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Humorous, Beautiful Romance, Super Cute, Fine Acting
I love this delightful drama. It is visually aesthetic, the plot is light but deadly, the romance is cute and satisfying, the acting is on spot and convincing, the comedy is oxymoronic and can be ironic, both male and female leads are good looking, and the second couple is adorable. This is a story about a group of young and talented musical instrumentalists coming together and forming a girl-only heavenly orchestra during the fictional Sheng Dynasty in ancient China. There, little fox meets old fox.Li Sasa (Bao Shang’en) is an excellent first seat pipa instrumentalist. One day while performing, she mysteriously time-travels back to 1,000 years ago. To return to her present life, she needs to divorce a man who mistreats his wife, Li Runiang, her other self, and then to seek out and marry Li Runiang’s true love. After divorcing her good-for-nothing husband and losing everything, Li Sasa is desperate to find shelter so that she can find Li Runiang’s lover. Impressed by her talent, she is taken in by Lu Jingnian (Wu Chengxu) who is in need of a pipa instrumentalist for his team to take part in a very important competition in front of the Emperor.
Lu Jingnian seems like a Casanova on the outside as he’s loved by all the girls in town and he’s very kind and nice to each one of them, and with his colorful and flowery outfits, he earns the nickname “flowery peacock” from Li Sasa. Lu Jingnian is also very intelligent, crafty and cunning, thereby is double named as “the old fox”. Bringing her present-day directness and smartness, Li Sasa seems like a “little fox” to Lu Jingnian. But behind that flamboyant façade, Lu Jingnian is a devoted man, just like his father who finds life meaningless when his wife dies, and follows her in death soon after.
Lu Jingnian has a noble but dangerous mission to accomplish. As he and Li Sasa encounter problems with their team members, mysteries and dangers, each time Li Sasa assists Lu Jingnian overcome the problems, and in turn, Lu Jingnian selflessly saves her multiple times. They fall deeply in love with each other. When Li Sasa realizes she will leave Lu Jingnian and back to her modern life one day, she’s torn. She knows Lu Jingnian would be devastated to lose her. What follows becomes very heartbreaking and the story is being told beautifully with coherent logic.
I must applaud these two very young actors, Bao Shang’en 20, Wu Chengxu 22. This is Wu Chengxu’s second drama playing the main lead and Bao Shang’en’s debut. Their acting is natural and very believable. Despite their relatively inexperience, they have worked hard and put up an excellent show, making viewers falling in love with the characters instantly.
The overall acting by other cast members is good with some more convincing than others. The costumes and interior wall decors are very colorful and beautiful which match well with all the exquisite classical instruments. The ensemble is picturesque, and it feels like looking at a historical painting.
My Verdict
I have absolutely enjoyed this under-the-radar drama. The classical ensemble reminds me of today’s the 12 Girls Band of China. Visually, it’s beautiful and the ancient music is soothing. The romance is cute and humorous, and the acting and story are better than my expectations. Though some scenes are cliché and tropey, I love how the writer uses idioms to express the musical terms, and how coherent the overall storyline and logical the plot are. Cheeky instrumental music with animal sounds are widely used to match the funny scenes. Red eye and fake dimple makeups for the girls take a bit of getting used to for me.
Sacrificing one's life for love seems romantic but unthinkable. Though many people continue to live a fruitful life when the love of their life dies, many also die with their loved ones simply out of broken heartedness. Here, the ending of the ancient lovers feels like the butterfly lovers to me. Having said that, this is not a sad ending story (read comments below for my interpretation of the ending).
Yes, this is a wonderful little gem not to be missed. Romance buffs will love this story. Strongly recommended.
BRAVO!
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The Hands Behind the Power
This drama portrays the life story of Liu E, one of the most prominent empress dowagers in Chinese history (b. 969 – d. 1033). She became the regent of the Song Dynasty for Emperor Zhenzong (reigned 997 – 1022) and later, for Emperor Renzong (reigned 1022 – 1063). Here, Liu E is depicted as intelligent, benevolent, decisive and visionary, far exceeds her male counterpart. Her journey from rags to riches based on historical facts, is interjected with fictional stories and figures.The production cost for this drama is undoubtedly high with well know veteran actors, Liu Tao and Chou Yu Min, and the quality and acting are good. However, the editing is horrendous, in particular, for the first 10 episodes, making everything feel disjointed. There, events move very fast, from one big event to the next, supposedly unravelling over a span of time in days or weeks, even years, but the way the drama was cut, it feels like multiple events happening within the same day or hour, confusing and frustrating many viewers. The drama is said to have 80 episodes originally but drastically being trimmed down to 61 episodes.
Liu E has been portrayed as an evil woman in some literature which contradicts what historians think. In historical records, she was a very smart and courageous woman and had implemented many impressive projects that benefited the nation; her contributions were undeniable. Liu Tao's portrayal here is elegant and strong, and yet not lacking her feminine charisma. Whether or not this depiction is historically accurate, it is anybody’s guess. For me, compared with “Serenade of Peaceful Joy” where Liu E was portrayed in the first few episodes, I find some of the events in “Palace of Devotion” more plausible while others rather far-fetched with the writer’s imagination running wild. For example, how Liu E loses her biological children here seems over dramatic, but the request of wearing the emperor’s attire to a ritual ceremony seems out of place in “Serenade of Peaceful Joy” where a great deal of time is spent in arguing over the subject, whereas here, it becomes a brilliant idea by the Emperor himself to grant the Empress Dowager the status and privilege without much ado. Also how Cao (Empress Cisheng) comes to the life of Emperor Renzong is more believable in this drama than the previous one. However, I do love the dialogues in the former drama (“Serenade of Peaceful Joy”) which are more poise and humorous and the costume there perhaps more accurately depicted given Emperor Renzong was a very frugal person.
My Verdict
This is a rather well-done drama with decent CGIs despite the disjointed editing in earlier episodes and some inconsistencies in the logic of the fictitious events which are meant to spice up the story. Compared with “Serenade of Peaceful Joy”, “Palace of Devotion” is action packed with epic war scenes, spectacular warriors from Song and Khitan-Liao, and the settings are more opulent. The encounter of another great empress dowager, the Khitan Xiao Yan Yan, gives viewers two historically great women with strong personalities and powerful characters that leave deep marks in Chinese history; their intelligence and wisdom well supersede their contemporaneous male counterparts.
