors immerse themselves in their roles, the costumes not garish nor gaudy, the main characters are lovable, and the overall struggles and conflicts of the characters capture my heart and my emotions, this is considered a good drama. The Letter from the Cloud is one such drama.I don’t know the relevancy of the title to the story, which to me is still a mystery after completing the drama. Nonetheless, this is a story about power struggle for the throne that involves a girl whose whole family was wrongly executed by the Emperor, and a royal prince who tries to find his missing mother. They meet and fall in love with each other even though the girl has just got married to one of the prince's cousins who turns out to be a girl disguises as a man from birth. I love all the relationships between the characters here, including the second couple. The villains are in the open from the start, and all evil schemes are planted by the antagonists from start to finish.
Qi Zhang (Xie Binbin) inherited the title Prince Jing upon the untimely demise of his father. He is stationed in the north-west country guarding the border. Intelligent and a great swordman, he is lonesome and distrustful, determined to find his missing mother, so he comes back to the capital to his maternal grandmother’s home to track news of her. Here, he falls in love with a girl whom he initially recruits to work as his spy in his grandmother’s household.
I have liked Xie Binbin since the first time I saw him in Qing Qing Zi Jin. He exudes a clean, innocent and yet authentic aura that attracts viewers. Here as the impeccable Prince Jing, Xie Binbin aces the role. His styling and demeanor are perfect and lovable. His uncertainty, dismay, jealousy, joy, determination and more, are all acted out very appropriately without overacting and yet can stir emotions within the viewers. Excellent acting here.
After the persecution of her whole family, Gu Yi (Wu Jiayi) was adopted by a “Jianghu” doctor and changed her name to Shen Yu. Because of her horrifying childhood experience, Shen Yu becomes obsessed with money and will do anything for a buck. For money, she marries into the Zhou household and crosses path with Qi Zhang and gets hired as a spy for him in finding secrets that concern him in the Zhou household. Shen Yu is intelligent, fast witted and streetwise. With her amazing skills in medicine which she puts to good use later in saving lives and in her investigations.
I really love the Shen Yu character here and Wu Jiayi has given an excellent performance. Her Shen Yu is authentic and human, cheeky and yet relatable, and not too proud to admit to her mistakes and to show her vulnerability to her trusted. How she continually gains an upper hand with Qi Zhang is funny and well executed, and how she makes him jealous is fun to watch. Wu Jiayi is very natural. With her watery large eyes, pouting lips, and extremely contagious smile, she captures hearts. Viewers can empathize with her zeal for finding justice for her family, and her resignation when justice is not being served. Wu Jiayi has carried out her role with full marks.
I also want to applaud the whole cast including the actors who play the antagonists. The villains are being acted so realistically that viewers want to rip the villains' hearts out for the heinous crimes they commit. The cross-dressing is believable as actor Fu Jing (Zhou Yue) gives the viewers a sickly looking man with a raspy voice. A great performance here by all.
My Verdict
This series is said to have been adapted from a web novel. Upon my brief scan, I believe that the original novel involves a character with a name called 锦书 (Jin Shu), literally means “letter” in English. Though the script writing has been diverted from the original novel, the title has not, hence results in a confusing title here. I stand to be corrected.
Though with some details not further explained to clarify some confusions for viewers, the overall story here is rather intact with not that many plot holes. Some tropes, like falling off cliff, are used here and there which doesn’t seem distasteful. The ending is concluded appropriately with every character receiving its deserving ending, and without massive killing off the characters like many Chinese dramas fond to do. For the main couple, a three-year separation spurs their individual growth, and deepens their love and devotion for each other. The background music is cartoonish and helps in accentuating the funny moments and blunders the characters make.
Overall, a drama well done. I have thoroughly enjoyed this series and strongly recommend it to new viewers. Great watch! Don’t miss it.
Was this review helpful to you?