This is not a drama of great romance, and yet, Emperor Zhenzong is devoted to his Empress Liu. If not for the need of having a male heir for the throne, he wouldn’t have agreed to sleep with other women. This is pretty rare for a custom notorious for harems with thousand beauties.
Many viewers are also critical of the age of the main actors and complaint of their chemistry, Perhaps, these viewers are very used to having good looking young actors and fireworks type of romance. If so, this drama may not be their cup of tea.
“Palace of Devotion” comes with great character development and nice OSTs, at the same time, not lacking a sense of humor, tragedies and connivance.
Women have been an important force in shaping up societies and in politics. Seeing the two great empress dowagers of the time, a what-if question runs through my mind - what if women were given equal power, would we have a more peaceful and better world today?
Though not 100% perfect, this is a good historical drama for history buffs. I have enjoyed it. Great watch and recommended!
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Precious Chinese History, Poor Editing
The Imperial Age is the story of Zhu Di (Emperor Yongle of Ming Dynasty, reigned 1402 to 1424) from his youth to his death at 64 years old. Compared with other Ming Dynasty dramas, this drama has fewer fictionalized events though some historical events have been watered down to make the characters more appealing, while others have been dramatized for dramatic effects. This version of the story is perhaps closest to the historical records.Zhu Di was the fourth son of Zhu Yuanzhang who was the founding Emperor of Ming Dynasty (reigned 1368 to 1398). His oldest brother, Zhu Biao was the crown prince designated for the throne. As Zhu Yuanzhang and his wife have humble origin as peasants (Zhu Yuanzhang was said to be a monk), the dynamics within the household are like any families of the commoners addressing each other informally. The Zhu household lives in harmony with loving parents and amicable children. Unlike most palace dramas, in this drama, it is very refreshing to watch the informality of parental and sibling relationships, with the Empress personally cooking in the kitchen for her family with no fanfare (there’s no wastage of food as in The Royal Feast, another drama set in Ming Dynasty). Palace life is simpler and happier.
Cheng Yi acts as the juvenile Zhu Di from episode 1 to episode 9. For once, Cheng Yi gets a happy and mischievous role as a prince who is well loved and pampered by his parents and siblings. His acting here is convincing as a 13-16 year old boy and rather funny as he gets paddled on the backside multiple times for his disobedience, and the actor’s bare back is even shown, fleetingly, when he’s being tendered for the wound.
Feng Shaofeng becomes the young 17 year old Zhu Di until his death at 64 as Emperor Yongle. Feng Shaofeng has a very affable demeanor, making the Zhu Di character very lovable, though he looks too mature for a 17 year old initially. Despite that, Feng Shaofeng looks very regal and authoritative, and has the charisma of an emperor. The drama lays out carefully all the events that have taken place prior to the uprising / civil war, and how Zhu Di comes to wrangle power from his nephew and become the Emperor. Ruthless and cruel as recorded in history books, the drama manages to show such cruelty is justifiable and the character is indeed a deserving respectable figure. Whatever it may be, I am not a historian and it’s not my place to judge the accuracy of such depiction. For me, the logic makes sense and ties in very well with the rest of the story and hence to call Zhu Di a great Emperor of his time.
My Verdict
The original version of the drama is said to be 80 episodes long. It is trimmed down to 45 episodes to fulfill the current government requirement. As such, one can imagine how the final product would become with a cut down of almost 50% of the work completed. There are many skipped scenes, making the story disjointed and can be confusing for non-Mandarin speakers. It’s at times like watching a jigsaw puzzle with the tail placed on the face, and the mouth on the rear side.
Despite the horrendous editing, this drama is still very enjoyable for its authenticity to the actual events. Though a palace story, there are no usual harem cat fights, no rivalry and scheming among the princes, but with a lot of resignations, tears and heartaches of losses. Feng Shaofeng has wept multiple times here with a unique wail. There are also long scenes of both the Emperor Hongwu’s (Zhu Yuanzhang’s) and Emperor Yongle’s (Zhu Di’s) accomplishments in their land reform, establishment of secret police (Jinyiwei aka Embroidered Uniform Guard), purging and execution of officials and their families, wars with the north-east, new capital and foreign engagement, military, bureaucratic reform, Zheng He’s expeditions to the south seas (just by-passingly, not in great details) etc. These scenes can be boring for some viewers who are more interested in action packed story telling. Having said that, some details are very funny and humorous. I believe many of such delightful details have been deleted in order to retain the main events for a shorten version of the story.
Emperor Hongwu has 26 sons from his Empress and various concubines, but in the drama, he’s shown to be only with his Empress all the time displaying his devotion to her. Likewise for Emperor Yongle who is devoted only to his wife Empress Xu. Therefore, there are no cat-fights among the concubines, and no revelation of how many concubines perish with the Emperors when they die. All in all, this drama tries to emphasize on devotion among the men and women in the story which may not be a reality.
The battle scenes are very well made though certain scenes have been reused again and again for various different battles. The endings of most of the characters are similar to what have been recorded in history books, with a few exceptions to make them more palatable for the viewers.
The whole cast is commendable, and the official soundtracks are touching and beautiful. If you are a Chinese history fan, you’d love this drama. I have thoroughly enjoyed it despite some of the shortcomings due to the massive editing. The original version (80 episodes) must have been a masterpiece.
Recommended for history buffs. Great watch! Bravo!
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Brotherhood, Self-sacrifice, Touching, Funny, Great Acting
This is an uplifting youth drama. It is humorous and heartwarming with amazing story telling and fantastic acting. There is no romance, which I’m very pleased because I’m tired of the tropey romance that has been churned out repeatedly. This story is about brotherhood and friendship, set in the year of 2005 when flip phones were in use, in a third tiered city north of Beijing close to the border of Korea where the Korean language is widely spoken.Ye Xiaowen (Chen Youwei) is a 17 year old orphan living in the orphanage when Gao Yang’s (Xin Yunllai) father, Gao Bin (Lu Fangsheng), a divorcee, finds him and takes him home to live with them, without telling Gao Yang Ye Xiaowen's background. Gao Yang is also 17 years old and both kids sit together in class and sleep in the same bedroom. At the beginning, Gao Yang cannot understand why his father has taken home a boy whom he has never known, to live them and he’s pretty unhappy about it. In every way, he tries to make life difficult for Ye Xiaowen. Ye Xiaowen is an introvert who doesn’t show his feelings easily and endures all the abuses Gao Yang throws at him. Through misunderstanding and rumors, both Ye Xiaowen and Gao Yang had thought Ye Xiaowen a bastard child of Gao Bin, and this has created hilarious events until Gao Bin proves that he’s not the father. Gao Yang later finds out that Ye Xiaowen is an orphan and since then, he vows to take care and protect Ye Xiaowen with everything he can.
Gao Bin is a PE teacher but he’s not very well disciplined and Gao Yang has no confidence in everything his father does. Ye Xiaowen is a competent long-distance runner and Gao Bin becomes his coach and he aims to help Ye Xiaowen compete and win scholarships to get into his dreamed university. However, due to Gao Bin’s lack of discipline, his son becomes Ye Xiaowen’s second coach and both go through ups and downs together, never abandoning each other. Their relationship grows over the days and brotherly love for each other is solid and genuine. They encourage each other and want the best for each other.
This drama gives the viewers very strong character development, from an undisciplined teacher to a responsible one whom everyone loves and respects, from a lazy and rebellious boy to a hardworking compassionate young adult, from an introvert to a bright, hopeful, striving youth. All the other side characters also undergo strong character development and achieve their dreams.
My Verdict
This is a great story of compassion, selflessness, courage, and brotherhood. It is touching and yet very funny. All the characters are relatable as they are just like your everyday neighbors with similar flaws. There is a lot of genuine care and love with community spirit; everyone watches out for each other. The acting is very natural and believable, the directing and the editing are close to perfection. All the scenes are delightful, and the sad scenes can draw tears because we, as viewers, can relate. Every character has a story to tell and a dream to fulfill. The selection of actors is appropriate and the chemistry between the main leads is wonderful.
There is nothing BL about this drama. To me, the relationship is not even bromance, just simple brotherhood and trust, like a family.
This is a fun drama for the whole family. Don’t miss it!
Strongly recommended!
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A Clueless Shifu with an Unlikable Pouty Face FL
The Journey of Chong Zi is a romance story of a shifu (master) and his beloved student, and the challenges they face. However the female lead character is being so poorly written, interpreted and acted that it renders the drama unimpressive. Plot holes everywhere and are simply being brushed over with bad logic and poor screen play. The immortal sects are gullible with little intelligence, believing in any gossips, and the demon sect is a confusing sorry lot. This is one of those series that can make the viewers vomit blood, and yet I completed watching it, and aged 10 years.The storyline is nothing new as teacher/pupil romance is rather typical and tropey in xianxia stories. We’ve seen it in The Journey of Flower and in various others. The story is basically about the venerable immortal, Luo Yinfan (Xu Zhengxi aka Jeremy Tsui), falling in love with his disciple, Chong Zi (Yang Chaoyue), and their journey of romance, retribution, death, reincarnation, and their eventual confusingly bizarre ending.
Chong Zi is pure and kind despite her birth. Apart from her shifu who is Chong Zi’s true love, Chu Bufu (Gao Han), Qin Ke (Deng Wei), Zhuo Hao (Asher Ma), Mu Yu (Li Daikun) all love her unconditionally and are willing to die for her. Even some female characters such as Yan Zhenzhu (Zhang Keai) and Yin Shuixian (Yang Xinying) love Chong Zi in their own ways. From here, we can deduce that Chong Zi is a very lovable girl. Unfortunately, this message hasn’t come through.
Yang Chaoyue is simply not lovable at all and couldn’t give the viewers an authentic Chong Zi. The actor has a constant pouting face, making her look angry all the time. Even when she’s supposed to be playful and mischievous, she is not funny nor lovable. Yang Chaoyue really has to go back to acting school. The writing of the Chong Zi character is bad enough, made worse by Yang Chaoyue’s unconvincing portrayal. Despite Chong Zi is loved by many in the story, she is not loved by the viewers.
The drama tries hard to portray all the injustices Chong Zi faces that leads to her capitulation into the Ultimate Demon. But all her encounters do not seem dire enough to lead her down that path; she has been misunderstood for most parts as the immortal elders believe in fake stories of her. She’s being blamed for things she doesn’t do, for trivial things she may have done unwittingly, for being loved by her shifu and by most other men who know her. It is really frustrating to watch how such misunderstandings have not been clarified sooner and the perpetrators manage to get away scot-free, again and again.
The reason for her final transformation into the Ultimate Demon is totally unconvincing. After having some blissful days with the man she loves hidden away, she decides to become the Ultimate Demon to protect herself because her man is away for some chores and cannot protect her. That is simply a glaring hole for me.
My Verdict
I pressed on with this series for the sake of Jeremy Tsui though the character he played wasn’t that impressive (what a dumb shifu he was). I give this drama a rating of 7.5/10 to reward myself in completing the story.
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Wang Youshuo Looks Absolutely Stunning
"Dear Mr. Heavenly Fox" revolves around the legendary heavenly fox, Bichuan (played by Lu Xiaoyu, aka Rain Lu), who falls in love with Lingzi (Wang Youshuo), a spirit man destined for sacrifice to save the world. To prevent her beloved from being sacrificed, the fox crashes into the sacrificial mountain, sacrificing herself in the process. This act unleashes evil spirits, and Lingzi takes it upon himself to seal the lord of evil, sustaining fatal injuries and a broken heart in the process. He vows to be reborn as a fox in his next life and love her forever.In this life, Wang Youshuo's character, Zhang Yue, is born as a fox, while Lu Xiaoyu's character, Qi Yuanbao, is the Lingzi, a spirited child, carrying an evil spirit within her. The playful and mischievous Qi Yuanbao, along with her cousin brother Xue Hanyu (Zhou Zhaoyuan), engages in street fights and causes trouble. Many viewers are upset that Lu Xiaoyu is not pretty enough to play the role but I find her portrayal is truly convincing, and I think the casting directors made a great choice because in the story, Qi Yuanbao is said to have a common appearance, with someone even calling her ugly.
One day, Qi Yuanbao accidentally stumbles upon a forbidden place and encounters the heavenly fox Zhang Yue, who is cultivating there. By mistake, she consumes the spirit fruit that Zhang Yue is nurturing with his soul. To retrieve his soul, Zhang Yue follows Qi Yuanbao to the human world and becomes her teacher.
Zhang Yue's striking good looks and suave demeanor attract numerous admirers, including Qi Yuanbao, who falls deeply in love with him. Though initially embarrassed by her forwardness, Zhang Yue can't help but feel a connection with her and eventually falls for her. As the story unfolds, he becomes her protector and willingly sacrifices himself for her. Wang Youshuo delivers a heart-wrenching performance, truly nailing his role.
Amidst various villains seeking to harness the power of the evil spirit for their own gain, the entire cast portrays their characters convincingly. I was especially impressed with the story of the second couple, which is filled with bickering and explosive moments.
My Verdict
Although the drama has a cheesy title, the romance between the fox and the human is undeniably intriguing. However, there are some plot holes and instances of poor writing and editing, leading to confusing scenes that lack explanations. Characters facing life-threatening situations sometimes act nonchalantly, which seems illogical. Additionally, the dubbing doesn't always match the characters' mouth movements, creating a disconnect between audio and visuals.
The drama does end with a twist that results in the demise of beloved characters, followed by an abrupt resurrection scene, which feels somewhat bizarre. Perhaps to appease some viewers, a bonus episode with an alternative ending was added. Despite these shortcomings, "Dear Mr. Heavenly Fox" remains a highly enjoyable drama, especially thanks to the mesmerizing portrayal of the heavenly fox by Wang Youshuo. Overall, I would recommend giving it a watch!
Bravo!
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The Sunset Boulevard
If you have elderly parents, grandparents or great grandparents, you sure can relate with the characters in this drama, each is realistically written with a story to tell. This is a story about a phase that all of us will eventually face one day, that is growing old. It’s frightening for many but inevitable, yet the drama has made it funny, blunting the pain of reality, at the same time, capturing all the details, good and bad, happy and sad, as we may eventually come to terms with when we grow old ourselves.Sunshine Home is a nursing home taking care of the elderly from all walks of life. Some are ill with dementia and disability, some don’t have children to take care of them, some don’t want to burden their loved ones, but all have a story to tell. This story is told from the perspective of Ye Xiao Mei (Wu Qian aka Janice Wu). How she has come to inherit the senior home from her grandmother is heart-wrenching. As a passionate manhua (comic) artist, Ye Xiao Mei is reluctant to get involved in her grandmother’s mission. However, she eventually comes to understand what that mission signifies and she knows she has the duty to continue her grandmother’s legacy. And life in the senior home has also become the inspiration of her manhua story.
Ye Xiao Mei is intelligent, independent and strong. When others have given up in dealing with certain recalcitrant elderly, Ye Xiao Mei always finds a way, especially with the help of Guo San Shuang (Bai Jing Ting). With her compassion and firmness, she defuses tense situations involving various players. She has no qualm in getting her hands dirty, helping the elderly in their daily needs, dealing with foul temper old men and picky old ladies, and calming anxious ones. Wu Qian (Janice Wu)’s portrayal is amazing. As an actor, she naturally possesses that firm, no-nonsense attitude with a calm hand that fits perfectly into the role of the director of a nursing home. She is so natural and authentic that I have enjoyed every moment of her performance.
Guo San Shuang (Bai Jing Ting) is originally a health supplement salesman who is desperate to meet sales quota, and has scammed the elderly whom he sells products to. His conscience calls, quits his sales job, comes to help Ye Xiao Mei and lives in the Sunshine Home. Guo San Shuang is cartoonish, to say the least. He is compassionate, intelligent with unlimited resources to solve all kinds of difficult problems for Ye Xiao Mei. His sincerity infuses with silliness melts all hearts.
Bai Jing Ting is such a versatile actor. From a wimpy kid (Ping Pong Life) to a police SWAT (You Are My Hero) to a salesman in this drama, he has it all. His acting is immaculate and convincing. Having an adolescent face with youthful energy, Bai Jing Ting’s Guo San Shuang is lovable and funny. He is comical most of the time with funny facial expressions, silly words and deeds, and he is unabashed. He provides the much needed humor that softens the cruel reality of life.
Ye Xiao Mei’s and Guo San Shuang’s romance is slow burning. In actual fact, there is hardly any visible romance at all, though Guo San Shuang is pretty blatant in counting himself as Ye Xiao Mei’s boyfriend and her family his. Though denying their special relationship openly, Ye Xiao Mei’s feeling for Guo San Shuang is undeniable too but she refuses to give him the joy in admitting she is his girlfriend. Therefore, in a way the romance is mutual but implicit, like couples getting to know each other so well that they don’t need to declare their love for each other anymore. They do things together all the time and they share everything. In time, they become part of each other. They know deep in their hearts, they have each other.
Throughout the drama, sharp tongues are thrown everywhere with piercing comments. The dialogues are hilarious, witty and unforgiving, and yet cute and endearing. The dynamics between the old and the young, friends and friends, are incredibly well written and executed. Being young like a grandson to all the residents here, under different circumstances, Guo San Shuang is often being addressed as “sun zi” which has a double meaning; one means grandson and the other is derogatory. It is this type of humor that makes viewers laugh out loud in the midst of chaos.
This drama boasts some very fine veteran actors. Their acting is natural and convincing as if they are the real characters themselves. Overall, the acting by the whole cast is amazing and believable.
Every character has flaws; some more so than others. How the dynamics between the characters play out help make them (the characters) alive, realistic and relatable. Learning and growing are not limited to the youngsters. Even the elderly continues to learn and grow and become better persons.
The sound track “Fearless” (Go Ahead) is played, appropriately depicting the inner voice of Ye Xiao Mei when she faces the biggest challenge of her life – succeeding her grandmother as the Director of Sunshine Home.
My Verdict
This drama boldly tells a story many shun – old age, dying and death. The writing is heart-wrenching and yet very funny. This is a very realistic story that all of us have to face one day and live through. The characters are real, with people from all walks of life, making a living with all kinds of trades – salesmen, debt collectors, scammers, etc. Some are decent people, some are despicable. The elderly is the group that is often forgotten by society. They are gullible and desperate, hence vulnerable, a perfect target for scammers which is highlighted here.
Though old and frail, at Sunshine Home, they are not lonely; they are being loved, cared for and cherished. This is their haven where they seek solace and maintain their dignity.
Life is bitter, and sweet, at the same time. All it takes is the perspective to have more of, or less of, either. Some of the characters here are positive and their lives tend to be sweeter, even when they meet challenges. Some are more negative, and they are bitter, draining themselves and the people around them. As old people were also once young like us, and we will grow old ourselves eventually, we need to be more compassionate towards them and empathize with them, and that's the message of this story.
A well written drama that deserves to be cherished. A great watch!
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Annoying Secondary Characters
Let me go straight to the points. For me, this is an annoying drama. Despite the fact that Deng Lun is one of my favorite actors, the story, dialogues and acting (apart from Deng Lun’s) are definitely lacking. Most of the characters are super annoying, making me want to throw the pillows at the TV most of the time. The story seems to go around and around. The logic of the story and characters is outrageous and unfathomable. On top of that, the dubbing is super bad with lips not synching. Everything is a cliche and predictable.Having being so critical of this drama, to be fair, I want to praise its music which is pretty good and I have truly enjoyed it.
If you have better dramas to watch, don't waste time on this one unless you want to watch Deng Lun, or you like Republic era dramas.
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No One is Above the Law
"The Legend of Anle" is an engaging drama that centers around Ren Anle, a courageous pirate seeking justice against the Emperor, who falsely accused and executed her entire family, along with 80,000 military men. The story also delves into her complicated romance with the Crown Prince of Great Jing, to whom she was betrothed since birth. Can one truly love someone whose family has caused so much pain and suffering to one? Adapted from Xing Ling's novel "The Emperor's Book," this drama features Dilraba Dilmurat as Ren Anle, portraying her with authenticity and charm.As the playful and forthright Ren Anle, and later as the determined and resolved Di Ziyuan, Dilraba's acting is truly convincing. Alongside her, Gong Jun shines as Han Ye, the virtuous and selfless Crown Prince. Despite some criticism, his performance exhibits good chemistry with Dilraba, showcasing the complex dynamics of their relationship.
The entire cast has been thoughtfully chosen for their respective roles, and the high-quality costumes and props reflect the dedication of the production team. The beautiful and touching OSTs add to the overall appeal of the drama, making it a captivating watch.
However, it's fair to mention some negative aspects of the drama. There are instances of plot holes and childish logic, which might detract from the viewing experience. Additionally, repetitive narratives stretching into many episodes can lead to viewer fatigue (eg. Ren Anle harps about her 30,000 navy force as dowry, Han Ye insists that he would only marry Di Ziyuan, Di Cheng’en laments that she has suffered on the mountain for 10 years, Ren Anle laments of the 80,000 dead Di soldiers, etc.). Nevertheless, the character development remains consistent, even with some changes from the original novel.
My Verdict
While the drama primarily focuses on scheming, revenge, espionage, and war, the last three episodes gracefully shift towards the main couple's romantic journey. Overall, "The Legend of Anle" may not be flawless, but it is still a decent and worthwhile watch. So, if you're a romance fan or a fan of Dilraba or Gong Jun, don't miss out on this one!
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Fast Moving Action Packed with Tons of Romance and Humor
When the drama concluded, I was very pleased with the ending. I thought all the beloved characters were safe and sound despite everything they had endured. But then, I started hearing complaints that the ending was AI-generated and completely altered the original story’s conclusion. This is unfortunate because the more I read about the original version, the more I prefer it. I wish the production team hadn’t made such dramatic changes to such an intriguing and lovely story.This is a tale about demons and humans coexisting. Though it’s an action-packed adventure, it’s infused with humor and romance. I loved everything about this drama—the characters, the acting, the setting, and the cinematography. Even the CGIs were very well done and believable. The storytelling is impeccable, with intricate details and revelations that respect the audience’s intelligence.
The story unfolds in four main arcs: the Mirror Demon arc, the Puppet Demon arc, the Painting Demon arc, and finally, the "Who Am I" arc. Each arc is richly detailed, blending humor, Chinese folklore, and cultural elements. Most importantly, through these arcs, we see the romance between the main leads blossom and the characters grow. Each arc also explores a universal human fear and the lessons learned from it.
In the first arc, Banxia (played by Song Zu’er) is timid and unsure of herself. But by the final arc, she becomes strong and courageous. Though initially easily frightened due to her traumatic childhood, she’s never an annoying weakling—she stands up against injustice and helps the vulnerable. The Mirror Demon arc also delves into the fear of losing beauty with age, driving people to seek eternal youth—a deeply relatable human concern.
The second arc takes our characters to a scenic resort where everything is so tranquil that one could lose themselves in its lifestyle forever. It also explores society’s obsession with perfection, as the antagonist seeks the ideal human features—eventually fixating on Banxia. This arc exposes how the pursuit of perfection can lead to immorality and crime.
The third arc is about the Painting Demon. It creates a "Groundhog Day" scenario where people inside the painting live the same day over and over—never aging, never dying. This reflects humanity’s quest for immortality, but when viewed from the outside, seeing each day repeat endlessly, eternal life somehow becomes meaningless. It’s eerily similar to how we sometimes live our own lives, stuck in monotonous routines—only this time, we see it reflected in a painting.
The final arc poses a question we often ask ourselves: "Who am I?" If given a choice, what would we choose? This is Xuanye’s dilemma: Should he choose duty over love, leaving his beloved to suffer, or choose love and let the world fall into ruin? In the AI-generated ending, he picks duty, but in the original version, he finds a way to have both—love and the world.
In every arc, I love how Xuanye’s intelligence allows him to piece things together before the truth is revealed. And when he misses something, Banxia fills in the gaps. Their romance is subtle yet unmistakable—there’s no ego or pride between them. They’re honest with each other, openly expressing their displeasure and communicating their thoughts and desires.
Both Ren Jialun and Song Zu’er are seasoned actors. Though there’s an age gap (Ren Jialun is 36, while Song Zu’er is 26), Ren Jialun looks youthful enough to match Song Zu’er perfectly. Most importantly, their chemistry is amazing—especially Song Zu’er’s unapologetically bold demeanor with her co-star.
Final Thoughts
Right after the finale, I applauded the ending. I thought it was satisfying that Xuanye rewrote the story, undoing the deaths of beloved characters. But after reading viewers’ insights about the original ending, I started having second thoughts. As much as I didn’t want those characters to die, having Xuanye reverse everything in less than half an episode—especially with an AI-generated conclusion—feels messy and emotionally hollow. Now, I agree with many viewers: the story should have stuck to the original ending, keeping the tragic deaths but giving Banxia and Xuanye a better life together.
Action-packed, infused with humor and romance, great CGI and cinematography, stellar acting, well-developed characters.
Despite my mixed feelings about the ending, I still love this drama and highly recommend it to everyone.
Two thumbs up. A must-watch!
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An Epic Drama!
I'm hooked to this drama from the beginning. The production is fantastic. Amazing sound effects, wonderful cinematography, authentic costumes/makeup. Everything feels like one of those high budget productions like "The Great Wall", and other Hollywood movies. The warriors are big and fearsome, and the wuxia fighting choreography is beautiful and real.This is a complicated drama. There are multi-facet developments. There is a lot of manipulation of the mind, rendering one questions oneself what is right and what is wrong, and for the sake of survival, is there such a line (right or wrong), is it (right and wrong) important anymore. These are the questions that keep haunting me long after I finish watching each episode.
The acting by all actors is most impressive; it is almost flawless, to say the least. Each plays his/her role convincingly. I love the seemingly naive but warm-hearted Yu Ran who wants best-friend-forever relationship with her two best friends despite she falls in love with one of them. She would go anywhere to search for them and to ensure their safety. I love the focused Ji Ye who wants to become successful and make a name for himself. He would go out all his way to achieve his dream, except, he would not betray his best friends. I love Lu Gui Chen for his love of humanity, and would not condone anyone who threatens it. His love for his two best friends has never wavered.
The settings of this drama are equally impressive, with the use of large scale human power, costumes, background props, landscape. Everything seems so realistic that you may feel you're actually standing right in front of the dry desert, or the steppes, or the palaces. Even the CGI is very well done and leaves few flaws.
The music is dark and mysterious. The drum and horn of war is menacing. The scale of the battle field is breath taking – I’ve never seen such a grand scale. Only Chinese movies/dramas can produce such grandness. The battle horses and the knights supersede any Hollywood/western productions of similar grandiose. All actors, in particular, the supporting ones, are amazingly convincing – the cunning ones are very cunning, the devious ones are very evil, the righteous ones are unbending, the upstanding ones are selfless.
Having said all these, towards the end, I find myself not crazily in love with any of the characters, including the 3 main ones. Not that they are not lovable, but I find them to be not as well developed; they have not captured my heart. In fact, I find myself loving Ying Wu Yi (aka Li Gong) more than anyone else. He is brave, upstanding, ruthless and yet fair. He does not stab anyone on the back like the others do. He is hated and feared by everyone but faithfully loved by his own men. Even Lu Gui Chen and Ji Ye respect him deeply.
The whole drama centers around warfare and politics, and at times, I feel suffocating. There is so much bloodshed, and men playing politics with others' lives on the line. The use of dark forces, zombie soldiers and scarab beetles can be frightening and yet brilliantly produced with similar vibe as in the Hollywood movie, "The Mummy". It is both dark and mind-provoking. Romance is pretty limited. I don't feel any heart wrenching love, passion and longing. Nonetheless, this is still an epic production.
My final verdict:
Despite what I have written earlier, at the end of the drama when all episodes are aired, I was asking myself, "That's it?" Who wins the final battle? What happens to all these other people? Who is now in charge of the Wings clan (Yu Ran's clan)? Is Jie Ye the leader and protector of the Tian Ju group after Asule entrusts him with the power? Does Princess Xiao Zhou really marry the mentally handicapped prince? Where is Ying Wu Yi? What happens to his daughter who is in love with Jie Ye? So many unanswered questions. There is no closure. After episode 56, I was still checking to find out if I was wrong about the number of episodes. No wonder I saw some comments online asking, "Where is episode 60?" I didn't realize it meant this until now.
Overall:
If you like warfare, politics, dark forces versus the light , this is a must watch!
With such an open ending, I'm not surprised that the production company is planning for a sequel or some sort. For me, I don't think I'm waiting for it as anxiously as I am for others. It is such a pity for this high budget production drama with all the epic scenes, quality sound effects, costumes and everything else, to end up like this, unloved.
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Girl Power – Delightful and Inspiring
Despite being set with a background of a royal harem in a fictional world, this drama exudes positive aura throughout, without the typical and tiring hair-pulling cat fights commonly seen in historical palace dramas. “New Life Begins” describes a utopia where girls band together to help each other, freeing themselves and achieving their goals, realizing the adage “unite is power”. Most of the characters are lovable, albeit with flaws, and their growth is distinct, from being weak and helpless to being strong and courageous. The story is inspiring and comforting.Centers around Xin Chuan, one of the nine kingdoms, and its sixth Prince, Yin Zheng (Bai Jingting)’s household, the story contrasts each kingdom which has its individual unique characteristics, features and cultures, with Xin Chuan being the leader of the pact. To build cordial relationships with all the other kingdoms, the King of Xin Chuan wants his sons to marry noble girls from the various kingdoms. He calls for the kingdoms to send their best eligible girls. Li Wei (Tian Xiwei) is selected and sent to Xin Chuan; she is reluctant, for Li Wei doesn’t want to marry a man she doesn’t love, and she wants a one-man-one-woman marriage with equal rights practiced by her home kingdom whereas Xin Chuan still follows the traditional polygamous system.
Among all the noble girls, Li Wei seems to be the least favorable for she tries to wriggle out of the wife selection process. Despite that, she is chosen by Yin Zheng the 6th Prince as a “side” wife, for Yin Zheng wants to maintain his low profile by marrying a girl nobody wants. Yin Zheng looks sickly and to survive in the back-stabbing treacherous palatial world, he blends himself into the background that nobody takes notice of. What seemingly an unlikely relationship, Yin Zheng and Li Wei fall in love with each other.
Li Wei is intelligent, compassionate, and down to earth. She provides Yin Zheng with practical ideas and helps him maneuver and eventually get noticed by his father, the King. How she makes friends with Yin Zheng’s “proper” wife and the wives of his brothers, all of whom later become her business partners and they help each other to become independent, is very inspiring. Tian Xiwei’s Li Wei is natural and believable. She has given a wonderful performance here.
Bai Jingting’s Yin Zheng is equally great. The actor is very pale and slim and does look sickly, which is perfect for the Yin Zheng character. Under that weakling skin, Yin Zheng is intelligent, well-read and a competent fighter that no one is aware of. Despite he has two wives initially, he is devoted to Li Wei only; his relationship with his “proper” wife is cordial and platonic. Bai Jingting has been one of my favorite actors. His acting range is very wide, from a ping pong champion in Ping Pong Life, to a special taskforce police officer in You are My Hero, to a silly and humble character in Octogenarian and the 90s, and to a historical prince in New Life Begins. He immerses himself completely into all his characters, giving viewers very convincing and lovely performance in each. He is always subtly funny.
Each prince has his story with his wife/wives. Most of their stories are hilarious and relatable. For example, the fifth Prince loves his wife and is helpful, but he can’t get a thing right; the third Prince has multiple wives but can never get their names straight. All the other characters are lovable, even the antagonists are pitiful, and the whole cast is very believable. Though despicable, the second Prince who is groomed to succeed the throne, and the fourth Prince, extract sympathy from the viewers when they get into trouble.
My Verdict
This is a heart-warming drama with girls helping girls, and trying to change the male-centered system. All the girls are intelligent, courageous, and independent. Despite their unfavorable environment, they don’t self-pity nor fight among themselves but help and take care of each other. This eventually makes the group strong and enables them to be financially independent, maintain their dignity and eventually change the society to a fairy one. This may sound very feminist to many viewers, nonetheless, it's one of those easy and delightful story that can cheer viewers' mood.
Romance wise, the chemistry between Bai Jingting and Tian Xiwei is pretty good and sweet. There is also a very lovely second couple here with a very funny relationship.
The message: No matter where one comes from, be it Iran, Afghanistan, Pakistan, China, or even the open west where girls are being suppressed and their rights infringed, only when girls unite and work together, great things can be achieved, and dignity maintained.
Easy watching and entertaining. Recommended!
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I want to vomit blood
Brace for the most annoying second male lead (2ML) and second female lead (2FL) characters. This drama practically has the most annoying supporting characters and yet they are very prominent in the story. The story started off pretty decent with an unconventional princess and a great male lead played by an actor I have come to love. To watch, viewers need to have a lot of patience. If not, you would want to strangle many characters here, maybe even including our FL and ML at times.The acting by the two main character is actually not too bad - Ju Jingyi is her usual self with pretty the same kind of demeanor and unconventional costumes and head ornaments, and Zeng Shunxi (Joseph Zeng) is very lovable and convincing. But poor writing has made them look very bad at times, and resulted in their inconsistent acting and dialogues.
Both the 2FL and 2ML are super super annoying with a lot of screen time. The 2FL is obsessive with no dignity and the 2ML is also obsessive, super annoying and dumb. Though there are multiple lovable second couples, they are mostly one-dimensional and have rather poor acting skills.
My Verdict
Everything seems to have gone wrong with this drama, starting with a baffling English title, Rebirth For You (what the heck does it even mean?) The writing is so bad, lazy and inconsistent. The directing is haphazard and continuing angering me as the director doesn’t seem to care how viewers feel. The dialogues are boring and predictable. The war scenes are lazy and unconvincing with repeated scenes. For the supposedly final “big” battle for the finale, there are only a few people standing around. Plot holes everywhere with flaws that the editing team doesn't even bother to hide. The whole thing is like a non-serious, half-baked, kiddie costume drama that makes me roll my eyes until they hurt.
Watch it for Zeng Shunxi and Ju Jingyi if you’re their fans, just be prepared to protect your computer/TV screen so that you don’t accidentally smash it.
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Love Triangle with Impressive Characters & Story
Among the recent Chinese historical mystery and detective dramas I've watched, Under the Moonlight stands out as the most realistic. Unlike many other series that feature elaborate and sophisticated murders, this drama focuses on crimes driven by greed and corruption—reflecting a more grounded and plausible portrayal of society. The production quality is impressive, with exquisite attention to detail in the costumes and set design. The music and background settings are authentic, elaborate, and meticulously crafted.Plot Summary
Luo Shu (Hu Bing Qing) was sold to the Qin family and later to a brothel as a child after losing her parents in a fire. Ever since, she has attempted escaping, but a hidden force continuously prevents her from leaving. One day, with the help of County Commissioner Han Mu Zhi (He Peng), who is drawn to her intelligence and courage, she finally manages to break free. Recognizing her keen observation and wit, Han Mu Zhi enlists her help in solving a case where women seeking divine blessings for pregnancy are deceived and impregnated by men posing as disciples of the gods. Due to the shame associated with such crimes, no victims had previously come forward. Luo Shu plays a crucial role in bringing down the criminal organization, after which she requests assistance in restoring her status as a commoner to escape the lowest caste of society.
To protect her from being recaptured by the brothel while awaiting her official documents, Han Mu Zhi allows her to stay at the commissioner’s station. Over time, Luo Shu becomes an unofficial constable, using her sharp mind to assist Han Mu Zhi in solving numerous local crimes. They fall in love with each other.
Setting and Themes
Set in the Ming Dynasty, when societal norms were deeply conservative and women were discouraged from appearing in public, Luo Shu disguises herself as a man to conduct investigations. Although most people around her are aware of her true identity, Qi Meng Lin (Zhai Zi Lu), a spoiled brat from a wealthy and powerful family, remains oblivious, leading to humorous and endearing interactions. As the story unfolds, Qi Meng Lin eventually discovers her identity and falls in love with her as well, leading to a love triangle and delightful dynamic between the three.
Unlike many mystery thrillers that revolve around intricate and sensational murder plots, Under the Moonlight presents cases that feel authentic—crimes such as spousal murders, neighbor disputes, cheating, and human trafficking. The drama effectively portrays a rigid class hierarchy where the wealthy wield power with impunity while the poor are trampled upon with no voice. Luo Shu’s ability to solve these cases through keen observation and critical thinking is depicted realistically, making her journey even more compelling.
Characters and Acting
Since I am not very familiar with the lead actors, my evaluation is based purely on their performances in this drama.
Luo Shu (Hu Bing Qing)
Luo Shu is portrayed as brave, intelligent, and selfless. Hu Bing Qing brings the character to life, though at times, I find her facial expressions somewhat lacking. Certain emotional moments—such as fear, anger, and sorrow—could have been conveyed more vividly. It’s unclear whether this was a deliberate choice in writing or a limitation in the acting, but a greater range of emotions would have added depth to her performance.
Qi Meng Lin (Zhai Zi Lu)
Of all the characters, Qi Meng Lin is my favorite. Zhai Zi Lu delivers an outstanding performance, capturing the essence of a young, spoiled, and narcissistic nobleman who remains optimistic despite the challenges he faces. His interactions with his servant, Lian Shu (Yu Yao), are particularly amusing—Lian Shu, despite being a servant, essentially controls Qi Meng Lin’s finances and frequently reprimands him for his extravagant spending. Their dynamic adds a lighthearted and charming element to the show.
Han Mu Zhi (He Peng)
Han Mu Zhi is a principled and serious man who despises corruption and refuses to bow to the powerful. However, He Peng's portrayal comes across as somewhat rigid, with minimal facial expressions, making him appear almost robotic at times. Given He Peng’s strong performance in The Untamed as Wen Chao, I suspect this stiffness is an intentional aspect of the character rather than a flaw in the acting. Nonetheless, subtle moments of emotion—particularly regarding Luo Shu—hint at a deeper complexity beneath his stoic exterior.
There are several morally ambiguous characters whose true nature remains difficult to discern. The writers skillfully use both character development and acting performances to maintain this sense of uncertainty, keeping viewers engaged until the final reveal.
Final Thoughts
The historical authenticity enhances the viewing experience, making it one of the most visually immersive dramas. The costumes for all characters are carefully designed and highly believable, contributing to the overall realism of the show.
Among the contemporaneous dramas I’m watching (including Flourished Peony and Everlasting Longing), Under the Moonlight is my favorite. The story is highly relatable, and the acting, despite some inconsistencies, is the best among them. I thoroughly enjoyed the series.
Unfortunately, it remains underrated on kisskh, with only a small audience recognizing its brilliance. If you’re looking for a well-crafted historical mystery with realistic cases and compelling characters, Under the Moonlight is a hidden gem worth watching.
Highly recommended!
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一婿二赘 (yī xù èr zhuì) - The Son-In-Law
A “zhui xu” (赘婿) is a man married into a woman’s family and their offspring would adopt the wife’s family name to continue her bloodline and would inherit her family’s status and fortunes. This is usually done when the woman’s family does not produce a legitimate son for an heir. Such practice is common in ancient and modern-day China, especially for wealthy families. The 一婿二赘 here means one man being married into 2 women’s families which is very unusual, and that makes this story very interesting.Li You is married into a wealthy family as a “zhui xu”. However, he is looked down on by his wife and her family and they constantly bully, belittle and beat him. One day, he is beaten so badly that he loses consciousness. In his coma, he dreams he returns to ancient times and becomes a low-level constable. He brings his modern-day knowledge and impresses many with his resourcefulness, intelligence and most of all, his poetic ability. He always seems to compose poems on the spot that describe the situations at those particular moments. He gains fame and many become his allies including his superiors.
Two men, a merchant and a military official, are looking for “zhui xu” (sons-in-law) for their daughters, one a business woman while the other a martial artist. Both fathers choose Li You for their daughters because of his amazing talents. As it turns out, Li You is forced into two marital contracts that none would agree to rescind. Li You’s boss, the magistrate, rules informally that Li You oblige both marriages by alternating his nights between two wives. Li You accepts the arrangement with one caveat: if he excels beyond his fathers-in-law in terms of wealth and status in three years, his marital status would be reversed, and he is no more a “zhui xu”, thereon, his wives would follow him into his “Li” household.
As the days go by, Li You helps solve many administrative issues and with his martial art wife, he cracks criminal cases for the magistrate and gets his promotions one after another. At the same time, his business acumen helps his business-minded wife in expanding their business and profits. Both women fall in love with him because he is kind and gentle to them. And for Li You, he also falls in love with both women with no preference for one over the other.
This drama hasn’t caught much attention in MDL, probably because of unavailability of good English subtitles at the time of this writing. But the lack of attention is also most likely due to the choice of the male lead actor, Guan Yunpeng who may not have a wide fan base. “Zai Xia Li You” is the first drama for Guan Yunpeng playing a main role. Though not as good looking as the other more popular and prominent actors, I find the choice very appropriate. Guan Yunpeng looks like a wimpy kid who is exactly the character of Li You. His timidness and helplessness with fast-to-please demeanor, and at times his courage and determination, are all well performed and believable.
The whole cast is well selected though most of the actors have low public profiles. Each actor carries out his/her respective role very convincingly. Having said that, I find at the beginning scenes in modern times, the characters are overexaggerated and overacted (I almost dropped this drama because of the overacting). Fortunately, such cringey acting only lasts for a few minutes and has not affected the overall performance that comes later.
My Verdict
This is an interesting story of a wimpy character that turns into a hero as he grows. However, the script has multiple plot holes. One of the characters, Li Huan, a singer, seems to have a background that crosses paths with the antagonists, but her plot arch has never been explored and developed for closure. The motives of the antagonists are also not compelling and the ultimate villain behind all the heinous schemes is yet to be revealed and brought to justice. The ending of the dream is satisfactory. However, Li You is still in a dream when the story ends in present time; he remains at status quo in reality (still a lowly "zhui xu").
For romance buffs who believe in a one-to-one relationship for a man and a woman, this story may not go down well with them as Li You loves and cares for both wives equally and receives the same admiration and love from the two wives who are amiable to each other.
For a drama which does not boast popular actors with elaborate spending, I’m surprised by its beautiful soundtracks which the production did not skim on. The detailed explanation and analysis of the poems used in each episode are impressively elaborated at the end of the episode. It is very enlightening to understand the contemporaneous culture, life and feelings of the respective poets through their poems.
Overall, this is an unexpected drama that I have enjoyed. It provides a decent watch in between shows and deserves some attention. Poetic with an interesting storyline. Don’t miss it!
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